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A Regency mahogany sideboard. With fan patera inlay to corners of cupboard doors and drawers. Height 92cm Width 152cm Depth 62cm. Cracking to back panel. Knocks to wood. Crack to back edge on top. Top lifting and slightly bowed. Chip to corner of right hand cupboard door. Knocks to wood. Minor lifting of veneer in places.
Dorothy Iannone (Boston 1933 – lebt in Berlin). „I lift my lamp besides the golden door“. 1977Farbserigrafie auf Papier. 83,7 × 59,6 cm (33 × 23 ½ in.). Signiert.Einer von 100 nummerierten Abzügen. [3308]Zustandsbericht: Ex. 62/100. Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. In 3 Blattecken jeweils eine Knickspur (bis zu 3,4 cm). An der rechten Blattkante oben eine leichte Bestoßung mit drei kleinen Knicken mit einhergehenden Farbverlusten (je bis zu 0,5 cm). Vereinzelt leichte Bereibungen und kleine Kratzer, an den Kanten mit vereinzelten Farbverlusten.Wir berechnen auf den Hammerpreis 32% Aufgeld.
A late 19th century German wall clock with an 8-day spring driven movement striking the hours on a coiled gong, in a mahogany case with a shaped pediment and turned columns flanking a full-length glazed door, with a two-part dial enamel with Roman numerals, minute track and pierced gothic designed hands, gridiron pendulum and beat plate. With Key.Dimensions: Height: 100cm Length/Width: 36cm Depth/Diameter: 18cm
A single fusee 8-day wall clock in a mahogany effect case, with a 13" wooden bezel and 10" painted dial, dial inscribed 'S.I.R. Jno Walker Ltd 63 New Bond Street, London' with Roman numerals, minute track and spade hands, spun brass bezel (without glass). case with side door and pendulum regulation door. With pendulum and key.
A late 19th century drop dial fusee wall clock in a mahogany case with brass inlay and a carved representation of flowers flanking the glazed pendulum viewing glass, with case side door and pendulum adjustment door, 12" painted dial inscribed 'DURRANT, Croxley Green', with Roman numerals, minute track and steel spade hands, within a flat bevelled glass and spun brass bezel, single fusee 8-day movement. With pendulum & Keys.
An American 'New Haven' late-19th century wall clock in a Rosewood case with parquetry inlay, carved 'ears' flanking the glazed pendulum viewing door with a glazed sloping base beneath, 12" painted dial with Roman numerals, minute track and steel Maltese cross hands, enclosed by a flat glass within a spun brass bezel, twin train 8-day spring driven movement sounding the hours on a bell. With a repouss� brass pendulum.
A 20th century wall clock in a mahogany case with a deep wooden bezel, side door and pendulum adjustment door, white 8" dial inscribed 'French & Son, London' with Roman numerals, minute track and brass spade hands enclosed within a flat glass and cast brass bezel, single train 8-day fusee movement. With pendulum.
A late 19th century German spring driven 'Vienna' wall clock with a fully glazed door flanked by turned columns with ionic capitals and carving, replacement pediment depicting a prancing horse, with a two-piece enamel dial, Roman numerals, minute track and gothic steel hands, 8-day movement striking the hours and half hours on a gong, with a gridiron pendulum and beat plate. With key.Dimensions: Height: 89cm Length/Width: 32cm Depth/Diameter: 16cm
A compact Victorian longcase clock c 1840 with a thirty hour chain driven moment in a mahogany case with a Swans neck pediment and break arch hood door, trunk with canted corners and short trunk door on a square plinth with applied moulding to the base, fully painted break arch dial with representations of fruit to the spandrels and a hunting scene to the arch, with Roman numerals, minute track and plain brass hands, "dummy� winding arbors and the makers name "Sam Polack, Pontypool� inscribed on the dial, countwheel striking movement, striking the hours on a cast bell. With weight & Pendulum. Dimensions: Height: 210cm Length/Width: 48cm Depth/Diameter: 25cm
An eight-day longcase clock in an oak and mahogany case, retailed by the 19th century Cattaneo family of clockmakers in Stockton, with a swans neck pediment, central brass finial and brass paterae, break arch hood door flanked by two turned and ringed pilasters, trunk with a short twin spired oak door with mahogany crossbanding, on a tall rectangular plinth with a shaped base, fully painted break arch dial with matching spandrels and a depiction of a country cottage to the arch, with Roman numerals, minute track, seconds dial and stamped brass hands, movement striking the hours on a cast bell. With pendulum, key and one weight. Dimensions: Height: 218cm Length/Width: 48cm Depth/Diameter: 23cm
A 20th century longcase clock made to celebrate the millennium in the year 2000, this clock being No 2 of only 200 manufactured by Richard Broad in Bodmin Cornwall, with a mahogany effect case and traditional swans neck pediment with three brass finials, break arch hood door on a trunk with recessed columns and full length glazed door, on a square plinth with inlay and a shaped base, brass dial with brass spandrels, silvered chapter ring, seconds dial and working moon phase to the arch, weight driven three train movement striking the quarters and hours on 12 gong rods, with a choice of St Michael, Westminster and Wittington chimes, with chime selector and chime/silent facility. With three brass cased weights and gridiron pendulum.Dimensions: Height: 206cm Length/Width: 50cm Depth/Diameter: 30cm
A mid-19th century oak and mahogany longcase clock with a swans neck pediment, brass paterae and a central ball and eagle finial, stepped break arch hood door and flanking waisted pillars with brass capitals, mahogany veneered trunk with canted corners and a short contrasting oak door with applied carving above on a rectangular oak plinth with a shaped base, painted break arch dial, roman numerals and minute markers, matching brass hands with a semi-circular calendar aperture and date disc behind, depiction of a floral bouquet to the break arch and conforming spandrels, dial pinned directly to a 30-hours chain driven movement with countwheel striking, striking the hour on a cast bell. With pendulum and weightDimensions: Height: 219cm Length/Width: 48cm Depth/Diameter: 23cm
An oak longcase with mahogany cross banding and inlay, pagoda pediment with an inlaid oval and central ball and spire finial, recessed break arch door flanked by two reeded pillars with brass capitals, oak trunk with a long door and break arch top with cross banding on a rectangular plinth with raised bracket feet, 12� break arch brass dial with a circular boss to the arch inscribed �John Sharpe, Coggeshall�, with dolphin spandrels to the arch and matching �C� spandrels to the corners, with a fully engraved dial centre, semi-circular date aperture with date disc behind and subsidiary seconds dial, chapter ring with Roman numerals and half hour markers, minute track and five-minute Arabic's, dial pinned via a cast Iron falseplate to an eight-day rack striking movement, striking the hours on a cast bell. With bell, pendulum, brass cased weights and key. Dimensions: Height: 220cm Length/Width: 44cm Depth/Diameter: 24cm
Pair early 20th century Hepplewhite style mahogany pedestal cabinets, cavetto moulded top with foliate carved edge over secret frieze drawer with applied trailing floral and ribbon decoration, each with button release underneath, oval panelled door with trailing harebell and central flower head motif decoration enclosing shelves, fitted cutlery drawer and lined cellarette drawer, on turned acanthus carved feetDimensions: Height: 112cm Length/Width: 45cm Depth/Diameter: 53cm
18th century c1760 oak cased George III longcase clock by William Eastwood of Burnley, with a stepped caddy top on a projecting cornice and blind frieze, square glazed door flanked by two turned pillars with gesso capitals, trunk with conforming recessed pillars and a full length wavy topped door, on a square plinth with a raised panel and shaped skirting, 12� square brass dial, 11� chapter ring with Roman numerals and five-minute Arabic's, �C� scroll and castle gateway pattern spandrels and original steel hands, engraved dial centre with the Latin motto �Memento Mori� (a reminder of the inevitability of death) and the initials �JD�, with a semi-circular date aperture and engraved date ring behind, conforming �penny-moon� with lunar date aperture, dial pinned directly to a rope driven 30-hour countwheel striking movement, striking the hours on a cast bell, with pendulum and weight. The movement backplate is engraved with the name of the maker of the clock and dated 1762, a rare and unusual feature seldom found on longcase clocks. William Eastwood is recorded as working in Burnley (Lancs) c.1750-c.1795Dimensions: Height: 220cm Length/Width: 50cm Depth/Diameter: 25cm
Zwei Puppenstuben mit Zubehör, um 1910/20, a. zwei Räume, orig. Gehäuse mit einer Verbindungstür und zwei Fenstern, Schlafzimmer mit zwei Betten, Schrank, Spiegelkommode und zwei Nachtschränkchen, Wohnzimmer: Sofa mit Umbau, Tisch und vier Stühle, Vertiko, Standuhr später, 10 Puppenstubenpüppchen, 1940er Jahre bis Neuzeit, ca. 36.5 x 92 x 34cm, b. Puppenstube mit zwei Fenstern, altes Gehäuse, Aufsatzkommode, Sofa und zwei Stühle, zwei Nähmaschinen, Einrichtung teilweise später, ca. 36 x 51 x 28 cm, beide Puppenstuben mit Alters- und Gebr.-sp.Two dollhouses with accessories, around 1910/20, 1. two rooms, original Housing with a connecting door and two windows, bedroom with two beds, wardrobe, mirrored chest of drawers and two bedside tables, living room: sofa with conversion, table and four chairs, vertiko, grandfather clock later, 10 dollhouse dolls, 1940s to modern times, approx. 36.5 x 92 x 34cm, 2. Doll's house with two windows, old housing, top chest of drawers, sofa and two chairs, two sewing machines, some of the furnishings are later, approx. 36 x 51 x 28 cm, both doll's houses with damage of age and usage
Boulle-Uhr, Frankreich um 1870, seitlich geschwungenes Holzgehäuse, in aufwendiger Boulle-Technik (besch./gelockert), verzierte Bronzeapplikationen, Innenraum ebenfalls in Boulle-Technik, Glas von Türe liegt lose bei, Emailkartuschen, Fleur-de-Lis- Zeiger, Namenskartusche von Verkäufer: Gille Seline Paris und Beyer Zürich, auf Werktüre Widmungsplakete Zugerberg-Rennen 1928 usw., rundes Pendulenwerk mit Halbstd.-Schlag auf Glocke, Lfd. ca. 1 Woche, Pendelfeder, Sonnenpendel, Herstellerpunze entfernt, H. ca. 56cm, WZ 3-4, GZ 4Boulle clock, France, around 1870, wooden case curved at the side, in elaborate Boulle technique (damaged/loosened), decorated bronze applications, interior also in Boulle technique, glass from the door is enclosed loosely, enamel cartouches, fleur-de-lis Hands, name cartouche from the seller: Gille Seline Paris and Beyer Zurich, on the factory door dedication plaque Zugerberg race 1928 etc., round pendulum movement with half-hour strike on the bell, serial no. approx. 1 week, pendulum spring, sun pendulum, manufacturer's hallmark removed, H. approx. 56cm, condition of movement 3-4, housing 4
Sekretär nach barockem Vorbild, 20. Jh., dickes Nußbaumfurnier, auf Weichholzkorpus, Inneneinrichtung mit vier Schubladen und einer Tür, mit vertieftem Fach und Schiebeabdeckung, drei Schubladen, doppelt geschweift, ca. 98 x 41 x 97 cm, EZ 3Secretary based on the Baroque model, 20th century, thick walnut veneer, on softwood body, interior with four drawers and one door,with recessed compartment and sliding cover, three drawers, double curved, approx. 98 x 41 x 97 cm, condition 3
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235302 item(s)/page