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A George III crossbanded oak boxwood and ebony strung longcase clock, the broken scroll swan neck pediment above an arched glazed door enclosing a 12” white painted dial with Roman numerals painted with pheasants to the corners and a boy admiring a peacock against a balustrade in the arch, 30-hour movement striking on a bell, between mirrored baluster pilasters above a three quarter length shaped top trunk door flanked by fluted quarter pilasters over a tablet and ogive moulding and further raised panel, lacking plinth or feet, 214cm high
An Edwardian mahogany and satinwood crossbanded and inlaid display cabinet with caddy top and scallop shell and figural inlay above a ribbed glazed door enclosing shelves on splayed tapering legs, 60cm wide, 38cm deep, 127cm high and a William and Mary style reproduction walnut pot cupboard on cup and cover legs joined by a flat stretcher, 37cm high, 36cm deep, 77cm high
A reproduction George III style mahogany bureau bookcase, the architectural pediment above two astragal glazed doors enclosing adjustable shelves above a crossbanded fall front enclosing a fitted interior of pigeon holes and short drawers centred by a cupboard door above four long graduated cockbeaded drawers on ogee bracket feet, 91cm wide, 56cm deep, 230cm high
A mahogany and boxwood and chequer strung longcase clock, first quarter 19 th century, the broken scroll pediment above an arched glazed door enclosing 14” white painted dial with Arabic numerals, subsidiary seconds and date dial and moon phase in the arch, signed R Spencer, Bilston, and painted with figures representing the continents in the corners, 8-day movement striking on a bell between Corinthian brass capped fluted pilasters over a triple arched top three quarter length trunk door flanked by Corinthian capped pilasters chequer strung base and canted angles on ogee bracket feet, 239cm high
A George IV goncalo alves breakfront side cabinet, the later marble top above a plain frieze and a central gilt brass lattice and pleated fabric door enclosing a shelf, flanked by leaf capital pilasters and two further conforming cupboards, 91.5cm high, 126.2cm wide, 40.5cm deep. Provenance: The Collection of Sir Jeremy Lever.
A Welsh oak and marquetry press cupboard, inlaid with parquetry banding, the frieze naively carved with two birds and a scrolling grapevine, above a panelled cupboard door inlaid with flowers and leaves, flanked by conforming panels, with further carvings of stylised leaves and flowers,with a drawer and two cupboard doors, late 17th / early 18th century and later adaptations, 124.4cm high, 130.5cm wide, 50cm deep.
λ A pair of early Victorian rosewood side cabinets by Johnstone & Jeanes, each with a pink breche marble top, above a leaf carved edge and a mirrored door applied with leaf carved corbels, enclosing a shelf, the door stamped 'JOHNSTONE & JEANES NEW BOND ST. LONDON 5405' and '5406', 90.5cm high, 63.8cm wide, 33.5cm deep. (2)
λ A Regency rosewood breakfront side cabinet, the Carrara marble top above a plain frieze and a central pleated silk cupboard door enclosing two shelves, flanked by a pair of giltwood ribbed columns and two further conforming cupboards, 92cm high, 134.7cm wide, 37cm deep. Provenance: The Collection of Sir Jeremy Lever.
A mahogany bracket clock, the later eight day brass movement with a verge escapement, with an arched brass dial, with a silvered chapter ring with Roman and Arabic numerals, with cast gilt brass foliate spandrels and signed 'Nath. Style London', the bell-top case with a brass handle, with fret carved spandrels, solid sides and back door, 18th century and later, 51.8cm high, 29.5cm wide.
A George III mahogany longcase clock by William Smith of London, the eight day brass movement with four turned pillars, with an anchor escapement striking on a bell, the arched dial with a chapter ring and seconds dial, with Roman and Arabic numerals, with a date aperture, with scrolling foliage, urn and dolphin spandrels, with strike/silent dial, signed 'Wm Smith LONDON', the arched pagoda hood with brass finials and a later fretwork panel, above a moulded edge trunk door and a plinth base, 248.5cm high.
A George III Irish mahogany work box by George Austin, inlaid with boxwood stringing, the banded hinged top with a marquetry conch shell revealing a divided interior, with a printed paper label to the lid, inscribed 'GEO. AUSTIN CABINETMAKER 7 ST. ANDREW ST. One door from Exchequer St. DUBLIN Manufacturers of portable writing desks, dressing cases. work boxes, Military Canteens & plate chests', with a divided base drawer and brass side carrying handles, 16.1cm high, 33cm wide, 25.2cm deep.
A George III oak and mahogany longcase clock, the 28cm brass dial with silvered chapter ring inscribed Ashton, Ashburn (sic) Roman numerals, date aperture, 30-hour movement striking on a bell, the case with swan neck pediment, shaped rectangular door to waist centred by an oval shell patera, bracket feet, 207cm high, c.1800The signature is that of Samuel Ashton the younger born at Macclesfield 1828, apprenticed to father at Tideswell 1742-49, and moved to Ashbourne c. 1750, leaving his brother Aaron to succeed to their father's business at Tideswell. The two son,s Thomas and Martin, the former working from Tideswell and the latter in partnership with his father from 1791 and his successor until his own death in 1829 [Craven, M & Hughes, R G 'Clockmakers & Watchmakers of Derbyshire' (Mayfield 1998) 57-58.] Condition Report: Generally good. Dial and movement associated with case.
A Gimson & Slater Vesper teak bedroom suite, comprising a dressing table with central jewellery drawer flanked by two pairs of drawers raised on tapering triangular legs, separate angled mirror, chest of four tapering drawers raised on triangular tapering legs, 94.5cm H, 84cm W, 46cm D, bedside chest with a single door enclosing a shelf raised on tapering triangular legs, a gentleman's wardrobe, 169cm H, 120cm W, 53cm D, a lady's wardrobe, and a dressing table stool. (6)
An Edwardian serpentine mahogany and inlaid pot cupboard, the door decorated with a classical vase of flowers and scrolling leaves, raised on later castors, 71cm H, 49cm W, 41cm D, together with a serpentine wash stand, with two doors inlaid with floral swags raised on tapering legs, capped on castors, 78cm H, 76cm W, 49cm D. (2)
A 19th century Italian Florentine ebony and ebonised pietra dura cabinet in Baroque style, inset overall with various marble and hard stone panels, including: lapis lazuli, breche d'alep, Spanish brocatalle, red serpentine, Siena, vert maurin, onyx, alabasters, the swan neck pedimented top surmounted by a bronze bust of Cosimo de Medici, above architectural mouldings, with a recessed arch flanked by urn finials, above five drawers, with gilt bronze Moor's head handles, flanked by four alabastro fiorito Corinthian columns, the sides with cupboard doors above a single deep drawer with a faux front, the inside with a typed paper label inscribed 'Bought from Mr Cleverly, Swindon, about 1926.', the base with a frieze drawer above a panelled cupboard door, 275.5cm high, 99.5cm wide, 52cm deep.
λ A mid-17th century Flemish Antwerp ebonised and tortoiseshell cabinet on stand, painted with twelve panels in the manner of Hans Jordaens III, the exterior later gilt decorated with flowers on a lattice ground and with chinoiserie panels of figures, birds and trees, the hinged top revealing a painted panel with figures on a path with three caparisoned horses, above a later panel and a vacant interior, with a pair of panelled doors enclosing a tortoiseshell and ripple moulded interior with eight drawers painted with rural landscapes and village scenes, with figures in various country pursuits including: hunting, a shepherd tending his flock, figures in a carriage, a man on a river bank fishing, flanking an architectural centre with a brass balustrade deep drawer above an arched panel door, painted with figures walking along a tree lined avenue with their dogs, enclosing a bone and ebony parquetry mirrored niche with gilt arches, flanked by Corinthian columns and above a drawer decorated with a harvest scene, the insides of the doors painted with panels, the left with wealthy figures on horseback giving money to beggars in a landscape setting, the right with figures playing instruments before a moated country house, fitted with a long drawer with lion's mask ring handles, the stand with a shaped apron, on cabriole legs and pad feet, the back with a handwritten paper label 'Mrs Harold Louth Lincolnshire, To the … Mr J Smith … London', 149.5cm high, 106.5cm wide, 54cm deep.
λ A George IV mahogany bedside cupboard attributed to Gillows, with a reeded three quarter gallery above a cupboard door with a turned rosewood handle, flanked by a pair of flame veneered tablet panels with outline mouldings, on turned and ribbed legs, 80.3cm high, 40cm wide, 35cm deep. See N. Goodison & J. Hardy, 'Gillows at Tatton Park', Furniture History Society, 1970, pl.12B for five pairs of similar pot cupboards that were supplied by Gillows in 1812 for Tatton Park, Knutsford, Cheshire.
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235302 item(s)/page