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An early 20th Century Elliott mahogany cased mantel clock with eight day chiming movement, the square brass dial and silvered chapter ring with Roman numerals and inscribed 'An Elliott Clock', cornered by winged mask spandrels, the rectangular case with domed top and brass carrying handle above a glazed door, on a rectangular base and bun feet, height approx 33cm, with a key.
A late 19th Century walnut Vienna style wall clock with eight day movement striking on a gong, the brass dial and cream chapter ring with Roman numerals, the case with mask surmount flanked by turned finials above a glazed door and sides, and tapering apron, height approx 80cm, with a pendulum and key.
A George V mahogany mantel clock with eight day movement striking on a gong, the back plate numbered '9471', the scroll engraved silvered arched dial with Roman numerals and inscribed 'R.H. Halford & Sons, London', the pagoda top with five turned finials above a glazed arched front flanked by two turned columns, on a stepped rectangular base and brass bun feet, height approx 28cm, with winding key and door key.
A George III oak longcase clock with thirty hour movement striking on a bell, the square painted dial with Roman numerals and inscribed 'R. Durrant, Beccles', cornered with shells, the hood with swan neck pediment above a glazed door and pair of turned columns, the trunk with arched door above a plain base and plinth, height approx 201cm, with pendulum and weight.
A George III oak longcase clock with eight day movement striking on a bell, the square brass dial with silvered chapter ring and Roman hour numerals framing a silvered date aperture and inscribed 'Lindley Leicester', the hood with dentil cornice above a glazed door and turned columns, the rectangular trunk door with shaped top above a plain base and bracket feet, height approx 214cm, with pendulum and two weights.
A George III oak longcase clock with thirty hour movement striking on a bell, the square brass dial with silvered chapter ring and centre engraved with urn, foliate scrolls and inscribed 'Will M. Taylor, Petworth', the hood with moulded pediment above turned columns and glazed door, the trunk with rectangular door on a plain base and plinth, height approx 198cm, with pendulum and weight.
An 18th Century burr walnut longcase clock with eight day movement striking on a bell, the square brass dial with matt centre, silvered subsidiary seconds and date aperture framed by a silvered chapter ring with Roman hour numerals and inscribed 'Henry Massy, London', the hood with moulded pediment above a blind fretwork frieze, Corinthian columns and glazed door, the rectangular trunk door with glazed lenticle and ebonized mouldings, on a crossbanded base and plinth, height approx 220cm, with pendulum and a pair of brass cased weights.
An early 19th Century oak and mahogany crossbanded longcase clock with thirty hour movement striking on a bell, the painted square dial with Roman numerals framing a castle, date aperture and inscribed 'F. Belloni, Shaftesbury', the hood with swan neck pediment, glazed door and fluted columns, the trunk door with inlaid shell paterae, on a plain base and plinth, height approx 196cm, with pendulum and weight.
A late 18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with matt centre, subsidiary moonphase and date dials, framed by a chapter ring with Roman hour numerals and inscribed 'Powley, Appleby', the hood with moulded pediment above a glazed door, the trunk with rectangular door on a plain base, height approx 184.5cm, with pendulum and weight (some faults).
A George III figured mahogany longcase clock with eight day movement striking on a bell, the silvered break arch dial with Roman hour numerals, framing subsidiary seconds and date dials, beneath engraved inscription to arch 'Wilmhurst Brighton', the hood with moulded arch pediment and two brass ball finials above a glazed door and brass stop fluted columns, the trunk with moulded arch door, on a panelled base and bracket feet, height approx 221cm, with pendulum and two brass cased weights.
A George III oak longcase clock with thirty hour movement striking on a bell, the painted square dial with black Roman numerals framing a basket of flowers above subsidiary date aperture and inscribed 'G. Paine, Stow', the hood with moulded pediment above a pair of columns and glazed door, the trunk with rectangular door on a plain base and bracket feet, height approx 201cm, with pendulum and weight.
An early 19th Century Scottish oak longcase clock with eight day movement striking on a bell, the painted break arch dial with flowers to arch above Roman hour numerals framing subsidiary seconds and date dials and inscribed 'W:Burnett, Kininmouth', cornered with peacock feather spandrels, the hood with giltwood ball finials above a swan neck pediment, glazed door and fluted columns, the trunk door with shaped top, on a plain base and bracket feet, height approx 203cm, with pendulum and two weights.
A late 19th Century French oak longcase clock with eight day brass and tin cased movement striking on a bell, the circular enamel dial with Roman numerals, the rectangular oak case with moulded arch pediment above a glazed movement door, the trunk door with glazed lenticle displaying the large brass pendulum, on scroll feet, height approx 234cm, together with two weights and a winder.
A set of three Mary Gregory style amber glass circular shallow dishes, late 19th/early 20th Century, each enamelled with a different scene of a child in a garden setting, diameter approx 18.5cm, together with a collection of other glassware, including a triple ring neck decanter and stopper, two medicine bottles and stoppers, one inscribed 'Tinct: Rhei.Co:', the other 'Pulv: Ac: Boric:', and a pair of paperweight glass door handles (minor faults).
A mid-19th Century French red stained tortoiseshell and brass boulle work side cabinet, with overall applied gilt metal mounts, the white marble top above a central panelled door centred with an oval plaque depicting cherubs and classical maidens, flanked by a pair of glazed doors, the canted corners with applied female herm mounts, raised on shaped bracket supports, height approx 120cm, width approx 195cm, depth approx 55cm (restoration).
A late 19th Century oak cased upright Symphonion clock, the profusely carved case containing a clock with an eight day movement striking on a gong, detailed to the backplate 'Lenzkirch', the trunk door enclosing a Symphonion movement playing 30cm discs on two combs, the sides with winding handle and start/stop lever, raised on a pair of turned and reeded cup supports united by a cushion moulded undertier, on bun feet, height approx 200cm, width approx 61cm, together with a group of fifty-nine discs.
An 19th Century Chinese Export lacquered Bonheur De Jour with swan neck surmount and circular cartouche above pair of doors finely decorated gilt chinoiserie figures enclosing small drawers, mirror door and pigeon holes, lower folding section enclosing lidded compartments and ivory fittings, further drawer beneath on cabriole legs and carved paw feet, 22in wide, in need of restoration
‡SIR GERALD FESTUS KELLY, KCVO, PRA, RHA (1879-1972)A Seville Chorus Girl (Consuelo V11)signed 'Kelly' (lower left), signed again and inscribed 'Consuelo V11' on the reverseoil on canvas41 x 32 1/2 in (104.2 x 82.6cm)Provenance: Sir Malcolm Sargent, on loan 'The Contents of the Studio of the late Sir Gerald Kelly'. Christie's, King Street, London, February 8th 1980 Lot 145 Exhibited: National Portrait Society, no 9, Agnews 1920 Walker Art Gallery, Liverpool, 1920 Ferens Art Gallery, Hull 1921 Art Gallery of Ontario,Toronto, Canadian National Exhibition 1921 International Biennale, Venice 1922 Whitechapel Art Gallery, London 1929 The Royal Hibernian Academy, Dublin 1933 Bath Society of Artists,1935 Bristol City Art Gallery, 1936 The Royal Glasgow Institute of Fine Arts, 1950 The Royal Academy, London 1951 no. 171 Arts Council of Great Britain (travelling) 1951 Bradford City Art Gallery and Museum, Cartwright Hall 1953 no. 57 Atkinson Art Gallery, Southport 1955 The Royal Academy, Diploma Galleries Sir Gerald Kelly, PRA Retrospective Exhibition 1957 no.180 City Museum and Art Gallery, Plymouth 1958The artist painted Conseulo on a number of occasions and she must have been a favourite model. She is depicted in The Blue Door (Consuelo V11), Kelvingrove Art Gallery and Museum, Glasgow. cf. also Bonhams, London. March 2016 lot 98 (Conseulo no 6, Perezosa)
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235302 item(s)/page