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Lot 1467
A 19th Century Gilt and Gesso Rococo Style Glazed Wall Cabinet, with central glazed door enclosing a velvet lined interior with two fixed shelves and C scroll brackets, flanked by canted sides, headed by a richly decorated pediment centred by a floral plume, 65cm by 40cm by 140cm See illustration
Lot 1498
A Mahogany Ship`s Surgeon`s Chest, 19th century, the hinged lid opening to reveal a fitted interior of compartments above a sham drawer and sliding drawer below with two removable brass candlestands, six drawers below and a cupboard door, the sides with heavy brass carrying handles, 84cm by 51cm by 100cm See illustration
Lot 1573
A 19th Century French Oak Gothic Revival Cabinet, carved with three religious figures and central cupboard door, with tracery carving to the side panels, raised on carved supports with three fielded panels below, 102cm by 56cm by 136cm; and An Associated Similar Wall Panel, of six carved panels with gothic tracery, carved column support headed by foliate carved pediment, 90cm by 100cm (2) See illustration
Lot 1587
An Edwardian Satinwood, Tulipwood Banded and Marquetry Demi-Lune Display Cabinet, circa 1900, the top with segmented veneers above a richly decorated frieze of putti within a landscape, a glazed door enclosing two fixed shelves, raised on square tapering legs with spade feet, 92cm by 45cm by 122cm See illustration
Lot 1593
A Shapland & Petter of Barnstable Arts & Crafts Wardrobe, circa 1900, the bold cornice with stylised spandrels and hammered copper roundels above a central mirror door flanked by two hinged doors inlaid with stylised flowers, above two deep drawers, 176cm by 58cm by 221cm; A Matching Dressing Table, with a centre sunk hinged mirror flanked by superstructure drawers with cupboard doors below above a deep drawers, 122cm by 60cm by 175cm; and A Matching 4`6`` Bedstead, the bold cornice above a marquetry panel and slatted sides with confirming footboard (3) See illustration
Lot 1596
An Edwardian Satinwood and Polychrome Painted Display Cabinet, circa 1900, of breakfront form, richly painted with floral swags and ribbon tied motifs, the upper section with a glazed door enclosing silk lined interior, the lower section with a frieze drawer above a cupboard door, raised on square tapering legs with spade feet, 109cm by 40cm by 191cm See illustration
Lot 1597
An Early 20th Century Green, Polychrome Painted and Parcel Gilt Wardrobe, with egg and dart moulded pediment above two cupboard doors richly painted with Adam style urns, flower garlands and ribbons, the interior with a shelf and hanging space, raised on a fluted frieze with turned and fluted legs, 130cm by 58cm by 218cm; A Dressing Table, with triptych mirror above an arrangement of five drawers above an arched apron, raised on acanthus moulded and fluted tapering legs, 107cm by 54cm by 173cm; A Straight Front Chest of Drawers, of two short over three long graduated drawers, 84cm by 47cm by 77cm; A Pot Cupboard, the frieze drawer above a cupboard door, raised on fluted legs, 37cm by 36cm by 79cm; and A Bedroom Chair, with pierced splat, caned seat and fluted legs, 43cm by 40cm by 92cm, all en suite (5) See illustration
Lot 1601
An Edwardian Mahogany Breakfront Display Cabinet, early 20th century, the moulded and inlaid cornice above a glazed door with Adam`s style moulding, enclosing a silk lined interior with two shelves, flanked by concave and glazed side panels, with a cupboard door below, raised on splayed bracket feet, 112cm by 200cm by 40cm See illustration
Lot 1631
A West Indian Carved Hardwood Davenport, 3rd quarter 19th century, decorated overall with acanthus carved scrolls, the hinged leather writing surface and sliding upper section above shaped carved supports, the cupboard door enclosing satinwood veneered drawers, raised on carved block feet with castors, 55cm by 64cm by 90cm See illustration
Lot 1641
A Victorian Figured Walnut Louis XV Style Table à Écrire, late 19th century, with porcelain oval panels depicting classical figures, with superstructure top and central cupboard door above a serpentine shaped writing surface, with single frieze drawer, raised on slender cabriole legs, 75cm by 55cm by 122cm
Lot 1647
A Louis XV Style Mahogany, Floral Marquetry and Gilt Metal Mounted Vitrine, 20th century, the central glazed door enclosing two adjustable shelves, flanked by six small niches with parquetry panels, the lower section of serpentine form fitted a frieze drawer, raised on slender cabriole legs with gilt foliate mounts and sabots, 108cm by 42cm by 178cm See illustration
Lot 1650
A Late 19th Century Rosewood, Floral Marquetry and Gilt Metal Mounted Vitrine, of serpentine shaped form with pierced brass gallery above a central glazed door and sides enclosing shelves, all between canted stiles with foliate mounts and sabots, raised on slender cabriole legs, 80cm by 40cm by 144cm See illustration
Lot 315
*BAC - Sud. Aviation Concorde. A Concorde flight attendant`s drinks and food trolley, of aluminium and composite construction, leatherette-covered door stamped SICMA BT021 801, the door opening to reveal six lightweight drawers with drip and glasses tray, the rear panel with maker`s label for SICMA Aero Seat Co., Paris, on four twin-wheeled castors incorporating a foot brake, 40.5in (103cm) high overall (1)
![Carriages. Specimens of Carriage Drawings Collected by John W. Peters [cover-title], 1830s-1850s, a large album containing 13](http://lot-images.atgmedia.com/SR/10729/2864352/637-201211114148_468x382.jpg)
Lot 637
Carriages. Specimens of Carriage Drawings Collected by John W. Peters [cover-title], 1830s-1850s, a large album containing 137 finely executed original designs for carriages, e.g. broughams, cabriolets, chariots, curricles, landaus, phaetons, gigs, etc., of which 76 are pen & ink, watercolour, and gouache (incl. some partially coloured), many heightened with gum arabic, and 61 are pen & ink or pencil, a number of carriages with coats of arms on the side, many with moveable overlay flaps (some detached), many signed, variously Samuel Hobson, A.S. Hobson, John W. Peters, Joseph Peters, Ino. W. Peters, W.W. Peters, F. Wickstead, J. Gilfoy, various dates between 1832 and 1863, some drawings with printed label of John Peters, one drawing with `By Appointment` labels to Her Majesty and the Prince of Wales, occn. dust-soiling and marks, but generally in good condition, most approx. 22 x 34cm (8.5 x 13ins), a few larger and several sl. smaller, all on card and mounted on thick paper album leaves (some leaves loose or working loose), mostly two to a page on rectos only, marbled endpapers, lacking free endpapers, early photo. reproduction of a pen & ink drawing of Samuel Hobson mounted on front pastedown, contemp. calf, gilt tooled leather label on upper cover, sometime rebacked and recornered, rubbed and worn, large folio (65 x 51cm/25.5 x 20ins), together with eight other hand-coloured carriage designs similar, by Hobson, Peters, and others, some browning and foxing, mounted, framed and glazed in two frames each with four-aperture mount, plus a chromo. advertisement on cardboard for Offord & Son Carriage Builders, soiled and torn, with some loss, 54 x 41cm (21.25 x 16.25ins), mounted, framed and glazed. The famous coachbuilder Samuel Hobson began his pioneering labours in about the year 1820, and he is said `to have improved and remodelled every sort of carriage which came under his notice, especially as regards the artistic construction`. In particular he reduced the height of the wheels, lengthened the coach body and hung it lower, substituting a double step to the door instead of a three-step ladder. Hobson worked in the firm of Barker and Co. of Chandos Street, eventually becoming a partner. In about 1815 he started his own business in Long Acre, central London; several of the drawings herein give addresses 99 Long Acre and 121 Long Acre. Many of his methods were copied by principal members of the trade. The coachbuilding firm of John W. Peters (George Street, Portman Square) was also an important business; his mail phaetons were noted as long ago as 1836 for their steadiness on rough roads. The date-span of the album includes the Coronation year of 1838, a year which marks an important epoch in the annals of coach-building, the celebrations for Queen Victoria giving rise to an enormous number of carriage commissions. (Sir Walter Gilbey, Modern Carriages, Vinton & Co., 1905, pp.2-3) (4)
Lot 417
Brass and iron microscope by Lynch & Co of London in a mahogany case together with a collection of approximately 60 microscope slides being mainly insect samples, mostly unnamed preparers but includes various by W. Watson & Sons Stage is not attached, it is not known whether this part of the microscope is complete or not, box has top handle missing and one hinge is broken to door, slides are generally good but some are damaged - General condition consistent with age **
Lot 93
An early/mid 20th century mahogany veneered display cabinet with shallow pediments, blind fret carved frieze and fluted canted corners, enclosed by a single glass panelled door revealing wooden shelves with mirrored back and raised on squat foliate moulded cabriole legs with ball and claw terminals (84cms x 180cms high)
Lot 90
George NAKASHIMA (1905-1990) Enfilade en noyer d`Amérique, "double sliders door cabinet", circa 1962, piétement formé de deux panneaux renforcés de deux longs tasseaux soutenant le corps parallélépipédique principal. Elle ouvre, à la partie gauche, par deux vantaux coulissants dégageant chacun une succession de quatre tiroirs façon dressing, et à la partie droite, par un vantail sur un intérieur aménagé de deux étagères à hauteur réglable. Divers systèmes de montages tenons-mortaises apparents au niveau de la structure et du plateau. Haut. 81 cm - Long. 193,2 cm - Prof. 51 cm Bibliographie : Mira Nakashima, Jeffrey Vance, "Nature form and spirit, the life and legacy of George Nakashima", Harry N. Abrams, Inc, 2003, reproduit en croquis p. 83.
Lot 251
A RUSSIAN ICON OF CHRIST THE LORD ALMIGHTY, MOSCOW CIRCA 1890. Christ delivers a blessing and holds an opened book of Gospels to John 13:34. Overlaid with a silver gilt repousse and engraved riza, hallmarked Moscow, circa 1890 and Cyrillic makers mark SKL for Stephan Kuzmich Levin. Contained in a glazed shadowbox (kiot) with locking hinged door and suspension device on verso. Icon 8.8 inches x 7 inches (22.4 x 17.8 cm). Overall size including kiot 11 inches x 9.25 inches (27.9 x 23.3 cm).
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235302 item(s)/page