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Lot 194
Carved walnut clock from late 19th century, early 20th has spires on top surrounded by metal applied design and carved detail on front. Winding mechanism is accessed through back door. J unghans mark on clock face. V21813. Issued: 20th centuryDimensions: 7.25"L x 5"W x 12"HManufacturer: JunghansCountry of Origin: GermanCondition: Age related wear.
Lot 2
Takashi Murakami (Japanese 1962-), 'We Came to the Field of Flowers Through Anywhere Door (Dokodemo Door)', 2018, offset lithograph in colours on smooth wove paper, signed, inscribed, and numbered from an edition of 1000 in silver ink, published by Kaikai Kiki Co; sheet: 60 x 60cmsheet: 60 x 60cmIn very good condition No knocks, tears or creases to the sheet Very minor wear to the lower right hand corner of the sheet, visible upon close inspection This work has been stored flat and has not been framed.
Lot 249
Regulator, Deutschland, um 1910/1920Gustav Becker. Korpus aus Eichenholz, Vordertür teilweise verglast, kleine Verzierung mit Jugendstilelement. Silberfarbenes Zifferblatt mit arabischen Ziffern und Logo des Herstellers, Spade-Zeiger, Tonschlag auf Tonstäbe. Schlüssel vorhanden. Funktion kann nicht zugesichert werden. 78 x 35 x 17 cm Regulator Gustav Becker. Oak body, front door partially with glass, small decoration with Art Nouveau element. Silver-coloured dial with Arabic numerals and manufacturer's logo, spade hands, sound strike on soundbars. Key present. Function cannot be guaranteed.
Lot 46
DICKENS (CHARLES)The Posthumous Papers of the Pickwick Club, FIRST EDITION IN BOOK FORM, VERY EARLY ISSUE, 43 etched plates (including frontispiece and additional title) by R. Seymour, R.W. Buss and 'Phiz', with half-title and Directions to the Binder leaf, plates with the usual foxing, mostly in margins but heavy and affecting image in some cases, modern red calf gilt, spine with decorative tooling and lettering in gilt, 8vo (212 x 127mm.), Chapman & Hall, 1837Footnotes:AN EXCEPTIONAL COPY OF 'PICKWICK' IN BOOK FORM: WITH ALL THE EARLY ISSUE TEXT POINTS, ALL THE KEY PLATES IN THE FIRST STATE, AND ONE OF 'THE RAREST OF ALL PICKWICK PLATES'.Text:Rather remarkably, this copy has every first issue point noted by Hatton & Cleaver, with the exception of the impossibly rare early page variant ('only twice has it come under writer's notice', Hatton & Cleaver, p.56), being page 261 with the signature mark N2 rather than the correct X2 as in our copy. Plates:The present copy has the vast majority of the plates in the first state recorded by either Johannsen, Miller & Strange or Hatton & Cleaver (or all three), including the Seymour plates, and also has the two Buss plates. A few of the plates are Hatton & Cleaver's 'second plate', but according to Johannsen at least two of these are not genuine second plates but simply have the page number burnished out.Copies with the first plate ('Mr. Pickwick addressing the Club') in the first state are particularly scarce, John F. Dexter suggesting that of the first issue of 400 copies of part 1, 'I very much doubt whether more than 50 impressions in first state were obtained from the first set of steels' (Johannsen, p.2). Also present here is the extremely scarce Plate 14, one of two incorrectly paginated (as 169): 'In point of rarity, however, none exceed the two plates as originally etched for Part 6. To quote again the words of J.F. Dexter, 'they are the greatest rarity known to me in this book'' (Hatton & Cleaver, p.22). Plate 15 has the correct page number (154).List of plates with Johannsen and Hatton & Cleaver references:1. Mr Pickwick Addresses the Club: Plate A, First state, signature faint but visible.2. The Pugnacious Cabman: Plate A, First state, signature legible. 3. The Sagacious Dog: Plate A, the gun with hammer and trigger and no break in the barrel. Johannsen, Miller & Strange and J. Christian Bay all disagree with Hatton & Cleaver's assertion that the first state has the break in the gun.4. Dr. Slammer's Defiance of Jingle: Plate A, First state.5-7: All Plate A, First state.8-9: The two Buss plates.10. The Breakdown: Plate A, First state (the 'NE' in 'NEMO' just visible under magnification).11. The First Appearance of Mr. Samuel Weller: Plate A1 (cane showing a break), First state, with 'NEMO' signature.12. Mrs. Bardell Faints in Mr Pickwick's Arms: Plate A2 (faces slightly retouched), First state.13. The Election at Eatonswill: Plate A1 (staff faintly etched), First state.14. Mrs. Leo Hunter's Fancy-Dress Dejeune: Plate A (with incorrect page number 169, making it 'the rarest of all Pickwick plates'), First state.15. The Unexpected Breaking-Up of the Seminary for Young Ladies: Plate A (correctly paginated 169), First state.16-21. All Plate A.22. Christmas Eve at M. Wardle's: Plate A, First plate.23. The Goblin and the Sexton: Plate B1 (knot in place of a face in tree trunk), First plate.24. Mr. Pickwick Slides: Plate A, First state.25. The First Interview with Mr. Sergeant Snubbin: Plate B1 (no roll of paper), Second plate.26. The Valentine: Plate A2 (with number burnished out), Second plate, first state. This and all following plates have no etched page number.27. The Trial: Plate B1, Second plate, first state.28. The Card Room at Bath: Plate A, First plate.29. Mr Winkle's situation when the door blew to: Plate B1, Second plate..30. Conviviality at Bob Sawyer's: Plate A, First plate.31. Mr Pickwick Sits for his Portrait: Plate B1, Second plate.32. The Warden's Room: Plate A, First plate.33. Discovery of Jingle in the Fleet: Plate A, First plate.34. The Red-nosed Man Discourseth: Plate B1, Second plate.35. Mrs Bardell Encounters Mr. Pickwick in the Prison: Plate A, First plate.36. Mr Winkle Returns under Extraordinary Circumstances: Plate A, First plate.37. The Ghostly Passengers in the Ghost of a Mail: Plate B1, Second plate.38. Mr. Bob Sawyer's Mode of Travelling: Plate A, First plate.39. The Rival Editors: Plate A, First plate.40. Mary and the Fat Boy: Plate A, First plate.41. Mr. Weller and His Friends Drinking to Mr. Pell: Plate A, First plate.42. Frontispiece: Plate A, First plate.43. Etched title: Plate A: First plate.References:Albert Johannsen, Phiz Illustrations from the Novels of Charles Dickens, 1956; Thomas Hatton & Arthur. H. Cleaver, A Bibliography of the Periodical Works of Charles Dickens,, 1933; W. Miller & E.H. Strange, A Centenary Bibliography of the Pickwick Papers, 1936; J. Christian Bay, ('The Pickwick Papers', in Amateur Book Collector I, December 1950, pp.7-8).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 167
• HUGH CRONYN (BRITISH 1905-1996) Hugh Cronyn (lots 167-174)IntroductionYoung, impressionable and fresh from Toronto where he had studied with the Group of Seven painter Frank Johnston, Cronyn departed Canada with an irrepressible can-do New World outlook. His unpublished memoirs recount his pre-war years: his time at the Arts Students League in New York in 1929; the early 1930s in Paris tutored by Jean Despujols and André Lhote; bicycling across the Alps; and on his arrival in England his immersion into bohemian life in West London. From the mid-thirties he rented various studios by the Thames in Hammersmith and met many of the leading artists and writers of the day. One such was Ivon Hitchens, whose second solo exhibition at the Lefevre Gallery he helped hang. But most influential in his circle of friends was the critic, humourist and politician A P Herbert ('APH') and his wife Gwen, herself a painter and stage-designer of note. At their home at 12 Hammersmith Terrace, Cronyn met the likes of Edward Wadsworth, Mark Gertler, Leon Underwood and John Piper. Ceri Richards lived nearby, as did poets Robert Graves and Laura Riding in St Peter’s Square. He went on painting trips to Dorset with Julian Trevelyan, his neighbour at Durham Wharf, and to the French-Spanish border with Ray Coxon and Edna Ginese at the time of the Spanish Civil War. After the outbreak of the Second World War, Cronyn was commissioned into the Royal Navy. Put in charge of the Naval bomb disposal squad in Bristol dockyards, he was the first Canadian to be awarded the George Medal (GM). In 1942 he married Jean Harris and settled in Suffolk where from 1949-69 he was tutor of painting at Colchester School of Art teaching alongside John Nash, Edward Bawden, Carel Weight and Peter Coker (lot 174). From 1963 the Cronyns began to spend their summers in Quercy in the Lot, first renting a 15th century gatehouse and studio, then a small house, Les Vergers, before buying a dilapidated farmhouse in 1970 in Caufour which they renovated (lot 170). From 1974 the Cronyns spent the winter months in 3 St Peter’s Wharf, next door to Hammersmith Terrace, in one of the artists’ studios overlooking the Thames constructed by Julian Trevelyan. Cronyn's late paintings of the river, which capture the spectrum of colours as the seasons changed, document the river’s moods from winter mists to intense summer sun, and hang in many private collections (lot 172).167HUGH CRONYN (BRITISH 1905-1996)WOODLANDS, QUERCY signed CRONYN lower rightoil on canvas46 x 65cm; 18 x 25 1/2in (unframed)
Lot 377
Jos DE MEY (1928-2007) 'In een door de winden gladgestreken zandvlakte dubbelbuisvorimig symetrisch gebogen zich ontbolsterde neo-Mondripythagoriaanse Boom' pencil on paper.Signed lower right, dated 1976. Condition report: With a small stain in the upper, middle, between 12 and 1 o-clock.Dimensions: (W:57 x H:42 cm)
Lot 190
Important tapis de la Perse de la première partie du XXe siècleDe forme prière, le fond rose habraché présente un décor de ramages, le haut de la porte du mihrab à fond turquoise; large bordure à rinceaux et fleurs. 200 x 300 cm env.An important Persian rug from the first part of the 20th centuryPrayer-shaped, the pink habraché background is decorated with antlers, the top of the mihrab door with a turquoise background; wide border with foliage and flowers.For further information on this lot please visit Bonhams.com
Lot 356
A George II green japanned longcase clock, by Thomas Moore, Ipswich, mid-18th century, the case decorated with gilt chinoiseries, the caddy top with three giltwood urn finials above break arch hood with columns, the trunk with arched and moulded door, on a plinth base, the arched brass dial with silvered chapter ring with Roman and Arabic numerals, enclosing a matted dial centre with subsidiary seconds and calendar aperture, flanked by urn and scrolling foliate spandrels, the arch with silvered convex plaque signed Tho.s Moore Ipswich within dolphin and foliate spandrels, the five-pillar eight day movement striking a bell on the hour, with pendulum, brass cased weights and winder, 244cm high Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Provenance: Property from the estate of the late David Cornwell, best known as the author John le Carré. Footnotes: Note: Thomas Moore of Ipswich (Suffolk) b.1690 son of Roger Moore of Ipswich, q.v. mar.c. 1711-62 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, London: N.A.G. Press, 2022, p.548
Lot 351
A Victorian brass and lead-framed stained glass hanging lantern, of Aesthetic style, c.1870, of rectangular form, the panels painted with flowerheads and geometric motifs, with hinged door, wired for electricity, 75cm high overallProvenance: Property from the estate of the late David Cornwell, best known as the author John le Carré.It is the buyer's responsibility to ensure electrical items are professionally rewired for use. Condition Report: The arched hanging apparatus is slightly bent and the fittings to the lantern frame are slightly loose and in need of adjusting. The glass panels are all intact, the lead lining is all intact, the brass frame is tarnished. The hinged door opens with some resistance. General surface dirt present throughout. The lamp has wiring remaining from electrical conversion, but has not been tested for working capability. It is the buyer's responsibility to ensure electrical items are professionally rewired for use.
Lot 532
George Littlewort an early 19th century timepiece, in the manner of a male guard, the wooden case with brass face marked Royds 1 George Littlewort London, internally with enamelled dial. Height 10 cm, width 7.5 cm, depth 3 cm (see illustration). CONDITION REPORT: The brass case is in generally good order although very dirty. We can see that the dial has several hairline cracks but the pointers appear to be original. The mahogany outer case is scuffed and knocked. The rear door does prise open. The lock is present but we have no key. The movement is not operating, there appears to be a problem at least with the balance wheel.
Lot 1376
A Georgian mahogany linen press, with detachable moulded cornice above a pair of panelled doors with applied mouldings opening to trays, the base fitted with drawers and raised on shaped bracket feet. Height 204 cm, width 128 cm, depth 60 cm. CONDITION REPORT: The press is in need of some work but in reasonably good order. The cornice is nibbled at the corners and on the top edge at the rear on both sides. The crossbanding beneath is in reasonably good condition all around but there is a small section of veneer missing on the right-hand return at the back which is approximately 4 cm square. The moulding beneath this is 50% missing on the left-hand return. The left-hand side has a crack to the timber at the rear where it joins the wall. The right-hand side is in better order with no issues. The sides to the base both have gaps between the joins and the left-hand side has a section of timber approximately 4 cm square missing towards the rear. The left-hand door has a section of mahogany missing beneath the right-hand quadrant. The doors meet in the middle as they should. The interior trays are present. The centre edging strip is partially missing. The drawer fronts are in generally good order with no missing cockbeading but the handles are later replacements and the original handle holes are visible. The bracket feet are all present, however the rear right-hand one is detached and in the drawer. The bottom section of the front right-hand foot is detached also.
Lot 1542
A mid 20th century mahogany display cabinet, of narrow form with glazed door with three adjustable shelves above a base section with two drawers raised on bracket feet. Height 170 cm, width 57 cm, depth 37 cm. CONDITION REPORT: The cabinet is in extremely good condition. The cornice is in good order all round. The door is not warped. It locks and we have the key. There are no cracked panes of glass and all astragals and glass shelves are present. The base is in very good condition as are the bracket feet.
Lot 1126
An antique carved wall cupboard, the door carved with mythical beasts heads and opening to an internal shelf. Height 69.5 cm, width 48 cm, depth 15 cm. CONDITION REPORT: The cabinet is structurally sound. There is a ring mark to the top shelf behind the fretwork. There are numerous small nibbles around the extremities. The sides of the piece have minor scratches. The door does not shut quite flush but is not significantly warped. All fretwork is present and there do not appear to be any breaks. The lock is present and operates. There are two repair bracing panels behind the door which are only visible when the door is open. There is no evidence of any woodworm.
Lot 1492
A George III oak longcase clock, with 30 hour movement by Barber Winster with penny moon and dater aperture. Height 198 cm. CONDITION REPORT: We have located the weight and the pendulum. We have not had the movement running and, in our opinion, it requires an overall. The movement appears to be complete and when pressure is applied to the going train the crutch ticks away. When the hand is advanced the moon phase and date wheels appear to work also. The clock is currently not striking when manually advanced. The seat board is clearly old, and the cheeks have not been built up. The mask around the dial fits reasonably well. This suggests that the clock is not a marriage, but we cannot guarantee this. The movement clearly requires an overall. The case is quite primitive and very heavy timber. The hood mouldings are all a little loose but all present. The door is damaged at the bottom right-hand corner where the flat hinge sits. The left-hand bottom edge return moulding looks to have been replaced. The trunk door is not warped and closes as it should. The sides of the case are in good condition and the back board is original. The clock base looks to be quite short, but we cannot see any evidence of height reduction. The bottom mouldings and bracket feet appear to be original.
Lot 1108
A late 19th century black slate and marble mantel clock, with two train movement striking on a bell and with visible brocot escapement. Height 45 cm, width 31 cm, depth 15 cm. CONDITION REPORT: The movement only winds on the going train. It does tick but not for any great length of time. There is clearly something wrong with the strike train. The centre of the dial has numerous cracks emanating from the winding apertures. The door has chips to the glass around the hinge. The rear door is present. The case is in generally good condition with only minor nibbles to the slate and marble around the extremities. There do not appear to be any pieces of metalwork missing.
Lot 948
A Victorian oak coin collectors cabinet, with a pair of panelled doors with brass drop handles opening to reveal forty two drawers. Height 47 cm, width 53 cm, depth 30 cm (see illustration). CONDITION REPORT: The cabinet is structurally sound and in generally very good condition. There are some minor scratches to the top surface but no series issues. The right-hand door retains the lock but we do not have a key. Neither door is warped. There is a slight gap where the two doors meet in the middle. All interior drawers are present. All brasswork is original. The only issue with the piece is that the left-hand return bottom edge moulding is missing.
Lot 1523
A Georgian mahogany tray topped pot cupboard, with tray top and single cupboard door opening to reveal a slatted interior, raised on tapering legs of square form. Height 82 cm, width 37.5 cm, depth 33 cm. CONDITION REPORT: The cabinet is structurally sound. The top is flat without splits. The sides and rear of the piece are in good order. The door has nibbles to the cockbeading particularly around the top left corner and the left upright to the left of the handle. There are marks caused by the handle on the left-hand side also. All legs are in good condition and free from any repairs. There is no evidence of any woodworm.
Lot 1545
A Georgian mahogany pot cupboard, with tray top above a single cupboard door and drawer raised on turned legs united by a cross stretcher. Height 82 cm, width 37 cm, depth 37 cm (see illustration). CONDITION REPORT: The bedside cabinet is structurally sound. The top is not split. The right-hand side has a stress fracture the left does not. The door is in generally good order and all brasswork is original and present. The drawer slides as it should. The legs are free from any repairs, the stretchers are original as are the castors. There is no evidence of any woodworm.
Lot 1109
An Edwardian brass and glass panelled carriage clock, with Roman numerals and white enamel dial, signed Goldsmiths Company, 118 Regent Street London, Paris made, of substantial form with corner Corinthian columns. Height to the top of the raised handle 19 cm, sold with key and contained within original leather box. CONDITION REPORT: The glass to three sides is in good order. The glass on the rear door has some chipping to the bottom left-hand side. The metalware shows general signs of wear and tear but nothing particularly untoward. The enamel face has some cracks around the centre leading off to the number 6 which should be visible on the online photograph. The leather outer case shows signs of wear, missing leather etc. There is no glass panel for the outer case. The clock is currently ticking away nicely.
Lot 1529
A Georgian mahogany inlaid pot cupboard, with tray top above a single cupboard door with slatted base and raised on tapering legs of square form. Height 86 cm, width 40.5 cm, depth 38 cm. CONDITION REPORT: The cabinet is structurally sound and in generally good condition. The top is not split. The sides and back of the piece are in good condition. The door is not warped and closes as it should. The handle would appear to be original. There are some minor nibbles where the handle meets the side support. All legs are in good order and free from any repairs. There is no evidence of any woodworm.
Lot 1100
An early 20th century German oak cased mantel clock, with brass dial and two train striking movement by Winterhalder and Hofmeier, the case raised on bracket feet. Height 27 cm, width 18 cm. CONDITION REPORT: The movement winds on both trains and appears to be ticking away. It comes complete with key and pendulum. It appears to strike when manually advanced. There is a label to the rear dated January 04, presumably from when the clock was last serviced. The case is in generally good condition with no splits or cracks. The door is in good order and not warped. The silvered brass dial is in generally very good condition also. All bracket feet are present. The rear door is in good condition and the cloth lining present also.
Lot 1200
A Georgian mahogany library bookcase, with detachable moulded cornice above a pair of glazed doors with wooden astragals enclosing adjustable shelves, the base fitted with a pair of panelled cupboard doors with plinth beneath. Height 241 cm, width 158 cm, depth 53 cm (see illustration). CONDITION REPORT: The detachable cornice is in generally good condition with only minor scratches and blemishes. The sides of the upper section are in generally good order with a few minor scratches and paint splatter marks. At the bottom of the left-hand side there are some small sections of veneer missing. The left-hand return waist upper moulding is missing. The lower moulding has a repair to the rear quarter and a small loss. The right-hand moulding is nibbled at the corners and has a small repair to the rear. The doors close reasonably flush and there is only very minor warping on the right-hand door top quarter. Each door has a broken pane of glass. The lock is present, but we do not have the key. The front edge waist moulding is in generally good condition. The cupboard doors are not warped. There are some stress fractures across the veneers. There is evidence of handles that have been removed above the lock escutcheons. The lock is present, we have the key and it is operable. The plinth is a little scuffed around the extremities. The backboards are original. We can see no evidence of any woodworm. The piece splits into three sections, cornice, upper half and base.Regards.The detachable cornice is in generally good condition with only minor scratches and blemishes. The sides of the upper section are in generally good order with a few minor scratches and paint splatter marks. At the bottom of the left-hand side there are some small sections of veneer missing. The left-hand return waist upper moulding is missing. The lower moulding has a repair to the rear quarter and a small loss. The right-hand moulding is nibbled at the corners and has a small repair to the rear. The doors close reasonably flush and there is only very minor warping on the right-hand door top quarter. Each door has a broken pane of glass. The lock is present, but we do not have the key. The front edge waist moulding is in generally good condition. The cupboard doors are not warped. There are some stress fractures across the veneers. There is evidence of handles that have been removed above the lock escutcheons. The lock is present, we have the key, and it is operable. The plinth is a little scuffed around the extremities. The backboards are original. We can see no evidence of any woodworm. The piece splits into three sections, cornice, upper half and base.
Lot 1335
An Edwardian walnut breakfront cupboard, with quarter veneered top above a secret drawer and quarter veneered cupboard door raised on cabriole legs. Height 89 cm, width 71 cm, depth 44 cm. CONDITION REPORT: The cabinet is structurally sound. The top is quarter veneered and has some water damage to the centre which is a little discoloured and the veneer, although all present, is slightly lifting. There are some minor scratches to the top surface but nothing major. The crossbanded section beneath has an edge moulding, approximately 10 cm of this is missing on the left-hand return and 15 cm on the right-hand return. The two sections are actually present in the cabinet. The door is not warped and closes as it should. The lock is present but we do not have a key. The sides of the piece are in good condition as are all legs and the backboard. There is no evidence of any woodworm.
Lot 1204
An early 20th century mahogany longcase clock, with three train fusee musical movement with nine gongs and musical cylinder, with Westminster Whittington and St Michael chimes, the brass dial with Arabic numerals and subsidiary seconds dial with glazed trunk door flanked by canted angles, the base raised on ogee moulded bracket feet. Height 221 cm, maximum width 42 cm, maximum depth 30 cm (see illustration). CONDITION REPORT: The clock case is in extremely good condition and of very good quality. Any imperfections are minor. The left-hand side fretwork panel has a small section detached which is taped into place. There is a small nick to the right-hand side of the arch on the hood and minor blemishes around the keyhole. Neither door is warped. All weights and gongs are present and we have the winder and top finial. The movement winds on all three trains and seems to chime and strike when manually advanced. The dial is in extremely good clean condition. The movement is currently ticking away. Clearly, we cannot give any guarantee that the clock is running and striking absolutely correctly, but it would seem that this is the case. The clock has come to us from a good local estate.
Lot 1479
A Georgian mahogany tray top bedside cabinet, with pair of cupboard doors and drawer to base. Height 79 cm, width 56 cm, depth 48 cm. CONDITION REPORT: The top has a split running from the left-hand nearly the full length. There are also age-related marks, stains etc. The right-hand side has several splits, water stains and fading. There are also similar marks to the left-hand side and to the front. The left-hand door has some sections of veneer missing and cracked. The same cracking is evident on the right-hand drawer.
Lot 856
William Tickle, Newcastle: A Georgian mahogany longcase clock, the brass roman dial with silvered chapter ring and centre, also with inner calender date markers and pointer, two train movement with anchor escapement, the hood with pierced frieze above glazed door and flanked by classical columns, arched waist door with inlaid shell motif, on a panel base and splayed bracket feet, 39 x 24 x 230 high, comes with key, pendulum and weights.
Lot 962
A Regency rosewood cabinet, of drop centre architectural form, the central raised pediment with brass putti embellishments flanked by galleries, above a central two-door cabinet enclosing shelves, flanked by single door cabinets enclosing shelves with pilaster classical columns, raised on brass bun feet, 92 x 36 x 52cm high.
Lot 974
An Arts & Crafts mahogany secretaire cabinet in the manner of Liberty & Co, circa 1900, the upper section with an astraglazed two-door cabinet above a fall front writing area with inlaid leaf and floral detailing and opening to reveal an arrangement of pigeon holes and pen tray, the lower section two long drawers raised on four supports with pierced circular sides and united by an under tier, pad feet, possibly by A Gardner & Sons, Glasgow, 99 x 44 x 161cm high.
Lot 855
Walker, Louth: A Georgian oak longcase clock, the brass dial with silvered roman chapter ring and name plate, foliate spandrels, subsidiary seconds dial and date aperture, two train movement with anchor escapement, scroll pediment and arched waist door, comes with key, pendulum and weights, 48 x 25 x 235cm high.
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