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AN 18th CENTURY OAK CASED LONGCASE CLOCK, R. SHERRATT, TITLEY (C.1720-1730), the 12" brass dial with chapter ring and Roman numerals, with scroll cast brass spandrels and date aperture, the eight day movement striking on a bell in a later case circa 1780, the hood with a moulded cornice and Greek Key beading over a blind carved frieze above a glazed window flanked by tapering fluted columns with gilt brass Corinthian caps, the trunk with a shaped panel door flanked by fluted quarter columns with similar terminals raised on a moulded plinth base and bracket feet. 2.05m by 0.59m by 0.31m
AN 18th CENTURY OAK CASED LONG CASE CLOCK, the white enamel dial with Roman numerals, date aperture and subsidiary dial, floral painted spandrels and painted in the arch with a bird, sign Rider, Pool, (probably William Rider a.1798), with an eight day movement striking on a bell, the hood with a moulded broken swan neck pediment surmounted by three ball, spike and bird finials above blind carved fret work over an arched glazed door flanked by tapering fluted cylindrical columns with gilt metal caps, the trunk with a shaped moulded panel door flanked by fluted quarter columns raised on a moulded and panelled plinth base and bracket feet. 2.35m by 0.57m by 0.25m
A MAHOGANY FOLD OUT CARD TABLE, circa 1930, the rectangular two piece hinged top folding out to reveal a green baize over a central frieze drawer fitted with compartments above a slide inlaid with a games board flanked by panels, the side fitted with three drawers opposed by a cupboard door opening to reveal an integral drinking glass holder and a decanter stand lined in green baize, all raised on tapering square section legs terminating in castors. 0.74m by 0.87m by 0.51m (closed)
AN 18th CENTURY CLOCK DRESSER AND RACK, the upper section with a break front moulded cornice above a central integral brass faced eight day clock, the 9" face with chapter ring, Roman and Arabic numerals and scroll cast spandrels above a shaped fielded panel door flanked by shelf sections with scroll carved sides, the lower section with a moulded rectangular top over three moulded frieze drawers raised on scroll carved shallow cabriole legs terminating in claw feet. 2.05m by 1.68m by 0.51m
A GEORGE III MAHOGANY BUREAU, the slant front opening to reveal a writing surface and an interior fitted with drawers, correspondence racks and a cupboard door, over two short and three long graduated cock beaded drawers flanked by fluted quarter columns and raised on bracket feet. 1.21m by 1.04m by 0.53m
AN EARLY 20th CENTURY 6ft OAK SIDEBOARD IN THE ART NOUVEAU TASTE, by Smith & Payne, 11 Market St, Leicester, the crest rail with boldly carved stylised leaves and centred by a shelf, over a bowed top above two freize drawers over a pair of cupboard doors, heavily and boldly carved with stylised trees, flowers and leaves, with copper strap work and handles, raised on moulded plinth feet, with makers label to inside of cupboard door. 1.35cm by 1.83cm by 0.65cm
A PAINTED AND PARTIAL GILT BOW FRONTED DISPLAY CABINET IN THE ROCOCO TASTE, the leaf and scroll carved pediment over a bowed glass door flanked by bowed glass panels above a heavily scroll carved base raised on channelled cabriole legs joined by a scroll carved X-form stretcher. 2.23m by 1.03m by 0.43m
A Victorian walnut Davenport desk of typical form with pierced brass gallery, hinged slope writing surface with inset leatherette skiver enclosing birds eye maple interior with a pair of small drawers beneath a pair of false drawers, panelled side door enclosing four drawers, kneehole flanked by carved spiral twist and rod columns, the whole supported on shallow bun feet, 86cm high by 59cm wide by 59cm deep
James Sandiford, an 18th century oak longcase clock, the hood with swan neck pediment with brass needle and ball finial, glazed door flanked by mahogany pilasters enclosing a 12 inch brass face with silvered dial featuring Arabic and Roman numerals, subsidiary seconds dial and calendar on eight day two weight movement, crossbanded trunk door flanked by quarter columns, canted box base supported on four ogee feet, 230cm high
**A RARE 25 BORE ENGLISH FLINTLOCK BREECH-LOADING REPEATING MAGAZINE GUN ON THE LORENZONI PRINCIPLE, CIRCA 1690 with three-stage barrel formed with a pronounced octagonal moulding incorporating a silver fore-sight at the muzzle, etched with foliage (previously damascened) behind, faceted breech retaining traces of damascened ornament including leafy foliage, grooved for sighting and fitted with rotating brass breech block operated by a moulded lever on the left, the tang damascened with a green man mask, rounded lock engraved in the French taste with a scroll inscribed 'God save the King' carried by a cherub, fitted with engraved cock decorated with a serpent and foliage (top-jaw and screw replaced), powder magazine with engraved cover, the opposite side of the lock with a trap door for the ball magazine figured walnut half-stock (a working replacement) carved with a moulding about the tang, moulded iron trigger-guard damascened en suite with the breech, and iron butt-cap (patch box cover replaced) 67.5 cm; 26 ½ in barrel Provenance The Gill family, Hale, Liverpool until circa 1965. The present system is named after the Florentine gunsmith Michelle Lorenzoni though there is no evidence to suggest that he was the inventor of it. This system seems to have enjoyed some popularity in England, as evidenced by the frequently quoted text of Samuel Pepys who wrote on 3rd July 1662 'A gun to discharge seven times, the best of all devices I ever saw, and very serviceable, and not a bauble; for it is much approved of, and many made thereof'. However, given the design it is likely that a number of the powder magazines exploded thus accounting for the rarity of such arms today. For an account of Lorenzoni see J. F. Hayward 1963, pp. 141-143.
A Victorian walnut Davenport with a hinged top stationery compartment and gilt-tooled brown leather scribe to top enclosing maple lined interior with two drawers and storage space, one side with panelled door enclosing four drawers and the kneehole flanked by two pilasters and shaped scrolling decoration, raised on ceramic castors, 83cm.
A Victorian rosewood Davenport with three-quarter pierced gallery and hinged top with gilt tooled green leather scribe enclosing storage compartment with two drawers and two faux drawers, one side with secret drawer housing inkwells and storage space above panelled door enclosing four drawers, the kneehole flanked by two turned supports, 57cm.
A Victorian Aesthetic ebonised cabinet with brass strap hinges and ivory inlay in the manner of Stephen Webb circa 1875. Probably Collinson & Lock. W135cm D48cm H132cm Condition good, chip to moulding on right door, small split to top left back corner, no further damage, general wear to include scuffs, scratches etc. locks and hings ok.
An Edwardian mahogany and satinwood banded display cabinet, W.4ft 2.5in. An Edwardian mahogany and satinwood banded display cabinet, frieze inlaid with floral swags, with single glazed door between bow end glass sides, open legs and spade feet, trade label for S & H Jewell, Little Queen Street, Holborn, W.4ft 2.5in.
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235302 item(s)/page