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Click here to subscribeOak and mahogany crossbanded eight day longcase clock, the 13" painted arched dial with subsidiary seconds and calendar dials, painted with an oval marine vignette to the arch, the case with long mahogany crossbanded door flanked by quarter fluted pilasters and surmounted by a broken moulded swan neck pediment and brass urn finial, 93.5" high
Large figured mahogany eight day longcase clock, the 14" painted arched dial signed J. Calloway Junior, Leeds, with subsidiary seconds and calendar dials, the spandrels painted with ruined Churches and the arch with a girl and her dog by a stile, the case with short door flanked by turned pillars over a circular panelled base and surmounted by a broken arch swan neck moulded pediment, 91" high
Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Samuel Harris, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with silvered ring dial to the arch inscribed `Tempus Fugit` enclosing an engraved sunburst, the case with long moulded arched door, surmounted by a moulded stepped cornice, 87" high
Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Skelton Barrett, London on a silver arched plate to the matted centre with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with moulded arched crossbanded long door surmounted by a rounded arched cornice over a blind fretwork panelled frieze, 83" high
Oak eight day longcase clock, the 12" square brass dial signed J. Hancock, Yeovil, with subsidiary seconds dial and arched calendar aperture, the centre engraved with houses in rural landscapes, the case with long crossbanded door and surmounted by a swan neck stepped pediment, 81" high *See A.J Moore - The Clockmakers of Somerset 1650-1900, page 122 & 123 for reference*
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed A. Coats, Wigan, with moon phase to the arch over subsidiary seconds and calendar dials, the case inlaid with quarter paterae to the base and overall with boxwood and ebony lines, with short pointed arched mahogany crossbanded door, surmounted by a swan neck pediment, 91" high
Mahogany eight day longcase clock, the 12" brass arched dial signed William Wasbrough, Bristol on the silvered chapter ring enclosing a rural engraved centre with subsidiary seconds dial and arched calendar aperture, the arch with silvered boss engraved with an eagle with outstretched wings, the case with long moulded arched door and surmounted by a rounded moulded arched pediment with dentil cornice and three spike and ball finials over a blind fretwork carved frieze, 86" high
Good mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Richard Holland, Coventry on a silvered boss to the arch, over a silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture to the matted centre, the case with long moulded arched door surmounted by a pagoda top with pierced foliate gilt metal panel, 96" high
Oak and mahogany eight day longcase clock, the 14" painted arched dial signed Samuel Pirley, Birmingham, with subsidiary seconds and calendar dials, moon phase to the arch, the case with short crossbanded door inlaid with a conch shell, flanked by ring turned pillars and surmounted by a swan neck pediment, 91" high
Good green lacquer and chinoiserie decorated eight day longcase clock, the 11.5" brass arched dial signed John Baylis, Tewkesbury on the silvered scale over a moon phase aperture, the silvered dial enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long arched moulded door and base decorated with figures in pagoda garden river landscapes, surmounted by a caddy top with three gilded ball and spike finials, 98" high
Walnut and floral marquetry month going longcase clock with five pillar movement, the 12" brass arched engraved dial signed Fromantell & Clark on a silvered boss to the arch over a silent/night aperture, silvered chapter ring enclosing a subsidiary seconds dial, centre alarm dial and calendar aperture to the matted centre, the case with long door, the lenticle aperture covered with a pierced brass oval urn embellishment, decorated overall with birds, urns and vases with flowering foliage, surmounted by a broken triangular pediment over a geometric blind fret frieze, with two lead cased brass weights and pendulum, 95" high
Good walnut marquetry eight day longcase clock with five pillar movement, the 11" square brass dial signed Matthew Bunce, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, calendar aperture and ringed winding hole, the case with long rectangular trunk door inlaid with flower and bird marquetry panels with similar inlay to the base, surmounted by a canted bell top with three brass pineapple finials, 90" high, with brass cased weights, pendulum and winding handle
Walnut eight day longcase clock with five pillar movement, the 12" square brass dial signed Benjamin Gray and Justin Vulliamy, London on an arched plate to the matted centre with subsidiary seconds dial and calendar aperture, the case with long beaded moulded edged door over a crossbanded base, surmounted by a stepped moulded cornice, 82" high * This clock is sold with the original pendulum complete with steel rod, large brass bob and rating nut, brass cased weights, pulley wheels and key ** See Eric Bruton - The Weatherfield Collection of Clocks, pages 215 and 216, illustrations 193 and 194 for examples of similar clocks by these makers *
An early 18th century walnut veneered cabinet, the moulded cornice with a cushion drawer, the two doors opening on to an arrangement of drawers about a central herringbone strung door with an internal niche that removes to reveal secret drawers within and without. Restoration. Later stand with turned supports and a single drawer, height 109cm, lengh 171cm. (See illustration)
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