An Oak Eight Day Longcase Clock, signed Atkinson, Sheffield, circa 1740], the case with caddy hood, trunk door with glazed lenticle upon a plain rectangular plinth (slightly shortened), 12-inch square brass dial with chapter ring signed "Atkinson, Sheffield", dial centre with date aperture, subsidiary seconds and engraved floral decoration surrounding winding holes, four pillar movement with anchor escapement and rack striking on a bell, pendulum bob with presentation inscription dated "January 24th 1924", 218cm high
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An Oak Thirty Hour Longcase Clock, signed Tho Talbott, Namptwich, circa 1715], case with later shaped pediment, twisted pillars and glazed side panels, rectangular trunk door with moulded edge and a lenticle, later rectangular plinth, 10-inch square brass dial with chapter ring signed "Tho Talbott, Namptwich", cherub spandrals, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 219cm high
A Mahogany Eight Day Longcase Clock, signed Thomas Watson, Blackburn, circa 1770], the case with swan neck pediment, wavy shaped door of good patination flanked by inset pilasters, the plinth with canted corners, raised quatre form panel upon shaped feet, 14-inch arched brass dial with Roman numerals, dial centre with subsidiary date dial and engraved crest, silvered arch signed "Thomas Watson, Blackburn", rolling moon disc for lunar scale with painted scenes, four pillar movement with anchor escapement and rack striking on bell, 230cm high *Thomas Watson, from Lancashire, is from a family of clock maker's and is recorded as working between 1770-95. See "Watchmakers & Clockmakers of the World" by G H Baillie.
A Mahogany Eight Day Longcase Clock, signed Cha Blanchard, London, circa 1760], the case with pagoda pediment, brass capped stop fluted pillars, break arch moulded trunk door with well figured wood flanked by inset fluted pilasters, plinth with moulded panel, 12-inch brass arched dial with silvered chapter ring, matted dial centre with subsidiary seconds, and a recessed silvered plaque signed "Cha Blanchard, London", the arch with subsidiary month dial and a sector date dial, five pillar movement with anchor escapement and rack striking on a bell, 237cm high *Charles Blanchard from London is recorded between b.1688-1768. See "Watchmakers & Clockmakers of the World", by G H Baillie, pg 29
An Impressive George III Musical Mahogany Longcase Clock, signed Paul Rimbault, London, circa 1780], the case with swan neck pediment and finely pierced fret work, glazed side panels, the moulded trunk door flanked by inset with stop brass fluted pilasters, plinth with raised moulded panel flanked by stop brass fluted pilasters upon bracket feet, 12-inch arched dial with blue painted background, white painted chapter ring with inner date ring with corresponding central date hand, dial centre signed "Paul Rimbault, London", floral decoration, the top corners with subsidiary dials for Both/Both Strike/Chime Silent and music tune selections Minuet/Air/Hymn/Hymn/Alemand/March, the arch with automaton scene of "Adam and Eve" below the tree life and background painted landscape scene, the massive three train movement with anchor escapement, fifteen hammers striking on eight bells and striking a further bell for the hour, 245cm high
A Late Victorian Satinwood, Kingwood Banded and Inlaid Display Cabinet], the upper section with brass balustrade over a central glazed door between coved glazed sides, enclosing a glass shelf with mirror back, the base with hinged glazed top to a glazed bijouterie compartment lined with velvet, on square tapered legs with brass ball feet, 151cm by 79cm by 47cm
An Edwardian Mahogany, Satinwood and Inlaid Display Cabinet], of half-round form, with a gilt brass gallery to the top over a glazed door and sides enclosing shaped velvet-lined shelves, the base with an inlaid top and shaped frieze on square tapered legs joined by a shaped undertier with galleried back, 168cm by 77cm by 42cm
A 17th Century Joined Oak Court Cupboard], the boarded top tier and fluted frieze on carved cup-and-cover supports, over a canted mid-section with flower-inlaid door, the middle tier with a fluted frieze also on carved cup-and-cover supports, joined by a plain lower tier, on block feet, 135cm by 140cm by 58cm
A 19th Century Chinese Black Lacquer Export Cabinet and Desk on Stand], the cabinet with a scrolled pediment over two doors enclosing a fitted interior centred on a mirrored niche door with pocket barometer above, the desk with a pen tray and hinged slope enclosing a well, with a drawer to one side, on a stand with shaped frieze, cabriole legs and claw feet, 172cm by 71cm by 71cm
An Edwardian Mahogany, Satinwood-Banded and Inlaid Bedroom Suite], comprising a large wardrobe, with a moulded cornice and inlaid fluted frieze over a central mirrored full-length door, flanked on each side by half-length bowed doors over three short drawers, on a plinth 211cm by 215cm by 70cm; a dressing table, with oval mirror flanked by jewellery drawers over seven drawers about the kneehole, on square tapered legs with spade feet, 190cm by 138cm by 66cm; two single beds, with arched inlaid head and footboards, wooden rails, sprung bases and 3 foot mattress
A 17th Century Italian Cabinet], the sides and top veneered with panels of walnut bordered with Braziletto, fitted with iron carrying handles, the front composed of two banks of four ebony-bordered drawers decorated with hunting scenes engraved on bone, flanking a central door decorated with an engraved monumental baroque door case, enclosing seven small drawers, 57cm by 117cm by 32cm
A 17th Century Italian Cabinet], the sides and top veneered with panels of walnut bordered with Braziletto, fitted with iron carrying handles, the front composed of two banks of four ebony-bordered drawers decorated with hunting scenes engraved on bone, flanking a central door decorated with an engraved monumental baroque door case, enclosing seven small drawers, 57cm by 117cm by 32cm
An early 20th century officer’s “Cabinetta” folding campaign bed, by W&S, which serves as a bench seat when folded, and having drop down door to front revealing space for bed linen, height 22” closed. GC (some external wear); and a weighted leather covered swagger stick with wrist loop. GC (slightly worn). (2)
Quantity of Lionel O gauge, 1665 New York Central 0-4-0 3 rail steam locomotive and tender in satin black livery, RN 1665, also RG3 diesel engine, RN 8223 in black, Combo car, baggage car, passenger car, dining car, double door box car, 1995 Railroader club tank car, 1997 box car, 25th anniversary box car and animated aquarium car; Boston City trolley; Norfolk and Western Maxi stack flatcar; Southern TT UX Flatcar and 3 other wagons. All boxed, minor wear. VGC to Mint. (minor running to loco)
A French kingwood and gilt metal mounted vitrine, of serpentine form, the marble inset top with brass gallery, above a central glazed cupboard door with a painted lower panel, flanked by similar sides, enclosing an interior with a glass shelf and a single fitted shelf, raised on four short cabriole legs, 139cm high, 34cm deep, 68cm wide
Replica Railways 00 gauge 0-6-0 tank locomotive, No.748, 0-4-0 tank locomotive No.7 buffet restaurant car, No.12104 coke wagon Abbott & Co Ltd, No.13351, 20 ton toad brake van, GWR grey, No.13551, 20 ton vent van, GWR grey, No.13611, Rainford Tar Products wagon and a Hornby locomotive in various replica railways boxes, also Bachmann 00 gauge No.33-4513 plank wagon, James Carter & Son Ltd, No.34-075 Collett third brake coach Great Western, No.37-1278 plank end door wagon, Hinckley Gas Works, No.33-102 seven plank wagon, Wyken, a Great Western match truck, No.33.-651 LNER cattle wagon, No.33-030 Coal Trader Classics, East Anglia and three various wagons, all boxed (18)
A Victorian square cast iron heater enclosure, with pierced leaf cast panels beneath scrolled pediments around a tapering lid, having handles to two sides, the base with lion corner mounts above angled aprons with similar pierced leaf panels supported on four paw feet, one side having opening door, the interior fitted with red glass panes - makers name Rippingilles Albion Lamp Company Limited Patent with registration numbers, some damage. (31.5in).
A Louis XV style reproduction Italian bracket clock on stand, the walnut case inlaid with foliate marquetry, the clock with gilt metal mounts having enamelled Roman chapters to dial with German movement striking on bell, enclosed by bead moulded glazed door, raised on scrolled volutes, the stand with projecting corners having frieze drawer above glazed door flanked by split fluted turned columns, supported on turned feet. (63in).
A nineteenth century oak longcase clock, with swan neck pediment above pierced scrolled fretwork, having arched door flanked by turned columns enclosing a movement by M Collingwood of Alnwick, the painted enamelled dial with Roman chapters and floral spandrels beneath an arched landscape panel with figure and sheep standing by tree, the trunk with rectangular door and corner quarter columns, raised on moulded panel base with roundels to corners and supported on bracket feet - complete with brass pendulum, pair of weights and key. (86.5in).
A nineteenth century mahogany longcase clock case, with arched hood and glazed door flanked by turned columns, the trunk inlaid with burr walnut marquetry panel and boxwood stringing, the moulded base similarly crossbanded and inlaid with boxwood and ebony stringing, raised above a shaped apron with bracket feet. (88in).
A Vienna wallclock in walnut case, with pierced scrolled carved crest above a moulded cornice, having fluted split baluster pilasters flanking an arched door enclosing an enamelled dial with Roman chapters framed by brass bezel, with circular brass bun pendulum below, and shaped tapering terminal with drop finial. (43.5in).
An Italian reproduction walnut marquetry longcase clock, with broken swan-neck pediment flanking a turned finial, having brass dial with Roman chapters and decorative pierced scrolled spandrels, the glazed moulded door flanked by split fluted baluster mouldings, the trunk with arched glazed door having three brass weights and pendulum driving the mechanism with Westminster chimes, the moulded base with decorative floral marquetry panel above a shaped apron, on ogee bracket feet. (81.5in).
A late Victorian walnut coal scuttle cupboard, the platform top with brass scrolled gallery and fitting for brass shovel above a floral carved fielded panel door opening to reveal an interior with zinc liner, with fluted rails and stiles, and carrying handles to sides. (12.75in x 12.25in x 27in).
A late eighteenth century walnut cased longcase clock, with moulded cornice above carved blind fretwork frieze, with square door having turned columns enclosing a movement by Wilson of Stamford, the silvered square associated dial with Roman chapters and date aperture, the trunk with cushion moulded panelled door having circular glass bob lenticle aperture, raised on moulded plinth base with square panel - some alterations. (84.75in).
A Victorian Scottish mahogany longcase clock, the hood surmounted by brass eagle finials with projecting concave cornice above a circular door flanked by fluted tapering columns, having enamelled dial with Roman chapters and two subsidiary dials, the trunk with panelled door and chamfered corners above a moulded base supported on turned feet, the hood with gothic shaped glazed apertures to sides. (84in).
An early nineteenth century oak longcase clock, with shaped swan neck pediment surmounted by gilt and gesso ball finials, above pierced fretwork frieze, having an arched glazed door flanked by fluted columns with brass capitals enclosing a painted dial by George Davison of Wooler, with Roman chapters and painted hunting hound spandrels beneath a pastoral scene of shooters resting in landscape with their dogs and game, the trunk with gothic shaped door flanked by quarter columns, raised on a moulded base with bracket feet. (84.5in).
An oval brass carriage clock, with bevelled glass enclosing a movement with enamelled dial having Roman chapters signed Elliot & Sons London, with side porcelain panels of Mary Gregory style children and butterflies with nets, with bevelled glass door to back enclosing movement with key, raised on turned bun feet. (3.25in).
An Edwardian oak estate cupboard, the rectangular moulded top above four small drawers flanking a central drawer, all mounted with square brass drop handles, with panelled door cupboard below enclosing an interior of shelves with adjustable dividers, supported on plinth base. (39in x 17.75in x 50.25in) *Would suit an anally retentive disorganised man..
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235346 item(s)/page