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Lot 1010
English long cased clock of broad proportions with brightly painted dial by Rutherford of Huddersfield, with subsidiary seconds dial and calendar dial, eight-day movement, the hood featuring swan-neck pediment and brass sconces, with turned columns, the door with an ivory escutcheon, the pedestal with an octagonal inlaid pattern
Lot 93
A small mixed lot of collector's items, comprising a carved boxwood bust of a man, 19th century, 11.5cm high, two horn snuff mulls, a miniature carved wood mythical beast, a silver plated storm lantern snuffer, a combination baby's rattle/whistle, and a 19th century wrought iron door handle, with a small basket (8)
Lot 351
A late 19th Century oak and mahogany Davenport, gallery back with top flap with letter rack and pen slide to inside, side door revealing four drawers with brass inset handles, with reeded panel front, raised on turned front supports, finishing with brass cups and porcelain castors, together with an early 20th Century mahogany two tier occasional table, shaped top with moulded edge, raised on swept supports, 81cm x 45cm x 65cm (2)
Lot 381
A 19th Century 8 day London cased clock, by William Lindsey, London, the steel face with engraved Roman numerals and Arabic minutes with subsidiary seconds dials and strike & silent, with plinth base, column support, arched moulded door, domed hood with gilt metal finials, 220cm x 48cm x 24cm
Lot 124
Tom McNeely (Canadian, B. 1935) "Lon Chaney" Signed and dated lower right. Mixed Media on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover for the U.S. 29? Lon Chaney, Sr. stamp issued April 27, 1994. The son of deaf-mute parents, Lon Chaney was forced to exchange thoughts with his family by using hand gestures and facial expressions. His mastery of pantomime has often been attributed to this fact. Best-known for his unforgettable portrayals of Quasimodo in The Hunchback of Notre Dame and Eric in The Phantom of the Opera, Chaney not only proved his spectacular acting ability but also exhibited a talent for stage makeup developed at a young age. As a property boy he often peered through a crack in a dressing room door, in awe of actor Richard Mansfield as he applied grease paint. Chaney eventually became so knowledgeable in the area of theatrical makeup that he penned articles on the subject for two publications. The gifted Chaney also conveyed realism in his work by dramatically altering his face with plastic gum and wearing a leather harness that painfully twisted his form. For his role of the "frog" in 1919's The Miracle Man, Chaney even acquired the knack of dislocating his shoulder to distort his body, a practice that left him with a permanent injury. Although Chaney lived only 47 years, he was involved in 160 films. Sadly, only a few dozen of these remain intact today. Perhaps his greatest contribution was the hope and sense of dignity he brought to the world's disabled through his sensitive portrayals of the physically and mentally handicapped characters he re-created on the silent screen. Image Size: 21.25 x 18.25 in. Overall Size: 21.75 x 18.25 in. Unframed. (B14699)
Lot 80
Thunderbirds: Two consecutive original artworks (1968) drawn, painted and signed (on the first board) by Frank Bellamy for TV 21 Nos 162 and 163. Brains and Scott touch down in New York in Thunderbirds 1 where Brains is kidnapped and booby-trapped in Hiram Blake's office. Scott, in hot pursuit, breaks down the door and Brains is tragically killed in the explosion. Grief stricken, the men of International Rescue bury the brilliant little scientist in outer space.... Bright Pelikan inks on boards. 18 x 14 ins each (2)
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