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Lot 1246
A 19th century gilt metal and porcelain mounted marquetry and ebonised credenza, slightly oversailing top above a rectangular door applied with an oval plaque painted in the manner of Sevres on a bleu celeste ground, bowed ends with glazed vitrine sections, bun feet, 108cm high, 165cm wide, 40cm deep, c.1870
Lot 1388
A George III oak and mahogany crossbanded longcase clock, 30cm square brass dial inscribed Winstanley, Wigan, Roman and Arabic numerals, subsidiary seconds dial, date aperture, engraved to the centre with memento mori hourglass, 30 hour movement striking on a bell, swan neck pediment, shaped rectangular door to waist, ogee bracket feet, 218cm high
Lot 1688
A William IV oak longcase clock, 29.5cm arched painted dial inscribed T&J Hallam Nottingham, the arch painted with a lion, the spandrels with flowering cornucopia and vases, date aperture, 30 hour movement striking on a bell, the case with swan neck pediment, brass capped Doric columns, lancet arched door to waist, skirted base, bracket feet, 206cm high, c.1835
Lot 1461
A late Victorian ebonised vitrine, in the Louis XV Revival taste, moulded top above a rectangular glazed door enclosing shaped shelves lined in crimson velvet, cupboard to base, carved in relief with flowers, scrolling acanthus and trellis, cabriole legs, paw feet, 179.5cm high, 79cm wide, c.1890
Lot 1599
A substantial early 19th century mahogany longcase clock, 39cm arched enamel dial inscribed John Prior, Nerfield, painted with the last supper, the numerals represented by the twelve disciples, subsidiary second and calendar dials, twin winding holes, eight day movement striking on a bell, ting-tang quarter strike, the elaborate case with conjoined swan neck pediment, spirally turned pillars, triple ogee arched door to waist, 258cm high
Lot 1770
An Edwardian Sheraton Revival satinwood crossbanded mahogany and marquetry bureau, fall front enclosing a small door, pigeonholes and small drawers, above three long graduated drawers, brass swan neck handles, outlined throughout with boxwood and ebony stringing, bracket feet, 94cm high, 76cm wide, 44cm deep, c.1905
Lot 366
A George I style walnut and burr walnut escritoire, with feathered cross banding, the moulded cornice above a cushion frieze drawer, over a single door opening to reveal a fitted interior of a cupboard drawers and recesses, above three long graduated drawers raised on bracket feet, 170.5cm high, 86cm wide, 42cm deep.
Lot 82
A reproduction mahogany and inlaid dining suite comprising an oval extending table, central panel with floral and swag inlay to twin tripartite pedestal support, length when extended 213cm, six matching shield-back chairs with wheatsheaf decoration to tapering supports and peg feet, upholstered in midnight blue velvet and a matching serpentine front sideboard, single frieze drawer with cupboard door to either side with inlay throughout, to tapering supports and peg feet, 92 x 180cm (8). CONDITION REPORT Age-related wear to all of the pieces, in the form of surface scratches and wear to the cupboard doors where they open. Similar damage to the table with some lifting to the border of the inlay, some loose and missing pieces.
Lot 189
A late 19th/early 20th century German Winterhalder & Hofmeier walnut-cased alarm timepiece of rectangular form, the door enclosing a white painted square face set with Roman numerals, retailer's name L. Beaver, Manchester, two wind holes and alarm disc, the movement stamped W&B/SCH, with bell strike and keys, height 22cm and a French Edwardian Japy Frères mahogany-cased mantel clock, the white enamelled dial set with Roman numerals, height 14cm (2). CONDITION REPORT Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
Lot 113
A mid-20th century walnut display cabinet, the central cupboard door flanked by a pair of astragal glazed doors, on carved bracket feet, 107 x 123 x 31cm. CONDITION REPORT The top is scratched and marked, back possibly replaced. The right hand lock does not work with either of the two keys - looks like one key is missing.
Lot 1
A mid-20th century rosewood sideboard comprising two pairs of cupboard doors, fitted four drawers with shelves beneath, on a plinth base, 83 x 203 x 48cm. CONDITION REPORT CITES certificate no.595543/01.The top has various water marks and light surface wear, some scratches and fading. The right-hand door has dropped slightly and is difficult to close, but does close. Some mould to the interior, which appears to be wipeable.
Lot 192A
A Lenzkirch late 19th century walnut-cased eight-day mantel clock, fretwork decoration to either side, the silvered and gilded dial set with Roman numerals, height 39cm. CONDITION REPORT The left-hand side fretwork panel has some losses and some further damage. Further scuffs and scrapes throughout the case and further wear to the silvered chapter ring. No key to open the glazed door, clock key present. Scratches to case, minor dents, chapter ring tarnished and scratched. Pendulum is present, strikes on a coil gong.Please note that this lot is not suitable for our in-house postage service.We would recommend booking a collection slot for this lot or contacting Mailboxes Etc for postage of this lot, their details can be found on www.adampartridge.co.uk/services/postage-shipping/
Lot 125
A production-used clapperboard from David S. Goyer's action-horror sequel Blade: Trinity. The clapperboard consists of an acrylic slate with a wooden clapper fixed to the top. Pieces of tape have been applied to some of the fields on the slate, and feature handwritten text, including the production title "Blade III (Trinity)" and the names of director David S. Goyer and additional-photography cinematographer Steven Bernstien. Dated "Nov 17, 2003", the back of the clapperboard features an adhered image of a door with Bernstien's name on it, and his autograph is situated below in black ink. The lot shows minor wear from use, including scuff marks on the arm, scratches on the acrylic, and remnants of dirt on the tape. Dimensions: 2.5 cm x 28 cm x 23.5 cm (1" x 11" x 9 1/4")Estimate: £600 - 800 M
Lot 719
A set of door signs from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Signs adorned the door of each department, and were displayed in restricted areas on location at the Finse 1222 hotel in Norway, where the Hoth scenes were filmed.The lot consists of three white card signs, all featuring a screen-printed The Empire Strikes Back logo and hand-painted blue titles applied by the film's lettering artist. The titles include "Art Dept." and "Construction", with the third sign blank. The set displays slight discolouration from age, light edge wear and marks from use. Dimensions (each sign): 7.5 cm x 33 cm x 0.2 cm (3" x 13" x 1/4")Estimate: £400 - 600 M
Lot 748
A set of door signs from the production of Irvin Kershner's Star Wars: The Empire Strikes Back. Signs adorned the door of each department, and were displayed in restricted areas on location at the Finse 1222 hotel in Norway, where the Hoth scenes were filmed.The lot consists of four white card signs, all featuring a screen-printed The Empire Strikes Back logo and hand-painted blue titles applied by the film's lettering artist. The signs are marked "Sound Dept.", "Publicity" and "No Entry", while the fourth sign remains blank. The set displays slight discolouration from age, light edge wear and marks from use. Dimensions (each sign): 7.5 cm x 33 cm x 0.2 cm (3" x 13" x 1/4")Estimate: £400 - 600 M
Lot 867
A torn mirror door painting scroll from Stephen Sommers' fantasy-adventure film Van Helsing. The scroll was first handed to Van Helsing (Hugh Jackman) by Cardinal Jinette (Alun Armstrong) and was later revealed to be the missing part of a map painting. Carl (David Wenham) added the piece to complete a Latin inscription on the artwork which, when read aloud, transformed the painting into a mirror doorway leading to Dracula's (Richard Roxburgh) lair.The torn paper piece displays an intentionally aged appearance with a wax-like finish, and is decorated with hand-painted Latin text and Dracula's insignia. A metal dragon emblem is adhered to the right edge of the paper, visible when the paper is rolled within its ornate metal casing. The paper unravels from its casing when the two ends are twisted anti-clockwise. There are signs of tarnishing on the metal, with light creasing and minor paint wear on the paper. This lot is fragile and should be handled with care. Dimensions (unrolled): 31 cm x 44 cm x 4.5 cm (12 1/4" x 17 1/4" x 1 3/4")Estimate: £1,000 - 1,500 M
Lot 250
A mahogany cased Grandmother clock, the hood with moulded cornice, turned and fluted supports, long door with boxwood and ebony stringing, box bad with matching stringing and fan oval, replaced plinth, 8" square brass dial, matched with the non-striking movement, height 156cm.Footnote: Provenance: The Chapel, Grace Dieu Manor, Leicestershire. Grace Dieu Manor was built in 1833 by the Phillips family, with the principal building designed by the architect William Railton (responsible for Nelson's Column). Ambrose Lisle March Phillips de Lisle was a Catholic and exponent of the Gothic Revival style and to that end, the chapel that was part of the original plans was later enlarged by the most prominent Gothic Revival architect and designer of the day - August Welby Northmore Pugin. This enlargement was executed in 1842. Further to this work, Pugin was instructed to work on further aspects of the Estate which were charmingly chronicled by William White in 1846 in his 'History, Gazetteer, and Directory of Leicestershire...', pp342-343: "In the park, about a mile from the house, upon the summit of one of the highest rocks, a beautiful small chapel has been built, containing two most exquisite and remarkable figures, executed by the celebrated sculptor, Petz of Munich, and representing in painted wood the Blessed Virgin weeping over her divine Son, who has just been taken down from the Cross; the nails being laid at his feet. From this chapel to another rock, called the Calvary, there are placed at intervals, 14 other small chapels, containing representations of the different scenes of Our Saviour's Passion; and on the Calvary Rock, is a large Crucifix 17 feet high. The whole forms a place of Pilgrimage, for the numerous Catholics, on the Garendon and Gracedieu estates. The design of the chapels was given by the celebrated architect Augustus Welby Pugin, Esq., who executed this beautiful work in 1842." Since 1972, the Manor has been the home of Grace Dieu Manor School - an independent Catholic school of the Rosminian order - until its closure in summer 2020.
Lot 19
Two Victorian door locks, one iron example with a patent V. R. indicate, functioning key and original chain, 10cm x 10.5cm, the other painted iron and inset in part of the original wooden door, no key, together with a note stating that the lock is from 'Ilchester Gaol, Somerset, Demolished A.D. 1843', no key, 16cm x 23cm (2)
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235346 item(s)/page