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AUSTRALIAN CRICKET: Arthur Chipperfield (1905-1987) Australian Cricketer. Vintage signed sepia 2.5 x 5.5 photograph of Chipperfield standing outdoors in a full length pose on the steps of an RAC building. Signed in bold, dark fountain pen ink across a light area at the base of the image. A couple of very slight smudges just affect two letters of the signature; Ben Barnett (1908-1979) Australian Cricketer. Vintage signed postcard photograph of Barnett standing in a full length pose at the open door of a motor vehicle. Signed in dark fountain pen ink with his name alone to a light area of the image. Together with James Braid (1870-1950) Scottish Golfer, Open Champion 1901, 1905, 1906, 1908 & 1910. Pencil signature (`yours Respectfully, Jas. Braid`) on a small, slightly irregularly clipped piece. Neatly laid down. G to VG, 3
Century 21 Toys Ltd. Gerry Anderson`s Captain Scarlet and the Mysterons Spectrum Patrol Car: friction drive plastic car, red with black interior and driver and passenger figures, length 25cm. Missing aerial, tail fin, luggage and missiles. Overall G (back window loose and catch on one door hinge damaged) in G box, together with a Timpo Captain Scarlet Lieutenant Green figure (VG). (2)
OO gauge Airfix locomotives: 4x 54170-5 Central Pacific Jupiter 4-4-0 tender; 54171-8 Union Pacific No. 119 4-4-0 tender. Together with Airfix rolling stock: 4x 54051-5 Wild West Adventure Trap Door Coach; 2x 54051-5 Wild West Adventure Exploding Car; 54270 Union Pacific Box Car.G/VG, boxed. (12).
Six wooden display cabinets: 4 x wall-mounted green cabinets with perspex sliding door to front and three glass shelves, width 53.5cm, height 47cm, depth 26.5cm (two with stickers to sides) and 2 x free-standing wood-effect cabinets with glass sliding door to front and a wooden shelf, width 46.5cm, height 32cm, depth 17cm (one with labels stuck to shelf). Appear VG.
Butterflies and Moths: a twelve-drawer pine/deal cabinet with glazed door, 50.5cm wide, 86cm high, containing a selection of British butterflies and moths, including: Clifton Non Pareil good Tigers and Footmans Hawls 8x Camberwell Beauty See illustration With Class Licence WCA Schedule 5/Habitats Reg
A Victorian Twelve Drawer Figured Walnut Butterfly Collector`s Cabinet, circa 1890, the arched glazed door enclosing equally sized shelves with ebonised mushroom turned handles, each numbered 1-12 with glazed lids, containing a varied collection of mainly British butterflies and moths, including High Brown Fritillary, various Blues, British Swallowtails, and moths including Tiger Moths, 45.5cm by 32cm by 82cm See illustration With Class Licence CL07/2012/002
A Railway Station Wall Clock, signed W Rothwell, Liverpool, Southport and Preston, L.Y.R 2243 Southport Junction Railway, circular case with side opening door (bottom door missing), 12-1/2-inch painted dial with Roman numerals, single fusee movement with anchor escapement, 41.5cm high see illustration
A Mahogany Wall Timepiece, J Hall & Co, 56 King St, Manchester, circa 1850, circular top with side and bottom opening doors, side door with an old label inscribed W John Hird, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates and anchor escapement, 38cm high see illustration This clock is sold with a letter from a clock dealer stating it was acquired from a John Edwards who sold it on behalf of a Mrs Mcpherson. By repute, the Mcpherson family, who moved from Ambleside to Shropshire, are directly related to Beatrix Potter.
A Mahogany Eight Day Longcase Clock, signed John Rickard, Exeter, circa 1830, arched pediment with later added ball finials, well figured arched trunk door, plinth raised upon bracket feet, 12-inch painted arched dial, seconds dial, date aperture and signed, arch with moonphase, four pillar movement with attached Finnemore & Son false plate, anchor escapement and rack striking on a bell, 216cm high
A Mahogany Eight Day Longcase Clock, signed John Watt, Irvine, circa 1820, with swan neck pediment, fluted brass capped columns, arched trunk door flanked by fluted pilasters, rectangular plinth raised upon bracket feet, 14-inch one piece arched silvered dial, centre with seconds and date dials, arch signed, four pillar movement with anchor escapement and rack striking on a bell, 212cm high see illustration
An Oak and Mahogany Eight Day Longcase Clock, signed Coats Wigan, circa 1770, swan neck pediment, turned columns, mahogany crossbanded trunk door, plinth with raised quatre form panel and upon later skirting, 13-inch square brass dial, matted centre with seconds and date aperture, four pillar movement with anchor escapement and rack striking on a bell, 227cm high see illustration
A Mahogany Chiming Longcase Clock, the caddied hood with Corinthian capped columns, wavy shaped trunk door flanked by inset fluted pilasters, plinth with raised panel and upon bracket feet, 13-inch arched brass dial, seconds and date dials, arch with rolling moonphase (inactive) and later bearing inscription in the arch Thomas Tissier Corrall Lutterworth, triple weight driven movement with anchor escapement, quarter chiming with six hammers onto a nest of six bells and striking the hours on a larger bell, 226cm high (dial and movement later) see illustration
A Mahogany Eight Day Longcase Clock, signed Jno Furnis, Yarmouth, circa 1790, arched top pediment with brass finials, stop brass fluted columns, moulded trunk door flanked by stop brass fluted pilasters, raised panel to the base (feet missing), 12-inch one piece arched silvered dial, floral engraved dial centre with date aperture and seconds dial, arch signed, five pillar movement with anchor escapement and rack striking on a bell, 218cm high see illustration John Furniss is recorded working in Yarmouth circa 1781. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.116.
A Mahogany Eight Day Longcase Clock, with flat top pediment, Corinthian capped fluted columns, arched moulded trunk door flanked by inlaid canted corners, plinth raised upon later feet, 12-3/4-inch arched brass dial, arch with silvered plaque later bearing inscription John Craig Carrigill, four pillar movement with anchor escapement and rack striking on a bell, 214cm high (dial and movement later) see illustration
A Mahogany Eight Day Longcase Clock, signed Thorndike, Ipswich, circa 1790, with pagoda pediment, brass stop fluted capped columns, moulded arched trunk door, plinth with raised panel and upon bracket feet, 13-inch painted arched dial, centre with seconds dial and signed, arch with rolling moonphase high water at Ipswich, four pillar movement with anchor escapement and rack striking on a bell, 245cm high see illustration
A Mahogany Chiming Longcase Clock, signed William Cole, Weston Super Mare, circa 1900, with swan neck pediment and central carved mask, lattice blind fretwork to the front, pierced side sound frets, turned columns, trunk door with bevelled glass and flanked by carved mask and fluted pilasters, plinth with blind fretwork sides and recessed central panel, upon carved claw feet, 13-1/4-inch silvered arched brass dial, elaborately decorated with scrolled pierced work to the centre and borders, chapter ring with applied Arabic numerals, dial centre with seconds and signed on a silvered plaque, strike/silent selection positioned at 9, arch with two dials for chime/silent and Westminster/Whittington/St Michael chime selections, massive triple weight driven movement with deadbeat escapement, quarter chiming with eight hammers striking eight tubular bells and a larger hammer striking a further tubular bell for the hours, 248cm high see illustration
A Mid 18th Century Joined Oak Press Cupboard, probably North Wales, the plain frieze with inverted turned finials, with two fielded cupboard doors and conforming sliding door, the lower section with three frieze drawers above two large fielded panel doors, raised on stile feet, 144cm by 57cm by 179cm See illustration
A Fine Louis XV Style Kingwood, Brass Strung and Basque Breccia Marble Top Five Piece Bedroom Suite, initialled ``M``, comprising a mirror door wardrobe with frieze drawer below and carved stiles, 115cm by 52cm by 260cm, a marble top commode of five long drawers, 123cm by 56cm by 96cm, a marble top bedside chest of four drawers and central niche, 36cm by 42cm by 92cm, a 5` rail bedstead with acanthus carved finials, and wall mirror with arched bevelled glass plate, 95cm by 71cm
A Japanese Ivory Okimono, Meiji period (1868-1912), of a man wearing loose robes holding a fruit bough, a bag in his left hand, a small child dancing at his feet, on a shaped oval plinth, incised signature, 15cm high; and A Japanese Ivory Table Shrine, the hinged door opening to reveal a seated figure, on a rectangular base, the whole carved with birds and foliage, 35cm high (2)
A Louis XV Style Kingwood, Floral Marquetry and Gilt Metal Mounted Vitrine, early 20th century, of serpentine shaped form with staged top and central glazed door richly inlaid with flowers enclosing a velvet lined interior, raised on cabriole forelegs with gilt foliate sabots, 89cm by 47cm by 167cm See illustration
A Louis XV Style Kingwood and Tulipwood Meuble d`Appui, late 19th century, with inverted brocatelle violette marble above a central glazed door and pair of conforming doors above a shaped apron, flanked by canted stiles, ormolu cast mounts, sabots and scrolling toes, 135cm by 42cm by 97cm See illustration
A Robert ``Mouseman`` Thompson Oak Grandfather Clock, the movement with 11`` square brass dial and silvered Roman chapter ring, twin weight driven, labelled Sinclair Harding, Cheltenham, the oak case with a flat top and carved running detail to the sides, glazed rectangular trunk door and moulded plinth, with carved mouse signature, 196cm Purchased on the 16/12/1975.
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235302 item(s)/page