There are 235346 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeVICTORIAN MAHOGANY LONGCASE CLOCK, by Thomas Wilson, Barnard Castle, the swan neck pediment flanking a shell and raised on baluster turned columns flanking an arched painted dial, the spandrels and arch decorated with churches and cottages, thirty hour movement, the trunk with crossbanded door. Height 231cm.
GEORGE III OAK LONGCASE CLOCK, EARLY 19th CENTURY, by Price Evans, Shrewsbury, the moulded panelled cornice surmounted by brass urns, above a blind fretwork frieze, supported on brass-mounted fluted columns flanking a silvered brass dial with subsidiary seconds dial and date aperture, within urn- and exotic bird-cast spandrels, eight day movement, the trunk with double-arched cross-banded door, flanked by fluted quarter columns. Height 225cm.
VICTORIAN INLAID WALNUT MARBLE-TOPPED MIRROR-BACKED CREDENZA the arched mirror back within a leaf and scroll carved inlaid frame above a double break front marble top with bowed ends over a panelled mirrored door flanked by curved cupboards beneath conforming shelves on a moulded plinth, 223 cm by 152cm by 43cm
A late 18th Century Mahogany Longcase Clock by T.W. Field of Aylesbury, the pagoda top hood centred by blind fret carved panel, turned columns flank the break arch door and enamel 30cm arched dial with rolling moon to the arch, seconds and date dials and faintly inscribed, the 8-day movement striking on a bell, the case with arched trunk door, fluted chamfered sides on plain panel base, 223cm high (Field recorded circa 1790).
A Scottish late 18th Century Mahogany Longcase Clock with arched hood 36cm circular brass dial incorporating date dial, engraved with flower heads and inscribed MALKIN KIRKBY with Roman and Arabic numerals, the 5-pillar 8-day movement striking on a bell, the trunk line inlaid and the door inlaid with the figure of a Warrior on panelled base with central roundel and fan inlaid to the corners on splay legs with shaped apron, 206cm high.
A late 18th Century Well figured Mahogany cased Regulator Longcase by B Smarte of London, the shallow curved top hood flanked by fluted part brass filled canted corners and fretted side panels, the 30.5cm Serpentine silvered dial inscribed, with black Roman and Arabic numerals, seconds dial and date aperture. The 7-day 4-pillar movement striking on a bell with metal adjustable pendulum with panelled trunk door flanked by fluted and part brass filled columns on a panelled base, 200cm high.
A circa 1700 Walnut Longcase Clock by David Jones of London, the flat topped hood with blind fret carved frieze over square door flanked by three-quarter twist columns and glass side panels, the 27.5cm square brass dial with silvered chapter ring and seconds dial with cast brass spandrels, date aperture and inscribed David Jones with 5-pillar 8-day movement striking on a bell, the trunk door well figured and line inlaid with lenticle on panelled base 193.5cm high.
Johnson, George W., The Cottage Gardener; or, Amateur and Cottager's Guide to Out-Door Gardening and Spade Cultivation, London, William S. Orr and Co, 1849, 4to (260 x 180mm.), sixteen volumes, illustrations, contemporary half green calf, spines decorated in gilt some worn. With volumes II & III only of Agnes Strickland's 'Lives of the Queens of England...' (London, 1844).
Murphy, James Cavanda, Plans, elevations, sections and views of the church of Batalha, in the province of Estremadura in Portugal..., London, printed for I. & J. Taylor, 1795, folio (550 x 375mm.), illustrated title, dedication leaf with oval portrait, plates, and plans, a few double-page, some water-staining, and marginal browning contemporary half calf, front cover detached, worn. With a number other mainly Church and theological related works including Charles Wickes 'Illustrations of the Spires and Towers of the Historical Churchs of England' (London, 1858-1859), parts I-VII of Sidney Corner's 'Our Rural Churches' (London, n.d.), 'A Sermon Preached in the Cathedral Church of St. Paul, London' (London, 1810), William Paley's 'Natural Theology, and Tracts' (London, 1824), and Laurentius Uwens & Adriaan Poirters 'Af-Beeldinghe van D'Eerste Eevwe der Societey Iesv Voor Ooghen Ghestelt Door de Duits...' (Antwerp, 1640).
A 19th Century Lacquered Brass Culpeper Type Microscope by John Hewitson, Newcastle on Tyne, the tube engraved with maker's name and with draw-tube calibrations 1-6 for focusing, supported on three `S' scrolls issuing from the circular stage, supported on three further `S' scrolls on a mahogany box base set with a drawer fitted with accessories including objectives, frog plate, ivory slides, tweezers etc, contained in a mahogany pyramid case, with maker's paper label to inner door.
A 19th Century oak floor standing corner cupboard having a plain top above twin hinged doors. The whole later carved with a geometric foliate centre to each door within running borders all above a central monogrammed panel 'S.E.H'. The cabinet bears original label stating the cabinet was carved by Sarah E. Harvey of Handsacre Hall 1895, measures 41' wide by 20' deep by 39' tall.
An early 19th Century oak long case clock, bracket foot below square section base with central raised panel, mid section with single door and quarter column sides below caddy topped hood containing eight day strike movement and dial painted with rose spandrels and ships, signed Hugh Knight, Stafford. 81' high. S/D.
Loading...
