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EARLY TWENTIETH CENTURY WINTERHALDER AND HOFMEIER OAK CASED MANTEL CLOCK, the 6 1/2" dial with silvered Roman chapter ring, scroll spandrels and silent/strike dial to the arch, powered by an eight day movement, striking on two gongs, housed in an arch top case with cast gilt metal finials, above a glazed door and side frets and raised on a moulded plinth base with scroll feet, 16" (40.6cm) high, (back door loose)
EARLY 18TH CENTURY OAK QUAKER LONGCASE CLOCK, probably North Oxfordshire, unsigned, the 10 1/4" brass Roman dial with engraved centre and foliate scroll pierced spandrels, powered by a substantial 30 hour movement striking on a bell and house in a plain case with moulded carving, long trunk door and plinth base 84" (213.3cm) high
LATE EIGHTEENTH CENTURY CARVED AND CROSSBANDED OAK LONGCASE CLOCK, signed Barker, Wigan, the 13" brass dial with silvered chapter ring and subsidiary seconds dial and date aperture to the matted centre, enclosed within scroll pierced spandrels and powered by an eight day movement striking on a bell, housed in a case with swan neck pediment, dentil moulded frieze scroll painted glass panel and free standing tapering forecolumns, above a Greek key cut border and crossbanded long trunk door with shaped top, flanked by fluted quarter columns and raised on a conforming base with chamferred forecorners and ogee bracket feet, loose, 89 3/4" (228cm) high
LATE EIGHTEENTH CENTURY OAK LONGCASE CLOCK, sighed Joshua Harrocks, Emont Bridge, the 12 1/4" brass dial with subsidiary seconds aperture to the foliate leaf engraved centre, enclosed by pierced scrollwork spandrels and powered by a later substantial spring driven movement striking on nine rods, housed in a case with moulded cornice, blind fret carved frieze and free standing fore columns, over a long trunk door with shaped top, flanked by chamfer moulded forecorners and raised on a conforming panelled base with shaped plinth, 84" (213.3cm) high, subsidiary dial not operable and additional winding holes drilled into dial
EARLY NINETEENTH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, signed Thomas William Hay, Shrewsbury, the 13" painted Roman dial with subsidiary seconds dial and date aperture, enclosed within floral spandrels and powered by an eight day movement, striking on a bell, stamped Finnemore, housed in a case with swan neck pediment, later ball finial and free standing square, fluted fore-columns, over a crossbanded trunk door, flanked by reeded fore-corners and raised on a tall conforming base with bracket feet, 86" (218.4cm) high, dial from date aperture missing
VICTORIAN BURR WALNUT AND MARQUETRY INLAID MUSICAL CANTERBURY WHAT-NOT, the rounded oblong top with pierced surmounts above an open shelf with turned supports over a cupboard with glazed door and two shelves, with gilt tooled leather edges to the polished interior, enclosed by conforming columns to the corners and raised on turned supports with hardwood casters, 44" (111.8cm) high, 27" x 16 1/4" (68.6cm x 41.3cxm)
EARLY NINETEENTH CENTURY FIGURED MAHOGANY LONGCASE CLOCK, indistinctly signed, the 12" painted roman dial with subsidiary seconds and date dials, stag spandrels and landscape with maid to the arch, powered by an eight day movement striking on a bell, housed in a case with swan neck pediment and eagle and ball brass finial, above free standing ebonised fore columns, over a flame cut long trunk door with arch top, flanked by quarter cut rope twist columns and raised on a plain base with peg feet, 81 1/2" (207cm) high
EDWARDIAN LINE INLAID MAHOGANY FLAT FRONTED FLOOR STANDING CORNER CUPBOARD, the moulded cornice above a cupboard door with astragal glazed top section and panel to the base, enclosing two fixed shelves to the green baize lined interior, raised on square tapering splayed front legs, the whole outlined in boxwood, 66" (167.6cm) high
EDWARDIAN LINE INLAID AND HAND PAINTED MAHOGANY DISPLAY CABINET, the moulded cornice above an oval glazed cupboard door with painted ribbon tied floral scroll designs to the corners, enclosing two shelves to the silk lined interior and raised on square tapering legs (cut down), 59" (150cm) high, 26 1/2" x 14 1/4" (67.3cm x 36.2cm)
ANTIQUE COMPOSITE CARVED OAK AND STAINED PINE TWO DOOR WARDROBE, the right section with bevel edged oblong mirror, enclosed by forty five Eighteenth Century and later engraved brass pew plates from Knutsford Church, the left hand door of three carved panels containing stylized flowers flowers and a peacock, 67 1/2" (171.4cm) high, 58" x 21" (147.3cm x 53.3cm), made in two sections, both carcasses later, no cornice or base
19th Century mahogany longcase clock having arched hood with brass dial and silvered chapter ring with Roman numerals, date aperture and two train weight driven movement striking on a bell, flanked by turned pilasters above a flush arched top door and conforming plinth base with pendulum and weights
19th Century mahogany longcase clock, the broken arch hood with swan neck pediment above an arched panel door flanked by spiral quarter pilasters and conforming plinth base, the gilt brass dial with mask head and dolphin spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds and date dials, signed William Robb Montrose, the two train movement with anchor escapement striking on a bell
Late Victorian oak longcase clock, the arched hood with turned columns above an arched door with floral carved panels and a plinth base, the gilded brass dial with silvered chapter ring, Roman and Arabic numerals and chime/strike and seconds subsidiary dials, the three train movement striking on gongs
Early 19th Century mahogany longcase clock, the square hood with swan neck pediment and blind fretwork decoration above a shaped panel door and plinth base with bracket supports, the painted dial with Arabic and Roman numerals with subsidiary seconds, the two train movement striking on a bell
George III oak mahogany crossbanded longcase clock, the square hood with blind fretted cornice and fluted columns above a shaped door flanked by fluted quarter columns, the gilt brass and silvered dial with Roman and Arabic numerals, subsidiary seconds and calendar inscribed Samuel Harley Salop, with a two train movement striking on a bell
18th Century oak longcase clock, the square hood with flanking pilasters above a rectangular panelled door and conforming plinth base, the brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals with date aperture, signed Doning, Petworth, the thirty hour movement with anchor escapement striking on a bell
George III oak longcase clock, the broken arch hood with swan neck pediment and flanking pilasters above an arched panel door and conforming moulded plinth base with splay bracket feet, the gilt brass dial with floral spandrels, silvered chapter ring, Arabic and Roman numerals, subsidiary seconds dial and date aperture, signed Thomas Spence Dysart, the two train movement with anchor escapement striking on a bell (case with some alterations)
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235346 item(s)/page