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Lot 955
2 boxed 1/72 scale post-war diecast Corgi aircraft models: AA35001, Gloster Meteor F.Mk.8, 500 Sqn, West Malling 1953. Model in overall excellent condition. Box good.AA35002, Gloster Meteor F.Mk.8, 601 Sqn, North Weald, Essex, 1953 (limited edition, 1395/2700). Overall, the model would have been near mint but for some glue residue in right side main gear door locating hole, gear door is fine however but this would need to be cleaned out. Box fair.
Lot 956
A boxed Corgi Aviation Archive diecast BAC Lightning F.6, XP770/D, 56 Sqn "Firebirds", RAF Wattisham 1975, model no AA32315. Limited edition with collectors card, 240/1000. This is the updated model with overwing fuel tanks. Model is mint, however 1 position tab on both the closed main undercarriage door inserts appear to be broken off although they position perfectly and don't drop out. Box very good.
Lot 1
A 19th century mahogany 8-day drop-dial wall clock, the 10" painted metal dial signed Bell & Atkinson of Lancaster, in relief carved acanthus scroll surround with arch panelled door below, height including pediment and carved base 75cm, width at widest part of case 38cm, with key and pendulumGood untouched condition, movement all original, chain driven fusee striking on a bell, case all in good condition, minor age-related splits to the curved doors on either side of the case
Lot 1193
Een nieuw aardig Prentenboek.: Als Vervolg op het beroemde hoogduitsche Kinderwerk: "Der Struwwelpeter" voor Nederlandsche Jongens en Meisjes bewerkt door W.P.Razoux. (De eerste Nederlandsche uitgaaf van 1849 nauwkeurig gevolgd). Schiedam, H.A.M.Roelants (1899). 4°. Mit zahlr. farb. Illustr. 20 einseitig bedruckte Bl. Illustr. Ohlwd. (Etw. fleckig u. berieb.). Vgl. Baumgartner I, 100 (mit Abbildung), Rühle 262-c. - Niederländische Struwwelpeter-Ausg., die neben zwei Hoffmann-Geschichten sieben Geschichten aus "Der Grüne Bub" enthält. Erschien zum 50-jährigen Jubiläum des Ersterscheinens. - Nur gelegentlich schwach fleckig, kaum Gebrauchsspuren und gut erhalten.
Lot 541
French, Napoleon III marble-topped, ebonised and red boule serpentine single-door credenza, with neo-classical decoration and gilt metal mounts throughout, on a conforming plinth base. 112 cm wide x 44 cm deep x 119 cm overall height.Signs of some small old shellac repairs to the Boulle work.Both sides have some lifting brass stingingThe front apron has a length of stringing that has lifted and signs of someone trying to glue it back down (unsuccessfully )The apron shows some small woodworm flight holesSee images for clarification
Lot 542
A Louis XVI-style carved and gilt wood single-door standing vitrine/ display cabinet, early 20th century, with arched cresting and swag decoration, the interior with fixed glass shelves, on turned tapering feet. 87 cm wide x 37 cm deep x 173 cm overall height.Private estateNo apparent major damage
Lot 543
Ercol light ash and beech furniture comprising, a sideboard with a pair of cupboard doors over a drawer beside a larger cupboard door, on turned legs, 114 cm wide, 44 cm deep, 81 cm high, a three tier library trolley with turned supports and castors, 91 cm wide, 32 cm deep, 71 cm high, a Windsor type easy chair and three similar dining chairs, all with blue Ercol labelQty: 6The side chairs have worn-through the finish on the top of the hoops but are structurally soundThe cottage armchair has a watermark on the fabric seat.
Lot 7506
A Dutch Nieuwe Kunst carved and painted oak sideboard,Probably Haarlem School, ca. 1900, Netherlands,Decorated overall with carved and painted stylised marsh-marigolds (or kingcups), inlaid fluting and geometric shapes, and pronounced pegs, the rectangular cornice above a monogram 'KW' and a single panelled door, opening to reveal a plain interior with one shelf, flanked by two curved supports, above a buffet with a single drawer and a pair of panelled doors, the plain interior with one shelf, together with three keys monogrammed 'JH'.This piece of furniture is emblematic of the teaching methods implemented in schools of applied arts and drawing in the period 1895-1900, represented at the Haarlemse School voor Kunstnijverheid by teachers such as T.K.L. Sluyterman and M. Duco Crop, and at the Kunstnijverheidsschool Quellinus in Amsterdam by J.B. Heukelom. Around the turn of the century, students in these schools would draw after nature by taking field trips in the surrounding area, and would use method books with stylised renditions of plants and animals. They would learn to translate these forms into a decorative system on a two-dimensional plane, thus arriving at an often symmetrical scheme that could be applied on pieces of furniture, tile panels, metalware, wallpapers and fabrics. In fact, the ornaments used on the panelled doors of the sideboard in this auction bear a striking resemblance to a decorative drawing made by J. van Amstel when he was a student at the above-mentioned school in Haarlem from 1893 onwards. The plant in the drawing is rendered in the same manner as in the decorative scheme of the sideboard, showing the flower heads and leaves 'en profil' (fanning out) and 'en face'.This drawing by Van Amstel is part of the collection of Het Nieuwe Instituut (HNI) Rotterdam, and can be viewed in their online database. Reference: Het Nieuwe Instituut, Rotterdam, School voor Kunstnijverheid, Haarlem / Verzameling (SKHV), inv.nr. SKHV_pf1-34.,164x96x44 cm,,
Lot 7501
Theo van Hoytema (1863-1917) for A.T. van Wijngaarden & Co.,A brass-mounted walnut and ash desk, ca. 1900, Netherlands,The white leather top above two drawers and a door, with an extra drawer to the back, decorated on three sides with carved chickens and cockerels, each panel signed with Van Hoytema's monogram.,79x120x90 cm,,Literature: This exact desk is pictured and discussed by Marjan Boot in the book Theo van Hoytema 1863-1917 (Zwolle 1999), p. 95, which accompanied the exhibition in Gemeentemuseum The Hague and Drents Museum, Assen.
Lot 4020
A Dutch ormolu-mounted olivewood miniature bureau cabinet,18th century,The broken-arched cornice above a panelled door with bevelled mirror plate, enclosing a plain interior with three drawers, above a hinged slope enclosing a fitted interior with four drawers and three pigeon holes, above three further drawers, on bracket feet.,87x38,5x22cm,,
Lot 5013
A Dutch mahogany cistern barometer,Gebr. Lurasco, late 18th century,The case of typical form, decorated with carved garlands and surmounted by a vase, with twin engraved silvered plates headed by an urn, the thermometer with scales for Reaumur and Fahrenheit, inscribed 'Barometer/Thermometer/en Contraleur./Door Gebroeders Lurasco./Amsterdam,H 119 cm,,Provenance: Bert Bolle, St. Maartensdijk, 1989.
Lot 26
A. Lange & Söhne. A lady's 18K white gold and diamond set manual wind calendar wristwatchModel: ArkadeReference: 801.029Date: Purchased August 2000Movement: 30-jewel Cal.L911.4 manual wind, adjusted to 5 positions, No.13523Dial: Blue, applied polished rhombus form hour markers, Roman numeral quarters, large double date apertures at 12, subsidiary seconds at 6, polished dagger handsCase: Polished curved rectangular form, exhibition back secured by 4 screws, diamond set bezel, quick set button at 2, No.131005Strap/Bracelet: Dark blue A. Lange & Söhne alligator leatherBuckle/Clasp: Signed 18K white gold buckleSigned: Case, dial & movement Size: 25mm x 31mm Accompaniments: Guarantee CertificateFootnotes:With the reunification of Germany the door was open once more to re-establish the A. Lange & Söhne brand worldwide, a challenge readily taken on by Walter Lange and Günter Blümlein. It was on the 24th October 1994, that the newly re-formed A. Lange & Söhne presented to the world four models which were to be the foundation of the company as we now know it. Forming the cornerstones of their collection these four models were the Lange 1, Arkade, Saxonia and Tourbillon Pour le Merite.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
Lot 154
MONTEGRAPPA FOUNTAIN PEN "VATICAN PAPAL", 2000.Barrel in embossed silver and blue resin.Limited edition. Exemplary 0512/2000.Two-tone gold nib. M point.Screw cap. Piston loading.No box.Measures: 14 cm length, 15 mm. diameter.Montegrappa "Vatican 2000 Papal" fountain pen, 2005. Made to commemorate the Pontificate of John Paul II. Limited edition numbered 0512/2000. In blue and silver resin engraved with the values and foundations of the Church with the representation of the Holy Trinity surrounded by angels and four angels holding the Gospels. On the cap the image of the Pope in front of the Holy Door at the inauguration of the Great Jubilee of the Year 2000 and St. Peter's Basilica with the name of the engraver's workshop, the signature of the Pontiff and the Jubilee seal. Two-tone 18K gold nib with the engraved keys of St. Peter's, the symbol of the Vatican. Piston loading system.
Lot 19
A 19th century Fry's Chocolate countertop display cabinet with painted white glass inset panelled arching top, a shaped glass front and carved with 'J. S. Fry & Sons Ltd' across the bottom, with partial makers label for R. Palmer, 45cm wide x 24.5cm deep x 69cm high overall; together with a further smaller similar Fry & Sons Ltd countertop display cabinet, painted black and with arching glass, 35.5cm wide x 21cm deep x 34.5cm high (2)Minor marks, dents and scratches overall due to age and use. Paintwork in poor condition. Wear to the gilded paintwork and to the painted sign writing on the glass panel. The interior with original paper lining but tatty with losses and with no shelves within or back door. The remains of the hinged door possibly originally a glazed frame at the base. The second cabinet with marks, dents and scratches overall due to age and use, some moulding to the upper left side of the cabinet missing, the back of the cabinet replaced, the interior with later shelf and partially re-lined.
Lot 43
An early 20th century tinplate clockwork limousine by Carette, in green livery with red edged bevelled glass windows, complete with driver, 40.5cm long.Some corrosion/rust and pitting throughout, especially to the roof, wheels and mud guards, and the front of the bonnet. Three of the wheels are held on with wire. Parts of the roof rack are missing, the remainder pieces are bent and mis-shapen. One door handle is detached but present. Headlights and lamps are present, driver is intact. Some scratches and marks to the bodywork. Mechanism appears to wind but does not propel the car.
Lot 9300
Ansonia - American 19th-century 8-day spring driven wall clock, with a twin train movement striking the hours on a gong, with an eighteen-inch octagonal wooden bezel and twelve-inch painted dial with Roman numerals and second's dial, original steel hands (minute hand detached but present) within a flat glass and spun brass bezel, mahogany and ebonised case with a fully glazed trunk door and visible pendulum with a brass bob. Dimensions: Height: 82cm Length/Width: 46cm Depth/Diameter: 10cmCondition Report:Bezel hinge damaged, minute hand detached but present.
Lot 9
A 19th century oak and mahogany longcase clock, the hood with a broken swan neck pediment and ionic columns above a long trunk door, box base and bracket feet, the 31 square dial with a silvered chapter ring, Roman numerals and calendar aperture inscribed Rich Scholfield, Rochdale, the eight day movement striking on a bell, 229cm high
Lot 43
JAN VAN DER VAART (DUTCH 1653-1727)PORTRAIT OF A YOUNG BOY (PROBABLY THE HON. LAURENCE SHIRLEY), C. 1696Oil on canvas127 x 101.6cm (50 x 40 in.)Provenance:(Probably) 1st Earl of Ferrers (thence by descent) (Probably) Cheatle Auction, Staunton Harold Hall, 17 - 18 June 1834 (lot 48)Private Collection, USAJan van der Vaart was born in Haarlem in 1653 where he trained under the local artist Thomas Wyck. By 1674 he had moved to England and was working as a painter of still-life pictures and small landscapes with figures, very much in the tradition of his Dutch training. It was at this time that van der Vaart painted one of his most celebrated works, the Trompe l'oeil violin and bow hanging on a door, in the Devonshire Collection at Chatsworth. From about 1685, van der Vaart was painting draperies for Willem Wissing, the finest example of their collaboration is the portrait of Theresa Stuart, Duchess of Richmond and Lennox (National Portrait Gallery, London). After Wissing's death in 1687, van der Vaart continued his workshop and occasionally collaborated with the German artist Johann Kerseboom.From the early 1690s, van der Vaart worked almost exclusively for Robert Shirley, 1st Earl Ferrers, for whom he painted multiple portraits, including an impressive group portrait of the Earl and Countess with their four eldest children. It is almost certainly whilst van der Vaart was at Staunton Harold, the seat of the 1st Earl Ferrers, that this portrait was painted. It is most likely a depicting of the young Hon. Laurence Shirley in the guise of Cupid painted at the age of 2 or 3. Robert was married twice and had a total of 27 children, although Laurence did not inherit his father's titles, his son, who was also named Laurence, went on to become the 4th Earl Ferrers. The 4th Earl was a particularly violent man and after beating his rent collector Johnson, he shot him in the chest, resulting in his trial and then execution for murder. He was the last Peer in Britain to be hanged after a trial. Condition Report: The canvas has been relined and fine surface cracking is visible but the paint layer appears to be stable. Inspection under UV reveals there are some scattered areas of retouching which includes some fine lines on the sitters body and in broader areas in the background particularly to the right of the sitters head. There are other scattered areas of restoration, but they are all well executed and visible to the naked eye. It has been cleaned and re-varnished. Condition Report Disclaimer
Lot 61
Vintage Remy Martin Commemorative Cabinet The cabinet is made from wood and decorated with red and green painted foliage. On the inside of the door there is a label written in French. and there are dates on the front of the cabinet of 1724 to 1824. I believe the dates celebrate the 100th anniversary of Remi Martin trading, as the date of 1724 was the date the founder created a cognac trading house. And that the cabinet was made and reissued in 1974 as the date would celebrate 250 years since the creation of Remi Martin. 51 x 20 x 38cm
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