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Click here to subscribeA late 20th Century Mahogany cased Mantel Timepiece, the caddy top set with a cast and applied Brass handle to an over hanging cornice, the single arched glazed door with plinth base and flared bracket feet, to a 3 ¾" arched Brass dial with silvered boss, signed Tempus Fugit, with mask spandrels enclosing a silvered Roman and Arabic chapter ring and blue steel hands, to a circular Brass movement with platform escapement, height 10"
A mid 20th Century triple barrel Mantel Clock, the caddy top with carry handle to a single glazed door, the plinth base, to a 7" square Brass dial with mask spandrels enclosing a Roman and Arabic chapter ring and engraved centre with blue steel hands, to a Brass movement with strike on five rods, height 14 ½"
A mid 20th Century Mahogany cased triple barrel Mantel Clock, retailed by Committi of London, the caddy top with cast and applied Brass handle, to an overhanging cornice and single glazed door, with plinth base and raised on compressed bun feet, to a 6 ½" Brass dial with mask spandrels enclosing a silvered Roman and Arabic chapter ring, with blue steel hands, to a Brass movement with strike on five rods, height 14 ½"
A mid-19th Century Scottish Mahogany cased 8 Day Long Case Clock, F J Wild of Dundee, the arched hood with shaped pediment over a moulded throat with acanthus leaf cap quarter columns flanking a panelled trunk door, and further panelled base, to a cast brass bezel enclosing a signed 12 ½" painted circular dial, with Roman chapter ring and outside minute track, enclosing subsidiaries for seconds and date, with blued steel moon hands, to a movement with plates united by four knopped pillars and anchor escapement strike on a bell, height 79"
A first half of the 19th Century Mahogany and Oak cased 30 hour Long Case Clock, Pizzi & Ortelli of Buckingham, the hood with swan neck pediment over free-standing gilt metal mounted columns, to a moulded throat and plain frieze, to a short trunk door centred with an inlaid floral vase, and raised on a plinth base, to a 12" square painted third period dial, with floral vase spandrels to a Roman chapter ring, with outside minute track and further floral detail to the centre, over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, R Davy of Hoveton, the arched hood with scrolling pediment, and brass capped free-standing plain columns, to a moulded ogee throat and long arched trunk door, to a plinth base, to a signed 12" first period painted dial, with plain arch and gilt highlighted gessoed spandrels enclosing a Roman and Arabic chapter ring, enclosing subsidiaries for seconds and date, with pierced steel hands, to a movement with plates united by five knopped pillars, with anchor escapement and strike on a bell, height 86"
A Mahogany Burr Walnut, Boxwood and Ebony inlaid 8 Day Long Case Clock, with moon phases, signed R D Lear, Pinhey of Plymo Dock, the hood with overhanging cornice to a dentil work panel and blind fret frieze, with further moulding and free-standing fluted columns, to an ogee throat and further blind fret panel, to a large shaped trunk door, decorated with an image of Old Father Time, with applied foliate and ropetwist detail, and flanked by canted corners to a panel base, the arched brass dial centred with an ivory sphere depicting moon phases over a rising tide, flanked by silvered subsidiaries for moons age and state of the tide, to case and applied mask spandrels enclosing a Roman and Arabic silvered chapter ring, to an engraved centre with subsidiary seconds and large date sector, to pierced blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 89"
An unusual second quarter of the 19th Century Mahogany and Ebony line inlaid 8 Day Long Case Clock, with moon phases, Robt Gidney of Norwich, the arched hood with scrolling whale`s tail pediment, and set with three lacquered brass sphere and eagle finials, over brass capped and reeded baluster free-standing columns, to a moulded throat and long arched trunk door with panelled plinth case, to a 12" third period painted dial, set with moon roller and depictions of eastern and western hemispheres over gilt highlighted shell spandrels, to a signature chapter ring naming William Bilby, enclosing subsidiary seconds and date section with black painted hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 92"
A last quarter of the 18th Century Oak cased 8 Day Long Case Clock, Thos Aldridge of Deal, the arched hood with overhanging cornice to a blind fret panel over ¾ baluster columns with gilt gesso capitals, to a plain moulded throat and long arched trunk door with plinth base, to a 12" arched brass dial with signed silvered boss with cast and applied "C" scroll spandrels, enclosing a silvered Roman and Arabic chapter ring, enclosing a silvered and engraved centre with subsidiaries for seconds and date aperture, and blued steel pierced hands, to a movement with plates united by five knopped pillars and anchor escapement, strike on a bell, height 88"
A 19TH CENTURY MAHOGANY LONGCASE CLOCK, marked J Kern and Company Swansea, having arched hood with brass ball and spike finial`s above arched aperture flanked by twist turned columns, the waist with twist turned columns flanked by plain door on a panel base. Overall decorated with chequered inlaid decoration. Arch brass face with eagle "tempus fugit" to the arch, foliate spandrels Roman numerals and seconds and date dials. Eight day movement striking on one bell The dial 19" x 13". 85" Overall.
A VICTORIAN WALNUT DROP DIAL WALL CLOCK, having painted face with Roman numerals marked J.F Newton, High Street, Hampton. Brass bezel within inlaid scalloped frame, waist with foliate mounts and pendulum door, on a scrolled base with foliate inlaid decoration. Labelled Jerome & Company Anglo American superior eight day Anglo American Clocks, New Haven USA. 40" High, Dial width 13.5".
A Rosewood and Mother of Pearl Inlaid Trunk Dial Wall Clock, John Fryer, York, circa 1830, the case with circular top and inlaid with mother of pearl, the trunk flanked with side ears, pendulum front viewing window and under curved base with opening door, 12-inch painted dial with Roman numerals, single fusee movement with shaped plates and anchor escapement, 67cm high See illustration
A George III Ebonised and Gilt Metal Mounted Chiming Table Clock, signed Thomas Field, Bath, circa 1790, the inverted bell top case with finials and applied scroll decorated mounts, side carrying handles and pierced sound frets, front door flanked by mask and floral mounts to the canted corners, the base raised upon bracket shaped feet, 8-inch arched brass dial with silvered central dial and Roman and outer Arabic numerals, inner date ring with corresponding central date hand, dial centre signed Thomas Field, Bath, the arch with a silvered dial for strike/silent selection, triple fusee movement with verge escapement, quarter chiming with eight hammers striking onto eight bells and a further hammer striking a bell for the hours, movement backplate elaborately engraved with a central pagoda and scroll work, bob pendulum, movement secured by brackets, 60cm high See illustrations , Thomas Field is recorded working in Bath 1773-1812. See Baillie (GH) Watchmakers & Clockmakers of the World, page 108.
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
A Mahogany Domestic Regulator, Thos Cowham, 4 Engine St, Hull, the nicely figured case with arched top, side open door, front door with glazed panel and carved decoration, plinth with inlaid stringing, 11-inch painted dial, subsidiary seconds, aperture for hour indication and single minute hand, single weight driven movement with deadbeat escapement, maintaining power, 187cm high See illustration, Thomas Cowham is recorded working in Hull 1846-51. See Loomes (Brian) Watchmakers & Clockmakers of the World, pg 53.
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
A Pair of 19th Century Ebonised Red Boulle and Marquetry Side Cabinets, with gilt metal mounts, the black rectangular marble tops above a brass marquetry frieze, the central cupboard door with foliate marquetry panel, flanked by fluted pilasters headed by female gilt metal mounts, raised on a platform base with a shaped apron and block feet, 75cm by 35cm by 118cm See illustration
An Unusual Walnut Corner Cabinet in George II Style, the upper section with a stepped cornice above a glazed door enclosing three fixed green painted shelves, the base with fall front revealing a fitted interior of pigeons and drawers, above four sham drawers as a cupboard, the shaped apron raised on bracket feet, 85cm by 54cm by 186cm See illustration
A Walnut Cylinder Bureau Bookcase, circa 1870, the upper section with a dentil cornice above two glazed doors enclosing three adjustable shelves, the base with cylinder fall front and sliding mechanism revealing a fitted interior of pigeons and drawers, the lower section with three frieze drawers above a shaped kneehole with central cupboard door and flanked by two conforming pivoting cupboards revealing shelves and dividers, 150cm by 80cm by 253cm See illustration
A Victorian Rosewood Davenport, the sliding top with a three-quarter pierced brass gallery above a hinged sloping writing surface to reveal an interior of four drawers, the base with a cupboard door to reveal four sliding trays, the opposing side with pullout writing surface flanked with leaf carved columns and raised on compressed bun feet with recessed castors, 55cm by 55cm by 92cm
A Victorian Walnut and Marquetry Bowfront Sideboard, the mirror back within a carved and moulded leaf carved frame, the base with central cupboard door with marquetry flower inlay, flanked by two leaf carved scrolling supports with two conforming cupboard doors, raised on a shaped platform base, 166cm by 49cm by 175cm See illustration
A Victorian Walnut and Inlaid Sideboard, the raised back with a central arched mirror surmounted by a carved cresting, flanked by rectangular mirrors all between inlaid pilasters, the breakfront D-shaped base with a moulded top and inlaid frieze over a panelled door flanked by clear-glazed quadrant cupboards, on a conforming plinth and turned feet, 216cm by 150cm by 40cm See illustration
A Victorian Mahogany Four Door Wardrobe, of inverted breakfront form, the semi-domed top above a plain frieze flanked by two conforming arched cupboard doors headed by leaf carved scrolling terminals, the centre section with two panel doors enclosing three sliding trays above two short and two long drawers, raised on a plinth base, 206cm by 68cm by 208cm
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