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A first half of the 20th Century stained Walnut cased Wall Clock, the shaped pediment to a glazed and bevelled door, and moulded base, to a 7” silvered Arabic dial with outside minute track and black painted hands, to a triple barrel spring-driven movement with anchor escapement and strike on eight rods, height 30”
A late 19th Century Simulated Walnut Mantel Alarm Clock, Winterhalder & Hofmeier, the plinth-shaped case with moulded base to a glazed door enclosing a painted square dial, with Roman chapter ring and outside minute track with blued steel hands and central alarm disc, to a square brass movement with anchor escapement, strike on a bell, height 9 ½”
A late 19th Century American Mahogany and gilt highlighted Mantel Clock, Seth Thomas, the arched case on a moulded plinth base, to a glazed and panelled door, the lower section decorated with a reversed coloured print, to a painted Roman dial with outside minute track and blued steel hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 15 ½”
A 19th Century French painted and gilt metal mounted Bracket Clock (incomplete), the waisted case on a painted dark grey field, and highlighted birds feathers and further cast brass foliate mounts (most missing and also missing glazed panelled door), to an 8 ½” Roman and Arabic enamel dial with outside minute track and pierced hands, to a twin spring-driven movement with anchor escapement (incomplete and not functioning), height 17 ½”
A mid-18th Century Oak cased 8 Day Long Case Clock, Thos Page of Norwich, the hooded overhanging cornice surmounted by a replacement scrolling pediment to ¾ columns, moulded throat and long arched trunk door to a reduced plinth base, to an 11” square brass dial with cast mask and foliate spandrels, enclosing a Roman and Arabic chapter ring with outside minute track to a matted centre with date sector, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell (associated), height 80”
An early 19th Century Oak Cased 30 Hour Clock, R Marshall of Longthorn?, the hood with overhanging cornice and freestanding columns, to a moulded throat with long arched trunk door and plinth base, to a 12” second period painted arched dial, decorated to the arch with a hunting scene and with painted rose spandrels enclosing an Arabic chapter ring with further Arabic quarters and outside minute track and date subsidiary with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 85”
An early 19th Century Oak cased 8 Day Long Case Clock, signed Hargrave of Bamtry (probably Hargrave of Bawtry), the hood with swan neck pediment over gilt metal mounted and fluted freestanding columns, flanking a crossbanded circular door, to a moulded throat over fluted quarter columns and shaped long trunk door to a plinth base, to a 12 ½” painted Roman dial with outside minute track and 5 minute increments, enclosing subsidiary seconds with further floral spray, and with pierced steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
A late 19th Century Oak and Mahogany crossbanded 8 Day Long Case Clock, J Jones of Denbigh, the overhanging cornice with broken arch pediment surmounted by two of three globe and spread eagle finials, over cast brass Corinthian freestanding columns, to a moulded throat and further plain frieze, to a shaped short trunk door flanked by quarter reeded columns and further panelled section, to a panelled plinth base, to a signed and square 12” first period painted dial, with rose and gesso highlighted spandrels, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector, and further detailed with birds, flowers and foliage, to pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, with anchor escapement and strike on a bell, height 90”
An early 19th Century Oak cased 30 Hour Long Case Clock, the hood with swan neck pediment over freestanding baluster turned columns, to a moulded throat with short panelled trunk door, and further plinth base, to an unsigned 12” third period painted dial, with rose and tulip spandrels enclosing a worn Roman chapter ring, and plain centre with pierced hands, to a plated movement with anchor escapement, strike on bell, height 78 ½”
A late 18th Century Mahogany cased 8 Day Long Case Clock, Jas Burton of Whitehaven, the arched hood with gilt highlighted frieze panel and dentil work detail (losses and damage), over freestanding fluted columns, to a moulded ogee throat and panelled trunk with quarter reeded columns flanking a shaped long trunk door, and panelled plinth base with further canted corners, to a 13” first period painted dial, the arch decorated with a river scene within a gilt highlighted and gesso border with further gesso spandrels decorated with roses, enclosing a Roman and Arabic chapter ring with further subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars with anchor escapement and strike on a bell (bell lacking), height 85”
A mid-19th Century Mahogany and cross banded 8 Day Long Case Clock, T Evans of Bangor, the hood with swan neck pediments over freestanding baluster turned columns flanking replicated half columns to an arched door and moulded throat with frieze panels and short trunk door, further flanked by freestanding columns to a panelled plinth base on bracket feet, to a 14” painted Roman dial with moon phases to the arch and depicting the maidens of the four seasons to the spandrels, to a Roman chapter ring with outside minute track and centred with a depiction of the Ascension of Christ and further subsidiary seconds and date sector with pierced and stamped Brass hands, to a false plate and movement with plates united by four knopped pillars with anchor escapement, strike on a bell, height 91”
A 19th Century Mahogany Side Cabinet, the upper section with arched panelled door, and applied in the centre with gilt metal eagle motifs, and flanked on either side by gilt metal mounted fluted columns, and enclosing fitted shelving and hanging rail, the lower section with two short and two full width drawers below on tapering square supports with block feet, 51 ½” wide
A 17th century composite oak court cupboard of slim form, the serpentine carved three quarter gallery over egg and dart frieze over three carved panels, the centre panel with a coat of arms and motto `Veni, Vidi, Vici` flanked by squirrels over an inverted breakfront top with carved door flanked by mask and foliate panels, shaped apron raised on bracket feet 94cm wide, 170cm high, 45cm deep
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235302 item(s)/page