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Click here to subscribeA Continental Mahogany Secretaire a Abbatant, mid 19th century, the staged top with concave shaped drawer flanked by scrolling acanthus leaf carved trusses, the fall enclosing a fitted interior of small drawers around a central cupboard door flanked by turned pilasters, the lower section of three long drawers all between turned and leaf carved pillars, raised on turned fore feet and castors, 105cm by 55cm by 165cm
A Late 19th Century Gilt and Gesso Serpentine Form Vitrine, the staged top above an acanthus leaf decorated frieze, the central door with glazed upper section and relief decorated cupboard door, flanked by conforming wings, the shell and C scroll apron raised on slender cabriole legs, 68cm by 34cm by 149cm
An Arts & Crafts Oak Mirror Back Sideboard, probably by Wylie & Lochhead, the back with carved fruiting vines above a shelf above a rectangular mirror enclosed by two carved and fluting columns, the base with shaped rectangular top, above two drawers over two cupboard doors, the fittings mounted with blue/green Ruskin cabochons, each cupboard door with carved fruiting vines, on four capped feet, unmarked, 153cm wide, 59cm deep, 187cm high
A 1960`s G-Plan Bedroom Suite, decorated with grey and pink flowers on a grey ground, raised on brass effect legs, comprising a double door wardrobe, 122cm x 58.5cm, 174cm high, another smaller double door wardrobe, 91cm x 58.5cm, 174cm high, two bedside units with a single drawer, two mirrors and two chest of drawers with three long drawers, 96cm x 46cm, 66cm high This bedroom suite was purchased from George Henry Lees of Manchester in 1961 and was one of only six made.
A late 19th Century heavy brass cased Ship’s Bulkhead Timepiece, Whyte, Thomson & Co of Glasgow, the drum-shaped case with flared rim and hinged and glazed door, with screw fastening and bevelled glass, enclosing a 6 ½” signed Roman enamel dial, with outside minute track, and subsidiary seconds, with black steel spade hands, to a single chain fusee movement, diameter 10 ½”
An early 20th Century Stained Walnut Cased Wall Clock, the plain cornice and pediment to a glazed door and replicated base, to a 6” embossed brass dial with Arabic numerals and outside minute track and blued steel hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 18”
A late 19th Century Burr Walnut Cased Vienna Type Wall Timepiece, the case with scrolling pediment and urn finials, the canted corners with applied carved detail, and glazed door with further foliate frieze, to a moulded base with inverted finals, to an associated two-part Roman enamel dial with outside minute track and blued steel moon hands, to a spring-driven movement with anchor escapement, height 28”
A late 19th Century American Walnut and Mahogany Wall Clock, the arched case with further arched and glazed door with carved frieze, and waisted base with inverted finial, to an 8” painted Roman dial with outside minute track and blued steel trefoil hands, to a spring-driven movement with anchor escapement and strike on a bell
A mid-20th Century Oak Cased Wall Clock, the overhanging cornice with shaped pediment to a glazed and panelled door and bevelled base, to a 7” silvered Arabic dial with outside minute track and blued steel spade hands, to a spring-driven movement with anchor escapement and strike on a coiled gong, height 28”
An early 20th Century Oak cased twin-weight Wall/Bracket Clock, Gustav Becker, the domed case to a glazed door and plinth base with moulded detail, to a spun Brass bezel enclosing a 7” signed two-part Arabic enamel dial, with outside minute track and subsidiary seconds, with pierced steel hands, to a twin weight driven movement, with anchor escapement and strike on a rod, height 48”
A mid-20th Century Black Painted and Gilt Highlighted Floorstanding Clock, modelled in the form of a small long case clock with arched hood and arched glazed door, to a panelled trunk and plinth base, with all over gilt highlights and simulated chinoiserie decoration, to a 7” arched and silvered dial with applied gilt mask spandrels enclosing an Arabic chapter ring, to a triple spring barrel driven movement with anchor escapement and strike on eight rods, height 55”
A 1st half of the 20th Century Walnut Cased 8-day Bracket Clock, Lenzkirch, the overhanging cornice with a panelled and tapering pediment and arched finial, with further cast brass pineapple finials, over caryatid mounted and canted corners to a plinth base, to a bevelled 5 ½” glazed door enclosing an arched brass dial with applied cast brass spandrels, enclosing a silvered and engraved Roman and Arabic chapter ring with half-hour markers and outside minute track, to a matted centre with blued steel fleur-de-lys hands, to a square brass movement with plates united by four knopped pillars, with anchor escapement, strike on two blued steel coiled gongs, height 15”
An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, 2175284, the overhanging cornice with moulded and panelled pediment over fluted columns, to a plain frieze and plinth base on bracket feet, to a 7” bevelled glass door enclosing a silvered and engraved dial, with subsidiary strike/silent aperture over an engraved Roman chapter ring, with outside minute track and blued steel fleur-de-lys hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 19”
An early 20th Century Stained Walnut Mantel Timepiece, the overhanging cornice with a shaped pediment over ring turned columns and carved floral frieze with plinth base, raised on bun feet, to a glazed door with bevelled glass enclosing a 6” square brass dial, with cast and applied spandrels and Roman chapter ring with matted centre and blued steel hands, to a rectangular single fusee movement, with plates united by four plain pillars and with anchor escapement, height 15”
A mid-19th Century Mahogany and crossbanded 8-day Long Case Clock, Roberts of Downham, the arched hood with shaped pediment over freestanding reeded column, to an ogee throat and long arched trunk door flanked by canted corners to a plinth base, to a 12” arched and painted 3rd period dial, and painted with ruinous buildings to the spandrels, enclosing Roman chapter ring with outside minute track and further subsidiary seconds with pierced black painted hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 83”
An early 19th Century Mahogany Cased 8-day Long Case Clock, B N Russell of Norwich, the arched hood with shaped pediment and globe and spike finials over freestanding columns to an ogee throat and long arched trunk door, raised on a plinth base, to a 12” arched and painted 2nd period dial, with moon roller, and gilt spandrels enclosing a Roman chapter ring with Arabic quarters and subsidiary seconds, and date sector with black painted pierced and stamped hands, to a signed false plate and movement with plates united by four knopped pillars, and with anchor escapement and strike on a bell (associated), height 83”
A late 19th Century Oak and Mahogany crossbanded 8 Day triple weight Musical Long Case Clock, W H Smith & Son of Blackheath, the hood with swan neck pediment and three globe and spike finials, over freestanding Corinthian columns, to a moulded throat and shaped long trunk door, raised on a panelled plinth base with bracket feet, to a 12 ½” arched brass dial with chime/silent subsidiary to the arch and further dolphin spandrels with mask, floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track and half-hour markers, to a matted centre with subsidiary seconds and blued steel pierced hands, to a triple weight driven movement with plated united by four plain pillars, with anchor escapement and strike on 8 graduated bells and a blued steel coiled gong, height 90”
An early 19th Century Mahogany and Boxwood line inlaid 8-day Long Case Clock, Andrew Crawshaw of Rotherham, the plain drum head case on scrolling mount to an ogee throat and long shaped trunk door flanked by canted corners to a panelled and plinth base, to a spun brass bezel enclosing a 14” painted Roman dial with outside minute track, subsidiary seconds, pierced steel hands, to a movement with plates united by four knopped pillars, with anchor escapement and strike on a bell (requiring full restoration), height 76 ½”
An early 19th Century Oak cased 8 Day Long Case Clock, Swaine of Woodbridge, the oak case with applied pediment with a single brass finial, to an overhanging cornice and freestanding brass capped columns, to a moulded throat and long arched trunk door, and raised on a stepped plinth base, to a signed and silvered arched 12” dial, with engraved floral and foliate spandrels enclosing a Roman and Arabic chapter ring, and further engraved centre with subsidiaries for seconds and date, and fitted with pierced and blued steel hands, to a movement with plates united by four knopped pillars with anchor escapement and strike on a bell, height 87” (associated)
A Mahogany cased 8 day Long Case Clock, unsigned, the associated case with overhanging and stepped cornice, to a glazed door and moulded throat, with short trunk door and panelled plinth base, to a repainted third period Roman dial, with outside minute track and enclosing subsidiary seconds and date sector, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 80”
An early 19th Century Oak Cased 30-hour Long Case Clock, ? of Heacham, the overhanging cornice to a plain frieze and freestanding columns to an ogee throat, and long arched trunk door flanked by quarter columns to a plinth base, to a 12” arched 3rd period painted dial with floral spandrels and shipping scene to the arch, with Roman chapter ring and pierced and stamped brass hands, to a movement with plates united by a four knopped pillars, and anchor escapement with strike on a bell, height 82”
A late 18th Century Oak Cased 8 Day Long Case Clock, unsigned, the case with overhanging cornice and shaped pediment to freestanding columns and moulded throat to a long square trunk door and plinth base, associated 12” first period painted square dial with fruiting spandrels within gilt highlighted gesso borders and enclosing a Roman and Arabic chapter ring with outside minute track and subsidiary seconds, with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (associated), height 83”
A Mahogany Cased 8 Day Long Case Clock, Nevill of Norwich, the associated mahogany case with overhanging cornice to a pierced pediment with ring turned finials, over freestanding columns, to an ogee throat and long arched trunk door with reeded edging, and raised on a plinth base, to a 12” arched brass dial with subsidiary for strike/silent to the arch, and cast floral and foliate spandrels enclosing a Roman and Arabic chapter ring with outside minute track to matted centre with subsidiary seconds, date sector and applied nameplate, with later black steel hands, with a plain false plate and movement with plates united by four knopped pillars and anchor escapement with rack strike on a bell (case, dial and movement associated), height 87”
A 19th Century Mahogany Cased “Norwich” type Wall Clock, the moulded surround to an unusual and waisted pear-shaped case and hinged door, to an associated 13” painted dial with Roman and Arabic chapter ring, and outside minute track with pierced hands, to an associated “A” frame movement with anchor escapement, height 44”
An unusual early 20th Century Oak Letter Box, modelled as a pillar box, of hexagonal form, spreading top supported on a column with inscribed letter flap, over a door, on a spreading base, bears old cardboard label inscribed “Made in 1901 as a Birthday Present for a Forgetful Husband”, 15” high, 11” wide
A good Edwardian Mahogany Credenza inlaid with Boxwood and Ebonised stringing, and with Satinwood cross banded top, central glazed door enclosing fitted plush lined shelving, flanked on either side by bow fronted cupboards, raised on short fluted tapering square supports, fitted throughout with Chubb patent locks, 72” wide
A predominantly early 18th Century Continental side cabinet, the base of side table form, with cut apron with a carved shell decoration to the centre, front cabriole legs, with ball and claw feet, a single narrow drawer with herringbone banding decoration and carved details and with carved narrow top, single Moorish arch topped door, again with herringbone banding and star inlay and with carved Corinthian column capitals and topped with a swan neck pediment
19TH CENTURY WELSH OAK EIGHT DAY LONGCASE CLOCK, by Furtwengler of Llanelly, having broken swan neck pediment above arched aperture, crossbanded and shell inlaid door to the waist with canted angles on a panel base with bracket feet. Arch painted face with seconds dial and date aperture, Roman numerals and foliate spandrels, painted portrait of a farm girl to the arch. Eight day two train movement striking on one bell. The face 17.5" x 13". 88" High overall.
19TH CENTURY MAHOGANY TWO TRAIN EIGHT DAY LONGCASE CLOCK, the arched hood with circular aperture, cross banded and strung inlaid waist with rectangular door on panelled feet. Painted face with seconds dial and date indicator. Two train movement lacking bell. Possibly Scottish. Face 15.5" Diameter x 84" High overall.
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