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A 19th century mahogany eight day longcase clock, the moulded arched cornice above an arch glazed door flanked with reeded columns enclosing an arched 12 inch painted dial with secondary seconds dial and date aperture signed S Peacock, Lincoln with five pillar bell striking movement above an arched long trunk door having a central lock, standing on a plinth base with bracket feet, 221cm high
A 19th century oak cased eight day longcase clock, the scroll carved circular glazed door enclosing a white painted dial with Roman numerals and secondary seconds dial signed Wm Stover, Taunton above an arched long trunk door within fruiting oak leaf carved spandrels, standing on a similarly carved plinth base with claw and ball feet, 199cm high
A 19th century mahogany 30 hour longcase clock, the arched cornice above a glazed door flanked with turned columns enclosing an 11 inch painted dial with Roman numerals and secondary date and seconds dial signed W Loof, Parade, Tonbridge Wells, with four pillar bell striking movement above a long trunk door, standing on a plinth base with bracket feet and a shaped apron, 195cm high
Thomas a Paris, a mid 19th century marquetried rosewood cased mantel clock, the Vincenti eight day pendulum movement countwheel striking on a bell fixed to the lift out door at the back of the rectangular case, the glazing over the enamel dial sliding up to facilitate winding, further glazing between the gilt brass handle terminals over the anchor escapement, 22cm high
An 18th century walnut eight day longcase clock, the moulded cornice above an arch glazed door flanked with three quarter columns enclosing a 12 inch brass arched dial with Roman numerals and secondary seconds dial and date aperture, signed Richd Rayment, Bury, with five pillar bell striking movement above a long arched trunk door, standing on a reduced plinth base, 201cm high
A 19th century rosewood bow front vitrine, the shaped moulded marble top above a gilt metal mounted glazed door enclosing shaped glass shelves with mirror back, standing on similarly mounted cabriole legs with sabot feet, bearing retailers label for S & H Jewell, 2930 & 31 Little Queen Street, Holborn, WC, 95cm wide
An early 20th century mahogany longcase clock, the 32cm silvered dial with gilt Arabic numerals, engraved and chased overall with scrolling foliage, subsidiary seconds dial, the arched with strike/silent dial, inscribed Mappin and Webb, Ltd., Oxford Street, London, three winding holes, eight day double fusee movement, striking on a gong, the hood with urn finials to angles, pierced gallery, blind fret work to angles, the shaped door with oval blind fret, plinth base, bracket feet, 233cm high
An early 20th century mahogany longcase clock, the 30cm gilt dial with silvered chapter ring and gilt Arabic numerals, subsidiary seconds dial, the arched with strike/silent dial, pierced gilt spandrels, inscribed Barry and Sons, Edinburgh, twin winding holes, eight day movement, striking on a gong, the hood with swan neck pediment terminating with bat wing patera, centred by a lofty fluted urnular finial, freestanding Corinthian pilasters, inlaid over all in coloured woods with urns and tendrils, bevelled glass shaped door to waist, flanked by fluted columns, bracket feet, 250cm high
A George III oak and mahogany crossbanded long case clock, the 25cm square enamelled with Roman and Arabic numerals, painted with scrolls to spandrels, twin winding holes, eight day movement, striking on a bell, subsidiary seconds dial and date aperture, inscribed E. Massey, Newcastle, the hood with square pediment, turned pilasters, shaped door to waist flanked by quarter fluted columns. plinth base, bracket feet, 188cm high **The maker is the well-regarded Edward Massey of Newcastle-under-Lyme born 1740 and was working from 1763 until 1813. Although bankrupted in 1778, he undertook work for Josiah Wedgwood - a Catholic, he belonged to a prolific Staffordshire clock making dynasty, and three of his sons - Edward II, Francis and John also became clockmakers
A George II oak longcase clock, the 26cm square brass dial with black Roman numerals, subsidiary seconds dial and inscribed F Bayley Uttoxeter, pierced brass spandrels, thirty hour movement, single hand, the hood with moulded square top and inlaid with a deep band of mahogany, freestanding turned pilasters, shaped door to waist, plinth base, 200cm high ** Francis Bayley was born 1702 and was working by 1726 when he took an apprentice, but probably set up in 1723. He is recorded until 1760.
A 19th century oak and mahogany crossbanded longcase clock, the 33cm painted arched dial with white chapter ring and Roman numerals, inscribed Thomas Craw?, Retford, twin winding holes, eight day movement striking on a bell, painted with Admiral Lord Nelson and battle ships, the arch with village church, the hood with later pierced cornice, shaped door to waist centred by a shell patera flanked by quarter fluted columns, plinth base, 223cm high
A Victorian walnut davenport, the raised back with ogee moulded hinged cover, enclosing stationery compartments, the slope front with tooled leather writing surface, enclosing a satin birch interior, with pigeon holes and drawer, on acanthus carved cabriole legs, door to side enclosing four graduated drawers with turned handles, D-shaped base, bun feet, on casters, 56cm wide, 100cm high, c.1870
A 19th century ormolu mounted marquetry cabinet, the pagoda top with lacquered brass three-quarter gallery above a downswept cornice and shield shaped glazed door, glazed sides conforming, enclosing three velvet lined shelves, shaped apron, cabriole legs, inlaid overall with floral marquetry panels and outlined with boxwood string, 63cm wide, c.1870
An Edwardian mahogany Art Nouveau splay front floor standing display cabinet, stepped cornice above a serpentine frieze, the three-quarter glazed door and sides with leaded lights, decorated with vaseline, green and brown glass flowering stems enclosing two velvet lined shelves, tapered square legs, the whole outlined with satinwood crossbanding and boxwood string, 120cm wide, c.1905
19th Century Longcase Clock, with circular enamelled dial inscribed, “Cooke & Co., Nottingham” and with Roman numerals, the eight-day movement stamped “Walker & Hughes?”, striking on a gong, contained within a mahogany and crossbanded case, the hood with swan neck pediment and fluted column supports, above an arched door with bone lozenge escutcheon and plain base, 220cms, (7’4”).
George III Longcase Clock, with brass arched dial, inscribed “Jas. Grant, Glasgow” with secondary seconds and date dials, cast and embossed spandrels, the arch with cast appliqués of a dolphin decoration and circular panel inscribed, Tempus Fugit, eight-day movement, contained within a mahogany case, with swan neck pediment, arched glazed door, flanked by turned columns, with brass mounts, above a panel door, plain base and bun feet, 224cms, (7’4”).
Late Victorian standing Corner Cupboard, the top with break arch pediment above a frieze inlaid and decorated with leaf scrolls and vases, the interior of the upper half fitted two shelves and enclosed by a Gothic glazed door, the base with a panelled door, inlaid with flowers and scrolls and enclosing one shelf, on bracket feet, 69cms, (27”).
George III oak Bureau, the interior fitted central cupboard, the door inlaid with a conch in stained woods and flanked by pigeonholes and drawers, enclosed by a fall front, similarly inlaid and with three long graduating drawers below, all with brass oval handles and plates, shaped apron, on bracket feet, 92cms, (3’).
A late Victorian rosewood music cabinet, the whole inlaid with stringings, the shaped upper part fitted one shelf above shaped bevelled mirror panel and with turned supports, the base fitted three shelves enclosed by a single door with bevelled glazing to the lower section, the upper section with shaped panel inlaid with classical urns and leaf scroll ornament, on square tapered front legs and castors, 22ins wide x 55ins high
A late 19th Century French ebonised and red tortoise-shell Boulle dwarf display cabinet with gilt metal mounts, mouldings and caryatid side brackets, the frieze and single front door inlaid with scroll work, the cloth covered interior fitted two shelves enclosed by a single arched glazed door, on shaped plinth base, 33.5ins wide x 45.5ins high
An 18th Century mahogany cased 'Tavern' wall clock, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with A-frame plates and anchor escapement, contained in case with cast brass bezel and turned bezel to case, the long trunk with shaped ears and shaped trunk door, with moulded apron, 50ins high.
A mahogany cased 'Tavern' clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, shaped trunk door and shaped apron, 54ins high
A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with carved leaf ears, shaped trunk door and shaped apron, 54ins high
A mahogany cased 'Tavern' wall clock of early 19th Century design by Leslie Brundle, the 18ins painted wood dial with Roman and Arabic numerals to the eight day weight driven movement with anchor escapement and maintaining power, contained in case with turned bezel, the long trunk with shaped ears, figured veneered shaped trunk door and shaped apron, 54ins high.
A mahogany cased wall mounted 'Regulator' of early 19th Century design by Leslie Brundle, the 12ins cream enamelled dial, sweep minute dial and with central seconds dial, hour dial and small 'Up and Down' dial to side, to the eight day fusee movement with maintaining power and dead beat escapement, contained in case with turned bezel, the long trunk with shaped ears, the shaped trunk door crossbanded in rosewood, and with curved apron, 52ins high.
A late 19th Century walnut cased 'Vienna Regulator' wall clock, the 6.5ins white enamelled dial with Roman numerals and seconds dial to the eight day weight driven movement, with wooden pendulum rod and heavy brass bob, contained in walnut case with shaped and moulded cresting with turned finials and split turned pillars to the glazed door, and turned pendant finials to the apron, 51ins high
A late 17th/early 18th Century longcase clock movement by Ralph Cloud at Beaminster, the 11ins square brass dial with wide silvered chapter ring, subsidiary seconds dial and date aperture, turned winding holes and engraved 'Tudor Rose' to dial centre, engraved wheat sheaf pattern borders and cast cherubs heads and scroll spandrels to the eight day two train movement with outside locking plate striking on a bell, now contained in later oak and mahogany case with shaped and moulded pediment, reeded pillars to hood, the trunk door crossbanded in mahogany, with reeded front corners, 84ins high. Note: Ralph Cloud recorded working Beaminster, born 1663-1714 . See 'Dorset Clocks and Clockmakers' by Tom Tribe and Philip Whatmoor, published by Tanat Books 1981 for further details of maker
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234658 item(s)/page