LATE 19TH CENTURY MAHOGANY THREE DOOR LIBRARY BOOKCASE IN GEORGIAN STYLE, having broken swan neck pediment above three bevelled astragal glazed doors revealing fitted shelves to the interior, the base with moulded edge over foliate moulded panel secretaire drawer with tooled leather writing surface and fitted interior, flanked by a pair of short moulded drawers over three arched foliate moulded, blind panel cupboard doors on a platform base. 152cm wide x 49 deep, x 94cm high. CONDITION REPORT: In good usable, if a little dusty and grubby, condition with only minor wear and tear.
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WILLIAM AND MARY STYLE WALNUT SINGLE DISPLAY CABINET having moulded arch top over single astragal glazed door revealing two adjustable shelves to the interior above a projecting base with two frieze drawers with shaped apron below standing on moulded cabriole legs with hoof feet. 59 x 36 x 185cm. CONDITION REPORT: Overall clean useable condition, a little dry and grubby in places, minor wear and tear.
18TH CENTURY FRUITWOOD HANGING CANDLE BOX with slide out arched door and pierced arch back. 36cm approx. Together with an 18th Century mahogany cutlery tray with heart shaped loop handle to the central division. 32cm. (2) CONDITION REPORT: Candle box has minor splitting to the back and the door has experienced some shrinkage although it is still a decent loose fit. Cutlery tray has repair to the handle and cracks in places.
VICTORIAN MAHOGANY TWO DOOR FITTED WARDROBE having molded cornice over two arched blind panelled doors revealing three slide out press shelves to the interior above an arrangement of four short and two long drawers with brass handles, on a platform base. 138cm wide. CONDITION REPORT: Good clean condition for its age, a little paint and wear and tear only.
EARLY 20TH CENTURY ART NOUVEAU DESIGN MAHOGANY BOOKCASE, having moulded cornice over a pair of lead glazed, foliate design doors, adjustable shelves to the interior, on a projecting moulded edge base with two frieze drawers over two foliate moulded and panelled blind cupboards with a platform support. 160 x 50 x 239cm. CONDITION REPORT: Overall in good condition with only obvious wear and tear, scuffs and marks commensurate with age. One draw handle is missing its loop and similarly one cupboard door handle is missing its loop.
LATE 18TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK by Budgen of Croydon, the case having arched hood with brass ball and spike finials above arched aperture flanked by reeded, canted angles, the waist with moulded arch door flanked by reeded canted angles on a panelled base with bracket feet and shaped apron. 42cm x 35.5cm brass face having foliate pierced spandrels, Roman numerals, seconds dial and date aperture. Eight day, two train movement, striking on one bell. 239cm approx. CONDITION REPORT: Overall appearing in good original condition, plain field to the face suggests possible lacking decoration, otherwise good, includes two weights and pendulum. Backboard behind movement has a circular hole covered with a piece of cardboard.
EARLY 19TH CENTURY WELSH OAK EIGHT DAY LONG CASE CLOCK marked: James Evans, Carmarthen and having broken swan neck pediment with ball and eagle brass finial above arched aperture, flanked by baluster turned columns, the waist with canted angles and cross banded, shaped door on a platform base with bracket supports. Arched, painted face with fox hunting scene and churches, having Roman numerals, seconds dial and date aperture. 47cm x 32cm. Eight day two train movement, striking on one bell. 223.5cm high approx. CONDITION REPORT: Generally in good condition for age, the name painted on the face has been poorly done. Scuffs and wear commensurate with age. Two weights and pendulum.
19TH CENTURY, FLEMISH DESIGN, HEAVILY CARVED OAK SINGLE BOOKCASE CABINET, having moulded cornice with fluted frieze over mask mounts with brass loop handles, single glazed door revealing two fitted shelves, the base with similar decoration, frieze drawer over arch panelled moulded door and block feet. 90 x 42 x 234cm. CONDITION REPORT: Overall good condition for age, no obvious serious damage or losses.
EARLY 19TH CENTURY WELSH OAK 30 HOUR LONG CASE CLOCK by Evan Williams of Trecastle, the case having flat hood over arched aperture, flanked by baluster and ring turned columns, the strung outlined waist with moulded rectangular door flanked by canted angles, strung inlaid panel base with bracket feet. 44.5 x 30.5cm painted face with Scotsman figure to the arch, painted shell spandrels, Roman numerals and date aperture. Overall 112cm high. CONDITION REPORT: May have been reduced, otherwise good condition, face has been well re-painted.
A mahogany two door bookcase in George III style , early 20th century A mahogany two door bookcase in George III style , early 20th century, with fretwork frieze above a pair of glazed doors and plinth base, 247cm high, 110cm wide, 45cm deep Provenance: From Cherkley Court, former home of Lord Beaverbrook
A Dutch satinwood display cabinet , late 19th/early 20th century A Dutch satinwood display cabinet , late 19th/early 20th century, with canted corners, the chevron frieze above a glazed panel door and quatersawn panel, on square section tapering legs, 155cm high, 75cm wide, 35cm deep, enclosed by single glazed door with inlaid panel, 74cm wide Provenance: The Miskin Collection
A Victorian inlaid satinwood and ebonised side cabinet, circa 1870, by Edwards A Victorian inlaid satinwood and ebonised side cabinet, circa 1870, by Edwards, the whole with crossbanding, foliate panels and rosettes, the ebony banding with gilt bead edges and swag mounts, stamped íwards' twice to door, 113cm high, 167cm wide, 41cm deep
A George III mahogany sideboard, circa 1800 A George III mahogany sideboard, circa 1800, with central drawer above a deep drawer flanked by a cellaret drawer with divided interior and a cupboard door, 106cm high, 216cm wide, 96cm deep Provenance: Syre Lodge, Sutherland, Scotland and by direct descent through the family
A George III mahogany eight-day longcase clock, John Agar, York A George III mahogany eight-day longcase clock, John Agar, York, late 18th century, the four pillar rack and bell striking movement with trip repeat and 12 inch brass break-arch dial with subsidiary seconds to the matted centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and signed JN'O AGAR, York to lower margin, the angles with rococo scroll pierced spandrels beneath arch with subsidiary calendar dial flanked by conforming mounts, in a case with moulded cornice over blind fret upper quadrants and columns flanking dial, the trunk with rectangular caddy moulded door over plain plinth base, 199cm high.
A figured mahogany, cedar and studded leather humidor cabinet A figured mahogany, cedar and studded leather humidor cabinet , last quarter 20th century, with brass three-quater gallery rail above central door enclosing drawers and slatted shelf, flanked by corner liquor cupboards with internal galleried shelves, 90cm high, 86cm wide, 61cm deep
NINETEENTH CENTURY FRENCH RED SHELL AND GILT BRASS INLAID BOULE WORK EBONISED SIDE CABINET, the oblong top with wet lea moulding above a scrollwork panelled frieze and conforming cupboard door with raised oval panel to the centre, enclosing two shelves to the red plush lined interior, raised on a shaped plinth with applied gilt ormolu mounts, 44 3/4" (113.7cm) high, 35" x 14 1/2" (88.9cm x 36.8cm) (losses to inlays) (many loose pieces of inlay present)
EARLY TWENTIETH CENTURY CONTINENTAL CARVED GILTWOOD DISPLAY CABINET, the arched floral cresting above a glazed cupboard door and sides, enclosing two glass shelves to the mirror back interior, raised on flowerhead capped short cabriole supports, 61 1/4" (155.6cm) high, 39" x 17 1/4" (99cm x 43.8cm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY AND INLAID LONGCASE CLOCK, signed William Buxton, Bishop Auckland, the 13" painted Roman dial with subsidiary seconds and date dials, spandrels depicting ruins and a duck shooting scene to the arch, powered by an eight day movement striking on a bell and housed in a crossbanded case with swan pediment and free standing forecolumns over a foliate scroll inlaid panel and short trunk door with shaped top, flanked by a split turned half column and raised on a conforming base with shaped plinth, 91" (231.1cm) high
NINETEENTH CENTURY STAINED PINE LONGCASE CLOCK, the 13" painted Roman dial, with subsidiary dial and aperture, enclosed by floral spandrels and set beneath a rural scene to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and free standing, turned fore columns over a plain trunk door and chamferred corners raised on a plain base with shaped plinth, 86" (118cm) high 7'2" (2.13m) high
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK with moon phase brass dial, signed Thomas Lister, Halifax, the 12" dial with Halifax moon phase and date aperture to the scroll engraved centre, powered by a 30hr movement striking on a bell and housed in a case with swan neck pediment and gilt wood ball and spike type finials above freestanding forecolumns and long trunk door with shaped top, flanked by quarter columns and raised on a panelled base with moulded plinth, front section missing, 86" (218.5cm) high overall
EDWARDIAN MAHOGANY AND MARQUETRY INLAID LONGCASE CLOCK, the 11 1/2" Arabic dial with silvered chapter ring, matted centre, mask pierced spandrels and silent/chime dial to the arch, powered by an eight day movement striking on six rods and housed in an arch top case with bell flower and scroll work inlay, pierced side frets and chamferred forecorners, above a conforming long trunk door with shaped top and raised on a panelled base with shaped plinth
LATE EIGHTEENTH/EARLY NINETEENTH CENTURY MAHOGANY AND LINE INLAID STICK BAROMETER, signed B. Champion, Belfast, the silvered dial with alcohol thermometer and vernier, housed in a case with swan neck pediment above a hinged door and feathered mahogany trunk with visible glass tube to a later oblong cistern cover, 37" (94cm)
GEORGE III YEW WOOD BUREAU, of typical form the interior with green baize lined writing surface and pigeon holes and short drawers flanking a pair of fluted pilaster fronted secret drawers and central cupboard door with moulded secret drawer beneath, over two short and three long graduated and cockbeaded drawers, fitted with brass swan neck handles with fancy pierced back plates and the matching escutcheons, framed by fluted quarter columns and raised on bracket feet, 43" (109.2cm) high, 46" x 21 1/2" (116.8 x 54.6cm) *sun bleached
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
LATE 19TH CENTURY EBONISED AND LINE INLAID DISPLAY CABINET, the oblong top above a glazed cupboard door, enclosing three fixed shelves to the red plush lined interior, flanked by floral and scroll gilt metal mounts to the uprights and flanked by a plinth base, the whole outlined in boxwood stringing, 47 1/2" (120.6cm) high, 28 3/4" x 14" (73cm x 35.6cm)
EARLY NINETEENTH CENTURY INLAID FIGURED MAHOGANY ROLLING MOONPHASE LONGCASE CLOCK, the 15" painted dial decorated with a rural scene to the centre and allegorical figural spandrels, beneath the moonphase to the arch, powered by an eight day movement striking on a bell, and housed in a case with swan neck pediment and free standing, turned fore columns, (lacks glass) over a flame cut and crossbanded trunk door with scalloped top, flanked by fluted forecorners and raised on a conforming chamferred base with ogee bracket feet, 92" (233.7cm) high
LATE VICTORIAN OAK CASED MANTEL CLOCK, the 7" Roman dial with silvered chapter ring, scroll engraved matted centre and cherub mask spandrels, powered by an eight day movement, striking on two gongs, stamped M.B./P18/31660, and housed in an architectural case with bevel glazed door, flat, fluted forecolumns and moulded base, with block feet, 15 1/4" (38.7cm) high
GEORGE III MAHOGANY BUREAU WITH LATER BOOKCASE, the dentil moulded cornice above a frieze applied with paterae and foliate scrollwork, and pair of astragal glazed cupboard doors with ribbon tied central motifs, enclosing three adjustable shelves to the interior, the BUREAU of typical form with four graduated cockbeaded drawers, and an interior fitted with shaped small drawers and pigeon holes central door and a gilt tooled green 'antique' leather writing surface, raised on leaf capped ogee bracket feet, 82 3/4" (210.3cm) high, 39" x 20" (99.1 x 50.8cm)
MID VICTORIAN MARQUETRY INLAID MIRROR BACK CREDENZA, the shaped white veined marble top surmounted by an arched plate in moulded frame with pierced scrollwork cresting, above three mirror glazed cupboard door, the central door flanked by floral inlays, and raised on a shaped plinth base, 76 1/4" (193.7cm) high, 60" x 18" (152.4cm x 45.8cm)
AN EARLY TWENTIETH CENTURY MAHOGANY CYLINDER BUREAU BOOKCASE, the plain cornice above a pair of glazed cupboard doors, enclosing three adjustable shelves to the interior, two lower section with flame cut barrel front enclosing pigeon holes, short drawer and small cupboard door above pull out writing section with adjustable;e writing slope, the lidded compartments, pair of cased glass inkwells 'Black' and 'Red', another, oblong glazed dish and a secret compartment to the rear, over three short drawers, panelled cupboard door and three further drawers raised on square tapering feet, 86 1/4" (219.1cm) high, 41" (104.2cm) wide
An inlaid mahogany Sheraton style demi-lune side cabinet, the top with stained shell inlay and boxwood edge stringing over a segmented frieze, two drawers with brass ring pull handles and sliding tambour doors, on three tapering feet, the whole with similar boxwood strung inlay, 80.5 x 79 cms (slight veneer losses and repairs, backing repair required to one door)
A Victorian painted pine single door wardrobe with base drawer, a painted chest of two short over two long drawers, a scumbled pine chest of three drawers and a satinwood two drawer dressing table with mirrored top on turned supports with brass and brown pot castors (various measurements, some worm evidence)
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235346 item(s)/page