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Click here to subscribeA George III mahogany breakfront sideboard, the satinwood crossbanded top with boxwood and walnut inlay, above two central drawers flanked by cupboard door and a further drawers, raised on square tapered legs and spade feet, 90cm high, 222cm wide, 68cm deepPlease refer to department for condition report
A Victorian burr walnut davenport, T.H.Filmer and sons, boxwood inlaid, the hinged top with pierced gallery, enclosing pigeon holes, above hinged flap enclosing pull out desk, with side cupboard door enclosing four drawers, raised on castors, with brass makers plaque, 84cm high, 62cm wide, 55cm deepPlease refer to department for condition report
A Victorian ebonised credenza, circa 1860, marquetry and ivory inlaid, the central door with neo classical design depicting figures and mythical beasts, flanked by two glazed doors, Corinthian column supports, raised on plinth base, 111cm high, 198cm wide, 43cm deepIvory submission reference: FMP7XHNEPlease refer to department for condition report
An Edwardian Sheraton revival satinwood parquetry display cabinet, with all over trellis parquetry, fitted single glazed door enclosing two glass shelves, on splayed supports, serial number '02213' stamped on inside of door frame, 133cm high, 61cm wide, 30cm deepPlease refer to department for condition report
A George II Welsh oak country dresser. The dresser has a boarded rack above with three fitted shelves. Below is a single plank top with three drawers. The central drawer is smaller and the cupboard door below is dummy, the others open to reveal a spacious shelved interior. Approx. 198cm x 168cm x 49cm.
A 19th Century Italian mahogany and specimen wood inlaid ladies Bonheur de jour writing table desk having a double glazed door cabinet vitrine top with shelf set within and Neoclassical inlaid ladies decoration the the exterior. Further inlaid detailing the single drawer base with all raised and supported on straight tapering supports. Measures approx; 113cm x 90cm x 43cm.
A 19th Century Victorian mahogany longcase grandfather clock having an arched glazed hood housing a hand painted dial with central Roman numeral chapter ring. Flame mahogany case with single door above a stepped base with all raised on bracket feet. Some feet loose. Measures approx; 226cm x 51cm x 23cm.
A 19th Century Scottish mahogany cased mahogany longcase grandfather clock. Arched pagoda topped hood with reeded columns flanking the circular enamel dial painted with Roman numeral chapter ring and set with faceted hands. The trunk with flame mahogany door and all raised on small bracket feet. Measures approx; 204cm x 44cm x 22cm.
Holland & Sons (stamped) - An original 19th Century large mahogany upright pedestal cabinet having a shaped gallery top, moulded decoration and fielded panel to the single drawer opening to reveal a fitted interior with series of shelved. All raised on plinth base. Top of door stamped. Measures approx; 130cm x 77cm x 45cm.
An Imposing Carved Walnut Display Cabinet, circa 1880, the upper section surmounted by laurel leaves and a hawk with carved crown cresting below, the arched glazed door enclosing later metal apertures, all between fluted pilasters, the base with an arrangement of drawers with conforming carved columns, on a platform base, 155cm by 65cm by 316cm
A Kingwood and Gilt Metal Mounted Vitrine, late 19th century, in Louis XV style, of serpentine shaped form with moulded top above a central glazed door enclosing a velvet lined interior with two plate glass shelves, three Vernis Martin style painted panels below, on cabriole forelegs with gilt foliate mounts and sabots, 82cm by 40cm by 178cm
Peter Haese, "Girl next door" & Uli Pospiech, Torso/weiblicher Halbakt, 2 Mischtechniken/Acryl, gerahmtPeter Haese, *1936 Berlin, lebt und arbeitet in Kandel/Pfalz, dtsch. Maler, von 1958-1965 Studium an der Staatlichen Akademie der Bildenden Künste in Karlsruhe: Malerei bei HAP Grieshaber, Plastik bei Prof. Kindermann, 1990 Heinrich von Zügel-Kunstpreis für Malerei, vertreten in der Pfalzgalerie Kaiserslautern, Arbeiten in der Staatskanzlei Rhld. Pfalz/Mainz, hier: Expressives "Girl next door", Acryl/Papier, 100 x 70 cm, sign. u. dat. 96, verso bez., unter Glas gerahmt & Uli Pospiech, *1955 Wiesbaden, lebt und arbeitet in Weinheim an der Bergstraße, Malerin und Bildhauerin, sie wurde ausgezeichnet mit dem Preis der Stadtwerke Frankenthal, dem Preis der Bildhauer-Sommerakademie Strausberg sowie dem Preis des Ministerpräsidenten des Landes Rheinland-Pfalz, hier: Torso einer unbekleideten Frau, Mischtechnik/Öl auf Papier, 70 x 50 cm, sign. u. dat. 2000, frei gerahmt im weißer Leiste, gesamt: 105 x 75 cm
PAIRE DE TORCHERES LOUIS XVI EN BOIS SCULPTE ET DORE DANS LE GOUT DE GEORGES JACOB FIN XVIIIe - DEBUT XIXe SIECLEA PAIR OF LOUIS XVI CARVED AND GILTWOOD TORCHERES IN THE MANNER OF GEORGES JACOB LATE 18TH - EARLY 19TH CENTURY The stop-fluted baluster foliate shaft surmounted by a circular tray with beaded and lappeted border above water leaves and gadrooned support, on a hexagonal recessed panelled base with delicate scrolling foliate sprays, the lower section composed of three addorsed sirens holding the reeded vase shape apron, on a concave fronted triangular plinth centred by rosette and edged with tip-leaf moulding, on bun feet, partly regilt, differences to carving , 52cm wide, 161cm high (20in wide, 63in high). Footnotes:These finely carved torcheres, or tripods for vases reflect the late 1770's fashion for decorating the grand 'Salons' of the last quarter of the 18th century in Paris. They are related to four stands commissioned for every corner of the 'Salon de Musique' of Comtesse Marie-Léopoldine Pàlffy, Princesse Kinsky (d.1794) following the building of her hôtel in rue St-Dominique in Paris in 1770. The Kinsky torchères, slightly earlier in dating, were designed by the sculptor and designer Gilles-Paul Cauvet (1731-1788), carved by Pierre Gontier and gilt by F. Mathon. The commission included also a music stand carved in the same manner, so to have a coherent designed suite to the newly furbished room. The music stand is now conserved at the Château de Versailles, illustrated in Pierre Arizzoli-Clémentel, Le Mobilier de Versailles. XVIIE et XVIIIE Siècles, Tome 2, Dijon, 2002, p.237. A pair of Kinsky torchères were sold Christie's London, 22 November 2007, lot 100, from the Collection of the Marquis and Marquise de Ravenel, (sold GBP 558.100 inlcuding buyer's premium). The torcheres here offered are stylistically reminiscent to the designs brought in by ornemanistes such as François Joseph Bélanger (1744-1818), and by Jean-Demosthène Dugourc, his brother-in-law. Belanger was the first architect of Comte d'Artois as from 1777, while Dugourc was appointed in 1780 'dessinateur du Cabinet de Monsieur, frère du Roi' for who he looked after the remodeling and embellishments of the various interiors owned the Comte d'Artois.In 1782 Dugourc published an album of ornaments entitled 'Arabesques', which opened the door to a new fashionable taste of the early 1780's. A new taste composed of mainly delicate female figures ending in lavish acanthus motifs, reminiscent of the bases carved on our torchères. A design for a project of decoration of a 'cabinet à la française' for the Pardo, project which was never executed, shows in prominent position a pair of torchères of similar style with closely related tripod bases. The fashion for the 'turqueries' or 'goût turc' was initiated by the comte d'Artois in Paris during the mid-1770's with the creation of his boudoir turc in the Palais du Temple in 1776. Georges Jacob (1739-1814) was actively carving suites of seat furniture to the new exotic designs of Etienne-Louis Boullée, a stylistic revolution was taking place at the time in Paris, characterized by the celebrated console table for the second cabinet turc of comte d'Artois at Versailles, carved with addorsed sirens at the top of the supports by the talented Georges Jacob in 1781.For further information on this lot please visit Bonhams.com
A rare pair of George III satinwood and marquetry inlaid cabinets, the burr walnut crossbanded top above single cupboard door inlaid with central fan patera and harebells to border, enclosing three adjustable shelves, the base section with two drawers raised on square tapering supports to spade feet, 158cm high, 70cm wide, 42cm deep (2)Provenance: The Geoffrey and Fay Elliot collection. Please refer to department for condition report
A Leica M6 'Year of the Rooster' Rangefinder Body,1993, chrome, serial no. 1995973, body, VG, shutter working, some light pitting to the rear film door, complete with paperwork and maker's box Note: Celebrating the Chinese year of the Rooster. Made by request of the Schmidt Group, Asia Leica reseller. Only 268 cameras produced. Note: This lot incurs VAT, due to being imported into the UK, at a preferential rate of 5% on Hammer Price and the prevailing rate of 20% on Buyer's Premium. This is not applicable to bidders if Flints exports this lot outside of the UK.
A 17th century joined oak court cupboard with carved cornice raised on turned pilasters flanking a pair of flowerhead carved doors centred by a double arch fielded panel, the guilloche carved base with a pair of lozenge moulded doors flanking a foliate carved panel, over a central door flanked by lozenge panels, raised on stile supports, the sides panelled. 56' wide x 67½' high x 21½' deep
AN EARLY 18TH CENTURY STYLE OAK BUREAU ON STAND OF SMALL PROPORTIONS the upper section with a double arched cornice, above a pair of mirrored doors, opening to an interior fitted with twelve small drawers, a central inlaid door and niches, the fall front beneath opening to a green leather lined writing slope, and enclosing seven further small drawers, the bottom section with two short and four long graduated drawers, on turned legs with carved paw feet, 160cm high x 62cm wide x 32cm deep
Victorian mahogany bookcase, moulded cornice over three plain glazed doors over three cupboard doors with shelved interior, length 173cm, width 43cmCONDITION REPORT:Height 228cm, depth 43 cm, length 167cm. It is in three sections, cornice, shelves, and base. The middle door has a pin hinge. overall in nice condition very slight blemishes through use and age.
19th century mahogany bookcase, plain cornice over a pair of astragal glass doors above twin cupboard doors, shelved interior, length 131cm, width 54cmCONDITION REPORT:glass pane broken, corner damage to top corner, some slight splitting to front door, overall minor chips and blemishes commensurate with age and wear - see further images on line
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