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Lot 820
Meath V. Cavan 1949G.A.A.: Football 1949, Craobh Peile na hEireann, i bpairc an Chrocaigh, 25.9.49, Meath V. Cavan, 8vo D. 1949, 24pps., illus. & adverts, m/ss notes, ptd. wrappers. Good clean copy. Scarce. (1)* The Royal County beat their next door neighbours on a score line of 2-8 to 0-10.
Lot 301
Signed Limited Edition, 60 Copies OnlyWells (H.G.) The Door in the Wall and other Stories, illus. by A. Langdon Coburn. Folio L. Jan. 1915. [Village Press, N.Y.] English Edition Limited, No. 52 of 60 Copies, signed by Author & Artist on MS Colophen at front, 16 photogravure plts., mounted, uncut, orig. cloth backed boards, some stains on covers. (1)
Lot 147
A mahogany longcase clock, second quarter 19th century, the hood with broken scroll pediment above an arched glazed door, flanked by double half rope twist pilasters enclosing a 14 inch arched white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch, floral painted corners, marked Thos Bott and Co., Liverpool, eight day movement striking on a bell above a triple fronted arch top three quarter length crossbanded trunk door, flanked by rope twist pilasters above a crossbanded panel and base board on shaped apron and bracket feet, 222cm high.
Lot 164
A George III oak longcase clock, later carved, the ogive moulded cornice, lunette carved above an arched glazed door flanked by barley twist pilasters enclosing an 11.5 inch engraved brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and date aperture in the centre, the dial inscribed William Barnish, pierced cherub mask spandrels, and cherub and fruit basket crown in the arch, eight day movement striking on a bell above a foliate carved shaped top trunk door lunette carved moulding and lozenge carved base board and raised on shaped bracket feet, 211cm high.
Lot 229
A George III oak and mahogany cross banded bureau, late 18th century, the bevelled planked cross banded fall front enclosing a fitted interior centred by a cupboard door and reeded book slides within an arrangement of shallow drawers, pigeon holes and cross banded short drawers, above two short and three long graduated cock beaded drawers with gilt brass swing handles and lock plates flanked by fluted front quarter pilasters and raised on bracket feet, 116 cm wide, 53 cm deep, 109 cm high
Lot 154
A George III oak and mahogany crossbanded cottage longcase clock, 18th century and later, the square hood with broken scroll swan neck pediment and ball and spire finial above a glazed door enclosing a 12 inch square white enamel dial marked E. King, Warwick, Arabic numerals, date aperture painted with roses in the corners, striking on a bell between reeded brass capped pilasters above a crossbanded three quarter length trunk door flanked by brass capped fluted quarter pilasters over a further tablet and crossbanded base board and later plinth, 206cm high.
Lot 217
A Victorian ebonised walnut cross banded and inlaid and gilt metal mounted credenza, third quarter 19th century, the rectangular top with rounded corners and protruding pilaster capitals, above an indented arched panel door, centred by an oval Sevres style gilt metal mounted bleu celeste panel of figures in a country landscape, enclosing a single claret velvet lined interior shelf flanked by fluted pilasters and glazed side doors enclosing further shelves and raised on squat bun feet, 165 cm wide, 44 cm deep, 110 cm high
Lot 148
A George III mahogany longcase clock, late 18th century, the arched hood with broken scroll swan neck pediment centred by a reeded flame and urn finial above blind foliate carve frieze and arched glazed door enclosing a 13 inch brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, foliate engraved centre, cherub spandrels with disc in the arch marked Tempus Fugit, eight day movement striking on a gong the hood with fluted pilasters above a foliate moulding and full length trunk door with shaped door flanked by fluted quarter pilasters over a base board and canted fluted corners on shaped bracket feet, 205cm high.
Lot 146
A Victorian mahogany drop dial wall clock, mid 19th century and later, the 12 inch white enamel dial with Roman numerals and blued steel hands, behind a glazed door with brass bezel, double fusee movement, the mahogany case with pendulum window in foliate frame and mounted with foliate brackets, side access doors and drop down convex access door, 72cm overall height.
Lot 152
An oak and rosewood crossbanded cottage longcase clock, early 19th century, the square hood with broken scrolls, swan neck pediment above a glazed door flanked by turned pilasters enclosing a 12 inch white enamel dial with Roman numerals marked Parlow Montgomery above a curved date aperture painted with figures and classical ruins to the corners, 30 hour movement striking on a bell above a three quarter length crossbanded trunk door with foliate lozenge inlaid central motif showing a bird and mother of peral flowers, the door with shaped top above a plain panel and conforming crossbanded base board with lozenge motif and on bracket feet, 202cm high.
Lot 159
A George III oak longcase clock, the ogive moulding above a blind fret carved cornice and glazed square door flanked by turned gilt capped three quarter pilasters enclosing and 11.5'' square brass dial with silver chapter ring and Roman numerals, cherub spandrels and date aperture, the dial inscribed Richd Evans, Oswestry, eight day movement striking on a bell above an ogive moulding and rectangular bevelled trunk door further moulding and plain base board and plinth base, 200cm high.
Lot 153
An oak and mahogany crossbanded cottage longcase clock, part George III, the square hood with broken scrolls, swan neck pediment and brass ball and spire finial above a glazed door enclosing an associated 11 inch square dial inscribed Hill, Stafford with single hand silvered chapter ring with Roman numerals and pierced foliate spandrels, 30 hour movement striking on a bell between later reeded pilasters above a crossbanded trunk door flanked by fluted quarter pilasters over an ogive moulding and opine base board and plinth, 210cm high.
Lot 151
A George III oak cottage longcase clock, late 18th century, the square hood with ogive cornice and blind fret carved frieze above a glazed door flanked by turned pilasters and enclosing an 12 inch engraved brass dial inscribed Hinksman Broseley with silvered chapter ring Roman numerals and Arabic seconds ring, subsidiary seconds dial and date dial and foliate engraved to the centre, foliate cast spandrels, 30 hour movement striking on a bell above an ogive moulding and long trunk door with shaped top over a further plain panel and on bracket feet, 205cm high.
Lot 218
A Dutch walnut and inlaid breakfront display cabinet, 19th century, the break top arched ogive cornice above a ribbed glazed door and two short drawers and shaped apron flanked by two glazed cabinet doors above short cupboard doors and the whole raised on six compressed ball and tapering pilasters joined by a shaped platform stretcher and on elongated bun feet, 156 cm wide, 43 cm deep
Lot 143
An English dial clock, late 19th /early 20th century with 12.5 inch white enamel dial marked Atkinson and Co, Westminster Bridge Road; with Roman numerals behind a bevelled glass door with brass bezel, single fusee movement with lower convex access door and side door contained within a dark stained and varnished case, 40cm wide.
Lot 362
A 19th Century Hand-Coloured Illustration of a Barouch or Landay Wicksteed Carriage-on card measuring 10"x6". It features two lifting flaps which show either a hard or soft folding top and coachman's seat covered or uncovered. The suggestion of a coat of arms on the carriage door intimate that in it's day, from the 18th C well into the 19thC, this was an extremely expensive mode of transport.
Lot 376
The Foundling Hospital -A water, colour and ink drawing 3.1/2"x5.1/4", 7"x9" overall, a matronly figure stands in a doorway above which is the legend 'Supported by voluntary contributions!' in her hands she bears a paper which says 'Donations thankfully received' in the background a nurse holds a small baby, herbb in a mug on the window-sill and a mat by the door indicate some attempt at comfort, in it's day the hospital, (founded 1739) was supported by artists Hogarth, Gainsborough and Reynolds, 17 dukes, 29 earls, 6 viscounts and 20 barons, the picture, signed 'EM' was among the papers of Sydney, lady Morgan 1776-1859.
Lot 1063
*A Regency mahogany sideboard, in the Scottish taste, the bowfront sunken central top fitted two frieze drawers, flanked by pedestal supports with diagonally gadrooned caddy tops above cupboard door to one side and swivel door to other revealing bottle stands to interior, each with brass lion mask and ring handles, tapering panel doors under enclosing shelves, flanked by shaped pilasters, raised on carved paw pattern feet, 87 x 29 x 48in high.
Lot 450
Buchan (John) Montrose, 8vo, cloth, dust-jacket, portrait, 1928; Sir Walter Scott, 8vo, cloth, portrait, 1932; Oliver Cromwell, 8vo, boards, portrait, 1934; The King's Grace, 1910-1935, 8vo, cloth, dust-jacket, colour portrait, 1935; Augustus, 8vo, cloth, portrait, 1937; Memory Hold-the-Door, 8vo, cloth, portrait, 1940, all first editions, with 2 others by Buchan. (8)
Lot 423
STAR WARS TRILOGY (1977) - ILM Motion Control 'Rama' Camera This Technirama camera, serial G-9, was owned by visual-effects house Industrial Light & Magic (ILM] and was used extensively for effects photography on all three original Star Wars films. The camera was used on a motion control rig with a large multi-axis geared head. It was ILM’s second motion control camera behind the well documented Dykstraflex, and was known at ILM as the 'Rama'. The camera began its life as a 3-strip Technicolor camera manufactured in the 1930s, and in the 1950s was converted to the Vista Vision format. When ILM was established by George Lucas in 1975, Vista Vision was selected as the VFX film format of choice. Camera reports from Star Wars: A New Hope show this unit was used extensively, and shot key elements such as X-wing and TIE Fighter models. The camera is also noted in a period interview as having filmed the famous 'jump to hyperspace' streak photography shot. After the first film, the camera worked again on The Empire Strikes Back and Return of the Jedi and other ILM films of the period, including Raiders of the Lost Ark, Dragonslayer, Poltergeist and E.T. It remained part of ILM’s camera department throughout the 1990s.The camera has an ILM-installed brass plate on the side door marked '1', indicating it was the number-one Technirama camera ILM owned. It is in complete running order, with its original movement (the intricate mechanical component that shuttles the film through the body) intact. A 28mm lens is currently fitted to the body. It includes an original co-axial magazine that appears in several behind-the-scenes Star Wars photographs. Also included is an original ILM motor, a friction head, Mitchell tripod and tripod spreader for display set-up. Additional accessories include a Technirama component case labelled 'Star Wars Corp, EMI Studios, London' and an ILM Camera control box. The case holds additional lenses and filters. The camera control box is labelled 'G-Nine Rama' and is adorned with an ILM magician sticker and a Lucasfilm Ltd. tag. The controller is designed to connect to a servomotor and is not in working order. The camera is supplied with a detailed letter of provenance from ILM visual-effects supervisor Richard Edlund. Copies of ten original camera reports documenting this camera on Star Wars: A New Hope are also included, representing a small portion of the shots the camera was used for. Also included are copies of photographs from all three Star Wars films where the camera can be seen working. Markings and paint scratches on the camera today are clearly visible in the vintage photographs. This camera is responsible for capturing some of the most memorable shots and sequences in cinema history. Camera body dimensions: 66 cm x 28 cm x 48 cm (26" x 11" x19"); magazine dimensions: 52 cm x 20 cm x 13cm (20½" x 8" x 5 ¼")*This lot is currently located in Prop Stores Los Angeles facility and will ship directly to the buyer from Los Angeles. Please see the Conditions of Sale for information on applicable VAT and/or import duties. VAT Status - US
Lot 451
ILM (INDUSTRIAL LIGHT AND MAGIC) - ILM Tweenie Light Filters A set of three Tweenie light filters and their storage box from Industrial Light& Magic. These filters were used to soften the light produced from Mole-Richardson Tweenie II Solarspot Fresnel stage lights used onset by ILM. The filters are made of metal wire within a round metal frame and would fit between the lens and barn door ears on the exterior of the light. The two complete filters show dark discoloration in the wire due to heat exposure, while the half filter shows minimal use. The set includes an open wood carrying box with 'TW','TWEENIE' and the ILM logo spray-painted in white. The lot shows minor wear due to production use and remains in very good condition. Dimensions: 18 cm x 18 cm x 5 cm (7" x 7" x 2") VAT Status - OMEGA
Lot 516
FILMED IN SUPERMARIONATION (2014) - Thunderbird 2 Model Miniature A model miniature of transporter aircraft Thunderbird 2 from the documentary Filmed in Supermarionation. This model screen matches to a scene demonstrating a landing sequence of Thunderbird 1 and Thunderbird 2, used to show how the puppetry techniques in Thunderbirds created the illusion of motion, when the models were in fact, stationary. The main body of the model is made of fibreglass with plastic wings, fin and engines. It is painted green, with yellow and red detail, and white decals displaying the bold 'Thunderbird 2' logo on the sides, fin and underside. The craft features intricate detail, including vents and rear lights painted to imitate metal. A removable fibreglass pod is located in the centre of the model and can be separated from the main body via two small latches. The pod itself displays the number '5' on the door, which opens to reveal a faux-metal ramp. The wings display signs of repair, however the model remains overall in very good condition. Dimensions: 90 cm x 69 cm x21 cm (35 ½" x 27 ¼" x 8 ¼") VAT Status - Margin
Lot 508
An oak longcase clock, arched brass dial, signed Hugh Inglis, Witley, 1912, with three revolving chapters indicating day, date and month, moonphase lunette and with spandrel dials, Chime-Silent, Whitt-West-Nicel, Strike-Silent and Repeat, three chain weight-driven movement striking on nine bells, mercury compensated pendulum, case with swan-neck pediment and glaze door, height 237cm.
Lot 1048
George III mahogany bureau bookcase with moulded cornice and adjustable shelves enclosed by a pair of astragal glazed doors, the base with sloping fall enclosing fitted interior of drawers and pigeon holes flanking central inlaid cupboard door, sliding out to reveal secret drawers to the rear having four long graduated drawers below on bracket feet, 108cm wide x 55cm deep x 234cm high
Lot 951
19th century longcase clock with eight day movement striking on a bell, 13 inch breakarch dial with floral spandrels, the breakarch with moon roller, country house and shipping decoration, in a mahogany case with arched door, the hood with swan-neck pediment and ball finials, 250cm high (weights, key and pendulum present)
Lot 1095
Pair 19th century marquetry inlaid walnut pier cabinets, each with original velvet-lined shelved interior enclosed by glazed door, the cabinets decorated with trailing floral marquetry and ormolu mounts, one cabinet bearing original paper label to the reverse - Edwards & Roberts, Upholstery Warehouses, Wardour Street, London, 84cm wide x 106cm high x 35cm deep CONDITION REPORT Some veneer losses toward foot of each base, possibly slight veneer patches. Only one key between each two cabinets. Doors function well with snug fit, mounts good quality with some wear. Original lining to interior with a little fading/time staining. Apart from the plinths generally good condition
Lot 1093
Fine George I small red walnut bureau bookcase, the upper part with mirrored cabinet door enclosing a fitted interior and surmounted by a broken architectural pediment, centred by a carved cartouche with painted date 1726 and having a single candle-slide to the base, the sloping front to the lower section enclosing a fitted interior and having three long graduated drawers with original brass handles, on bracket feet, 72cm wide x 62cm deep x 211cm high. Provenance: By Family repute, this piece is believed to have been made for the Reverend William Aislabie (1622 - 1741), the Rector of Birkin, near Pontefract, Yorkshire CONDITION REPORT By family repute the provenance is as follows: The bureau was made in 1726 for: 1. Rev. William Aislabie (1692-1741) Rector of Birkin, near Pontefract, Yorkshire then passed down to: 2. His son, Rawson Aislabie (1732-1806), East Smithfield merchant 3. His son, Benjamin Aislabie (1774-1842), founder of the MCC 4. His daughter, Louisa Aislabie (1809-1887), married Charles Ginkel Landon (1803-1861) 5. Her son, Col. Aislabie Landon (1842-1923) 6. His son, Philip Aislabie Landon (1888-1961), Bursar of Trinity College Oxford 7. His nephew, Theodore Landon (1926-2008)
Lot 950
Early 18th century longcase clock with eight day movement, brass 12 inch breakarch dial with face mask spandrels, wheat-ear borders, matted centre with subsidiary seconds dial and calendar aperture and silvered chapter ring, signed in the arch - John Smorthwait Colchester, in a black chinoiserie lacquer case with full-length arched door, caddy hood with similar lacquer decoration, 228cm overall height (pendulum, winding key and two weights present)
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235346 item(s)/page