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An oak longcase clock, the arched enamelled 33cm dial with bird, fruit and flowers to arch above floral spandrels, Arabic chapter ring, cut brass hands, calendar aperture, inscribed 'Pallinson, Chesterfield', thirty hour movement, striking on a bell, the hood with swan neck pediment with brass finials, freestanding plain pillars, arched door to trunk, with mahogany veneers and crossbands, boxwood and ebony stringing, skirted base, 222cm high
An oak cottage longcase clock, the square brass 30cm dial with foliate spandrels, Roman and Arabic chapter ring, the leaf chased centre with calendar dial, inscribed Ramsbottom, Hall Green, eight day movement, striking on a bell, the square hood with moulded cornice and plain freestanding brass mounted pillars, shaped trunk door, outlined with mahogany crossbands, on bracket feet, 196cm high (composed)
An oak longcase clock, the square brass 32cm dial with floral and urn spandrels, Roman and Arabic chapter ring, matted centre with subsidiary seconds and calendar aperture, inscribed 'Joseph Atkinson', eight day movement, striking on a bell, the plain case with stepped domed hood, freestanding pillars, ovolo moulded trunk door, on bracket feet, 210cm high
An oak longcase clock, the square brass 27cm dial with mask and leaf scroll spandrels, Roman and Arabic chapter ring, matted centre, inscribed 'Isaac Hewlett, Bristol', adapted eight day movement, striking and chiming on gongs, the hood with swan neck pediment and inlaid with oval shell patera, brass mounted freestanding pillars, arched door to trunk flanked by brass mounted fluted quadrant pilasters, outlined throughout with mahogany crossbands inlaid with lozenges, skirted base, 215cm high
A mahogany longcase clock, the arched enamelled 36cm dial with rocking man o'war in an estuary flanked by castles, the spandrels with lighthouses and ruins, Roman chapter ring, subsidiary seconds dial and calendar aperture, the centre painted with colourful humming birds, inscribed 'David Griffighn Hirwaen House Pwllheli', eight day movement, striking on a bell, the hood with swan neck pediment centred by a leafy cartouche flanked by freestanding and planted spirally turned pillars, the broad waist conforming, shallow arch to door and planted panel to base, bun feet, 234cm high
A floral marquetry longcase clock, the square brass 26cm dial with infant mask spandrels, Roman chapter ring and matted centre with subsidiary seconds dial and leaf chased calendar aperture, inscribed George Booth, Manchester, eight day movement, striking on a bell, the square hood with cavetto cornice and blind fretwork frieze above three-quarter column pilasters, the rectangular trunk door with lenticle, the front inlaid with Dutch floral marquetry panels of birds, flowers and urn within borders of formal leafy scrollwork, the sides walnut veneered in boxwood strung rectangular panels, 194cm high (case composite, case and works not originally together)
A fine large inlaid mahogany longcase clock, in George III style, the arched brass 41cm dial with floral, mask and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre with subsidiary seconds dial, the arch with Westminster Chimes - Chime On Eight Bells dial above Strike - Silent and Chime - Silent dials, three-train eight day movement striking and chiming on gongs, the arched hood with swan neck pediment and harewood paterae terminals, brass grenade finial above freestanding fluted pillars with brass Corinthian capitals, the chamfered trunk with an arched curl veneered door, the base with a circular curl veneered panel, satinwood panelled throughout and outlined with boxwood and ebony stringing and crossbanded borders, on a shaped plinth, 260cm high, early 20th century, Provenance: This clock made by John Brownsword, watch and clockmaker of Nottingham for his home, 15 Cavendish Crescent South, The Park, Nottingham from where it has been removed for this sale.
A fine and unusual mahogany, burr walnut and parquetry longcase clock, the arched brass 30cm dial with mask, leaf and dolphin spandrels, silvered Roman and Arabic chapter ring, the matted centre chased with leaf scrolls, silvered subsidiary seconds dial, inscribed Isaac Godard, London, the arch with silvered Westminster and Cambridge dial, three-train eight day movement, striking and chiming on tubular bells, the hood with a bold cavetto moulded triangular pediment, the inlaid vertically staved balloon finials above parquetry pilasters with scroll capitals inlaid with cube parquetry, the curl veneered trunk door and base inlaid with sunburst spandrels, outlined throughout with crossbanded strung borders, on ogee feet, 238cm high
A fine pair of French ormolu and porcelain mounted kingwood side cabinets, each enclosed by a quartered chevron veneered door within crossbanded and feather banded borders centred by an oval 'Sevres' plaque painted with romantic Watteauesque figures reserved on a bleu celeste ground, beneath a cavetto frieze and pierced foliate gallery, foliate mounts and borders throughout, 80cm wide, 121cm high, circa 1860
A large 19th Century continental figured walnut music cabinet, with deep shaped three-quarter gallery above a glazed rectangular door enclosing a shelved interior originally with vertical dividers (now lacking) panelled fall-front compartment and shaped long drawer under with carved ribbon handles, on bun feet, 94cm wide, 161cm high
A Victorian ebonised and amboyna music cabinet, inlaid with boxwood arabesques and outlined with amboyna bandings, boxwood and ebony stringing, the fitted interior enclosed by a glazed re-entrant door flanked by outset reeded pillars, gilt brass mounts throughout, on toupie feet, 65cm wide, 113cm high, circa 1850
A 19th Century mahogany cased long case clock, by William Bucknall Burslem, with eight day movement striking to bell, the arched painted dial with automaton Adam and Eve (not working) and hand painted wild animals, period female figures to the corners, the dial with date and seconds, the hood with scroll pediment centred by a brass ball finial, the hood door dividing fluted columns, the case door shaped to top and with recessed fluted pillars to the corners, on platform base, 90" high.
A Victorian light oak sideboard, the raised mirror back with shaped pediment and canopy on fluted turned tapering uprights, central mirror flanked by carved panels, the moulded edged base with two central drawers over arched alcove, flanked to either side by a drawer and carved cupboard door, flared base and large bun feet, 88" high x 66 /12" wide.
An Edwardian mahogany four piece bedroom suite, the mirrored wardrobe with inlaid dentil cornice over festooned frieze, central mirrored door flanked by urns, above deep drawer with brass swan neck handles raised on bracket base, 82" high x 52 1/2" wide together with a dressing table, marble topped washstand and double bed ends (4).
Oak long case clock, banded in mahogany circa 1820, the swans neck hood with a painted square face named M. Evans, Llangerniew (?), subsidiary seconds, date aperture and Arabic numerals, the field painted with floral swags and peacock feather spandrels, two train movement striking the hour on a trunk with a short door and set out panelled plinth. Height 213cm, 84in.
Oak long case clock banded in mahogany, the hood with swans neck cornice and fluted columns painted square face named Adams, Middlewich with subsidiary date and seconds dials, roman numerals and gilt spandrels, two train movement striking the hour on a trunk with reeded corners and shaped top door on set out canted plinth. Height 206cm, 81in.
Oak bureau banded in walnut, mid 18th century and later, the fall front revealing a stepped interior of drawers and central door with secret compartments over three short and three long cock beaded and herring banded drawers with pressed oval brass plates raised on bracket feet. Width 94cm, 37in.
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235346 item(s)/page