A late George II parcel-gilt, black and polychrome chinoiserie lacquer longcase clockThe movement signed Henry Rogerson, LondonThe hood with a broken arch and ogee dome pediment, surmounted by three giltwood finials, above the glazed arched door with a Corinthian pillar flanking each side, the trunk inset with an arched panel door, decorated with pavilions, foliage and figures, on a plinth base and stepped foot; the 12in. arched brass dial with strike/silent ring and a pair of dolphin spandrels to the arch, above a silvered chapter ring, signed 'Henry Rogerson, London' at the VI, and with mask spandrels, the matted centre with seconds subsidiary, blued steel hands and calendar aperture, the twin train movement with four pillars and anchor escapement; case and movement associated, (1 case key, 2 weights, 1 pendulum).275cm high overall. Illustrated
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A George III parcel-gilt red lacquer longcase clockThe movement by B. Russell, NorwichThe arched pediment above a glazed panel door, flanked to each side by three-quarter columns, the trunk inset with an arched panel door, decorated with pavilions, figures and foliage, on a plinth base; the 12in. white painted dial with moon phase to the arch above seconds subsidiary, with calendar sector aperture below, the twin train movement with anchor escapement striking on a bell; case and movement associated, (no pendulum, no weights, door locked).226cm high. Illustrated
A late George II walnut and chequer strung longcase clockBy William Skeggs, Rotherhith, circa 1750The case with a broken arched pediment above a glazed panel door, flanked to each side by a fluted column, the trunk with an arched inset panel door, on a plinth base; the 12in. arched brass dial, with strike / silent ring, foliate scroll spandrels, brass chapter ring, with Roman numerals and Arabic five-minute markers, the matted centre with seconds subsidiary ring, signed on an escutcheon below the centre 'Wm. Skeggs, Rotherhith', with calendar aperture below, the twin train movement with five shouldered pillars, with anchor escapement and striking on a bell; case and movement possibly associated, (1 pendulum, 2 weights).203cm high. Illustrated
A Regency mahogany and marquetry inlaid longcase clockThe movement by Davies, North ShieldsThe hood with a swan neck pediment, surmounted by three brass finials, above an arched glazed panel door, flanked by cluster columns, the trunk with a ribbon-tied foliate inlaid apron above a trefoil arched door, flanked by cluster columns, on plinth base with canted angles; the 14in. arched white and polychrome painted dial, with 'rocking ship' automaton in the arch, inscribed 'DAVIES Nth SHIELDS', with gilt engraved latten hands, seconds and calendar subsidiary, the twin train movement with anchor escapement and striking on a bell, (2 weights, 1 pendulum, 1 key).227cm high. Illustrated
A French or Swiss ormolu-mounted brass and stained-horn veneered quarter striking and repeating bracket clockIn the Louis XV style, First half 19th CenturyThe waisted case, surmounted by an associated figure of a seated pagod, with glazed panel door, the front and sides inlaid with polychrome stained horn foliage, on scrolled bracket feet; the 9½in. convex white enamel dial with Roman chapters and Arabic five -minute markers, engraved gilt latten hands, the twin train movement with rectangular plates and four shouldered ring-turned pillars, with verge escapement, twin barrels, the backplate mounted with well crossed-out countwheel for quarter striking on two bells, and cam for quarter repeating on two further bells, each with vertical hammer arbours, opposite the pull-quarter repeat mechanism, with silk suspension and brass bob and steel pendulum, (1 pendulum).85cm high overall. Illustrated
A Tyrolean walnut fusée cuckoo clock Circa 1890The case in the form of a chalet with arched pediment and deep overhang, dentil ornament and blind Gothic tracery, centred with a hatch door above the circular dial with Gothic ivory applied chapters, on a stepped base carved with trefoil and foliate scroll, the sides each with a small hinged door and removable back; the twin train fusée movement with bushed wooden plates, twin bellows and a painted cuckoo automaton, with outside countwheel strike on the hour and half, and with anchor escapement, (1 pendulum).39cm high. Illustrated
A German oak cased chain fusée three train quarter-chiming and repeating bracket clockBy Winterhalder & Hofmeier, circa 1900The case with a broken arched pediment inset with a shell carving above the bevelled glazed door, flanked by columns, the sides and back with hinged doors, on a stepped base; the 6¾in. rectangular brass dial with 'SLOW / FAST' and 'CHIME / SILENT' subsidiaries between scroll and mask mount, above the silvered chapter ring enclosed by scroll spandrels, the three train chain drive fusée movement of good quality, stamped to the backplate 'W & H / Sch 4', with plain turned screwed pillars, with semi-deadbeat escapement and chiming the quarters on four coiled steel gongs, and the hour on the fifth gong, with pull repeat, (1 pendulum).48cm high. Illustrated
A late Regency brass-mounted ebonised mantel timepieceBy Finer & Nowland, London, circa 1820The chamfer top case with a stepped pediment, above an arched glazed front panel door and with rectangular glazed sides and back door; the arched gilt brass dial surround with foliate engraved panel below the 2¾in. enamelled dial (re-enamelled) inscribed 'FINER & NOWLAND / HIGH HOLBORN' with Roman chapters and blued steel moon hands, the chain fusée movement with shouldered plates and four ring-turned tapering pillars, locking pendulum block and with anchor escapement, ( 1 pendulum).22cm high. IllustratedFiner & Nowland are recorded as working 1805-1825.
A late Victorian walnut Gothic Revival three train mantel clockBy Dent, London, No. 41210, circa 1890The arched case with three finials above a glazed door, flanked by turned pillars, on a stepped breakfront plinth, the arched gilt dial plate with foliate engraving and with a painted subsidiary in the arch for 'slow/fast', with 'silent/chime' lever below; the painted circular dial signed 'DENT' in a triangle '4, ROYAL EXCHANGE & 61, STRAND / LONDON / 41210'; the substantial three train chain fusée movement, similarly signed on the backplate and with locking pendulum bracket and nut, striking the hour on a gong and chiming the quarters on a carillon of eight bells, with anchor escapement and heavy brass pendulum, (1 pendulum, 1 key, 2 case keys)63cm high overall. Illustrated
A gilt metal-mounted ebonised quarter repeating table clockBy John Dickings, London, late 17th century and laterThe case now with a caddy top, surmounted by a scroll handle, above glazed front and back door, with glazed sides, on a stepped plinth with brass bun feet; the 7in. square brass dial with cherub head spandrels, silvered chapter ring with Roman numerals and Arabic five-minute markers, enclosing a matted centre with false pendulum aperture and signed behind on a panel, harboured winding holes and calendar aperture above the VI with strike/silent lever at the XII; the twin train fusée movement, with foliate engraved backplate, five ring-turned and shouldered pillars, re-converted verge escapement with bob pendulum, striking the hour on a bell and repeating the quarters on five bells, (1 key, 4 finials).42cm high. IllustratedProbably John Dickens, who was apprenticed to William Cattell in 1680 and obtained his Freedom of the Worshipful Company of Clockmakers in 1688 and is recorded as working until 1695.
A giltmetal-mounted ebonised three train mantel clock, of large sizeRetailed by Wilson, Penrith, circa 1890The caddy top case with five flaming finials and ribbon-tied foliate festoons, above an arched cast brass glazed door, flanked by a caryatid to each corner, and with a foliate cast handle and pierced mask arched panel to each side, on a stepped foot with scroll cast feet, the 8½in. arched brass dial with twin silvered subsidiary rings in the arch 'CHIME/SILENT' and 'CHIME ON EIGHT BELLS/ WESTMINSTER CHIMES', above a silvered chapter ring signed below the VI 'WILSON PENRITH' with a matted centre and pierced blued steel hands, the three train chain fusée movement with anchor escapement and pendulum locking block (lacking nut), chiming the quarters on eight bells, with pull-quarter repeat and striking the hour on a gong, ( 1 case key, 1 pendulum).75cm high. Illustrated
A George III mahogany and gilt brass-mounted bracket clockSigned Joseph Thompson, London, circa 1800The case with a broken arch pediment surmounted by a carrying handle, arched glazed door with moulded brass surround, flanked to each side by pierced grille panel and with glazed back door, on a stepped base and bracket feet; the 7in. arched white painted dial, inscribed 'Jos Thompson, London', with finely pierced latten hands, with 'STRIKE / SILENT' in the arch, the twin train fusée movement with five ringed and shouldered pillars, the rectangular plates with festoon engraved outer edge, with verge escapement, and striking the hour on a bell with pull repeat, stamped to the front plate 'ROBSON 2178'41cm high. IllustratedThe movement is probably by Thwaites and the number would date its production to 1800.
A VICTORIAN EBONISED AND BRASS MOUNTED CREDENZA, of breakfront outline, applied with porcelain panels, each within a gilt brass frame, the centre door with an oval portrait plaque and crested with a ribbon bow in brass, inside a moulded brass frame and cross banding, and two bowed glazed doors to either side, raised on a breakfront plinth, 39.5" (100cm) high, 5ft (152cm) wide. (1)
A FINE IRISH MAHOGANY LONGCASE CLOCKlate 18th century by David Gordon, Dublin, the unusual circular brass dial with Roman and Arabic numerals, around a circular panel with subsidiary dial for seconds and date aperture, signed on the ribbon band, the shaped hood with three brass ball finials above an arched and paneled trunk door, on a moulded box base with bracket feet, 90" (229cm) high, 18" (46cm) wide. (1)
A FINE UNUSUAL ROSEWOOD, WALNUT AND SATINWOOD-BANDED CABINET-ON-STAND, the moulded top with a cartouche crest issuing scrolling foliage, above a glazed door with tapestry panel, depicting a parrot, two terriers and a cockatoo among flowering shrubs, on a conforming marquetry inlaid base, with floral panels, the canted corners with conforming floral marquetry, raised on a plinth base, 5ft (190cm) high, 41" (104cm) wide. (1)
AN IRISH PROVINCIAL LONGCASE CLOCK, c. 1800, by John Taylor of Waterford, the arched brass dial with Roman and Arabic numerals, a face of moon automaton to the arch, above a brass chapter ring with subsidiary dial for seconds, engraved centre panel and ornate spandrels within an arched and glazed door flaked to either side with fluted columns on an arched and moulded trunk door with a band of inlaid flutes on a moulded box base, 7ft1 (216cm) high, 19" (45cm) wide. (1)
A LATE VICTORIAN STAINED PINE BEDROOM SUITE, comprising wardrobe with moulded cornice and a central mirror door, flanked to either side with two panels, each cross banded with specimen timbers, the base with one long drawer and raised on a plinth, 49” (125cm)w; together with a matching chest, with three long and two short drawers, 48” (122cm); a swing frame dressing table mirror, 48” (122cm); and a marble topped wash stand with tile back, 46” (117cm). (4)
A 19TH CENTURY MAHOGANY TWO-TIER WASH STAND, with square top above a shelf with drawers, raised on square tapering legs, united by a shaped stretcher, 16" (41cm) wide; together with a small inlaid mahogany cupboard, with rectangular moulded top, the door with four mock panels and raised on turned legs, 25" (63cm) wide, both as is. (1)
A CONTINENTAL INLAID AND BRASS-MOUNTED KINGWOOD VITRINE OR DISPLAY CABINET, the rectangular top with front rounded corners, above a pull-out writing surface, within the frieze and a glazed door below, enclosing two shelves, and raised on short cabriole legs, 44.5" (113cm) high, 24.5" (62cm) wide. (1)
A VERY FINE SATINWOOD BEDROOM SUITE, by Maples of London, comprising a breakfront wardrobe, with serpentine-shaped front, crested with a wreath and three-stage top, the centre door applied with classical dancing figures holding a floral bouquet, within leafy sprays and scrolls in relief, flanked to either side with two similar doors, each with a scroll moulded cornice, enclosing all hanging compartments, on a base with one centre long drawer and cabriole legs, 90" (227cm) wide; together with a pair of matching 3ft6 beds, each head crested with Prince of Wales plume, with scrolling foliage, on a shaped top with conforming head board, together with matching base and mattress, as new; a circular serpentine shaped occasional table, with conforming legs, and web inlaid top, 30" (76cm); a matching bedside pedestal, with single serpentine door and stretcher shelf on cabriole legs; a pair of matching bedroom chairs; and a chest cupboard, with four long drawers above and two cupboard doors below, on short cabriole legs. (8)
A LARGE GOOD QUALITY VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, the shaped back with central shell crest, issuing scrolling foliage, above a serpentine front, with central frieze drawer, raised on two pedestals, each with a cupboard door, each enclosing bottle racks and shelf, raised on double moulded plinth, 94" (239cm) wide. (1)
A GEORGE III PERIOD CARVED MOULDED AND PAINTED DOOR SURROUND, with dentil moulded, tongue and dart moulded divided pediment, with centre bracket, the centre breakfront frieze with musical trophies in relief, flanked to either side with hanging bell flowers, tied with ribbon bows, the jambs with similar greek key and rosette moulded bands, 10ft (304cm)h x 5ft"2, (157cm)w. (1)
A VERY FINE GEORGE IV PERIOD MAHOGANY AND EBONY INLAID SIDE BOARD, of triple breakfront outline, the rectangular top with three-quarter gallery, over two central frieze drawers, flanked to either side with two cupboard doors, one on a pivot and swinging out with three bottle compartments, the right hand cupboard with a clever secret compartment behind the pivoted door with a spring release, revealing a drawer with spring action, the drawer with six bottle compartment and a vacant compartment,probably for special vintages, each inlaid with a series of arches in the Gothic style, inlaid with ebony, and each flanked with reeded scroll corbels, and raised on turned and ebony parcel legs, with front brass lion paw feet, 98" (249cm) wide. (1)
A Chinese silver model of a Buddhist temple,19th century, the front with a gate with steps leading to the front door, the main building with enamelled incense burner, vases, draperies and two bonsai with enamel and coral in the front, the roof enamelled with a wheel and two carp, all surrounded by trees with gilt trunks, orchids and other flowers, the base with a filigree false gadroon border, on four butterfly feet, stamped mark possibly reads 'WHL',21cm清十九世纪 银掐丝珐琅寺庙模型
A George IV mahogany table/bracket clock, the arched enamelled dial signed A. Spiegehalter, Stepney, the twin fusee 8-day movement with engraved backplate and bob pendulum and striking the hours on a bell - for restoration, 38 cm high overall Condition Report original overall, the case dull and showing damages commensurate with age and type - top corners showing contact indents, the rear left side bottom detached/missing 1 cm square veneer above brass bracket foot, another strip of veneer detached off lock side of movement door (present within case), movement running at time of inspection, dial faded
Thomas Lanson, Kighley, an 18th century inlaid oak 8-day longcase clock, the arched silvered dial on brass backplate with polychrome moonphase and subsidiary arched date aperture, the case with star inlaid door and bearing presentation plate 'Presented to Mr. W. H. Cook, By the Ilkley Post Office Staff' - for restoration, 210 cm high Condition Report Glass to hood cracked, lock replaced, scratching to door, needs a re-polish, weights not attached as nylon wire perished, dial discoloured, pendulum top snapped off
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235346 item(s)/page