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Lot 59
LARGE GROUP OF APPROXIMATELY 16 X CORNISH / CORNWALL RELATED PICTURES principally including (1) Marjorie Mort pencil drawing - harbour side with beached boat, signed, 23 x 32cms (framed and glazed) (2) FM initialled oil on canvas - St Michael's Mount, signed with initials, 21 x 31cms (framed) (3) Jocelyn K Snelson oil on board - titled 'Evening Wave, Porthcurno', signed, 11 x 17cms (framed) (4) Ken Howard colour print - titled 'The Post Office, Newlyn, Penzance, Cornwall'49 X 74.5cms (framed and glazed) (5) Harold Harvey print - entitled verso 'The Blue Door, Newlyn', 53 x 44.5cms (framed and glazed) (6) John Miller colour print - Cornish peninsula from above with every church, signed, 39 x 53cms (framed and glazed) together with a unknown oil on board harbour scene, various watercolours and prints of CornwallNote: successful bidder may leave some pictures as required for us to donate to charity / disposePlease enquire
Lot 285
CMC Exclusive Modelle 1:18 scale model, Bugatti Type 35 Grand Prix (1924), boxed.Condition report:The model is a little dusty in the corners, one of the side wires has snapped around the door area, some of the inner straps are a little worn on the edges, otherwise it appears to be very good, with no other breaks or damages. The box is a little worn on the corners and a little marked in places. Comes with no paperwork.
Lot 1443
An XVIII Century Mahogany Longcase Clock, with pagoda top, brass finials and arched door with reeded columns with brass capitals, the silvered dial inscribed "William Hughes, London", with Roman numerals, Silent/Strike and minute dials and date aperture, pierced brass spandrels to the four corners, the case with long door on stepped base and shaped bracket feet, 250cm high. Lot 1443 - two pieces of moulding missing just below brass finials, fretwork to pagoda top has been repaired and small piece missing, moulding to the bottom of door needs re-glueing, holes in the back board, no guarantee, the movement is original to the case.
Lot 1489
A XX Century Walnut Wardrobe, with domed top, panelled doors, three internal drawers, on squat cabriole legs, 200cm high, 107cm wide. Lot 1489 - doors open, polish loss to internal shelves and drawers, small veneer loss to the bottom of left hand door, repair needed to the side of wardrobe, piece of wood has lifted, moulding missing to just above rear cabriole leg, polish to and veneer loss to from moulding, polish loss to pad feet
Lot 435
A stained darkwood display cabinet, glazed hinged front opening to reveal a shelved interior, on turned legs, 89cm x 126cm x 33cm, a reproduction serpentine fronted chest, faux drawers open as a hinged door to reveal a fitted interior for records, hinged top opens to reveal a shelf, a bedside unit, a single bedframe with fruitwood inlaid shell decoration, four wood framed mirrors and a tray
Lot 438
A four height pine chest of drawers, with cast metal handles and fittings, 88cm x 103cm x 50cm, together with a pine chest of drawers, two small drawers over three long, bun handles and feet, 70cm x 82cm x 40cm, also including a bed side unit, a single drawer over a hinged door, bun handles, 45cm x 66cm x 32cm (3)
Lot 52
A Victorian Vienna twin weight wall clock, the walnut and ebonised case enclosing the 8" white enamelled dial with subsidiary second dial and two train, eight day movement numbered 220168 striking on a coiled gong, with two brass cased weights and broken pendulum behind the arched glazed door, 125cm
Lot 314
MID-20TH CENTURY TEAK DRINKS/RECORD CABINET,with dogtooth borders, the twin cupboard doors enclosing four recesses and three short drawers, on tapered supports joined by stretchers, 89cm wideScratches to left door front, also to top with small gouge to rear right corner, further small nicks and scratches throughout, more persistent wear to base, some marks, dirt and further wear to interior, image of interior available
Lot 442
MCINTOSH OF KIRKCALDY TEAK SIDEBOARD,label to cutlery drawer with two further drawers and pull-down door enclosing slide flanking twin cupboard doors enclosing single shaped shelf, 214cm wideSun faded overall, ring mark and further marks and stains to top, some scratches and marks to frontage and particularly drawer handles, scuffs to supports, some further marks to sides, will require some restoration
Lot 108
NO RESERVE Heaney (Seamus) The Door Stands Open, number XVIII of 50 deluxe copies signed by the author from an edition limited to 300 copies, original cloth with steel onlays to covers, folding into original hand-woven paper wrapper which features a collage of articles from Polish newspapers concerning the dedicatee, internal hole to wrapper, Czeslaw Milosz, lacking slip-case and all additional casing, 8vo, Dublin, Irish Writers Centre & Lodz Book Museum, 2005.⁂ A rare Heaney item, this lavish production designed by Pawel Tryzno from a concept by Heaney and Cathal McCabe.
Lot 92
NO RESERVE Fry (Christopher) Open Door, first edition, signed inscription from the author "Kenneth: I think the date of printing was 1934 with best wishes Christopher" to title, original wrappers, lightly toned, 1935; The Firstborn, first edition, signed by the author to title, original play programme and typed letter from the author loosely inserted (programme lightly faded and rust-stained from staple), original cloth, dust-jacket, light toning, faint ring marks to lower panel and one or two spots, Cambridge, 1946; and 6 others, plays by authors, 8vo (8)
Lot 521
Continental (plum pudding) mahogany and satinwood inlaid diminutive breakfront sideboard, circa 1900, the central bank of three drawers flanked by side cupboards, raised on square tapered supports with gilt metal caps, 73cm x 40cm x 82cm highThe central panel on the top has a horizontal split running the whole length, together with wear and scratches. Some lifting to veneer along joints also noted. Handle of top drawer is missing. Top drawer fronts a little too shallow.Some patches of veneer loss to the front and rear of the right side. Two vertical splits to veneer on the frieze under the left door. Small chips and minor losses to veneer on edge of front supports. One front support has lost its metal cap.
Lot 559
Shapland & Petter of Barnstaple - Art Nouveau mahogany and abalone inlaid display cabinet, the top centred with an arched moulded pediment over abalone and line inlaid frieze and open arch recess with mirror back and shallow bowfront glazed door enclosing velvet lined interior with single shelf, flanked by glazed uprights each with cavetto plinth top over line inlaid frieze centred on stylised abalone lily over single glazed door with shaped glazed panels to the front enclosing conforming interior fitted with three shelves, the whole raised on square tapered supports on spreading block feet united by shaped apron, stamped registration number to the back ‘R2039 123’, 138cm x 38cm x 184cm high
Lot 462
Victorian ebonised triple fusee table clock, anonymous, circa 1880-90, the silvered chapter ring with Roman hours and Arabic minutes plus half hour divisions framing a matted centre within cast spandrels, beneath silvered subsidiary Chime / Silent and Westminster Chimes / Chime on Eight Bells rings, the chain fusee movement with finely-engraved backplate, pendulum bob, brackets and other fittings, chiming on a carillion of eight bells and striking on a coiled posted gong, the architectural case with hinged basket top cast with female terms and scrollwork within pine cone finials, 65.5cm high (handle up), with crank winderDial - good, clean, unrestored condition.Movement - of high quality, apparently unsigned. Not known if complete as not removed from case. Not tested extensively for accuracy or guaranteed as working, sold as an antique second hand item we'd advise servicing. Case - The hinged basket top has discolouration and minor deterioration to silk lining. External discolouration to metal of same, would benefit from regilding. There is an age-related crack to one back corner of roof. The ebonising is slightly uneven - faded in places, worn along a few sharp edges of moulding, so would benefit from a light restoration. The rear door grille is buckled and loose to one corner as per images.Sold with engraved pendulum, crank winder, and key.
Lot 544
Near pair of French carved walnut Rococo Revival night cupboards, circa 1900, the moulded shaped tops with inset rouge marble panels, over single drawer and door both with floral spray cartouche, over serpentine apron, raised on cabriole supports with acanthus knees and scroll feet, 37cm x 43cm x 87cm and 37cm x 43cm x 86cm highThe pair of night cupboards are generally in good order, though the one appears to have wood shrinkage to one of the legs giving a slight wobble, with this same one having a loose door due to a loose-fitting and the marble tops are good on both.
Lot 556
PLEASE NOTE - RIGHT DOOR UNGLAZED - Early 20th Century French kingwood and gilt metal mounted serpentine vitrine, in the Louis XV taste, the shaped top with inset bevelled glass panel over conforming twin-glazed doors and side panels enclosing silk lined interior with glass shelf, raised on cabriole legs, 70cm x 44cm x 81cm high
Lot 541
Early 20th Century French inlaid walnut and gilt metal mounted night cupboard, the inset marble top over single frieze drawer and cupboard door faced as two drawers with laurel wreath handles, enclosing carrara marble lined interior, flanked by gilt metal mounts, raised on turned tapered supports with gilt metal caps,47cm x 37cm x 82cm high together with a pair of similarly decorated bedroom chairs, with shaped semi-pierced splats over cream upholstered saddle seat pads
Lot 457
George III mahogany-cased day longcase clock, Edmund Prideaux, London, (fl. 1743-1790), having a 12-inch arched brass dial, the silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with silvered seconds ring, oval signature cartouche and date aperture, within rococo scroll spandrels, the arch with Strike / Silent ring, the five pillar movement with an anchor escapement and rack striking on a bell, the case with removable pagoda pediment, brass-inlaid stop-fluted columns with plain capitals, (hood door unglazed), the arched trunk door with moulded borders, base with a raised moulded panel, 240cm highDial - staining between XII and II, a little at V, and to matted centre.Movement - not recently cleaned. Appears sound, but not tested or warranted. A small amount of packing beneath seatboard.Case - Pediment is detachable but original. Pegs into arch via four dowels. Minor hood cracking. No glass to hood door. Minor warping to trunk door and minor cracks to trunk. Screw holes in case backing where previously fixed to wall.
Lot 460
Local interest - Unusual mahogany miniature bracket timepiece by Thomas Pierce, Bristol, mid 18th Century, the eight-day single fusee movement with anchor escapement, shaped plates and passing strike on a single bell, the 4 inch wide silvered brass break-arch dial engraved ‘THOMAS PIERCE, BRISTO’ to arch over adjustable watch-hanging hook and offset subsidiary minutes dial opposing recessed sector for jump hours, in a case with pierced swan neck pediment over glazed front door and bracket feet, 35cm high The present lot is illustrated in Moore, A.J. ‘The Clockmakers of Bristol 1650-1900’ p. 313, where it is suggested that it may have been used for the timing and regulating of watches. Thomas Pierce (II) is noted by Moore as working from 48 Wine Street, Bristol 1739-45 then from 57 Corn Street by 1761.Movement is complete and essentially in working order but a clean/service is advised. There are a few filled holes in the plates suggesting historic alterations and/or replacements to the movement. Other mechanisms of related design are known made with repeating mechanisms designed to be driven via the winding square of the watch (see Sotheby’s ‘Masterpieces of the Time Museum Part Two’ New York, June 19th 2002 lot 167) however there is no obvious evidence that the present timepiece was built to that design. The case has a restored dial mask (matching the door aperture) and some historic worm damage to interior (no longer active) otherwise faults are limited to age related bumps and scuffs. Clock has pendulum but no winding key.
Lot 458
Mid 19th Century Scottish mahogany-cased 8-day longcase clock, 13-inch gilt brass circular Roman dial signed 'M. Thornton Glasgow', with painted subsidiary seconds and calendar rings between floral decoration, knopped four-pillar movement, the case having a circular hood with scroll cresting, hinged to roof, over convex long door on panelled base and bun feet, 208cm high
Lot 554
Early 20th Century rosewood and kingwood gilt metal mounted pedestal vitrine, of tapered form, with bevelled glazed side panels and door enclosing velvet lined interior with glass shelf over enclosed cupboard, raised on outswept supports terminating in leaf and claw sabots, 35cm x 35cm x 108cm Some minor lifting and scratches to veneered top. Some separating of joints where the supports meet the body. Some fading to the veneers from where exposed to sunlight.
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235346 item(s)/page