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An Early 19th Century Flintlock Tinder Lighter by Ryan & Watson, London, with steel frizzen pan cover and hammer, brass box lock and frizzen pan with compartment below enclosed by a hinged side door, the opposing side set with taper stick, and with lyre shape front support, with walnut slab butt, 17.5cm
A George III oak thirty-hour longcase clock, late 18th century, the posted countwheel bell striking two handed movement with anchor escapement and 11 inch square brass dial with floral spray engraved centre signed centre signed ‘MATT’W BANCE, HUNGERFORD’ within Roman numeral chapter ring and rococo scroll cast spandrels to angles, in a case with moulded cornice and turned pilasters to hood over rectangular caddy moulded trunk door and plain plinth base, 209 cm high Matthew Bance is recorded in Baillie, G.H. ‘Watchmakers & Clockmakers of the World’ as working in Hungerford 1793-97.
A George II oak thirty-hour longcase clock, mid 18th century, the posted countwheel bell striking two handed movement with anchor escapement and 11 inch square brass dial with ring-turned decoration to the matted centre within Roman numeral chapter ring signed ‘William Abbott, Sarson Fecit’ and twin cherub and crown pattern spandrels to angles, in a case with moulded cornice and reeded pilasters to hood over shaped-top caddy moulded trunk door and plain plinth base, 205 cm high William Abbott is recorded in Baillie, G.H. ‘Watchmakers & Clockmakers of the World’ as working in Sarson (Hants) during the early 18th century.
A George III mahogany bookcase or bedside cupboard, circa 1800, the shelved superstructure above a tambour fronted recess and single cupboard door, 125cm high, 46.5cm wide, 26cm deep For a related item of furniture incorporating a similar open bookcase section, see Ronald Phillips (Ltd) catalogue 2018, Item no. 58.
*An Amusing Porcelain Desk Stand in the Form of an Izba POPOV MANUFACTORY, MOSCOW, MID 19TH CENTURYHeight 17 cm.Realistically modelled, with pitched roof, chimney and log walls, a peasant woman emerging from the front door, fitted with a removable bucket-form inkwell, barrel-form pounce pot and a wagon wheel fitted as a pen rest, with blue underglaze and impressed manufactory marks.
A 19thC oak and mahogany longcase clock, the swan neck pediment with brass finials and roundel's, above facetted pillars, an arched door inlaid with lozenge on bracket feet, the arched dial painted with country houses, indistinct makers name but from Sleaford, with an eight day four pillar movement, 212cm H.
S.B Shaw Billingboro (sic), a 19thC oak and mahogany longcase clock, the swan neck pediment with brass finials and roundel's above turned pillars, the shaped door with molded pilasters on a plinth, the arched painted dial with moon phased floral spandrels, with an eight day four pillar movement, 209cm H.
A late Victorian aesthetic movement light ash wardrobe compactum and dressing table by Shapland & Petter, the wardrobe having centre moulded cornice and gallery sides, the central fitted mirror door having press drawers over three solid and flanked by rosette and moulded panel doors with period brass handles, the dressing tables having a dentil moulded mirror with bevel plate, side drawers with wrythen taper supports, line scored decoration and a combination of drawers and platform base, stamped S&P of Barnstaple to the locks, the wardrobe 220cm H, 186cm W, 53cm D, the dressing table 137cm W.Henry Shapland had been apprenticed to a cabinet maker in Barnstaple, before travelling to America in 1851 to learn about a wave moulding machine. When back in England he was joined by Henry Petter. By 1888 the Raleigh Cabinet Works were employing hundreds of workers from Raleigh and the surrounding areas when on 5 March 1888 a fire destroyed the factory. The new factory was restarted at a new site on the River Taw, a former shipbuilding yard known as Bridge Wharf. Working together as Shapland and Petter they were to become one of the town's largest employers. They employed craftsmen but also used the most up-to-date machinery available for their products. Henry Shapland was a time-served cabinet maker and Henry Petter was an amazing salesman who found the market for their products.
A Victorian rosewood music cabinet, with brass gallery to the floral marquetry and string inlaid top, over a strung single door with bevel plate, with brass escutcheon, bracket feet and brass and ceramic casters, revealing a fitted interior, of shelves and compartments, with gilt leather fronts for Songs, Dance and Sacred, labelled to the back T. Wallis and Co, Holborn Circus, London.
A George III mahogany bureau, with fall flap resting on lopers, revealing a fitted interior with marquetry centre door, column secret compartments, pigeon holes and shelves, resting on lopers, over four graduated cock beaded drawers, with knob handles and bracket feet, 117cm H, 102cm W, 50cm D.
A late 18thC oak longcase clock, with dentil moulded and pillared hood, with crossbanded rectangular door, with fluted quarter inset pillars, plain base, shaped apron and bracket feet, the 30cm brass dial having cast spandrels, the chapter ring having Roman hour and Arabic minute numerals, marked Arch Lawrie?, the chased and matted field with date aperture, 30 hour movement, 209cm H.
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235302 item(s)/page