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A small coaching scene jug, of Dutch shape with simple strap hadle, printed in black on one side with the coaching scene, the coach side and door decorated with Masonic symbols, and on the other side with 'FOR-GET ME NOT' within a flower and leaf wreath, the spout, neck and foot with pink lustre lining, height 11.7cm, unmarked, circa 1820-30 (some wear, small star crack, chipping to rim and foot)
Early blue-printed chinoiserie teawares: comprising four teabowls variously decorated with the Barker Temple with Panel, Shepherd, Rainforth Parasol and Birds, and Far Pavilions patterns, and five saucers, including examples with the Tall Door, Violin, Curling Palm, Buffalo, and Buddhist Temple and Fisherman patterns, diameters of saucers between 12.8 and 16.4cm, all unmarked, generally between1795 and 1810. See FOB 119 for the Buddhist Temple and Fisherman pattern
Blue-printed wares attributed to the Swansea Cambrian Pottery: comprising a mug with ochre rim decorated with a version of the Tall Door pattern, height 9.6cm; a small mug or coffee can, also with the Tall Door pattern, height 6.6cm; a ball-shaped creamer with fluted lower body decorated with a chinoiserie scene of pavilions connected by a long jetty, height 10.4cm; and another creamer with a wide flaring spout decorated with the Chinoiserie Palm pattern, height 10cm; all unmarked, early-19th century
A Scottish mahogany longcase clock, circa 1820, by Joseph Lawson, Merry port, the swan neck pediment hood with rope twist pillars, enclosing painted dial with interior lovers scene in arch and seated lady spandrels, with eight day Birmingham movement, above a trunk with fret work shaped door within conforming columns, upon bold plinth, (246cm tall)
8 late 1990s - early 2000s issue Lionel 0 gauge rolling stock: operating log dumpcar, Pennsylvania wheel car, LRRC Western Union dining car, cotton belt double door box car, Union Pacific center 1 beam flatcar, stock car LRRC 99; ‘Katy’ liquified oxygen car and a LRRC Western Union baby mad passenger car. All boxed, as new. Contents mint
A scarce Hornby 0 gauge gun powder van. Nut bolt construction simple thin axle chassis, drop link coupling; red box van with side hinged single door; ‘LNWR’ white lettering and black ‘Gun Powder Van’ to sides; cream roof. VGC (some restoration, finish affected by contact with plastic bag storage) (Please see lot 283 for image)
A Hornby 0 gauge clockwork powered modified electric No 3 locomotive ‘Royal Scot’ to 4-4-0 with RN6100; retaining bulb and holder in smoke box door and fitted with a replacement Bassett Lowke motor; a No 1 special LMS tender; an interesting individual item well converted. GC (Some play and age wear)
Porsche 356 tinplate coupe, finished in red with detailed interior, Ackerman steering mechanism, clockwork driven controlled via drivers door handle. Manufactured by JNF Prototype in US Zone of Germany (mechanism AF), together with a Schuco 1040 micro racer in red, c/w motor in GWO with key in distressed box. QGC - GC. Paint chips, slight rusting on tinplate, damaged nose cone on Schuco
2 Britains Army items: 4 wheel rounded front tipping back, cab door opens with peaked cap driver cat No 1334, in original box, minor wear but some overtaping and writing to lid; plus ammunition limber 2 wheel trailer No 1726 in olive green, plastic tyre version in picture front box, minor wear and marking. Vehicles VGC - mint
A CARVED OAK AND MIRRORED SIDE CABINET by Christopher Pratt, the raised back with bracket shelf over bevelled mirror recesses, turned and scrolled bracket ends, moulded break front with central arcaded mirrored recess with turned and carved pillars, three panelled and carved cupboard doors below, flanked by four drawers to one side, leaded glazed door to the other, oxidised copper drop handles and turned feet, late 19th/20th century, 82" wide, 49" high
A VICTORIAN ROSEWOOD SIDE CABINET with stringing and foliate marquetry, raised mirror back with broken pediment and turned finials, three small shelves and turned columns, D shaped base, the concave centre section with arcaded shelf flanked on either side by a glazed door, conforming shelf below, scrolled legs and feet, 52" wide, 82" high
A VICTORIAN ROSEWOOD AND MARQUETRY PART BEDROOM SUITE comprising triple wardrobe with two central doors over a shelf and four drawers with brass drop handles flanked on either side by a mirrored door, each surmounted by a scrolled pediment with carved urn finial, on plinth, 76 1/2" wide, 90" high, matching dressing table, marble topped washstand with tiled and mirrored splashback, bedside cabinet and a pair of carved chairs (6), label for T Simpson & Sons, Halifax
A VICTORIAN MAHOGANY SIDE CABINET with leaf and scroll carved shaped back, bevelled central mirror, shelves on scroll brackets, lower stage with moulded top, central carved and glazed door flanked by small drawers and glazed cupboards below, shaped apron, moulded undershelf and cabriole legs, 89" high, 48" wide
A LONGCASE CLOCK by John Lawson, Bradford, the thirty hour movement with square brass dial chased with birds and scrolling foliage painted half penny moonphase and calendar dial, in oak and crossbanded case, the scrolled pediment with brass finial on turned columns, arched door with inlaid star motif, panel base, on plinth, 89" high
A LONGCASE CLOCK by Fabian Robins, the eight day movement with arched brass dial, secondary dial and calendar aperture, in later mahogany and marquetry case with classical figures and scrolling foliage, the scrolled pediment with brass finials on fluted columns, arched door flanked by wrythen pilasters, panel base and bracket feet, 90" high
A LONGCASE CLOCK, the eight day movement behind arched brass dial with moonphase, chased with foliate scrolling, secondary dial and calendar, in oak case, the scroll pediment with ball finial on gilt metal columns, scroll top door inlaid with sun paterae, fluted quarter columns, panel base and bracket feet, 19th century, 89" high
A LONGCASE CLOCK, by Roberts, Otley, dated 1782, with thirty hour movement, arched dial with calendar, painted with flowers and cottages, in oak cross-banded case, scroll pediment with brass ball finial on fluted columns, the door flanked by fluted quarter columns, plank base and bracket feet, 85" high
A LONGCASE CLOCK, by Lancaster, Bradford, the eight day movement with arched dial having fruit and floral painted spandrels, secondary dials, in mahogany cross-banded case with scrolled pediment and turned finials, supprted on tapering scroll topped columns, gothic arched door with ivory finial, flanked by turned columns, similar base with shaped apron and turned feet, 95" high
A LONGCASE CLOCK by Jo Batty, Halifax, the eight day movement with arched brass dial, painted moonphase and secondary dials, in oak case, the scrolled pediment with gilt metal finials and rosettes, on tapering columns, arched door flanked by quarter columns, panel base and bracket feet, 92" high
A LONGCASE CLOCK by Whitehurst, Derby, with eight day movement, arched brass dial with painted moonphase, pierced and moulded spandrels, in oak case, the moulded split pediment with roundels, tapered turned columns, arched door flanked by quarter columns and similar panelled base, 87 1/2" high
A LONGCASE CLOCK, the eight day musical movement with chased square brass dial, secondary dial and calendar aperture, in oak case with inlaid paterae and parquetry banding, moulded cornice with carved surmount on turned columns, arched door, panel base and bracket feet, late 18th/19th century, with later carving, 91" high
A LONGCASE CLOCK by Nugent Booker, Dublin, the eight day movement with square brass dial, two secondary dials, in mahogany case, flower carved scroll pediment with brass finial, cushion frieze with carved mask and foliate scrolls on fluted columns, arched door, fluted quarter columns, panel base and bracket feet, 92" high
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235302 item(s)/page