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A 19th century carved oak Black Forest cuckoo clock: the eight-day duration, double fusee movement having an anchor escapement and striking the hours on a gong with an outside countwheel, with a cuckoo sounding through the front door on the hour, the dial with bone Roman numerals and decorative bone hands, the case carved with floral and animal decoration to the front, height 52cms.
Thos Baker, Falmouth, a mahogany longcase clock with rocking ship: the eight-day duration movement striking the hours on a bell, with the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals, the centre having a subsidiary seconds dial, date aperture and engraved with a scene depicting a cottage and ruins on a river bank, with cast-brass urn spandrels to the four corners, the arch having a silvered rocking-ship automata with a lithograph scene set behind depicting boats at anchor, the top of the arch engraved with the maker's name Thos. Baker, Falmouth, the mahogany flat-top case with fretwork to the hood, a break-arch moulding to the top of the trunk door and a plain base, height 227cms. * Thomas Baker is recorded as working in Falmouth from before 1810.
Booth, Dublin,a mahogany longcase clock: the eight-day duration movement striking the hours on a gong with the gong mount embossed Booth, Dublin, the twelve-inch round painted dial having black Roman numerals, blued steel spade hands and signed Booth, Dublin, the iron faceplate embossed with the dialmaker's name Howell & J. Cooke, the tapering mahogany case with carved decoration to the hood surround, canted corners to the trunk with scroll top mounts, a tapered trunk door with shaped top and inset panel, height 180cm. * B iography James Booth is recorded as working at 51, Capel Street, Dublin from before 1823 and then St Stephen's Green North from at least 1841 until 1868. His son, also James, is known to have been working at 12, Nassau Street from circa 1868.
Joseph Gent, Walsall, an oak and mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Arabic hour numerals and five-minute numerals, a subsidiary seconds dial, date aperture, and brass hands (now painted), the four corners painted with shell and scroll gilt decoration continued into the arch either side of an oval panel depicting a young girl and her dog seated beneath a tree, signed Jos Gent, Walsall, the rear of the date dial stamped for the dial maker Wilson, Birmingham, the oak case with mahogany crossbanding to the trunk door, mahogany panels with boxwood and ebony stringing, a swan-neck pediment to the hood, fluted hood pillars with brass capitals, quartered-fluted columns to the trunk with brass capitals, the base with mahogany veneered canted corners, a shaped raised panel and standing on bracket feet, height 230cms. * Joseph Gent is recorded as working in Walsall from 1805-50 and was the son of the maker John Gent. * James Wilson is believed to be, along with his partner Thomas Osborne, the earliest recorded maker of painted dials for longcase clocks having, in September 1772, placed an advert in Aris's Birmingham Gazette to announce 'White clock dials in Imitation of Enamel, in a manner entirely new' at an age when Wilson was only seventeen and Osborne nineteen. Their dials, and those of Wilson after the dissolution of the partnership in 1777, are considered some of the finest made with superb decoration. Wilson continued at 11, Great Charles Street and would have used a number of artists on his dials. He died in 1809, aged 54.
Andrew Rich, Bridgewater, an oak longcase clock: the eight-day duration movement striking the hours on a bell, with the twelve-inch square painted dial having black Roman numerals, subsidiary seconds dial, date aperture, decorative corner spandrels depicting flora on a gilt ground, brass hands and signed to the centre Andrew Rich, Bridgewater, the dial falseplate embossed with the dial maker's name Finnemore & Son, Birmingham, the oak case with mahogany crossbanding to the trunk door and base, the hood having full pillars with brass capitals and a swan-neck pediment with brass paterae and turned finials, height 210cms. * Biography Andrew Rich is recorded working at Fore Street, Falmouth from before 1821, when he received £8-0-0 'in Part payment of his Bill' from the churchwardens of Brent Knoll church. He died on the 22nd of March 1831. * Biography William Finnemore was born in 1766 and his sons William Jnr 1798 and George 1808. William Snr was known to have been in partnership with another Birmingham dialmaker George Walker from 1808 to 1811 before setting up on his own account in 1812. William Jnr joined the business in 1819, with George joining after the death of his father in 1838. By 1847 the two had gone their separate ways with William's side of the business being taken over by William and Richard Griffith in about 1854.
An early 18th Century oak dresser:, the shelved superstructure with a moulded cornice and arcaded frieze, the base containing four central drawers, flanked by a pair of cupboards, each enclosed by a domed arch fielded panel door raised on extended stiles, 180.5cm (5ft 11in) long, 202cm (6ft 7 1/2in) high.
A pair of rosewood pedestal chiffoniers:, in the Regency taste, the shelved superstructures each with a brass three quarter gallery and turned uprights, having rouge variegated marble tops, fitted with a drawer and with cupboard below, enclosed by a brass lattice panel door, on short turned feet, 48.5cm (1ft 7in) wide, 105.5cm (3ft 5 1/2in) high.
A 19th Century French ebonised and 'boulle' work gilt metal mounted pier cabinet:, veneered in scarlet tortoiseshell, inlaid with a marquetry of cut brass in foliate scroll designs, having a plush lined interior enclosed by a cartouche shaped glazed panel door, flanked by stiles with applied foliate scrollwork, on a shaped plinth base with central mask and foliate decoration, flanked by paterae, 76cm (2ft 6in) wide.
A late Victorian ash and inlaid bedroom suite in the Aesthetic taste:, with walnut banded geometric lozenge friezes, bordered with boxwood and ebonised lines, comprising a three section wardrobe, with castellated pediment enclosed by a central arched mirror door, flanked by an enclosing hanging cupboard to either side and with three drawers at the base, 212cm (6ft 1 1/2in) wide, 216cm (7ft 1in) high, a dressing chest with swing frame mirror superstructure and four small drawers, having four short drawers to either side of an open recess with floral geometric tiled base, 138cm (4ft 6 1/4in) wide, a rectangular washstand with white marble superstructure and tiled back, on turned column and trestle end supports, 129cm (4ft 3in) wide, a pedestal cupboard, 40.5cm (1ft 4in) and a pair of cane seat occasional chairs.
A 19th Century Mahogany Sideboard, the brass rail back over a rectangular top with three frieze drawers flanked by a cabinet door and deep cellaret drawer, fitted with brass circular ring handles, on carved cabriole legs terminating in ball & claw feet. Provenance: Preston House, Abbeyleix, approx. 83in wide x 35" high. €80-120
(Trade Catalogues) Matthew H. Wilson & Son Ltd. Leather Factors Grindery Merchants of Newcastle-on-Tyne. (No date). Well illustrated throughout. With leather stitched spine & paper-backed stiff card covers. And the 1902 Edition of The Sears, Roebuck Catalogue. (A Bounty Book). The front cover disbound, well-illustrated throughout and (3 Trade Catalogues) Nicholls and Clarke, Ltd., Manufacturers and Distributors of Building Materials, Catalogue No. 50. Well-illustrated. With sections on name plates, hinges, door furniture, mortice locks etc, Where to Buy Everything for Building Construction and Decoration (1930 Edition).Well illustrated, containing numerous advertisements, Along with A Twyfords General Catalogue with illustrations.
A Victorian white painted and parcel gilt side cabinet , circa 1860, the variagated white marble top above a gilt Vitruvian scroll frieze with central inset Wedgwood style Jasperware medallion, central glazed door and flanking concave shelves, on gilt acanthus feet, 100cm high, 122cm wide, 42cm deep
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235302 item(s)/page