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A 19th century oak-cased and mahogany banded eight-day longcase clock (with adaptations and alterations): 13-inch broken arch dial with silvered chapter ring, Roman numerals and cornered by four ornate pierced gilt-metal spandrels with urns, scrolls and various fruits, below the arch with central circular silvered disc 'Tempus fugit' and further flanked by gilt-metal appliques modelled as leviathans, shaped cross-banded trunk door, shaped apron and raised on bracket-style feet, with pendulum and two weights (211 cm high)
A collection of 1980s Galoob A-Team figures: large size 6in. figures, comprising Hannibal, Murdoch, Face and BA Baracus, together with four villain figures, plus a quantity of accessories including guns, binoculars, tolls, ammo and toolboxes; plus a tinplate ERTL A-Team van with sliding side door and built-in fixed BA Baracus figure in the driving seat, 28.5cm long, some surface rust. (qty)
Prog Rock / Psych / Rock, 14 UK pressing Vinyl albums including : The Soft Machine (Original UK), Fleetwood Mac (Original Uk Blue Horizon), Edgar Broughton Band (Original UK No EMI logo on labels), Can (Original UK), Neutrons (Original UK), Bonzo Dog Band (Original UK Gimmix Sleeve with insert), Murray Roman (Original UK Track Records), Edward Bear (Original UK Penny Farthing, Promo Sample), Back Door (Original UK textured Sleeve), Shirley Collins (UK Deram Records), Kaleidoscope (Original UK Island Records), Alice Cooper, Keith Mitchell and Maggie Britton. Condition is VG+ overall with higher examples.
Two reels and four fly- boxes: 1. an A. Carter & Co. Ltd (London West, 11 South Moulton St) freshwater 4 in. reel, 2. a J. W. Young & Sons Beaudex freshwater reel. 3. a Wheatley 10-door box with mayflies another with central hinged leaf containing a myriad of flies, a smaller box by 'Record' also containing further flies and a small Bakelite cased fly-box by Hardy Brothers Ltd containing a variety of small flies.
A George III style mahogany secretaire bookcase; the outset cornice above two 13-panel glazed doors with astragal glazing bars enclosing shelves, the lower section with a secretaire drawer fitted with a central cupboard door flanked by eight arched pigeonholes inside and four further smaller drawers to each side, two panelled cupboard doors below opening to reveal central shelf, shaped apron and raised on slightly splaying French style bracket feet (127.5 x 43 x 232 cm)
An Edwardian mahogany and boxwood-strung display cabinet; the strung cornice above a central glazed door with astragal glazing bars and a central neo-classical style marquetry urn above a blind lower section with further marquetry, raised on slightly tapering boxwood-strung square legs (107 x 33 x 163 cm)
A large, showy and imposing late 19th century mahogany sideboard; the mirror-topped superstructure surmounted with a shaped pediment centred with late 18th century style swags and bows above a shaped hand-bevelled mirror plate flanked by two angular doors glazed with eight convex glass plates and opening to reveal mirrored backs, the two end fluted column supports with Ionic capitals and terminating in mask heads carved in high relief from which swags issue, the lower section with two central drawers and two further foliate style carved panelled doors below and further flanked by a single drawer and conforming carved panelled doors below, the left-hand door with supports for shelves behind, the right-hand door opening to reveal compartmentalised draw-out cellarette, the drawers and doors separated by fluted verticals, the shaped frieze carved with scrolling foliage and the whole raised on short square fluted feet (184 x 68 x 242.5 cm)
An Edwardian period mahogany pot cupboard; the thumbnail-moulded top with galleried back above a fielded panelled door and raised on square tapering legs terminating in castors (35.5 x 41 x 83 cm), together with one other slightly larger ebonised example; three-quarter galleried top, single panelled door and full-width drawer below (2)
A Gordon Russell of Broadway teak 'Double Helix' sideboard: model R407 designed by David Booth and Judith Ledeboer for Gordon Russell; circa 1950/60s (originally designed 1951); the routed cupboard panels enclosing compartmentalised felt-lined cutlery drawer (top right) and middle shelf behind left-hand door; Gordon Russell of Broadway plaque to rear; short slightly tapering square legs. (LWH 122 x 46 x 84 cm)* Condition: Original maker's label to the back. Good, original condition overall (has not been re-polished), with some fading to the colour to the top, right hand side and right hand door to the front. The top has a tiny patch of small scratches to the front left corner, two faint, lightly indented scratches to the back left and a patch of darker spots to the polish to the front right. A few knocks and dings to edges of the front legs and to the moulding above the doors. The left hand door has a long, light horizontal scratch approx. 2in below the top edge. Original handles, the door catches work crisply. Both doors have a darker patch to the colour towards the top centre, which are 'handling' marks where the doors have been pushed closed by hand over the years. The interior has some ring marks to the right hand side from bottles. The brown lining to canteen drawer in VGC.
A large mid 20th century Grieves & Thomas mahogany sideboard: three central graduated drawers with military style recessed brass handles, flanked by two flame mahogany veneered cupboard doors each side, the left-hand pair opening to reveal a full-width horizontal shelf each side, the right-hand pair opening to reveal a right-hand shelf, the frieze pierced with elongated ovals, raised on square section legs, paper label detailing model number verso and remnants of original maker's label on far left-hand door (220cm wide x 44cm deep x 78cm high)
A mid-20th century figured walnut writing bureau in early 18th century style: the angular crossbanded fall opening to reveal central panelled well before a cupboard door and various pigeonholes and smaller drawers flanking and over an arrangement of three short and two further full-width graduated drawers with pierced handles, raised on slender bracket feet, both the facade and sides veneered in a particularly highly figured wood, (LWH 92 x 54 x 101 cm)
A reproduction walnut pot cupboard and a mahogany bedside cupboard: 1. three-quarter galleried top above single figured cross-banded and boxwood-strung door raised on square slightly tapering legs (35.5 x 35.5 x 74 cm). 2. in George III style, three-quarter galleried top above a single cross-banded door and small full-width drawer below, raised on square legs united by a cross-frame stretcher with central reserve (33 cm square x 82.5 cm high).
A large and striking pair of late 19th to early 20th century French turquoise-painted chalet-style doors: each door with hinged upper panel glazed at the top and with interior mirror above a fielded panel below, the upper doors opening to reveal decorative wrought iron grill modelled as scrolls, the two doors with two horizontal sliding iron bolts. (228 cm high x 98.5 cm (two doors full-width))
A 1950s Storite vintage retro painted kitchen pantry cabinet: the upper two-door cupboard (lacks glazing) with a half-depth shelf, over a fitted utensil drawer and a central fall front unit with fitted interior and formica lining to the fall, the two-door lower cupboard with a half-depth shelf, original maker's plaque to top, repainted, 73.25 x 42.5cm, 115.5cm high.
An attractive Oriental lacquered cabinet with chinoiserie decoration of birds and foliage, having two drawers over a pair of doors that reveal six graduated drawers with decoration and drop handles, left hand door secured by an integral bar, doors and top drawers each having an applied motif (partridges, etc.), the whole cabinet having white metal corners and hinges, 14 1/4" wide x 14 1/2" high x 8 1/2" deep, some slight damage and one drawer handle missing.
Pair of French Empire design corner cabinets, the straight-front upper section with canted corners and applied half-column pilasters, enclosed by mirror glazed door, the bow-front lower section enclosed by two doors with applied mouldings, mounted by cast metal floral rosettes, skirted base with cast gilt metal hairy paw brass feetDimensions: Height: 210cm Length/Width: 102cm Depth/Diameter: 72cm
George III mahogany demi-lune sideboard, the crossbanded top over three drawers and flanking cupboards, the facias with figured panels and foliage cast gilt metal handle plates, on square tapering supports with spade feetDimensions: Height: 83cm Length/Width: 184cm Depth/Diameter: 83cmCondition Report:Left-hand cupboard door is locked.
Late 19th century walnut pier cabinet, rectangular top over cavetto frieze inlaid with floral marquetry decoration, the door glazed with arched rectangular panel, enclosing two shelves, uprights topped with foliate gilt metal mounts above scrolling flower head inlay, raised on plinth baseDimensions: Height: 110cm Length/Width: 83cm Depth/Diameter: 33cm
George III mahogany bedside cabinet, rectangular tray top with shaped raised sides and pierced handles, single sliding cupboard door with shaped apron, raised on quarter curved chamfered supports terminating in small brass castors, Dimensions: Height: 77cm Length/Width: 53cm Depth/Diameter: 45cm
Pair of 20th century French walnut barrel-backed corner cupboards, the serpentine top frieze inlaid with extending floral decoration, panelled door with gilt metal beading and central floral and ribbon inlay, shaped plinth baseDimensions: Height: 106cm Length/Width: 96cm Depth/Diameter: 52cmCondition Report:Splits to tops which will need securing. General signs of age and use. Some losses to veneer.
George II figured walnut bureau, the rectangular top crossbanded and with satinwood feather-banding, the fall-front supported with stays, opening to reveal fitted interior with central cupboard door flanked by fluted pilasters and pigeonholes with drawers to each side, below are four graduating drawers with cock-beaded facias, the bureau's secret sliding door gives access to the top drawer, raised on turned feet below the moulded friezeDimensions: Height: 100cm Length/Width: 92cm Depth/Diameter: 52cm
Richard Broad of Bodmin - 20th century bespoke 8-day oak longcase clock, with a break arch top and conforming hood door, fully glazed trunk door and carved plinth on bun feet, German key wound three train movement with a brass dial, silvered chapter ring and working moon dial, visible gridiron pendulum and three brass cased weights, movement chiming the quarters and hours on 12 gong rods, with Whittington, Westminster and St Michael chimes, silent and night silence features.Dimensions: Height: 210cm Length/Width: 55cm Depth/Diameter: 30cm
German - 20th century light oak longcase clock, replica design of an 18th century provincial case with a fully glazed trunk door, etched brass dial and silvered chapter ring with roman numerals and pierced serpentine hands, twin train chain driven movement striking the hours on three gong rods. With two brass cased weights and pendulum.Dimensions: Height: 193cm Length/Width: 43cm Depth/Diameter: 26cm
20th century - mahogany cased 30hr Longcase clock, with a swans neck pediment and brass finials, fully glazed trunk door on a square plinth with applied moulding, brass dial and chapter with Roman numerals, engraving and working moon dial, German, two train chain /weight driven movement striking the hours and half hours on a single bell. With weights and Pendulum. Dimensions: Height: 190cm Length/Width: 38cm Depth/Diameter: 24cm
John Hutchinson of Worksop - George III 8-day oak longcase c1790, with a swans neck pediment brass paterie and finial, glazed circular hood door flanked by two reeded pilasters with Corinthian capitals, trunk with canted and reeded quarter columns, long trunk door with a break arch top, on a rectangular plinth with applied skirting, circular silvered and engraved sheet dial with roman numerals, five minute Arabic's and decorative scroll engraving to the centre, with conforming date and seconds dials, dial pinned to a rack striking movement with a recoil anchor escapement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 206cm Length/Width: 43cm Depth/Diameter: 23cm
Maxell of Horsham - 30 hr single handed oak longcase with a painted dial, c1790 with a flat top pediment and blind frieze beneath, glazed side panels and square hood door with attached pilasters, long trunk with a conforming flat topped door on a square plinth with a stepped base, early painted dial with Roman numerals, five minute Arabic's, makers name and a depiction of a songbird, with early gesso gold painted spandrels and a single pierced steel hand, dial pinned to an early design of "birdcage" rope driven movement with count wheel strike, striking the hours on a domed bell. With weight and pendulum. The spelling of the makers name has been poorly re-written and perhaps incorrectly. The maker is more likely to have been a member of the 18th and 19th century Muzzell family who were a prolific family of clockmakers in Horsham from 1724 to 1858. Late 18th century 30hr single handed clocks with painted dials are very rare and as with this clock are usually only found on clocks made in the more rural parts of the country.Dimensions: Height: 184cm Length/Width: 45cm Depth/Diameter: 23cm
Robert Parkinson of Lancaster - an early George II oak cased 30 hr longcase clock, c 1740, with a flat caddy top, broad frieze beneath and glazed panels to the sides, square hood door with attached pilasters and wooden capitals, long trunk and conforming door with a flat top, plinth raised on bracket feet, square brass dial with spandrels, single steel hand, date aperture and makers name, silvered chapter ring with Roman numerals, half hour markers, and an unusual quarter hour and seven-and-a-half minute inner track, dial pinned directly to a count wheel striking movement with a recoil anchor escapement, striking the hours on a bell. With weight and pendulum. Dimensions: Height: 210cm Length/Width: 36cm Depth/Diameter: 22cm
Johnathan Storr of York - late 18th century 30hr oak longcase clock c 1790, with a deep swans neck pediment and break arch hood door flanked by two turned pilasters with brass capitals, long trunk with a wavy topped door, rectangular plinth with a raised panel on four bracket feet, brass dial with a matted centre and cast spandrels, silvered chapter with Roman numerals, five minute Arabic's, minute track and matching steel hands, silvered date ring and engraved boss to the arch with the makers name, dial pinned directly to a chain driven count wheel striking movement striking the hours on a bell.30hr clocks with brass break arch dials are comparatively rare, this clock being a good example by a reputable York maker. With weight and pendulum. Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 21cm
William Terry of Bedale - 30hr pine cased longcase clock c 1770, with a deep broken pediment and dog tooth moulding, square hood door with attached pilasters, long trunk door with a wavy top, plinth with applied skirting and feet, brass dial with silvered chapter ring and dial centre, centre with finely engraved decoration, calendar aperture and dummy winding holes, chapter engraved with roman numerals and five minute Arabic's, dial pinned to a rope driven count wheel striking movement. With pendulum and weight.William Terry, father (I) and son (II) were prolific 18th century Yorkshire clockmakers, recorded as working predominantly in Bedale but also other provincial towns in North Yorkshire.Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 25cm
Edmund Sagar of Skipton - 18th century oak 30hr long case clock c 1790, with a flat top and double cornice, deep frieze and square hood door, detached reeded pilasters with wooden capitals, trunk with reeded quarter columns and a long ogee topped door, on a rectangular plinth with bracket feet, brass dial with a well engraved slivered centre, calendar dial and chapter ring, chapter with Roman numerals and five minute Arabic's, dial pinned to a chain driven count wheel striking movement, striking the hours on a bell. With pendulum and weight.Dimensions: Height: 210cm Length/Width: 44cm Depth/Diameter: 23cmCondition Report:Pendulum suspension missing
William Semcock of Warrington - Mid 19th century 8-day mahogany longcase clcok c1860, with a swans necked pediment and central ball and eagle finial, deep frieze with a square hood door and reeded pilasters beneath, broad trunk with recessed cluster colums and a triple spire door, plinth with inlay, canted corners and decorative skirting, fully painted dial with replicated cottages to the spandrels, Roman numerals and minute track, seconds and calendar dials with non-matching stamped brass hands, dial pinned via a falseplate to an eight-day rack striking movement, striking the hours on a bell. With weights, pendulum and winding key. Dimensions: Height: 232cm Length/Width: 52cm Depth/Diameter: 25cm
19th century Italian heavily carved walnut cabinet on stand, the projecting cornice over a frieze decorated with scenes from Leda and the Swan and scrolled acanthus leaf, the central door panel carved with the rape of Apemosyne by Hermes with the gods watching from Olympus and flanked by two panels depicting Hera with her Peacock and Aphrodite with her son Eros, three drawers to the lower frieze each carved with winged female masks and fruit and linen festoons, inset throughout with various variegated marble panels, on acanthus carved column supports, box base carved with panels of the sea-monster Scylla Zeus in the form of a swan, on turned feetDimensions: Height: 173cm Length/Width: 145cm Depth/Diameter: 49cm
John Nicholas Bespoke Furniture - contemporary designer large walnut double wardrobe, the banded figured cornice over a curved open set of shelves and two mirrored sliding doors, the plates surrounded by figured bands and ebony stringing, the fitted interior comprising of hanging rails and shelvesDimensions: Height: 230cm Length/Width: 245cm Depth/Diameter: 64cmCondition Report:One door is missing a runner and some chips and scratches to the veneer
Milners' - small 19th century cast iron safe with green painted door and painted detailing, impressed numbers '1169' and 'N1456', mustard painted interior with drawer, brass handle impressed 'Milners', the lock cover inscribed 'Milners' Safe, Powder Proof, Solid Lock, Liverpool & London', with keyDimensions: Height: 46cm Length/Width: 42cm Depth/Diameter: 39cmCondition Report:No interior key.
Pair of 18th to 19th century Continental hardwood gatehouse doors of rectangular form, the right-hand door fitted with a secondary door held within a carved applied hardwood support frame, each with wrought metal strapping with studwork, the railings applied with metal decoration in the form of stylised flowers, the metal handles with a spur circumference and loop handleDimensions: Height: 294cm Length/Width: 127cm
Taxidermy: A Free Standing Cased Pair of Marsh Harriers (Circus aeruginosus), dated 2012, by William Hales, Taxidermy, Alford, Lincolnshire, a superb quality pair of full mount adults, the male perched atop an old cut fence post, a young Pheasant poult prey underfoot, the female below within her nest site, tending her three simulated eggs, amidst a natural setting of tall dry reeds and grasses, mounted upon soil covered goundwork, taxidermist's signed and dated pebble to interior rear right, enclosed with a bespoke oak framed five-glass free standing display case, supported upon an oak two door cabinet base, overall height 167.5cm, case dimensions - 59cm by 46.5cm by 81cm.With CITES Article 10 (non-transferable) licence numbers: male - 503508/01, female - 456149/01Male and female Marsh Harriers should be easy to tell apart: the males have grey wing-tips and tails, while the females are mostly brown with distinctive creamy heads. The males also tend to be around 30 percent smaller. But looks can be deceptive. In western France, many of the “female” harriers are actually cross-dressing males that permanently wear the plumage of the opposite sex. Audrey Sternalski has found that this unusual costume allows them to lead more peaceful lives. Forty percent of male marsh harriers don female costumes, and they start wearing them from their second year of life. Their feathers have the same colours, and they’re smaller in size. Only their irises give them away – they are pale, rather than the ochre-brown of females or the yellow-white of males. To test the effect of these colours, Sternalski created model harriers and placed them in the territories of real ones. He found that males attacked the male decoys twice as often as either the female or female-like ones. So, by looking like females, male harriers become the beneficiaries of a “non-aggression pact”. They can get access to resources and mates without incurring the wrath of other males. Indeed, Sternalski found that typical males were forced to nest twice as far from another male as the female-like males did. This specimen would require a re-export licence to export from the UK, an import permit would be required into your chosen country, this is the responsibility of the buyer alone, Tennants Auctioneers do not offer any onward re-export or import licences.
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235302 item(s)/page