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Lot 468
Walnut three piece bedroom suite comprising single mirror door wardrobe with under drawer 114cm, three drawer two door tallboy and a dressing table Further Information Dressing table - 106cm wide, 50cm deep, 83cm tall Wardrobe - 117cm wide, 47cm deep, 195cm tall Chest of drawers - 75cm wide, 47cm deep, 96cm tall
![Oak telephone table, tile top table, walnut bedside cabinet and small two door cabinet on castors [4]](http://lot-images.atgmedia.com/SR/12268/2914236/475-2014101714574_468x382.jpg)
Lot 585
A simulated rosewood and parcel gilt breakfront bookcase in Regency style A simulated rosewood and parcel gilt breakfront bookcase in Regency style, 20th Century the moulded cornice and fluted frieze above three astragal glazed doors and three cupboard doors the central door painted with floral decoration on a plinth base 193cm high, 127cm wide, 39cm deep view on dreweatts.com
Lot 593
A Victorian birds eye maple wardrobe, circa 1860 A Victorian birds eye maple wardrobe, circa 1860, the moulded cornice above three arch panelled cupboard doors, the left door opening to hanging space, the remainder fitted with sliding trays above an arrangement of four drawers, on a plinth base, 200cm high, 165cm wide, 62cm deep view on dreweatts.com
Lot 704
A George IV mahogany inverted breakfront side cabinet , circa 1825 A George IV mahogany inverted breakfront side cabinet , circa 1825, the top above three gilt metal mounted frieze drawers, centred by an open shelved section, flanked on each side by a field panelled door and divided by turned and simulated marble pilasters, headed by acanthus carved giltwood capitals, on a plinth base, 82.5cm high, 125cm wide, 40cm deep view on dreweatts.com
Lot 809
A George III mahogany breakfront library bookcase, circa 1780 A George III mahogany breakfront library bookcase, circa 1780 , the moulded cornice with central swag decorated terminal above four astragal glazed doors opening to adjustable shelves, the lower section with central drawer above a pair of cupboard doors and flanked by a cupboard door on each side, on a plinth base 241cm high, 253cm wide, 62cm deep view on dreweatts.com
Lot 842
A George III mahogany bedside cupboard, circa 1780 A George III mahogany bedside cupboard, circa 1780, the shaped gallery above a tambour door and moulded square section legs 82cm high, 40cm wide, 40cm deep, together with three various George III mahogany two tier washstands, each with a square top and circular aperture, above a drawer and square section legs, the largest 77cm high, 33.5cm wide, 32.5cm deep view on dreweatts.com
Lot 851
A French kingwood vitrine, late 19th/early 20th Century, with a moulded cornice A French kingwood vitrine, late 19th/early 20th Century, with a moulded cornice, the central arched glazed door enclosing three glass shelves on cabriole legs 184cm high, 89cm wide, 40cm deep view on dreweatts.com
Lot 475
Tray of assorted china to include pair of Carlton ware circular pin dishes depicting continental men on horseback, 19th Century floral and foliate dinner plates, Double ceramic foliate knob door handles, Green relief glazed foliate plates and dishes, Majolica leaf design plate. Dresden baluster ewer vase etc.
Lot 475
Tray of assorted china to include pair of Carlton ware circular pin dishes depicting continental men on horseback, 19th Century floral and foliate dinner plates, Double ceramic foliate knob door handles, Green relief glazed foliate plates and dishes, Majolica leaf design plate. Dresden baluster ewer vase etc.
Lot 15
A pair of rare Georgian carved Portland stone terms circa 1740 160cm.; 63ins high These would originally have formed part of a larger architectural fitting either as jambs of an important chimney piece or jambs for an imposing door casing. Terms in the form of classical busts on a tapering pedestal originated in Roman times, representing the god terminus and were used for marking the boundary of an area or estate. Revived in Italian renaissance gardens, they were later adopted by William Kent, the 18th century architect and leading exponent of the Palladian style of architecture, named after the Venetian architect Andrea Palladio (1508-1580) and first introduced into England at Chiswick House, designed in conjunction with his patron Lord Burlington and finished in 1729. Kent was also a prolific designer of both landscape gardens and furniture, with term figures liberally used in both disciplines. His work was recently celebrated at an exhibition at the Victoria and Albert Museum William Kent: Designing Georgian Britain.
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