A George III oak dresser, the rack with moulded cornice above a series of shelves and cupboards, the base fitted with three drawers with brass drop handles, with shaped apron beneath and all raised on cabriole legs. Width 207 cm, height 212 cm, depth 49 cm (see illustration). CONDITION REPORT: The dresser is in generally good condition and could be used in its current state without the need for any work. The cornice is in good condition all round. The shaped apron beneath has the odd stress fracture and several old repairs. Both doors are not warped. All shelves are in good order. The right hand door has a small loss to the bottom left hand corner and a small piece of crossbanded veneer is missing on the right hand side. The base is structurally sound. The top is of good colour with no significant marks and no splits. All drawer fronts are in good condition. The handles whilst old are not original and there is evidence of other handles visible on close inspection. The shaped apron is in good condition as are the front cabriole legs. The right hand front leg has a repair to the pad foot and both rear legs have been tipped.
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An oak longcase clock, circa 1930, with three-train spring driven movement, long trunk door and raised on bun feet. Height 187 cm. CONDITION REPORT: The clock case is in good condition all around with only very minor surface scratches and marks. The trunk door is not warped. The movement is fully wound on all three trains. It is also very dirty. It appears to be ticking away but is not striking when manually advanced. The movement does however strike when manually operated. Everything appears to be present but a clean is definitely required.
A George III mahogany cabinet and combined chest, probably Irish, with swans neck pediment above a single glazed door enclosing adjustable shelves, the base fitted with two short and two long graduated drawers with brass drop handles and shaped backplates and raised on bracket feet. Width 81 cm, height 214 cm, depth 50 cm (see illustration).
An early 19th century mahogany longcase clock, with circular dial by James Houston Johnstone, diameter 36 cm, and with two-train striking movement. Height 229 cm. CONDITION REPORT: The case is in reasonably good condition. Neither door is warped. There are some minor nibbles to the top cornice beneath the swans neck pediment particularly in the right-hand top corner. There are also some veneer losses along the crossbanded edge at the base of the hood. The trunk door is not warped. There are minor pieces of moulding missing in various places on the case but no significant losses. There are also some stress fractures and pieces of crossbanding missing to the base front panel. The front bracket feet are original. The clock does not have rear feet. We have both weights and the pendulum. The pendulum suspension is however broken. The movement does strike when advanced. We have not had the clock ticking. The face is a little dirty and has had some overpainting and there are various scuffs and scratches. There is no evidence of any woodworm.
A late 19th century mahogany shallow cabinet on stand, having a cavetto moulded pediment above two square panelled doors one with brass handle upon an integral stand with square tapering legs and with lower tier. Width 63.5 cm, height 131.5 cm, depth 26 cm. CONDITION REPORT: The cabinet is structurally sound. The top has some minor old ring marks. There is also some candle wax to the top left hand corner. The edge moulding has a small loss front left and a 6 cm loss front right. The doors are not warped and close as they should. There is a scratch to the top right hand corner of the left door. The sides of the cabinet are in good order. The legs are in good condition with no repairs or restoration. The bottom shelf has two stress fractures at the front running almost the full width of the shelf. All corner fretwork spandrels are present.
A 19th century mahogany and oak longcase clock, with swans neck pediment above a glazed door enclosing the 13" square painted dial and two train striking movement, with subsidiary seconds dial and date aperture in turn above a short trunk door, the base raised on bracket feet, height including finial 231 cm. CONDITION REPORT: All three finials have paint and gesso losses. The hood has several small sections of crossbanding missing which should be visible on our images. The hood door is not warped. The moulding beneath the hood is loose at the right-hand return. The trunk door has a very slight warp and there is slight timber loss around the lock plate on the carcass edge of the case. The sides of the case and base are in generally good condition with the exception of veneer nibbles around the front feet. The movement is currently ticking away and we have both weights and pendulum. The strike train is erratic. The face is as you see it in our image.
A William IV mahogany pedestal, with 55 cm square top above a faceted pedestal opening to drawers, and with plinth base beneath, height 106 cm (see illustration). CONDITION REPORT: The pedestal is structurally sound. There is no evidence of any repairs or restoration. The top has a ring mark and some minor water splashes. The colour of the top is darker than the rest of the pedestal. It seems to have a French type polished surface over the original mahogany. There are very minor veneer nibbles around the corners and top edge. The top hinges to an open interior. The hinges are original and there is no movement. The lever which allows the door to open operates as it should. There are some nibbles to the edge of the door, the most prominent being in the very centre of the right hand edge. The interior drawers have minor veneer nibbles to the corners of the drawer front but again no significant issues. The pedestal front and sides are all the same colour. The base is dirty and scuffed and marked as one would expect but again there are no real problems.
An 18th century mahogany pagoda top longcase clock, circa 1780, with silvered arched dial and eight day movement with strike silent, subsidiary seconds and date dial, inscribed for Lawson, Bishopsgate Street, London, the movement with five pillars, the hood with ball and eagle finials and heart inlaid brass reeded column above a well figured mahogany case, supported upon bracket feet with shaped apron. Height 236 cm (see illustration). CONDITION REPORT: We have both weights and pendulum. The movement winds on both trains and is currently ticking away but not striking when advanced. The silvered brass dial is in generally good condition but a little tarnished. The hood fretwork is in good condition. The piece of moulding missing below the left-hand ball finial is detached but we have the piece. The hood door has cracked glass. The right-hand pillar is a little loose. The left-hand glazed panel has no glass and small nibbles around the window aperture. The right-hand glass is present but again there are small nibbles around the window aperture. The moulding below the hood is in good condition at the front and on the left-hand return. The right-hand return section is currently detached and in two pieces. There is one small veneer loss at the rear next to the wall side. The trunk door is not warped and of good colour. The sides of the case are in good condition. The base has one piece of moulding missing on the right-hand side. We have the detached piece. The sides of the base and feet are all in good condition. The colour of the case is generally good and uniform.
An 18th century and later longcase clock, the square brass dial with silvered chapter ring made for John Silke, Elmsted, with 30 hour bird cage movement, all within an oak case, the dial 27.5 cm square. Height 191.5 cm. CONDITION REPORT: The cornice is in good condition at the front and left-hand return. The right-hand return has the top moulding approximately 50% missing. The hood door and sides are in good order. The trunk door is not warped and the sides of the trunk and base are in generally good condition. The movement is currently ticking away and seems to strike as it should when advanced. It is an early movement. Whilst the movement is clearly a good early one the case has been made up from several cases. The dial is 11 inch square.
A Chinese hardwood collectors cabinet, with mirrored back and single door, width 86 cm, height 51 cm, depth 10 cm. CONDITION REPORT: The cabinet hinges on the right-hand side and there is a lock on the left-hand side for which we have the key. The exterior looks to be in very good clean condition. The glass door and the mirror glass backing appear to be free from any scratches and marks. Generally in ready to use condition.
Jaeger Le Coultre brass eight day mantel clock, circa 1972, having a lapis lazuli backed dial with Roman and baton numerals, satin finished case, manual wind movement, raised on polished bun feet, inside rear door with long service presentation plaque dated 1972, 16cm x 13cm x 6.5cm deepplease note our special conditions of sale regarding clocks and watches
Late Regency mahogany bracket clock, by Adam Thomson, New Bond Street, London, circa 1830, architectural case, 20cm silvered dial, signed and with Roman numerals, glazed door to the rear and gauze sound panels to the sides, enclosing a double fusee movement, signed on the back plate and striking on a gong, with pendulum and winding key, all raised on a plinth base, height 46cm, width 30cm, depth 17.5cm; also a later mahogany wall bracket (2)Please note our special conditions of sale regarding clocks and watches
Victorian oak mirror back sideboard, circa 1880, the high back with carved swan neck pediment, over a central shaped bevelled glass rectangular mirror, flanked with smaller mirrors, open shelves with turned column supports over an enclosed base with three drawers with original brass ring handles, four central panel cupboard doors flanked on either side with a further carved foliate scroll panel cupboard door opening to shelves, labelled 'A Gardner & Son, Glasgow', all raised on short turned legs, width 182cm, height 245cm, depth 61cm
Welsh mahogany eight day longcase clock by Griffith Davies of Dolgellau, the hood with wrythen and turned columns flanking a 13.5 ins painted square dial with painted ruin spandrels and painted birds to the centre, subsidiary seconds and Roman numerals, the movement striking on a bell, the trunk with further wrythen columns flanking a rosewood crossbanded door, over a crossbanded flame mahogany box base raised on bracket feet, original paper label attached to the back, height 228cmPlease note our special conditions of sale regarding clocks and watches
Late Victorian mahogany music cabinet, circa 1890, having an upper shaped shelf over a bevelled glass rectangular mirror, pull down bevelled glass door opening to sheet music shelves, over a carved panel fall front music rack, all raised on ogee bracket feet with concealed pot castors, width 49cm, height 126cm
Quality Victorian carved mahogany and inlaid pot cupboard, circa 1890, having a back carved with C-scrolls and inlaid with floral sprays in boxwood, satinwood and harewood and with a single recessed panel cupboard door with foliate carved centre and further floral spray inlays, opening to a single shelf, on acanthus carved cabriole legs with pad feet, width 41cm, height 96cm
Victorian burr walnut drop trunk wall clock, by J Knowles, Birmingham, circa 1860, white painted 29cm dial with Roman numerals, double fusee movement striking on a bell, the trunk with carved floral embellishments, bow fronted base with viewing door, width 46cm, height 76cmPlease note our special conditions of sale regarding clocks and watches
German burr walnut and rosewood modular cocktail and bookcase compendium, 1930s, comprising four base units and seven other sections to enable multiple configurations: cocktail unit with two door cupboard base; glazed bookcase; open bookcase; open bookshelves; small drawer unit; six end cupboard units with curved ends; the largest unit 125cm wide, 56cm high, depth 40cm; when assembled together as photographed in the catalogue width is 376cm
Edwardian mahogany and inlaid free standing corner display cabinet, serpentine front with dentil inlay over a plain serpentine glazed door with recessed panel, opening to three fabric covered shelves, all raised on splayed square section legs with boxwood line inlays, width 77cm, height 164cm
Scottish mahogany eight day longcase clock, circa 1820, the hood with two brass finials flanking a painted 14 ins circular dial, signed John Etches, with Roman numerals, four pillar movement striking on a bell, the trunk with a feathered mahogany oval inlaid door, within reeded pilasters, over a feather mahogany box base, crossbanded and with bracket feet, height 200cm Please note our special conditions of sale regarding clocks and watches
Late Victorian plum pudding mahogany pot cupboard, by Morison & Co., Edinburgh, circa 1900, with three quarter gallery top over a fluted drawer with cast brass ring handle, and reeded quarter pilasters flanking a recessed panelled door, opening to a single shelf, all raised on fluted turned legs, width 41cm, depth 37cm, height 80cmProvenance: Purchased in 2015 from Church Street Antiques at a cost of £500
Victorian burr walnut and inlaid credenza, circa 1850, having a central brass mounted door inlaid with classical scrolls and centred with an urn of flowers in boxwood, ebony and harewood and crossbanded with amboyna, opening to two shelves and flanked by brass capped Corinthian columns with a bowfronted glazed door to each side opening to further shelves, all raised on a plinth base, width 134cm, height 110cm, depth 40cm
George III mahogany eight day longcase clock, the hood with fluted pilasters flanking a 13 ins brass square dial, signed to the centre John Craig, Garrigll, within a chapter ring with Roman numerals, the movement striking on a bell, over a trunk with a flame mahogany door within reeded quarter pilasters, canted box base with ogee bracket feet, height 223cm Please note our special conditions of sale regarding clocks and watches
Victorian ebonised boulle pier cabinet, circa 1890, in the French taste, having an arched glazed door bordered with red boulle and flanked on either side with gilt brass cherub caryatids, fitted with a single shelf, all raised on a plinth base with brass mounts, width 86cm, height 119cm, depth 35cm
George III mahogany bureau, circa 1780-1800, figured mahogany slope front opening to a fitted interior with central cupboard door drawers and pigeonholes, and fitted with two short and three long graduating drawers with later cast brass handles, raised on ogee bracket feet, width 115cm, height 110cm, depth 55cm
Edwardian mahogany and inlaid triple wardrobe, having a cavetto moulded cornice over a central shaped rectangular bevelled glass mirrored door bordered with leaf form trailing inlays in boxwood and harewood, flanked on either side with a double panelled inlaid door in flame mahogany with further boxwood line inlays, opening to hanging space with three long trays and a press cupboard with five short trays and a drawer, all raised on inlaid turned legs, width 206cm, height 212cm, depth 69cm
Unusual mahogany and inlaid bow front dressing table, in Italianate style, having a central rectangular mirror with moulded edge, pietra dura style green stained border with foliate trails, flanked on either side with a raised panel cupboard door, further inlaid with ivy leaf trails, opening to shelves, the table centred with a terracotta inlay of a dancing muse, bordered with leaf trails in simulated lapis lazuli and malachite, the frieze fitted with two small drawers and centred with a bowfront with boxwood flowerhead roundel, all raised on tapered square section legs, width 136cm, depth 66cm, height 164cm
Gordon Russell 'Double Helix' mahogany and black walnut side board, designed by David Booth in 1950, double door front opening to a shelf and cutlery drawer, with original brass ring handles, raised on tapered square section legs, 'Russell of Broadway' label, width 122cm, depth 46cm, height 84cmNB: Originally designed by David Booth in 1950 for the Festival of Britain exhibition in 1951
French walnut Vernis Martin display cabinet, circa 1900, with brass appliques throughout, central serpentine glazed door to the front with painted panel beneath featuring courtiers, opening to two plate glass shelves and with a floral silk damask back, bowed glazed side panels with painted landscape panels beneath, all raised on cabriole legs with brass mounts and sabots, width 96cm, height 202cm, depth 36cm
A Regency mahogany secretaire cabinet, with nulled and flamed back with half lyre supports and a plum pudding veneered panel, over a secretaire drawer with drop front revealing a fitted interior of drawers with knob handles and pigeon holes, with cast brass pineapple finale loop handles over a two door base with shelved interior, on turned feet, 139cm H, 96cm W, 47cm D.
Le Select - A late 19thC / early 20thC French teal enamel log burning stove by Poele a Bois, Pardon de Paris, the pierced and hinged top having a shallow tray, the body cast with reeded ribbon framing, garland drops and arched central door surmounted with a cartouche marked Le Select Pardon, with further script to the sides, raised on stylised cabriole legs, and having chimney sleeve to the reverse, 57cm H, 53cm W, 35cm D, excluding chimney sleeve.
A Nathan late 20thC teak hi-fi cabinet, with a hinged lid over a glazed door, flanked to the right by two drawers above a single cupboard door, raised on a plinth base, 74cm H, 99cm W, 45cm D, together with a matching television cabinet of rhomboid form, with two doors, flanked by two pairs of small shelves, raised on a plinth base, 51cm H, 99cm W, 48cm D. (2)
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235302 item(s)/page