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An early 19th century Channel Islands eight day mahogany longcase clock the bell strike movement fronted by a painted Roman arched dial, signed 'Poignand Jersey', with painted vine fruit spandrels and exotic pheasant and floral spray to the arch, a further pair of birds to the centre, the case with broken arched hood with later brass ball and eagle finials, over a trunk with broken arched door, the plain base with bracket feet and wavy apron, 95in. (241.25cm.) high.
A Channel Islands mahogany eight day longcase clock by Thomas De Garis of Guernsey mid-19th century, the silvered arched Roman dial with subsidiary seconds, date aperture, engraved foliate and roundel spandrels and an engraved eagle and 'Tempus Fugit' banner to the arch, the dial signed 'Thos. De Garis, Guernsey', the case with swan neck pediment centred by a gilt brass eagle finial over an arched glazed door flanked by turned pillars, the cross banded trunk with shaped arched door, on a plain base, 86in. (218cm.) high, lacks plinth.
An English polychrome and parcel gilt papier-mâché combination lady's sewing and writing table cabinet mid 19th century, the rectangular top with scallop edge opening to a fitted interior, over a conforming two door lacquered front opening to an arrangement of eight drawers around a central pigeon hole, the bottom drawer with a collapsible writing slope, the whole painted with shells and flowers within a border of mother-of-pearl and gilt, 35.5cm.
Two Staffordshire enamel bonbonnières c.1760-80, one shaped as a heeled shoe and painted with floral panels on a pale blue ground, the other shaped as an egg with landscape panels on a pink ground, two enamel door or furniture handles, one printed in black with buildings, the other painted with a polychrome flower spray, and an enamel watch face painted with a Classical figure beside a vase, mounted as a sprung box, some enamel losses, 9.5cm max. (5)
Attributed to Andre Bicat (French 1909-1966), a watercolour of a house and it's surroundings, with signature to lower left. Bicat was exhibited at the Leicester Galleries in 1959. Framed and glazed, internal dimensions 42cm x 31cm, together with an Andrew Archer Gamley R.S.W. (Scottish 1869-1949) watercolour on paper, a landscape c1942, bearing a paper label to verso, given as a gift by the artist to his niece, with a view from the door at Tighnabruaich, Scotland, framed and glazed, internal dimensions 36.5cm x 27cm, Gamley exhibited at The Royal Academy and Royal Scottish Academy (2)
George III mahogany bureau bookcase, the moulded key pattern top above two astragal glazed doors with adjustable shelves, the bureau with fall front enclosing a fitted interior above four drawers with brass swan neck handles, raised on bracket feetTop right door is slightly warped, glass to both doors is in good condition. Needs a good clean and polish with some minor repairs needed (see photos). No splits to sides on top or base.
Figured walnut longcase clock, the broken arch hood with flanking pilasters above a moulded panel door and conforming plinth base, the brass dial with matted centre, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed to the arch Obadiah Smith, Ratcliff Highway, London, the two train movement striking on a bell
Early 19th Century mahogany and boxwood line inlaid dome top bracket clock, the enamel dial with Roman numerals, the two train movement striking on a gong, the back plate inscribed ' Geo Grove, London 'Case is in good condition, no major damage or repairs, just slight cracks to the veneer joins. It has been restored at some point. Movement is reasonably clean and is currently running and chiming, although we give no guarantees it will remain so or to how long it runs for. Crack to glass on back door. Dial is in original condition.
Late 17th Century floral marquetry longcase clock, the square hood above a rectangular panel door with pendulum window, the square brass dial with silvered chapter ring, Arabic and Roman numerals, signed Henry Perry, Soho, London, the three train quarter striking musical movement with eight bellsThe clock is generally in good condition for its age, the movement having been well maintained and is currently working, although we never guarantee it will remain so. Striking and chiming correctly. There are some losses, repairs and alterations to the case which you will see from the photographs, 87ins high.This clock has come in privately from a large house.
Late George III mahogany longcase clock, the silvered dial with ship automata to the arch, Arabic and Roman numerals, subsidiary seconds and date aperture, signed George Parker, Wisbich, the broken arch hood with fretwork and brass finial surmount above flanking side pilasters, the trunk with reeded corner quarter pilasters flanking an arched panel door above a conforming plinth baseCase generally in clean condition but has been restored.Think the dial etc has not been altered, movement possibly not original to case.Dial is not completely circular and diameter ranges from 11.75ins to 12ins
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment above an arched door flanked by quarter pilasters raised on a plinth base, the brass dial with Roman and Arabic numerals and subsidiary calendar aperture inscribed ' Simpson Wigton ' with a two train movement striking on a bell
Victorian figured walnut marquetry inlaid, ormolu and porcelain mounted side cabinet / credenza, the shaped top with an ormolu moulding above a central panelled door (bowed) flanked by ormolu mounted pilasters and open mirrored shelves, the plinth base with further ormolu moulding, 53ins wideNo key. Badly warped front door and a few bits of ormolu are missing. It is in need of extensive repair and restoration.
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234658 item(s)/page