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Click here to subscribeLucian Ercolani for Ercol Furniture - A model 366 Windsor elm sideboard, fitted with a double door cupboard, a single drawer and a further single cupboard with pull out cutlery tray, bears remnants of blue foil label, raised to splayed beech legs, height 81cm, width 114cm and depth 50cm, some damage.
Interflex, London - A three-bay range of teak modular units on four blackened square tubular steel racks, to comprise two sliding double door cabinets, a sliding double door record cabinet, a fall-front drinks cabinet and four shelves, each section 89cm wide and height of racks 203cm(Currently illustrated in two sections)
Tom Robertson - McIntosh of Kirkcaldy - A teak Dunvegan sideboard, fitted with a central double door cupboard flanked by a drinks cabinet with pull-out serving slide to one side and a bank of three drawers to the other, raised to tapered legs, bears label, height 76cm, width 201cm and depth 48cm, some marks to the top.
An early 19th century figured mahogany eight-day longcase clock. The 13-inch broken-arch white-painted dial below three gilt-metal spherical finials and a dentil cornice above two marquetry paterae; the dial decorated with a Battle of Trafalgar scene and surmounted with a shoulder-length portrait of Admiral Nelson; Arabic numerals, subsidiary seconds-hand below the 12 o'clock position, date-hand above the 6 o'clock position; signed W. Colepitts - S. Shields. The finely figured and shaped boxwood-strung trunk door centred with a vertical marquetry conch shell and quadrant fleur-de-lys style marquetry spandrels. Figured mahogany box-base on ogee bracket feet. With weights and pendulum. (255 cm high) Condition Report: Good overall condition with nice overall colour with only a few minor pieces of veneer away, appears to have holes drilled at the 8 and 4 o'clock position on the dial.
A large and imposing late Regency period brass-inlaid rosewood wall-hanging drop-dial clock: the octagonal dial frame with gadrooned edge around a 12-inch dial with subsidiary seconds hand below the 12 o'clock position; the brass movement with single fusee and above a concave-sided glazed pendulum aperture flanked by late Regency style carving; convex hinged door below, cornered by brass stringing and inlaid brass flowerheads; together with pendulum and key. (LWH 45 x 17.5 x 70 cm). * Condition: Case has had some restoration at some stage in the past 30-40 years. The carved scalloped bracket to the lower left of the bezel is a replacement and the lower case door is also probably replaced, with some staining visible to the surrounding veneers and two lines of brass inlay missing from either side. There is some brass inlay missing to the right of the dial door hinge, and the inlay is lifting to the opposite side. The dial appears to be (well) repainted and there are a few surface rust spots to the hands. Some wear to polish around the lower case window. There is a detached piece of cockbeading to the lower left of the case (which is present inside the clock case). The movement appears to have been professionally cleaned and restored.
A mid-18th century 'red walnut' tabletop cabinet: moulded slightly overhanging top; hinged door with fielded panel and original shaped brass escutcheon, opening to reveal a selection of five half-width drawers and one further larger drawer and a smaller drawer to the base section; short moulded plinth-style base. (LWH 45 x 30 x 48.5 cm)
An Edwardian inlaid mahogany bowfronted display cabinet - the dentil banded top with inset upstand, inlaid with swagged marquetry, over a dentil frieze and single glazed door enclosing an interior with three shelves, raised on boxwood strung square, tapered supports (L x W x H: 53 x 39.5 x 112 cm).
A fine late 19th century Sheraton Revival satinwood, crossbanded and painted display cabinet: dentil cornice over a crossbanded frieze painted in late 18th century style with flowerheads and leaves; central glazed door with an oval centre with astragal glazing bars; canted glazed corners; the lower section similarly decorated with floral swags; short, square, tapering, strung legs terminating in spade feet. (LWH 161 x 40 x 189.5 cm)
A George III and later walnut and crossbanded cased eight-day longcase clock: 11-inch broken arch brass dial centred with a convex roundel engraved with an open-winged eagle and with the legend 'tempus fugit' and above a silvered chapter ring with Roman numerals signed 'John Coates - Cirencester', cornered by ornately pierced gilt-metal spandrels, date aperture above the six o'clock position and within further foliate-style engraving;, crossbanded trunk door raised on short bracket feet, together with two weights, pendulum and two keys. (211 cm high)
A George III period mahogany eight-day longcase clock: the arched moulded cornice above a 12-inch circular silvered dial with Roman numerals, subsidiary seconds hand under the 12 o' clock position and the date aperture above the 6 o' clock position, signed 'Thos. Field, Bath'; the movement with anchor escapement and striking on a single bell; flame mahogany shaped trunk door flanked by canted fluted corners; shaped apron and raised on bracket feet. (206 cm high x 51 cm wide at base).
18 Prog Rock / Psych Rock Original vinyl records to include: Art Bears (2 albums), Audience (3 albums, all on Pink Charisma Labels), Pink Fairies, Brainticket (German issue), Magma (Double album), Hatfield And The North, Edgar Broughton Band (original UK Harvest, no EMI on labels), Slap Happy, Groundhogs (3 albums), Captain Beefheart, Back Door, Gryphon. Condition is VG+ overall.
A feather-banded walnut chest in early 18th century style (modern reproduction). The full-width top drawer modelled as a central cupboard door flanked by two smaller drawers on each side. Three further full-width drawers, the bottom drawer with half-sunburst motif. Canted moulded corners and on conforming bracket feet. (LWH 86.5 x 50 x 90.5 cm)
A rare Charles I oak boarded mural cupboard, Gloucestershire/Welsh Borders, circa 1630 The top with chamfered under edge, the central one-piece door boldly carved with a leafy-filled lozenge, and punch-decorated and carved stylised ‘pomegranates' to each edge, below the carved initials ‘M’ and ‘R’, flanked by slender stiff-leaf carved fixed panels, enclosing a single shelf, plain sides, 52cm high, 54cm wide, 27cm deep.
A Charles II oak and inlaid mural spindle livery cupboard, circa 1660 Having a row of seven turned spindles, centred by a pivotal door, above a cupboard with central panelled door, flanked by fixed panels, all panels with a chequer-inlaid knot pattern, conforming inlay to sides, doors closing on stay-pins, 93.5cm wide, 21cm deep, 70cm high
A Charles II oak ‘spice' cupboard, North Country, circa 1670 The panelled door centred with a carved flowerhead-filled lozenge, and framed with an applied beaded moulding, enclosing a pair of drawers, over two vacant apertures, the back formed, probably originally, from a reclaimed late 16th century knot-pattern inlaid board, height 33cm, 31cm, depth 17cm
Two early 19th century sheet-iron cylindrical lanterns, English, circa 1830 One with a conical roof with three dormer vents, a hanging loop and fluted cap above the chimney, with three original horn-covered windows and hinged door, all with protective rods and strips, enclosing an open-rolled socket, height 39.5cm; the other lantern having a handle in the form of a lidded tubular candle container, and with a simple bale handle/hook, the pierced chimney with fluted cap, four horn-covered windows and hinged door, also with protective strips, slender open rolled candle socket to inside, height 28cm, (2)
Two Victorian sheet iron lanterns, circa 1880 One of rectangular hand or pendant form, with glass sides, a ‘pagoda’ top and hanging loop raised on ribbed straps around the open chimney, the single door enclosing a rolled candle socket, height 25cm; together with a small police bulls’ eye lantern, of cylindrical form, with conical crimped chimney cap, and paired loop handles, height 12.2cm, (2)
A George II oak tridarn, North Wales, probably Snowdonia, circa 1740 The open canopy superstructure with pendant-ended frieze and wavy-slatted ends, the middle-section with conforming pendants, enclosing a pair of recessed arched fielded panelled cupboard doors, centred by a drop-down circular fielded door enclosing four small drawers, the base-section with three fielded drawers atop a pair of arched fielded cupboard doors, 129cm wide, 59cm deep, 208.5cm high
A Charles II oak livery cupboard, West Country, circa 1670 Having a triple-panelled central door, flanked by pairs of panels, all atop three base panels, all upright panels carved with flowerhead-filled guilloche, remaining panels, including four panels to each side carved with a large central flowerhead surrounded by leaves, on extended stile supports, 125.5cm wide, 168cm high, 53.5cm Provenance: With Paul Hopwell, West Haddon, Northamptonshire
A 16th century impressive oak court cupboard, French, circa 1560-80 Having a back of fifteen panels, including a top row of five panels, each carved with guilloche arcade on fluted pillars, atop a gadrooned and punch-decorated carved frieze, raised on Corinthian capital bulbous end-columns, centred by small cupboard, enclosed by a female Romayne-type portrait panel carved boarded door, and with twin-panelled sides, flanked by Corinthian capital stop-fluted pilasters, and an open recess, a tall open boarded undertier below, enclosed by addorsed baluster-turned end columns, with raised nulled-carved base rail, 204cm high, 175cm wide, 50cm deep Provenance: Formerly with the Blumka Gallery, New York. Reputedly former collection of Dr Albert Figdor This is a court cupboard in the true sense of the word - designed principally for display, probably for use in 'The Great Hall’ of a large manor house.
An Elizabeth I oak food hutch, circa 1600 The top of two plain boards, atop a front gauge-carved frieze moulding, and a panelled central door, the panel with dot-pierced petal-quatrefoil, the slender upright side panels with a dot-pierced guilloche design, enclosing a single-shelf, the sides with matching quatrefoil pierced design, 89.5cm wide, 44cm deep, 54.5cm high May have had a stand? Does not appear to have extended stiles that have been cut, although would have expected legs.
A Charles I oak and elm mural glass case, West Country, circa 1640 Having seventeen columnar-turned spindles, joined and pivotal hinged to the centre to form a door, each side carved with a large stiff-leaf within an arch, the single-piece top and base boards with leafy-carved edge, possible restorations, height 43cm, width 105cm, depth 23.5cm
A VERY GOOD PAIR OF PAINTED SHERATON SIDE CABINETS, FAUX SATINWOOD, painted with garlands, the front with central panel door flanked by cupboard doors painted with urn and flowers and classical figures, open ends with glass panels supported on a platform base. 6ft 4ins long, 1ft deep, 3ft high.
Theatre du Monde a lacquered metal cabinet designed by Philippe Starck for XO, architectural form, rectangular cupboard with hinged door, below smaller compartment and hinged pyramid top, on castors, unsigned, 112cm. high Design, Christie's South Kensington, 20th October 2004 lot 257. ProvenanceThe Tom Watkins Collection.
Φ A Memphis Milano Freemont cabinet designed by Ettore Sottsass, designed 1985,raised, shelved structure with coloured laminates and gilded columns above twin rectangular door compartment with painted wood finish, on ebonised baseapplied label Memphis E Sottsass, 1985185cm high193cm wide59cm deep ProvenanceModern Design, Christie's South Kensington, 20th October 1999, lot 286The Tom Watkins Collection
A DANISH WALNUT VENEERED AND PARCEL-GILT STANDING CORNER CUPBOARD circa 1740, with a moulded swan neck pediment centred by a giltwood urn finial, mounted with flowers over an arched door set with a bevelled mirror, within a parcel-gilt border moulded with leafy scrolls and rocaille-work on a pounced ground, the base with a crossbanded cupboard and shaped bracket feet, 218.44cm high x 94cm wideProvenance: Duke's Athelhampton House, Auction on the premises, 9th October 2019, Lot 40.
LASLETT JOHN POTT (1837-1898) 'Barring the Door' signed lower left, oil on canvas, 58cm x 91cmProvenance: Purchased from Sotheby's, 2nd November 1994, lot 116, hammer £5,200.Note: This is a smaller version of the artist's RA exhibition 1879 no.1395 titled "Catherine Douglas barring the doors with her arm against the assassins of James I of Scotland in the monastery of the Black Friars, Perth".
A honey oak tiled back Arts and Crafts washstand, in the manner of Liberty & Co, early 20th century, the raised back inset with four Minton type tiles above the variegated marble top with canted front corners, over a single cupboard door, flanked by blind fretwork detail and conforming stylised tulips, extending to flared bracket front supports, block feet and castors, 126cm H x 108cm W x 52cm D
A South German maple cased mantel clock, mid to late 19th century, retailed by Kleyser & Co, London, the arched case enclosing a 13cm painted dial applied with a Roman numerals, and two train movement striking on a coiled gong, upon compressed bun feet, 28cm high(lacking side door)Condition reportRH winder tight, LH winder no resistance, not working and will require some attention
A French elm and fruit wood armoire/cupboard, 19th century, the oversailing cornice above a full length door applied with moulded scrolling foliate detail, opposed by an arched glazed door over a conforming door inset with a cordate glazed panel, opening to two adjustable shelves, upon a shaped apron and scrolled front feet, 189cm H x 90cm W x 45cm D
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