Oak and mahogany eight day longcase clock, the 12" painted square dial signed William Bullock, Bradford with subsidiary seconds dial and arched calendar aperture, the case with crossbanded short door with central conch shell inlay flanked by reeded pilasters and inlaid with boxwood chevron banding, the hood surmounted by a swan neck pediment, 82.5" high (pendulum, two weights)
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Mahogany longcase clock with single train and six pillar movement, the 14.25" brass arched dial signed Jos Smith, Bristol on a shaped plate surrounding the winding aperture, with subsidiary calendar dial to the arch over the main chapter ring enclosing a matted centre with subsidiary seconds dial, the case with medium length crossbanded wavy door inlaid with boxwood and ebony lines and the hood surmounted by triple gabled fluted pillars, 101" high (two weights)
Mahogany eight day longcase clock, the 13" painted arched dial signed Jas Monkhouse, Carlisle to the centre with calendar aperture, subsidiary seconds dial and moon phase to the arch, the case with long crossbanded and chevron banded wavy arched door and the hood surmounted by a swan neck pediment, 88" high (two weights)
Oak eight day longcase clock, the 14" painted arched dial signed W. Sykes to the centre with subsidiary seconds dial and calendar aperture, also with moon phase to the arch, the case with long crossbanded door inlaid with a central oval conch shell and flanked by quarter fluted pilasters, the hood surmounted by a swan neck pediment, 95" high (two weights)
Mahogany eight day longcase clock, the 12" painted arched dial signed Weare, Wincanton, with calendar aperture and subsidiary seconds dial, also with moon phase to the arch, the case with short crossbanded door inlaid with boxwood lines and the hood surmounted by a swan neck pediment and brass ball and spike finial, 91" high (two weights)
Venetian mahogany and ebonised regulator longcase clock, the movement with deadbeat escapement and maintaining power, the 12" circular dial with subsidiary seconds dial, the case with long glazed ebonised door flanked by canted corners, the ebonised hood with blind fret carving and gilt painted corners surmounted by an architectural pediment with scrolling brass top and Fleur de Lys finial, 81" high (pendulum)
Mahogany eight day granddaughter longcase clock, the 6.5" brass arched dial with silvered engraved boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, the case with long rounded moulded arched door flanked by quarter fluted pilasters and the hood with caddy top and three brass finials, 52.5" high
Mahogany inlaid three train longcase clock, the movement playing on a nest of eight bells and striking on a large bell, the 14" brass arched dial with subsidiary seconds dial to the engraved centre, the arch inscribed `Time Shows The Way of Life`s Decay` above a moon phase aperture, the case with long moulded crossbanded wavy arched door flanked by fluted pilasters, the hood surmounted by a moulded broken arch pediment with central brass finial of a phoenix with outstretched wings, 6" high (pendulum, three weights)
Unusual eight day longcase clock, the 14" painted arched dial signed D. Jones, Lampeter below the subsidiary seconds dial and arched calendar aperture, the case with slender trunk fitted with unusual enclosed weight channels, with short wavy arched door flanked by turned pillars, the hood surmounted by a broken arched pediment, 88" high (pendulum and two long flat weights)
Oak eight day longcase clock, the 13" square brass dial signed Higginson, Chester to the silvered dial plate with subsidiary seconds dial and engraved centre, the case with long moulded door flanked by reeded pilasters, the hood surmounted by a swan neck pediment, 90" high (pendulum, two weights) (a.f)
Mahogany eight day longcase clock, the 12" brass arched dial signed William Gibbs, London on a silver boss to the arch, the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded arched door, the hood with fluted pilasters and surmounted by a caddy top with three ball and spike finials, 99" high (two weights, pendulum)
Mahogany eight day longcase clock, the 12" engraved brass arched dial signed Thomas Blatchly, Bradford to the arch with ship automata over a silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture, the case with long moulded wavy door, the hood surmounted by a stepped moulded cornice, 82" (pendulum, two weights)
Oak eight day longcase clock, the 13" painted arched dial indistinctly signed with subsidiary seconds dial and arched calendar aperture to the centre, the case with long panelled door flanked by pilasters, the hood surmounted by a decorative carved pediment, 89" high (pendulum, two weights)
Mahogany three train longcase clock, the movement playing on six rods, the 13" Arts & Crafts square dial with silvered chapter ring enclosing a foliate gilt strapwork decorated centre with subsidiary seconds dial, the case with long canted glazed door flanked by fluted pilasters and the hood surmounted by a moulded arched pediment, 94" high (two brass weights)
Mahogany eight day longcase clock, the 13" round painted dial signed Jonathan Holmes, Cheadle, with subsidiary seconds and calendar dials to the floral painted centre, the case with unusual oval door inlaid with boxwood stringing and the hood with a moulded stepped pediment, 73" high (pendulum, two weights, winding key)
Golden oak eight day longcase clock, the 13" painted arched dial signed Jonathan Chambley, Woverhampton beneath a subsidiary dial and arched calendar aperture, the case with long moulded crossbanded door flanked by fluted pillars, the hood surmounted by a stepped broken arched pediment, 87" high (pendulum, two weights)
Good mahogany eight day longcase clock, the 12" brass arched dial signed John, Greenwood to the silvered dial plate, with subsidiary strike/silent dial to the arch, the case with long moulded rounded arched door flanked by reeded canted corners, the hood with fluted pilasters and surmounted by a caddy top with ball and spire finials, 98" high (pendulum, two weights)
Good flame mahogany eight day longcase clock, the 12" painted circular dial signed Dwerryhouse & Carter, London with subsidiary seconds and date dials, the long moulded door flanked by fluted pilasters, the hood with reeded canted corners and surmounted by a moulded arched stepped cornice, 81" high (pendulum, two weights)
Walnut eight day longcase clock, the 12" brass arched dial signed Du Puis, London under a strike/silent subsidiary dial to the arch over a brass chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long door fitted with a circular lenticle and the hood surmounted by a stepped rounded arched caddy top, 95" high (two brass case weights, keys) (a.f)
Good month going verge Chavin Freres Comtoise longcase clock, the movement with pinwheel escapement, the 12" convex white enamel dial signed Than Lefors a Marseilles, with centre seconds and calendar, Roman numeral and Arabic numeral chapter rings, the long door fitted with a circular beaded lenticle and within a shaped waisted swollen case supported upon a square panelled pedestal and surmounted by a rounded carved hood, 88" high (pendulum, weight and key)
Good Dutch Amsterdam walnut marquetry eight day longcase clock, the 12" brass arched dial signed Dirk Van Der Vinoen, Schudam on a silvered convex boss to the arch over a slow/fast lever and silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the floral marquetry case with long door pierced with an oval bronze pierced vase lenticle and the hood surmounted by a rounded arched stepped pediment over a pierced foliate fretwork frieze, 94" high (two brass cased weights and pendulum)
Good period walnut eight day longcase clock with five pillar movement, the 12" brass arched dial signed Jos Norris, Abingdon on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silver sunburst engraved boss to the arch, the case of good patina and with long moulded featherbanded quarter veneered door, the hood surmounted by a rounded moulded arched pediment with pierced foliate blind fret carved frieze, 95" high (pendulum and two weights)
Black lacquered eight day longcase clock, the 12" square brass dial signed Robert Coster, Newbury on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, the case with long moulded door fitted with a circular lenticle and the hood surmounted by a flat pediment over a blind fret geometric carved frieze, 82" high (pendulum, two brass cased weights)
Fine walnut marquetry month going longcase clock with five pillar movement, the 11" square brass dial signed George Cooke, London to the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long moulded door fitted with a glass lenticle, the hood surmounted by a stepped cornice above a blind fret carved panel, 82.75" high (pendulum, two weights)
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234658 item(s)/page