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Click here to subscribeAn early 19th century oak and mahogany crossbanded longcase clock, by G. Cox of Whitehaven, the swans neck pediment above the arched glazed door enclosing the 13 inch arched painted dial with Roman numerals, with date aperture and 30 hour movement by G. Cox, Whitehaven, flanked by turned columns, with three quarter length trunk door with cluster columns and with conforming base. Height 82.5 ins.
A George III oak and mahogany crossbanded longcase clock, with swans neck pediment above the arched glazed door enclosing the 11 inch square dial with spandrels emblematic of the four seasons, with silvered chapter ring with Roman numerals and with date aperture and thirty hour movement by Barwise, Cockermouth, flanked by turned columns, with full length crossbanded trunk door flanked by fluted column corners and with conforming base. Height 89 ins.
A late 19th century oak mantel clock, with pineapple finial to the arched case, with glazed door enclosing the 6 inch arched brass dial with advance and retard mechanism to arch, with silvered chapter ring and two-train movement, with pierced grilles to either side and raised on short brass scroll feet. Width 10 ins.
A Victorian mahogany breakfront triple wardrobe, with detachable moulded cornice above a central mirrored door with foliate carved arched surround opening to a series of trays and drawers and flanked on either side by a panelled door enclosing cloth lined hanging space and with plinth base beneath. Width 86 ins, height 83.5 ins (see illustration).
A George III mahogany longcase clock by Robert Williams of Wrexham, with swans neck pediment with brass flaming torch finial between above the arched glazed door enclosing the 15 inch painted dial with spandrels emblematic of the continents, with moon phase to the arch, Arabic numerals, subsidiary seconds dial and date aperture and with eight day striking movement, flanked by cluster columns, the long triple arched Gothic trunk door with vase and cover medallion and with conforming base raised on bracket feet. Height 101 ins.
A George III mahogany longcase clock by William Taylor of Whitehaven, the swans neck pediment with brass terminals with ball and steeple finial between with shell carving beneath, the glazed door enclosing the 12 inch square brass dial with Roman numerals, subsidiary Arabic numerals, date aperture, with thirty hour movement by William Taylor of Whitehaven, flanked by simple columns, the arched trunk door with moulded edge above a conforming base raised on bracket feet. Height 83 ins (see illustration).
A George III oak longcase clock by Thomas Pearson of Berwick, the swans neck pediment above the arched glazed door enclosing the arched painted dial with Roman numerals and subsidiary date and seconds dials and eight day movement, flanked by simple columns, with long arched trunk door beneath and conforming base. Height 83 ins.
An early 19th century oak and mahogany crossbanded longcase clock, inscribed to the dial "John Fearon, Cockermouth", with swans neck pediment above the arched glazed door enclosing the 13.5 inch painted dial with Roman numerals, date aperture and 30 hour movement, flanked by turned columns and with short crossbanded trunk door beneath and with conforming base. Height 92 ins.
An early 19th century grained pine longcase clock, the arched hood and glazed door enclosing the 12 inch arched painted dial with Roman numerals, subsidiary seconds dial and date aperture and two-train movement marked "Falmouth", makers name rubbed, with Walker & Hughes false plate, flanked by simple columns with long arched trunk door and conforming base. Height 80 ins.
An Arts & Crafts oak sideboard by Shapland & Petter, with three quarter gallery inlaid to the centre with a circular stylised tulip panel and with pierced sides above the angled front fitted with three drawers flanked on either side by a panelled cupboard door also inlaid with stylised tulip motifs and with elongated planished brass hinges, with corner brackets beneath and raised on stile legs terminating in spade feet. Width 55.25 ins (see illustration).
Oak mirror back sideboard with two drawers over two cupboards, carved panels to door on barley twist front legs and stretchers. Back panel with centre mirror, two carved panels wither side with plinth above supported by two barley twist supports. Brass drop handles. 122 cm wide x 163 cm high.
CHARLES RENNIE MACKINTOSH (1868-1928) FOR GUTHRIE & WELLS, GLASGOW OAK PRESS CUPBOARD, CIRCA 1894 the moulded and projecting cornice above twin doors with fielded panels and with applied decorative strap hinges, later handle (incomplete), over central drawer flanked by two short drawers, each with patinated steel drop handles, raised on short square legs 146.5cm wide, 185cm high, 43cm deep Provenance: Walter W. Blackie and by descent, and from whom bought directly by the family of the present owner. Literature: Billcliffe, Roger `Charles Rennie Mackintosh: The Complete Furniture, Furniture Drawings and Interior Designs`, Moffatt 2009, p. 30, ill. 1894.3 Note: Billcliffe notes a similar example in cypress in his catalogue raisonné; left by William Davidson at his death but possibly previously owned by Mackintosh along with other furniture from his house at 78 Southpark Avenue. This example is now thought to be untraced (see illustration). The current lot is almost identical in form with strapwork hinges and other fittings and is the only other known example. The door handle has been replaced, presumably in the 1920s.
ERNEST ARCHIBALD TAYLOR (1874-1951) FOR WYLIE & LOCHHEAD, GLASGOW MAHOGANY BEDROOM SUITE, CIRCA 1900 comprising a wardrobe, the projecting cornice above a frieze carved with Glasgow roses in bas relief, above two central doors each inset with two stained and leaded glass panels depicting Glasgow roses, over two short over two long drawers and flanked by mirrored doors raised on a plinth base, 222cm wide, 64cm deep; also a MATCHING WASHSTAND, with tiled rectangular top above twin panelled doors with corresponding carved Glasgow roses, 121cm wide, 77cm high, 56cm deep; a BEDSIDE CABINET, with three quarter gallery above a single panelled door on square legs linked by stretchers; and a WALL MIRROR, to match (formerly from a dressing table), 67cm wide x 106cm high (4) Note: E.A. Taylor was born in Greenock, Scotland, one of seventeen children. He was initially apprenticed as an engineer and designer in the shipbuilding firm Scott and Co, working there until 1898. He then began studying at the Glasgow School of Art, where his fiancée, Jessie Marion King, was also a student. Taylor began work as an interior designer, being particularly influenced by the stained glass and furniture designs of Charles Rennie Mackintosh. He gained employment with the Glasgow cabinet-makers, Wylie and Lochhead, winning great acclaim for his furniture at the 1901 Glasgow International Exhibition. This brought him two major commissions, where he made prominent use of stained glass in his interiors. In 1902, Taylor and King worked together on a series of stained glass panels for the Turin International Exhibition of Modern Decorative Art and, by 1907, Taylor was working as head of furniture design at Wragge and Co, marrying King the following year. The couple then began concentrating on art, moving to Paris where they established an art school known as the Shieling atelier. Prior to her marriage, Jessie M King had purchased a house at Kirkcudbright, and at the outbreak of World War I she and Taylor returned there. Here, they became involved in the Kirkcudbright art community, which was seen as the “Scottish St Ives.” Taylor continued to play a major part in the Kirkcudbright art scene until his death in 1951
An early 19th century oak long case clock with mahogany cross-banding and ebony line inlay, the hood with swan neck pediment and turned reeded columns, the trunk with quarter turned reeded pillars and ogee arched three quarter length door, on bracket feet, with painted dial and 8 day striking weight driven movement, height 89"
A late Victorian/Edwardian 3 piece bedroom suite comprising a dressing chest with bevelled shield shaped mirror between 2 jewel drawers with 2 short and 2 long drawers, a ledge back wash stand with single drawer and cupboard doors and a hanging wardrobe with central mirrored door with flanking decorative fruit/foliate inlays and a single large drawer below
A late Victorian Aesthetic style walnut three section wardrobe with inlaid Greek key borders and ebonized banding, the moulded pediment above a large mirrored door enclosing sliding trays above two short and three long drawers, flanked by a pair of fielded panel doors with incised and inlaid medallions, on a plinth base, height approx 231cm, width approx 241cm.
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