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A circular wardrobe,1960s, the exterior clad in green textile, with a single door opening on to a hanging rail, with a mirror fitted to the inside of the door, retailed by Heal's,72cm diameter201cm highCondition report: The exterior textile with stains and scuffs in places. Interior with some wear.
1930 Austin Seven Box SaloonRegistration number: HX 9375Chassis number: 114785Engine number: M102712Presented in dark blue over black with a black vinyl roof insert, this diminutive Austin is in generally very presentable condition throughout.The interior is trimmed in black vinyl for the seating and blue for the door cards. Instrumentation is Smiths MA for the speedometer and a fabulous DH Ltd. oil pressure gauge.Stated to be in good running and driving condition, it has been driven to Holland and Belgium during the present ownership. Sensible modifications to allow safer road use include flashing indicators and hydraulic brakes. Prospective purchasers should, of course, carry out their own inspection to satisfy themselves as to the mechanical condition of the car.In the current ownership since 2013, paperwork with this lot includes a number of expired tax discs and MoT test certificates, along with a number of invoices for work undertaken, the last major works having been carried out in 2017.This lot is subject to Buyer's Premium at 15% plus VAT @ 20%.Condition report: This lot is subject to Buyer's Premium at 15% plus VAT @ 20% (not as detailed in the printed catalogue).
Bonneval à Paris, a large boulle mantel clock: the eight-day duration movement striking the hours on a bell set within the top, with an outside countwheel, with the backplate engraved in scroll with the maker's name Bonneval à Paris, the round brass dial having a decorative centre with the chapter ring having inset enamel plaques for each blue Roman numeral, and decorative blued steel hands, the large tapered tortoiseshell boulle case inlaid with engraved brass having a glazed front door, ormolu mounts to the corners and edges, a classical female figure with a heron to the front, the inside having further boulle work, all surmounted by a cast ormolu figure to the top depicting a winged female and standing on scroll ormolu feet, height 102cm.* Biography A Charles Bonneval is recorded as working in Paris from circa 1700.
An Art & Crafts oak longcase clock: the eight-day duration weight-driven movement striking the hours on a bell with the rectangular pewter dial having an embossed raised chapter ring with stylised Arabic numerals, mother-of-pearl centre, diamond inset decoration below and spade hands, stamped with the initials F.P at 4 o'clock, the flat-top oak case with canted corners, double corner pillars to the hood, visible copper hinge straps inset with further diamond decoration to the panelled trunk door and a concave moulded base, height 192cm.
Pearson, Blackburn, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a fourteen-inch break-arch Wilson painted dial with black Roman hour numerals and typical Wilson strawberry decoration to the four corners and birds to the centre, with seconds dial, date aperture and signed Pearson, Blackburn, with decorative brass hands, the arch having a moonphase disc painted with the moon along with a seascape and landscape, the dial rear and date disc both stamped for the dial maker Wilson of Birmingham, having a mahogany case, the trunk with double finned pillars, a triple lancet-shaped moulding to the door, and satinwood panels, the hood with two fluted pillars to each corner with cast-brass Corinthian capitals, a swan-neck pediment with shaped verre-eglise glass panels, the centre being decorated with the figure of a woman, the base with satinwood panels to the edge, canted corners and standing on bracket feet, height 230cm.* Biography William Pearson is recorded as working at 2 Astley Gate, Blackburn, Lancashire until 1828 and then Holme Street circa 1834.* Notes Reference Brian Loomes Lancashire Clocks and Clockmakers Pub. David & Charles 1975For details of Wilson see lot 1303
A mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a twelve-inch break-arch painted dial with strawberry corner spandrels, black Roman hour numerals and blued steel hands, with a 'Strike/Silent' dial within the arch, the mahogany case having a swan-neck pediment and shaped moulding to the trunk door, height 204cm.
John Lloyd London, a Georgian mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted centre having a subsidiary seconds dial, date aperture and applied silvered plaque engraved with the maker's name John Lloyd, London, with cast-brass c-scroll spandrels to the four corners, the arch having a 'Strike/Silent' dial with cast-brass dolphin spandrels, with blued steel hands, the mahogany case having a break-arch moulding to the trunk door, with the hood having fluted pillars and a pagoda-top, the base with a raised panel and standing on bracket feet, height 240cm.* Biography John Lloyd is recorded working in London becoming a liveryman of the Clockmakers Company in 1795.
Henry De La Fueille, London, a walnut panelled marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with an internal rack set high within the backplate, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute outer numerals and 'meeting arrow-head' half-hour markings, the matted dial centre with ringed winding holes, subsidiary seconds dial and date aperture with decorative engraved surround, with cast-brass cherub-and-crown spandrels to the four corners and blued steel hands, the walnut case with panelled marquetry inlay to the base and trunk door, with a further inlaid panel above and convex throat moulding, the inlaid flat-top hood with three-quarter columns, with brass-cased weights, height 207cm.* Biography Henry de la Fueille, a Hugenot born circa 1670, is recorded as being a clockmaker working in London from circa 1690 before shortly moving to Jersey where he died in 1736. He and his wife Marguerite, a member of the Aubin clockmaking and jeweller family, had a son Henry who was baptised in July 1701 at the French Hugenot Church in Threadneedle Street, London. Another son Abraham was apprenticed to his uncle, the goldsmith Henry Aubin in circa 1716. Marquetry longcase clocks are noted signed for de la Fueille when working in both London & Jersey.
P. Roncoroni fecit, a mahogany stick barometer: the silvered dial engraved with usual barometer markings and signed with the maker's name, with an opening glazed door, the case having an architectural pediment, visible tube and turned cistern cover, height 98cm.* Notes A P. Roncorone is recorded as working in Basingstoke, circa 1839.
A. Barnaschina, a mahogany stick barometer: the dial engraved with usual barometer markings and signed by the maker A. Barnaschina, New Road, Gravsend, with an opening glazed door, the case having an architectural pediment, visible tube and turned cistern cover, height 98cm.* Notes Anthony Barnaschina is recorded as working in New Road, Gravesend from circa 1826 until at least 1828.
An early 18th Century walnut hanging corner cupboard:, with a moulded cornice and canted angles, the interior with triple shaped serpentine-fronted shelves and three small drawers at base, enclosed by a domed arch fielded panel door, having a shaped apron base, 69.5cm (2ft 3 1/4in) across, 99cm (3ft) high.
A Regency mahogany and inlaid pedestal cupboard:, the crossbanded top decorated with ebonised lines, fitted with a drawer and enclosed by a panel door below, having brass carrying handles to the sides, on square tapered legs, terminating in brass cappings and castors, 44.5cm (1ft 5 1/2in) wide, 80cm (2ft 7 1/2in) high.
A Victorian ebonised, amboyna wood, inlaid and gilt metal mounted music cabinet:, bordered with ivory lines, the moulded top with projecting canted angles, the frieze decorated with stylised foliate scroll designs, the interior with shelves and divisions, enclosed by a bevelled glazed panel door flanked by turned and gilt fluted columns on a plinth base with short turned tapered feet, 68cm (2ft 2 3/4in) wide, 112cm (3ft 8in) high.
A Victorian walnut, floral marquetry and gilt metal mounted credenza:, of D shaped breakfront outline, bordered with boxwood lines, the frieze decorated with ebonised ground panels with scrolling floral foliage, enclosed by a central door with raised oval panel decorated with a ribbon tied bouquet of flowers and foliage, flanked by an enclosed glazed cupboard of bowed outline to either side, between stiles decorated with ribbon tied pendant floral foliage, headed with applied gilt metal shell, scroll, foliate and trophy ornament, on a plinth base, with further applied foliage, 175cm (5ft 9in) long.
A Victorian ebonised and inlaid credenza:, of D-shaped breakfront outline, bordered with boxwood lines and with brass bead ornament, the frieze decorated with stylised foliate designs, having a plush lined interior enclosed by a central glazed panel door, flanked by an enclosed glazed cupboard of bowed outline to either side, between dual column simulated fluted uprights, on a plinth base with short turned tapered feet, 188cm (6ft 2in) long.
A 19th Century French boullework and gilt metal mounted serpentine-fronted side cabinet:, veneered in scarlet tortoiseshell and inlaid with a marquetry of cut brass in foliate scroll designs, surmounted by a panel of black marble, the frieze with egg and dart and beaded bandings and with applied paterae, enclosed by an oval panel door with veneered spandrel surrounds, between stiles headed with female masks and floral foliage, on a shaped plinth with splayed feet and sabots, 110cm (3ft 7in) wide, 106cm (3ft 5 3/4in) high.
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235302 item(s)/page