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Click here to subscribeAn early 20th century burr walnut veneer three door wardrobe, with simple moulded decoration, one door opening to four open sliding drawers and three short drawers below with cup handles, the two door section opening to a hanging space, the central door inset with a bevelled glass mirror, on plinth base, 194cm high, 151cm wide, 50.5cm deep
AN ARTS AND CRAFTS OAK SIDEBOARD, the three quarter superstructure with back board of pierced hearts and flowers above two glass panelled doors and two side panels, copper embossed panels with sides of oak panels with pierced hearts and slats. The base with a serpentine shaped top over two drawers, central linen fold door flanked by two doors, 189cm high x 190cm wide x 57cm deep Condition Report: Large splits to sides. Right hand front spar broken.paint mark to front edge. Piece missing to top corner on right hand of top back rail.
A Sheraton Revival satinwood crossbanded mahogany and marquetry bureau bookcase, swan neck pediment above a pair of glazed doors enclosing three adjustable shelves, fall front inlaid with an urn, ribbon-tied bell husks and scrolling leaves, enclosing a small door, small drawers and pigeonholes, above four long graduated drawers, swan neck handles, bracket feet, 222cm high, 95cm wide, 46cm deep
A COLLECTION OF MODERN AND VINTAGE FILM AND THEATRE RELATED POSTERS, to include 'In Bed With Madonna' VHS advertising poster, a door size James Dean poster, Marilyn Monroe, Buddy Holly Story, Eddie Cochran Theatre show etc., together with three copies of a phonograph accessories poster (Approx 13)
A HMV UPRIGHT GRAMOPHONE CIRCA 1930, the oak case with hinged lid and lower volume door, nickel chrome tone arm, 12 inch turntable and auto shut off, H 87 cm, W 35 cm, D 35 cmCondition Report:Oak case has age related pating, no woodworm holes.Motor runs quiet and for more that 4 mins on a full wind.Soundbox complete and original.Green felt platter original and has age related marks.Auto shut off works.condition of motor not known.
A QUEEN ANNE WALNUT LONGCASE CLOCK BY SAMUEL WATSON LONDON the brass month going movement with six turned and finned pillars, with an anchor escapement striking on a bell, with an outside countwheel, the twelve inch brass dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and date aperture, signed 'Sam Watson London', with gilt boys and crown spandrels, the hood with a blind fret carved frieze, above a trunk door with book matched burr veneers 216.6cm high Provenance From a Private Cornish Country Estate. Catalogue Note See Britten's 'Old Clocks & Watches and their Makers': Samuel Watson, Coventry and London, horologist, is listed as active between 1649-1710, 'inventor curious piece of clockwork; a clock sold to Charles II, shows the rising and setting of the sun and many other motions.' He is credited with inventing the five-minute repeater.
A SMALL REGENCY PENWORK AND SIMULATED ROSEWOOD TABLE CABINET EARLY 19TH CENTURY the top with a printed view of Margate pier, within an outer band of vine leaves, the hinged door with a view of Ranelagh Gardens, St. Peter's Thanet, revealing four long drawers, lined with pink paper and with original gilt brass handles, two with printed paper labels describing the views, the lowest drawer fitted for sewing, with compartments for reels, a thimble with a pin cushion and a needle book, the base with marbled paper, on brass ball feet 16.1cm high, 17.5cm wide, 11cm deep
A PAIR OF FRENCH KINGWOOD AND AMBOYNA PIER CABINETS IN LOUIS XVI STYLE, C.1870-80 each with ormolu mounts and a white marble top, above a glazed panel door, enclosing a bird's eye maple lined interior with two adjustable shelves, on toupie feet (2) 91.4cm high, 71.7cm wide, 37.5cm deep Provenance From a Private Cornish Country Estate.
AN OAK MURAL CUPBOARD IN LATE 17TH CENTURY STYLE PROBABLY 20TH CENTURY of arched bentwood construction, the front carved with three rosette lozenges, above the date '1735' and initials 'I T', with incised zigzag borders around the cupboard door, with a conforming lozenge, with a vacant interior 53.8cm high, 61.7cm wide, 22.5cm deep
λ A PAIR OF EARLY VICTORIAN ROSEWOOD PIER CABINETS BY J. PEMBERTON, LIVERPOOL each with a breakfront top above a pair of arched glazed doors, enclosing an interior with six slides, flanked by lappet carved columns, on castors, one door stamped 'J. Pemberton Maker Liverpool 1841' (2) 106.1cm high, 90.7cm wide, 45.7cm deep (slight differences to dimensions between the cabinets ) Catalogue Note See the 'Dictionary of English Furniture Makers, 1660-1840', where John Pemberton of Liverpool is listed as active between 1827-39, son of Peter Pemberton, cooper. He was free on the 19th October 1827 and trading at 74 Upper Frederick Street in that year.
FOUR BRASS FIRE RESISTING SAFE-DOOR PLAQUES LATE 19TH CENTURY all decorated with the Royal Coat of Arms, comprising: a rare Royal Warrant Patent Plaque, inscribed 'Makers to her Majesty by appointment Hobbs Hart & Co. Limtd London Patents', two for 'Milners 212 patent', the other for 'C. S. P. Wood & Co.', together with another brass Royal Coat of Arms (5) 24.5cm (max) Provenance The Sir Michael Codron Collection of Lions.
A FRENCH MAHOGANY AND VERNIS MARTIN VITRINE IN LOUIS XV STYLE C.1890-1900 with ormolu mounts, the broken rouge marble top (in need of restoration) above a glazed door flanked by glazed concave panels, enclosing a plush lined interior with two shelves, the base with three painted panels, depicting a lady and a gentleman in landscapes 160.6cm high, 91.7cm wide, 38.5cm deep
A Victorian figured walnut pier cabinet, the rectangular moulded top above a plain frieze and a gilt metal band, over the single glazed door opening to a lined interior with two fixed shelves, flanked by gilt metal applique and raised upon a plinth base with integrated bracket feet, 103cm H x 81cm W x 32cm DCondition reportGlass in the door is later, some light tarnishing to the gilt metal, otherwise only light fading/wear.Overall clean condition after undergoing some light sympathetic restoration
An Italian stained and carved hardwood cherub figural pedestal table, late 19th/early 20th century, the circular moulded top with a linen drape frieze, upon a carved figure of a cherub, modelled arms raised upon a sphere and three leaf carved down swept supports terminating in leaf carved feet, 103cm H x 38cm D (at fault)Condition reportSeveral minor chips and scratches to the lacquer on the front of the cabinet along with some patches of light 'blistering' and patches of restoration.Some under lacquer stress lines to the door and front lower panel.Some loss of lacquer to the tip of the front RH foot, Structurally sound with no movement in the joints
A French Louis XV style figured walnut escritoire, the single frieze drawer above a fall front opening to a central door, eight small drawers and a long drawer, above the three long cross banded drawers applied with brass back plates and swing handles, raised upon turned front feet, 147cm H x 101cm W x 51cm DCondition reportHairline veneer cracks to the top, along with multiple light rubbing marks.40cm hairline crack running down the RHS, repaired veneer cracks to the fall front.Later handles applied to the drawers, all drawers run smoothly.All drawers later reconstructed with pine liners and later pine planks fitted too the back.Late 19th/ early 20th century with later reconstruction to back boards and drawers, general light wear commensurate with age and use
An Edwardian inlaid mahogany display cabinet, the architectural high back formed with a central leaded glazed door applied with stylised coloured glass tulips, flanked by a pair of inlaid cupboard doors over a trio of bevelled glass mirrors, upon the base with a central glazed door flanked by a conforming inlaid door and crossbanded drawer to both sides, raised upon slender legs of square section terminating in a spreading foot, 193cm H x 107cm W x 39cm D
An early 20th century Art Nouveau oak compactum wardrobe by Goodall, Lamb and Heighway, Manchester, the moulded cornice over a door applied with scroll beading and three drawers, opposed by a wardrobe door with a shaped mirror below moulded detail, upon a single drawer base and ogee bracket feet, 210cm H x 134cm W x 54cm DCondition reportTwo shelves behind LH door, rail behind wardrobe door runs from side to side.One of the scroll mouldings is detached, otherwise general wear/rubbing commensurate with age and use
A George III mahogany secretaire bookcase, the moulded cornice above a frieze inlaid with ebony banding, and a pair of glazed cupboard doors applied with arched astragal beading, opening to three shelves, upon the chest with a fall front drawer revealing a satinwood veneered compartmentalised interior, over three graduated cockbeaded drawers applied with brass swing handles, raised upon ogee bracket feet, 230cm H x 121cm W x 58cm DCondition reportBookcase and secretaire probably associated, but a very good match, grain, stringing, moulding etc all very similar.Handles also possibly later but have been changed for some time.Bookcase door lacking lock, small 3cm chip above front RH foot, light rubbing around the handles and blocks added to the underside of the feet.Otherwise general minor knocks and wear commensurate with age and use
A Victorian mahogany specimen cabinet, the rectangular moulded top inset with a brass swing handle, above the glazed door opening to twenty two slender drawers, each applied with ivory knob handles and numbered one to twenty one, one drawer blank, raised upon an integrated plinth base, 38cm H x 29cm W x 34cm D, along with a collection of English coinage, including copper, cupro-nickle and pre-decimal examples
A mid 18th century oak deuddarn cwpwrdd, probably Cardiganshire, the moulded cornice above a plain frieze and hanging pendants, in front of three quatre panelled cupboard doors, the base formed from three frieze drawers over two conforming cupboard doors, raised upon stile feet, 183cm H x 153cm W x 55cm D NB ?A Deuddarn of good quality from Cardiganshire circa 1780 to 1820. An almost identical Deuddarn is illustrated in Richard Bebb?s definitive book on ?Welsh Furniture 1250-1950?. It is photograph 823 on page 92 of volume 2.?Condition reportLoose board on top of cupboard, some play in upper door hinges, middle and LH door.Missing beading at drawer height on the LHS, small chip to beading on the RHS.A 7cm hole on LHS cupboard wall with tin plate repair, lacking moulding on both sides at foot level, front moulding loose.All feet with minor historic worm/wear, causing the cupboard to angle back slightly.
Three Corgi diecast model vehicles, comprising: a 321 Monte Carlo BMC Mini Cooper S, a 322 Monte Carlo Rover 2000 and a 323 Monte Carlo Citroen DS19, with a Dinky Toys diecast model Captain Scarlet Spectrum Pursuit Vehicle (SPV) (at fault), all unboxed, and three catalogues for Dinky Toys, Matchbox and Solido (7) CONDITION REPORT:The SPV is lacking the white faring that should sit on the door release button, and the missile. The bumper operated missile cover release mechanism is sticking and needs attention. The Captain Scarlet figure is present in the door. There is no year on the underside of the vehicle.
A George III oak and mahogany cross banded eight day longcase clock signed Fernall, Wrexham, the 33cm painted square dial, centred with a date aperture, subsidiary second dial and the makers name, the two train movement striking on a saucer bell, within a 'flat top' hood with reeded pilasters upon the case with a shaped door and conforming quarter pilasters, 207cm highCondition reportNo visible name stamped in backplate, 'cut out' to the back of the case indicate alterations and probable associated movement
A mid 19th century mahogany trunk dial wall clock by Joyce of Whitchurch, the 34cm painted dial applied with Roman numerals and the makers name, enclosing the single train movement, the rectangular case with carved scroll ears above the flame mahogany arched door, 132cm high, pendulum and block weight Provenance; Llangedwyn HallCondition reportLoss of beading around the base of the clock, along with veneer chips and splits (see further images), some light water stains to the case which would benefit from a clean and polish, movement appears not to have had any attention for some time.
A large George IV oak and mahogany cross banded eight-day longcase clock, the 36cm painted break arch dial with rolling moon phase movement and two subsidiary dials, the hood with broken swan neck pediment and central case door flanked by cluster column pilasters, 226cm high, two weights and pendulum
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