A large and impressive 18th Century Georgian flame mahogany estate bureau having a decorative pierced gallery top with five urn finials and dental work. The twin cupboard cabinet doors flanked by corinthian reeded columns with central column to door opening to reveal an appointed pigeon hole interior with drawers. Long locking lever bar to the interior of the door. Oval decorative lock plates to the escutcheons. The fall front bureau base having similar interior with thin drawer over graduating three drawers. urther columns to the base all raised on stepped square feet. With working key and locks. Some details loose but present in photographs. Measures approx; 265cm x 118cm x 57cm
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An antique early 19th Century Scottish Georgian English oak cased 8 day longcase grandfather clock by James Hendrie of Falkirk having a scrolled arched pediment top with blind pierced detailing and columns to the glazed door hood. Brass silvered dial having Roman numeral chapter ring with faceted hands. Measures 214cm, dial 12 inches.
A rare 18th Century Georgian Scottish 8 day oak & mahogany cased longcase grandfather clock by William Small of Peterhead having an swan neck pediment top with brass details and glazed door flanked by reeded columns. The trunk having reeded columns and detailed door over stepped lower section. The brass face having gilt spandrels, silvered Roman Numeral chapter ring, day aperture and subsidiary dial. Measures approx; 214cm x 47cm. Dial 11" face 12".
Attributed to Shapland & Petter for Liberty & Co - An antique late 19th Century Arts & Crafts / Art Nouveau mahogany and stencil inlaid students bureau desk of good proportions. Fret pierced gallery top with stencilled floral drop down front opening to reveal a maple fronted drawered interior with open storage sections and moroccan red leather gilt tooled writing sciver with brass fittings. Single drawer to the frieze with copper stylised drop handles and backplates over a stencilled inlay inset panel cabinet cupboard door opening to reveal an adjustable shelf interior. Further stenciling to the interior with All raised on shaped arched legs. Measures approx; 103cm x 62cm x 40cm.
An antique late 19th Century mahogany display cabinet bijouterie vitrine in the manner of Chippendale having a twin door, two shelf red velour lined glass cabinet door over a lift up glass cabinet base. Profuelsey decorated with blind fretwork. Raised on arrow legs united by a lower gallery edge tier. Measures approx; 161cm x 66cm x 46cm.
An antique 18th Century Georgian English oak cased 8 day longcase grandfather clock by John Hill of Wisbech. The oak case having an arched hood with glazed door and columns over arched door trunk with stepped lower section. The gilt brass face having gilt Roman Numeral chapter ring, The Neptune figurine (later), faceted hands, winding holes and day aperture. Face measures; 12" dial 11.5". Measures 213cm tall.
An impressive antique 19th Century Chinese Oriental Qing Dynasty carved hardwood open display cabinet bookcase having elaborate carved decoration throughout. Carved pattern flyaway conice surmounted by a pierced carved pediment top with central deer decoration. A series of stepped open sections with carved floral and creature decoration throughout with further pierced gallery decoration to each shelf. Carved trees and flowers to the back and sides creating a light open top with a single door cupboard below flanked by dual open shelves to the left. All raised upon ball and claw feet supports. Measures approx 199cm x 108cm x 35cm.
An antique 19th Century political satirical hand coloured engraving print entitled ' Bonne Farte raising a Southerly Wind. Depicts the Straits of Dover: Bonaparte (left) stands on the one side, stooping down with bared posteriors, from which fly through the air balloons, parachutes, infantry, cavalry, artillery, tents, and wagons. A tiny guillotine is towed and pushed towards England. The sky is sprinkled with these invaders, the largest object being a balloon whose basket bristles with tiny guns; from this an anchor hangs on a rope. Bonaparte stoops down, his hands on his knees, while an officer stands beside him feeding him with a spoon with 'Parched Peas' from the former's large cocked hat, which is on the ground, the crown filled with peas. Bonaparte says: "Oh Berthier - Berthier - I can't go through with it I fear." Berthier answers: "That's your sort my Boy. The Directory will give us Imortal Honer for this, its a new way of raising the Wind. \ come a few more they are Nice and Hot."In the sea a giant raft with one sail makes for England; guns project from its sides, and troops are indicated by flags and bayonets. On the English coast are cliffs. A huge sea monster has reached the shore and soldiers are landing from its open jaws. An English Jacobin wearing a bonnet-rouge embraces the leader, who steps ashore; he says: "My dear Monge you'r right welcom you have had a dreadful voyage". Men with fixed bayonets follow Monge. On the cliff immediately above the monster stand Sheridan and Fox, welcoming the aerial army; Horne Tooke sits at their feet; they say: "How fragrant is this Southern Breeze". Lauderdale, very small, wearing Highland dress, stands beside Fox, saying: "Hoot Mon this reminds me of sweet Edinburgh." Beneath the title: 'Or a Sketch of the Intended Invincible Invasion found at the door of Brooks's in St James's Street'. 20 February 1798 [or 10 February 1798]Framed and glazed. Measures approx; 46cm x 56cm.
An antique 19th Century Victorian English mahogany and satinwood serving table / sideboard of large form. The sideboard having a mahogany top with inlaid and satinwood shaped border with a central long drawer below with further inlaid decoration and twin tambour door compartment below flanked by serpentine cupboard doors opening to reveal a hollow interior. Brass floral decorated handles to each with all being raised on shaped tapering supports. Measures approx; 97cm x 174cm x 61cm.
A rare and unusual 18th Century Georgian 8 day longcase grandfather clock by John Draper of Maldon having a painted Chinoiserie type case with gilt, black and red borders throughout and hand coloured scene to doors depicting courting couples. The hood having further matching details with brass ball finials arched top, glazed door and columns to sides. The brass face having gilt ormolu 'C' scroll adorned spandrels, silvered Roman Numeral chapter ring and faceted hand. The arched top set with an engraved heraldry depiction of the sun with faceted hands and winding holes. Complete with painted pendulum, key and weights. Measures approx; 224cm tall.
A 20th Century antique revival flame / plum pudding mahogany pot cupboard / bedside cabinet having a front canted top with good grain door to front. Carved canted corners with spacious open interior. The legs and apron further carved with acanthus & oak leaved with garooning borders. A good quality reproduction example. Measures approx; 82cm x 51cm x 34cm
An large antique 19th Century Victorian English mahogany breakfront bookcase cabinet having and arched back rail over a chamfered edge top. Below a decorative carved freezie with flower head carved decoration with a central protruding double glazed door section with adjustable shelves within. The central cabinet flank by further glazed door components to each side with all being raised on a plinth base Measures approx; 131cm x 160cm x 47cm.
An antique 19th Century French Ebonised and painted bedside cabinet / chest having a shaped white marble top with single drawer having painted decoration to the front. The top supported by turned columns with a single door cupboard below with all being raised on turned supports. Measures approx; 85cm x 52cm x 44cm.
William Pybus of Caistor Lincolnshire (1786-1861) - An antique early 19th Century Georgian George III English 8 day / eight day oak and mahogany cased longcase grandfather clock. Turned finial arched pediment top with glazed door, brass reeded columns and door to trunk with inlaid shell boxwood motif. The painted dial having depiction of fisherman to the arch and buildings to corners and a bold black arabic numeral dial, subsidiary seconds dial, aperture and gilt faceted hands. Complete with both weights and pendulum. Measures; 213cm tall dial 12 inches.
Globus - - Erdglobus von C.L. van Balen. Groningen, um 1908, bezeichnet "Aardglobe door C.L. van Balen. J.B. Wolters. Groningen", der Globus als Pappmaché-Kugel mit 12 farblithographierten Papiersegmenten bezogen, montiert in farblithographiertem Blechgestell, Vollkreismeridian mit 4 x 90°-Teilung, der Horizontring mit Angabe der Himmelsrichtungen, Monatseinteilungen, Tierkreiszeichen und 360°-Teilung. Papier stellenweise gebräunt. Durchmesser: Ca. 10 cm, Höhe: Ca. 15,5 cm. A C.L. van Balen terrestrial globe. Groningen c. 1908, signed "Aardglobe door C.L. van Balen. J.B. Wolters. Groningen.", 12 chromo-lithographed globe gores mounted on cardboard sphere, meridian circle, mounted on lithographed tin stand. Paper partly darkened. Diameter c. 10 cm, height c. 15.5 cm.
Globus - - Erdglobus von Neuse/Kaltofen in holländischer Sprache. Utrecht/Berlin, um 1924, signiert "Aardglobe door Dr. R. Neuse, Nederlandsche bewerking van R.E. Kaltofen, Leeraar Rijks H.B.S. Utrecht, Uitgave Erven J. Bijleveld, Utrecht, Columbus-Verlag G.m.b.H., Berlin-Lichterfelde", der Globus als Pappmaché-Kugel mit 12 farbig lithographierten Papiersegmenten bezogen, gedrechselter Holzfuß. Durchmesser: Ca. 19 cm, Höhe: Ca. 38 cm.An Neuse/Kaltofen terrestrial globe in Dutch language. Utrecht/Berlin c. 1924, signed "Aardglobe door Dr. R. Neuse, Nederlandsche bewerking van R.E. Kaltofen, Leeraar Rijks H.B.S. Utrecht, Uitgave Erven J. Bijleveld, Utrecht, Columbus-Verlag G.m.b.H., Berlin-Lichterfelde", twelve coloured globe gores mounted on cardboard sphere, turned wooden stand. Diameter c. 19 cm, height c. 38 cm.
A large marquetry bureau cabinetMeiji (1868-1912) or Taisho (1912-1926) era, late 19th/early 20th centuryConstructed in two separate sections, resting on two pedestals, each with four drawers on bracket feet, the tall bookcase with variously-sized shelves, compartments, and sliding doors, the fall-front door doubling as a writing desk and opening to reveal further storage compartments, elaborately decorated in various types of wood with often-overlapping geometric designs, with an additional removable en-suite marquetry tray that sits within the top roof, the reverse with plain wood panelling; unsigned. The cabinet: 177cm x 95cm x 44cm (69¾in x 37 3/8in x 17¼in); the tray: 26cm x 43cm x 3cm (10¼in x 16 15/16in x 1 3/16in). (3).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1933An oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a night-time winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi (sash) trailing behind them, illuminated by the light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple huddled against the night chill walking closely together, dated Showa hachinen shigatsu saku (Work of April, Showa 8 [1933]), published by Watanabe Shozaburo, with a Hanken shoyu Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 39.1cm x 26.4cm (15 3/8in x 10 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1946An oban yoko-e print, titled along the left margin Mizuki no kumoribi, Ibaraki-ken (Cloudy Day in Mizuki, Ibaraki Prefecture), depicting a mother and child on a deserted path as darkness falls on the seaside town, a dilapidated row of houses in the left foreground with bunches of daikon beside a torn shoji door, dated Showa nijuichinen saku (Work of Showa 21 [1946]), published by Watanabe Shozaburo, with a 6mm round Watanabe seal at the bottom right corner; signed Hasui with Kawase seal. 26.8cm x 36.5cm (10½in x 14 3/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Gold-lacquer portable shomotsu dansu (cabinet for books)Edo period (1615-1868), 17th/18th centuryThe rectangular body with a drop-front door opening to reveal six drawers within, decorated in gold takamaki-e, e-nashiji, kirikane and silver hiramaki-e with a minogame (bushy-tailed turtle) crawling at the foot of a stylised vine-clad pine tree bending over a flowing mountain stream, two paulownia motifs and an aoi-mon (three hollyhock leaves within a circular border), the insignia of the Tokugawa family, scattered among the pine, the design repeated with minor variations around the sides and reverse, the top with a pair of cranes, the inside of the door embellished with a flowering peony shrub issuing from rocks, all on a rich nashiji ground, the six drawers lacquered in silver hiramaki-e, each drawer inscribed in sosho script with the titles of six to twelve chapters, representing the complete 54 chapters of the Tale of Genji, the door with silvered-metal fitted mounts, including the lock plate in the form of a single leaf, the sides of the cabinet applied with two bracket carrying handles, unsigned; with a separate key. 31.2cm x 42cm x 27.5cm (12 1/8in x 16½in x 10 7/8in). (3).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A gold-lacquer miniature shodana (display cabinet)Meiji era (1868-1912), late 19th/early 20th centurySupported on a removable, rectangular en-suite base, comprising two pairs of hinged cupboard doors, one single corner door, one set of sliding doors, staggered shelves and three drawers, decorated in gold takamaki-e, kirikane and e-nashji with mountainous landscapes and bird-and-flower scenes, the top, sides and reverse scattered with aoi-mon (three hollyhock leaves within a circular border), the cupboard doors bordered with hanabishi (flowery-diamond) motifs, the base with a bale of turtles swimming over a meandering stream; unsigned. 37.5cm x 31cm (14¾in x 12¼in). (2).For further information on this lot please visit Bonhams.com
Harold Riley (British 1934-) "The Yellow Door", signed and numbered 128/550 in pencil in the margin, published by Grove Galleries Ltd, Manchester, colour limited edition print.image size 24cm x 19.5cm (9.5in x 7.75in)Footnote:Artists’ Resale Right (“droit de suite”) may apply to this lot.Condition report:The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original frame has some minor scratches and knocks commensurate with age.
Colin Hunter, ARA RI RSW RE (British, 1841-1904)The Cottage Door, a reverie signed 'Colin Hunter' and indistinctly dated (lower left)oil on canvas67 x 51 cm. (26 3/8 x 20 1/16 in.)Footnotes:ProvenanceSale; Bonhams, Edinburgh, 23 March 2011, Lot 111LiteratureG. Bell, Colin Hunter of the Holland Park Circle, London, 2018, p.68For further information on this lot please visit Bonhams.com
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235346 item(s)/page