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A Late 19th Century Walnut Penny-in-Slot Symphonion Musical Disc Player, the case with stepped moulded cornice, the frieze set with a tablet inscribed with maker's name, over an arched glazed door with fret carved upper spandrels enclosing the movement playing 48cm discs, a winding handle and money slot to the side, on baluster turned feet, 99cm high, together with ten metal discs.
A 19th century oak cased long case clock, the broken swan neck pediment above 12" painted dial inscribed "William Halford, Northleach", with 30 hour movement, the short door centred with a conch shell inlay and flanked by fluted side pilasters above a mahogany cross banded plinth base, 200 cm high
A Victorian mahogany and cross banded long case clock, the broken swan neck pediment above painted arch dial inscribed "T. Sutton, Bradford", with eight day movement, flanked by freestanding turned pilasters, the arched short door flanked by angled inlaid uprights above a deep base section and bracket feet, 236 cm high
A George III mahogany long case clock, the caddy top above arched dial set with strike/silent ring above silvered chapter ring set with Roman numerals and Arabic seconds division, inscribed "James Michell, London", above date aperture, flanked by brass stop fluted turned pilasters, the long arched door flanked by brass stop fluted quarter pilasters to a plinth base, 246 cm high
An early 19th century mahogany long case clock, the arched hood with carved Gothic detailing above a 14" circular silvered dial set with Roman numerals and subsidiary seconds hands inscribed "Jas Truscott, 7 Pier, STt, Aberystwyth", with eight day movement, the case with short arched door (missing) above a deep cross banded plinth base, 230 cm high
An early 19th century Irish mahogany and satinwood inlaid pedestal sideboard of bow front form, the shallow raised gallery above central dropped platform with two frieze drawers and lion mask ring handles raised on turned and reeded tapering legs to lions paw feet, flanked by twin pedestals, each with single drawer above fall front cupboard door and square sectioned tapering base inlaid with a classical figure, raised on paw feet, 102 x 221 x 71 cm (ILLUSTRATED)
An 18th century yew wood veneered bureau, the plain top above a sloping fall enclosing a stepped fitted interior with various drawers, pigeon holes and central cupboard door over a long slim drawer, two short drawers and two further long graduated drawers to plain bracket feet, 98 cm wide (ILLUSTRATED)
A modern carved oak four poster bedstead by the Crown Guild of Master Wood Carvers "The Royal Hampton Court bed", the canopied roof with central stepped medallion of lozenge form flanked by Tudor Rose and foliate carved spandrels, the headboard with two scrolling ribbon and foliate carved panels interspersed by foliate carved corbels over a central armorial carved panel flanked by two foliate carved panels interspersed by figural stiles, the posts of turned cup and cover and baluster flowerhead carved design on heavy carved leaf decorated stiles together with the four door wardrobe to match, each pair of doors carved with "tree of life" design and enclosing a hanging space raised on a bracket foot base
A 19th century teak military chest, the plain top above a fitted fall front secretaire drawer comprising central cupboard door flanked by various small drawers and pigeon holes over a long drawer on a base of two long drawers to turned feet, each section flanked by wrought iron carrying handles (one missing), 106.5 cm wide (ILLUSTRATED)
ANDREW ROSS; a brass monocular microscope numbered 169 with adjustable table, optimum height 2012 inches, contained in a rosewood case fitted six drawers and enclosed by a glazed door together with various lenses and other accessories and a small quantity of microscope slides, overall height of case 2112 inches, together with a book ‘The Microscope and its Revelations’ by William B Carpenter, edited by W H Dallinger
An eight day chiming longcase clock, early 20th century, mahogany crossbanded, amboyna, boxwood and ebony strung with marquetry decoration to the trunk door and box base, the 11” arched brass and silvered dial with centred subsidiary seconds dial within a ring of Arabic numerals under a subsidiary chime and silent dial to the arch with foliate pierced spandrels and centre, the three weight driven movement striking on a coiled gong and rods, the hood with pagoda top and arched hood door over a long trunk door on a box base and skirting plinth, 227cm high
A Victorian eight day longcase clock, mahogany, rosewood crossbanded, the 14” arched painted dial with centred date aperture and subsidiary seconds dial within a ring of Roman numerals, the arch painted with a hunting scene over architectural studies to the spandrels, the hood with swan neck pediment over front corner turned baluster hood pilasters above an ogee arched short trunk door flanked by short baluster front corner pilasters on a box base and ogee moulded bracket front feet, 237cm high
A Regency mahogany eight day longcase clock, the 12” arched brass dial signed ‘John Robertson, Edinburgh’ to the arch with centred subsidiary seconds dial and date aperture, within an inner ring of Roman numerals, outer ring of Arabic numerals, the eight day movement striking on a single bell, the hood with swan neck pediment over pierced frieze, over an arched glazed hood door, over a long trunk door, between reeded quarter front corner pilasters on a box base and later plinth skirting, 216cm high
An eight day longcase clock, mid 18th century, oak, the 9.5” square brass dial signed ‘Hampson, Wrexham, 804’ with ring of Roman numerals and foliate pierced corner spandrels, the associated eight day movement striking on a single bell, the hood with ogee moulded corners over a honeysuckle pierced frieze and glazed square hood door, over a shaped trunk door with brass key escutcheon on a box base and cut out plinth, 198cm high (at fault)
A late George III thirty hour longcase clock, oak, crossbanded rosewood, the 12” arched painted dial signed ‘Jones, Newtown’ with a portrait study to the arch and florally painted spandrels over a ring of Roman numerals, the restored movement striking on a single bell, the hood with swan neck pediment over an arched hood door and turned and tapering front corner hood pilasters over a short trunk door with later Art Nouveau moulded central motif between quarter fluted front corner trunk pilasters on a box base (lacking feet) 195cm high,
A George III bracket clock, ‘Cha Clay’, London, the 6” dial with mock pendulum aperture, foliate pieced spandrels under a subsidiary calendar dial to the arch, signed to the centre of the silvered chapter ring with inner Roman and outer Arabic numerals, the five pillar movement with single fusŽe, verge escapement with repeat pull for the hours and quarters, striking on one large and two small bells, the movement with foliate engraved back plate, the case with inverted bell top under a swing handle with arched glazed front door, glazed sides and back on short block feet, 24cm wide, 45.5cm high, 15cm deep (with repairs and renewals)
A late George III eight day longcase clock, oak, the 12” arch painted dial signed ‘William Gardener, Brigg’ with centred subsidiary seconds dial and date aperture, with portrait of a seated young woman to the arch, the movement striking on a single bell, the hood with swan neck pediment over an arched glazed hood door flanked by turned and tapering front corner hood pilasters over an arched trunk door, on a box base and later skirting plinth, 205cm high
A white Rolls Royce Silver Shadow, Series 1, four door saloon, approx 83,000 registered miles, first registered in 1972 and with five former owners, the present owner has had and maintained the car since 1984. . The Rolls Royce Silver Shadow 1, 1965 -1976. This V8 powered vehicle has a monocoque body, a hydraulic system with pumps operated from the camshaft powered hydraulic clampers and automatic height control. The chassis number on this vehicle denotes the type of car: SRH is the pre-fix for ‘Standard Rolls Royce Home’.
RICHARD STONEHOUSE, WHITBY (1715-1809), AN 18th CENTURY OAK AND CROSS-BANDED LONGCASE CLOCK, with long trunk door, the hood with swan neck pediment, complete with (original) 28cm arched brass dial, signed in the arch, with date crescent, now with eight-day two-train weight driven movement striking on a bell. 2.28m
Railway interest - late C19th / early C20th cast iron locomotive boiler door taken from an abandoned locomotive on the Hejaz railway in western Saudi Arabia, the scene of conflict involving T.E. Lawrence (of Arabia), with Arabic calligraphy, 6.5 by 10.2ins. (overall). This lot is accompanied by a photograph of the vendor holding the door while standing in front of the locomotive from which it came.
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235302 item(s)/page