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VICTORIAN MAHOGANY LONGCASE CLOCK, the arched painted dial decorated with a seated Britannia, the face painted with Roman numerals and the spandrels with classical urns, thirty hour movement, the hood with baluster columns, the trunk with arched door flanked by half columns, on bracket feet. 229cm
Victorian oak longcase clock, the hood with acanthus and shell carved pediment and stepped and carved cornice over brass face by Samuel Bycroft, the strike/silent ring over dial with Roman numerals in black and with seconds dial and date ring between floral carved details over trunk and door with deeply carved bows and floral swags, the base with carved grotesque and further ornament, 95 1/2in (242.6cm) tall
Victorian mahogany longcase clock, the rectangular hood with concave cornice over painted face with upper scene of Burns at the plough and the four seasons to each spandrel, the white dial with Roman numerals in black and with seconds dial and thirty one day date ring, the bow front door with upper and lower carved crests, 81in (205.8cm) tall
Liberty & Co., London, Arts & Crafts oak chest of four drawers designed by Leonard Wyburd, the back and sides with plain raised gallery with extended uprights pierced with heart motifs, block and rod vertical handles, 37'' wide; together with matching wardrobe with a single panelled door, the top panel decorated with a coastal landscape with setting sun, 36'' wide. (Liberty & Co., label on reverse of wardrobe)
19th century Gillows of Lancaster mahogany sideboard with coromandel and patterned line inlaid top, back and drawer fronts, the raised back with a mirror, shelf on turned supports and fabric panels, the base with three drawers above a central cupboard with two glazed doors flanked by a panelled door on each side, on turned feet, 71'' wide x 69'' high. (The central drawer stamped 'Gillows & Co, Lancaster')
19th century oak cupboard profusely carved with figures in medieval dress and armour, the top with a cupboard door, the panels carved in relief with figures in a castle hall, with the date 1330, two small drawers under, the base with a single drawer and a cupboard with carved panelled door with shield, crown, flowers and foliage, 57'' wide x 85'' high
Rossetti (Dante Gabriel, 1828?82). 'Dinner Time', April 1859, an original pencil drawing showing a full?length profile of the Great Seal at London Zoo, half submerged by water, with the artist's pencil monogram and date lower right and caption bottom centre, 137 x 108mm, mounted, framed and glazed Virginia Surtees, 'The Paintings and Drawings of Dante Gabriel Rossetti (1828?1882) A Catalogue Raisonné' (1971), vol. 1, 210 (no. 600); Henry Currie Marillier, 'Dante Gabriel Rossetti: An Illustrated Memorial of his Art and Life' (1899), 229: 'When Burne?Jones and Morris were living at Red Lion Square, and Rossetti was in rooms at Blackfriars, the Zoological Gardens were a constant resort of all three. The accompanying sketch of the great seal expecting his dinner is a relic of those days, and was probably one of many such. Oddly enough, with the exception of apes once or twice, the cat in 'Fra Pace', and the fawn in 'Mary Magdalene at the Door of Simon', Rossetti never seems to have had any inclination to introduce animals into pictures. He reserved them exclusively for his private life, of which they formed, as the above notes show, a characteristic and remarkable feature.' (1)
Dante Gabriel Rossetti's Drawing Cabinet. A well?constructed stained pine artists cabinet, hinged top with adjustable mahogany support, with cupboard below enclosed by a pair of panel doors, dimensions (when closed) 30" wide, 28" tall, 24" deep (76 x 71 x 61 cm.) With a handwritten note by William Michael Rossetti affixed inside the right?hand cupboard door, 'Gabriel had this cabinet & its companion made c. 1864 ? they came to me after his death in 1882 ? were unvarnished up to 1901'. (1)
Heaney (Seamus). Death of a Naturalist, 1966; Door into the Dark, 1969; Field Work (2 copies), 1979, Selected Poems, 1980; Station Island, 1984; New Selected Poems, 1990; Seeing Things, 1991; The Spirit Level, 1996, all 1st eds., pub. Faber, all orig. cloth in d.j.s, d.j. to first vol.stained and faded, 8vo, together with 3 others by Heaney (12)
A walnut longcase clock, the caddy top hood with glazed door flanked with quarter turned spiral columns enclosing an 11 inch square brass dial with secondary seconds dial, date and month apertures and silvered chapter ring signed below John Wrench in Chester fecit, the six pillar bell striking movement with outside count wheel, latched pillars, mask spandrels and brass capped weights, above a long trunk door with glazed lenticle, standing on a plinth base, 192cm high (the dial and movement circa 1700, the restored case 20th century)
An 18th century oak and mahogany longcase clock, the scrolling swan neck pediment above an arch glazed door flanked with columns enclosing a 14 inch arched painted dial with secondary seconds dial and date aperture within painted spandrels, with four pillar bell striking movement, above an arched long trunk door flanked with quarter columns, standing on a plinth base, 215cm high
An 18th century oak eight day longcase clock, the hood with moulded cornice above a glazed door flanked with three-quarter columns enclosing a 12 inch square brass dial with seconds dial, date aperture and silvered chapter ring signed Thomas Kefford, Royston, with five pillar bell striking movement, above long trunk door with inset lenticle, standing on a plinth base, 207cm high (the case with replaced plinth)
A Victorian ebonised credenza, the moulded shaped top above a marquetry inlaid frieze and similarly inlaid cupboard door enclosing shelves flanked with Corinthian capped columns and a pair of bow front glazed doors enclosing further shelves, standing on a plinth base with pointed bun feet, 152cm wide
Edwardian satinwood crossbanded and fiddleback wardrobe with central mirrored door with bevelled edge mirror flanked by bow cupboards each above three drawers on plinth base, 205cm also matching dressing table with oval mirror and twin bow drawers on superstructure, the base with one long and six short bowed drawers raised on square tapered legs on spade feet, 138cm
Edwardian bedroom suite Waring & Gillow in fiddle back mahogany comprising a bowfront wardrobe with moulded cornice, the central cupboard with oval mirror door flanked by veneer doors with repeated oval inlay to the frieze, Greek key ornament and raised on splay bracket feet, 1.90m also a dressing table with three short and one long drawer on turned tapered legs, 1.22m, bedside cabinet and two chairs
Whytock & Reid Style walnut bedroom suite, comprising a two door wardrobe with drawer below 1.21m, dressing table with ledge surround, 2 short and one long drawer on moulded legs 1.07m, rectangular top stool on moulded legs, toilet mirror, side chair, bedside cupboard with drawer, brushing slide drawer and cupboard below
Mahogany and satinwood banded eight day longcase clock, early 19th Century, swan neck pediment over brass capped corinthian columns flanking an arched 13ins painted dial, with defunct rolling moon and decorated with four seasons personified to the spandrels, Arabic numerals, subsidiary seconds and date aperture, the movement striking on a gong, named on the back plate Hipky & Harrold, trunk with flame mahogany door within canted corners, crossbanded with boxwood stringing over a base with an inlaid circular panel raised on bracket feet, height 88.5ins.
Thomas Humphreys, Barnard Castle (Clockmaker 1810-40) a married mahogany cased 30 hour longcase clock (the case circa 1780, the hood with later alterations, the movement early 19th Century), cavetto cornice over brass capped corinthian columns flanking painted 13ins arched square dial, decorated with hunter and gun dogs, Roman numerals, signed at 12 o'clock, subsidiary seconds dial, crowned brass fingers, the trunk with flame mahogany door within brass capped quarter pilasters over a panelled trunk base with reeded canted corners, raised on ogee bracket feet, height 88ins.
Edwardian mahogany demi lune side cabinet, probably Maple & Co, circa 1905-1910, carved in the Adam style, the frieze with fine foliate scrolls over a central moulded panel door centred with a flaming urn within bell flower garlands and flanked on either side with similar panels, all raised on acanthus carved square section legs with spade toes, width 48ins, depth 23.5ins.
James Coviller, Market Raisen (Clockmaker), oak and mahogany eight day longcase clock, early 19th Century, the hood surmounted with three winged eagles and ball finials, swan neck pediment over fluted pilasters flanking 13ins painted arched dial, decorated with harvest scene and legume spandrels, Roman numerals, subsidiary seconds dial, signed at 6 o'clock, the movement striking on a bell, the back plate signed Wilkes, the trunk by James Usher of Lincoln to a paper label and with door crossbanded in mahogany within reeded canted corners, the plain box base on a later moulded wooden stand, height 83ins.
William Massey (Clockmaker, Nantwich, circa 1790), oak and mahogany cased eight day longcase clock, the hood with swan neck pediment in mahogany and boxwood inlays over cluster columns flanking painted arched dial and spandrels featuring Grecian philosophers/ astronomers, Arabic numerals, subsidiary seconds dial and date aperture, signed at 6 o'clock, eight day movement striking on a bell, the trunk with a shaped perpendicular door within cluster pilasters crossbanded throughout with mahogany, raised on a panelled base with quadrant inlays and canted corners, shaped bracket feet, height 88.5ins.
Art Nouveau mahogany salon cabinet, circa 1905, the back with a rectangular bevelled glass mirror flanked on either side with leaded glass door display cabinets each with two shelves, raised on turned pillars over a base fitted with two central drawers and a pull down cupboard door and flanked on either side with a further drawer and carved stylised tulip panelled cupboard doors, all with tulip shaped pressed brass handles raised on bracket feet, width 64ins, height 85ins.
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235346 item(s)/page