Second quarter 19th inlaid mahogany-cased 8-day painted dial longcase clock, West Country, anonymous, circa 1830, the 13-inch break-arched Roman dial with subsidiary seconds beneath XII, calendar crescent, country cottages to the spandrels and a Biblical scene to the arch, the knopped four-pillar movement rack-striking on a bell, the case with typical local wavy cresting and hood door frame between barley-twist columns over ebony and boxwood-strung short trunk door between canted corners, 203cm highCondition report: Sold with two wieghts, pendulum and door key.Dial has been cleaned but displays flaking below calendar. Movement appears sound. Case with later finials and with minor crack to arch buit overall good.
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A mahogany standing corner cupboard in George III style. The moulded cornice above a single glazed door enclosing shelves over a panelled lower door on bracket feet. c. Probably circa 1900. A late revival of a late 18th century design. Decorative rather than collectible interest. 40 x 40 x 170H
Provincial, mahogany or mahoganized oak, two weight, eight day time and hourly striking longcase clock, made by Charles Maxey, Wallingford, (Berkshire/Oxfordshire), England circa 1765-1770.Case: 200 cm x 50 cm x 27 cm mahogany or mahoganized oak longcase clock made in the provincial manner of the English southern countryside. The hood has a flat top, overhung ogival moulded pediment with down to a tympanum which is essentially a horizontal frieze above a multi-stepped cornice sitting over the square glazed dial door which has no evidence of ever having hood pillars and has a small rectangular stile at the rear of the outer hood. There is a large concave moulding that transitions down to the trunk section with its full length rectangular door with two exposed knuckle hinges on the right and a brass key escutcheon on the left side. The interior of the door has breadboards added to prevent warping of the door and elongated lantern hinges are noted inside the door. The front corners of the trunk are sharp with evidence of columns. An ogival shaped moulding leads down to the squarish unadorned base which sits in a broad flat base moulding, flat to the floor. . . . Dial: A square brass dial plate with applied silvered roman hour chapter ring with closed bar minute track to the outside with large Arabic numerals placed at each five minute marker (the large size Arabic numerals usually point to a date in mid to late second half of the 18th century. The dial centre is engraved with floral and foliate curling patterns along with a hanging lantern or two and many vines. There are likely matching steel diamond shaped hands dating to the 19th century and are apparent replacements for the originals. The hour hand is hidden by the auction sign. The bottom of the chapter ring is engraved “Cha†Maxey, Wallingfordâ€. The cast and applied gilt corner spandrels are of the ‘C’ scroll and foliate type and date in England to the era 1760-1785, and appear quite correct. The dial plate fits the dial matte perfectly. . . Movement: Not shown and most likely this would be a double weight driven solid brass rectilinear shaped movement with the front and rear plates connected by knopped and cuffed brass pillars (four), anchor recoil escapement, flywheel and either a rack and snail or countwheel striking system powered by the descent of two brass canister weights, most likely of eight day duration but may also be of 30 hour duration. (The movement has not been shown) There is a long pendulum rod and brass covered bob swinging inside the trunk of the casing. . . . . . Condition: I believe this is a mahogany stained oak case made in the countryside of England. The lack of hood pillars suggest that the door may have been replaced or the hood pillars simply left off the case to save on cost. Loss of finish in spots, especially at the base. Replaced set of steel hands. The fact that the weights are not link chain held I believe this to be an eight day clock where the cabinetmaker made the simplest case that he could. Remember that early on most worked as undertakers who built coffins before English longcase clocks were devised in the 1670s. Condition of the dial is very good except for the replaced hands and the dial belongs to this case c. C. 1765-1770
Mahogany, Oak, brass, glass, and blued steel, Art deco era, two train spring driven,eight day time and hour/half hour striking mantel clock (movement #541), made by Smith’s Astral of Coventry, in the central highlands of England, circa 1935. Case: Mahogany mantel clock measuring 20 cm x 27 cm x 12 cm and having a shallow tambour or napoleon Hat type undulating pediment above the concentrically shaped facade of the case centering the zinc glazed bezel and the façade flanked by ebonized stop fluted pillars, one to either side. The base is built in two parts, the upper has horizontal dentil moulding above the concave moulded bracket feet with undulating apron between the front feet. The shape of the concave and dentil moulding continues on both sides of the base. The back of the case is stained and flat with a bulbous round and brass cross-hatched round door for access to the movement compartment. The door has a long hinge on the right and simple metal pull. . . . . Dial: Round silvered metal round dial with enameled Roman hours, closed bar minute track, steel Continental style hands. The dial is unsigned. . . . . Movement: A round solid brass movement with tubular posts connecting the plates and screwed together with metal washers at the rear plate to hold the gearing stable. The back plate is marked #541 and most importantly carries the logo of Astral clocks of Coventry /England. The logo is in the form of a clock key with the heart shaped handle above enclosing the word, Coventry and below the key the word Astral. Of significance is the use of a lever or anchor escapement in conjunction with the marine-type balance-wheel with single lever for adjusting the speed of the movement. The going barrel drives the clock for eight days and causes hour and half hourly striking on a coiled metal Cathedral gong. . . . . . Condition: Case – Tiny chips and splatters of white paint and wear to the case finish. Wear to the edges of the case. Case is fair to good condition. Dial: In good to very good condition with minimal signs of oxidation and slight darkened patina from age. Movement appears to be genuine, original and in good condition. c. Circa 1935.
An Edwardian inlaid sheet music stand of five fall front drawers, on tapering legs with shelft, the top with presentation plaque engraved: to Miss Nelly Richardson from the Church People of Woodborough (Nottinghamshire) in appreciation of her services as Voluntary Organist 1901-1910 together with a late Victorian ebonised chiffonier, mirror back plate above ornate carved glazed door, with interior shelves, on scroll feet (2)
An early 20th century mahogany and marquetry breakfront side cabinet by Edwards and Roberts, the top with glazed display section over a central cabinet door and open shelf to the base, flanked by a single short drawer and an astragal glazed cabinet door to each side, raised on short tapered legs and spade feet, 137cm wide, 44cm deep, 190cm high
A late 18th century 8-day longcase clock. The white painted broken arch (un-named) painted dial with floral spandrels and painted with a Bishop and gartered sheep to the arch. The mahogany case with swan neck pediment, long trunk door and on bracket feet. 2.2 meters high. 29 cm/ 11" dialCondition report: With pendulum, 2 weights.
A French early 20th century 8 day eight glass champleve and gilt brass (silver medal) mantle clock, chiming on a gong, the lozenge section case with figured onyx panels. The dial marked in Arabic numerals, the dial and the mercury compensating pendulum are set with paste gems, 29cm high, 19cm wide, 13cm deepCondition report: In general the beveled glass panels are good, however the rear door glass has a small interior chip to the bottom right corner.Visual inspection would suggest the movement is in good order, and is currently working.The mercury level of the pendulum is good. The gong gives a dull thud sound and will require tightening.All enamel seems intactThere is a very small chip to the onyx on the top front right corner. A further small chip to the onyx to the left of the front right brass foot. Small nibbles to the onyx around the edges of the base. See online images for chips etc.
A Regency figured mahogany chiffonier, with three quarter gallery top above a pair of figured panel doors, on turned and reeded toupe feet. 116 cm wide x 38 cm deep x 108 cm overall height x 89 cm high to the deckCondition report: Structurally good, hinges need tightening up, some small sections of moulding missing from around panel of door
A VICTORIAN SILVER AND SHAGREEN CIGAR BOX, H.W. & L. DEE FOR T. JONES, LONDON, 1877 of square pillar box form, with plain silver mounts surrounding shagreen panels, the cedar lined interior accessed by hinging open the top to reveal a tray of six cigar depressions and opening the door below to a stack of ten similar trays, engraved to rear base: 23 Bd. des Capucines / Paris. / JONES. / 41 St. James"s Street / London. 27.5cm high Provenance: Private European Collector, "The Seawolf Collection", Object No.97 op. cit. (see lot 532 for further details.) Thomas Jones (or usually simply T. Jones) traded in a variety of luxury goods including travel bags, stationery, jewellery and perfumery, in both London and Paris, listed at the London address above between 1878-1905, but by the 1920s specialising in perfume in Paris only. In 1877 the company was listed at Golden Square, round the corner from Dee"s in Sherrard Street, Golden Square. H.W. & L. Dee were well known to the luxury retail trade of the time for their high-quality (and often novel) gold, silver and jewellery items.
A RECTANGULAR BRONZE PLAQUETTE OF THE PERSONIFICATION OF TIME, ITALIAN, LATE 16TH CENTURY rectangular, pierced and adapted to make a door, the winged old man holding scales over a plinth and an hourglass, to the right an arch 18 x 10cm Provenance: Stefano Bardini (1836-1922), Florence (No.929 according to red painted inventory number to reverse); Sylvia Phyllis Adams (1907-1995); sold Bonhams, London, "The Adams Collection", 23 May 1996, lot 154 *See lot 309 for Introduction to the Bernard Kelly Collection and Selected Bibliography*
Victorian aesthetic movement bonheur de jour, in the manner of Bruce Talbert, possibly for Gillows of Lancaster, the ebonised and walnut inlaid body with galleried top over two doors opening to an interior with small drawers and pigeonholes over a pull out writing drawer with tooled blue leather surface and fitted compartments over a panelled door opening to a shelved interior, raised on a plinth base, 103 x 58 x 38cm
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235346 item(s)/page