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A late 19th/early 20th Century doll`s house, `Clarendon House`, with brick effect finish, the pitched roof with two chimneys, the double opening front with four windows and front door, opening to reveal four rooms and a staircase, height approx 64cm, width approx 66cm, depth approx 30cm (playwear, faults and restoration).
An early 20th Century doll`s cottage, the hinged faux tiled roof with two chimneys and six chimney pots, opening to reveal a hallway, kitchen, living room and bedroom, fitted with a hinged front door and six windows, height approx 36cm, width approx 56cm, depth approx 40cm (playwear), together with a collection of doll`s house furniture and accessories, including a painted dresser, tinplate fireplaces, a metal bed, a gilt metal gong and stand, a pair of gilt metal candlesticks, a Mauchline cradle, a wash stand, seven doll`s house dolls, porcelain and glassware, etc (playwear).
An early/mid-20th Century doll`s house, the gabled roof with dormer window, the opening front with five windows, door and porch with pitched roof, opening to reveal two rooms, on a plinth base, height approx 76cm, width approx 44cm, depth approx 31.5cm (playwear), together with a collection of wooden doll`s house furniture and accessories (playwear and faults).
Barrand & Lunds, London: an inlaid mahogany mantel timepiece, the silvered roman dial inscribed maker's name and numbered 7739, engraved name to backplate, single fusee movement with anchor escapement, domed case with carrying handle, glazed door engraved inscription to border, the frieze inlaid with a butterfly, brass bracket feet, 12 1/2in. high.
Eardley Norton: a George III mahogany and brass mounted striking and musical bracket clock, the dial with foliate, scroll and flowerhead spandrels to the silvered roman and arabic chapter ring, the matted centre with date aperture, ornate pierced hands, the arch with silvered subsidiary dials for strike/not strike and chime/not chime and music section for tunes (March, Minuet, Song, Cotillion, March, Dance) centred by a recessed nameplate signed Eardley Norton London 2074, six pillar movement with triple fusee movement and verge escapement, hour strike on bell and music on thirteen bells with fifteen hammers, 5 1/4in. cylinder, two full repeat levers, the backplate engraved with leaves and scrolls around a cartouche signed Eardley Norton London, also numbered 2074 in top right corner, engraved securing brackets, the case with leaf and urn finial on fluted supports (damaged), caddy top flanked by four vase pattern finials, pierced brass foliate fretwork sides with material backing, brass handles, arched glazed front door with fretwork detail, fluted canted corners with brass detail, brass lined plinth base on brass bracket feet, 21in. high (not including detached finial and support). Eardley Norton is listed as working at Clerkenwell between 1762 and 1794. He was a member of the Clockmakers Company and had a reputation for making complex timepieces, sometimes with musical and astronomical movements for the export market. PROVENANCE Purchased by the vendor's grandfather William Strang, 1st Baron Strang (1893-1978) whilst Charge d'affaires at the British Embassy in Moscow 1930-1933. Thence by descent.
A Victorian oak and mahogany banded longcase clock, the circular painted arabic dial with subsidiary seconds dial and date aperture, two train movement with anchor escapement striking on a bell, the case with cavetto cornice above plain frieze, door below with circular glass panel flanked by columns, rectangular waist door with re-entrant top corners, panel base with bracket feet, 82 1/4in. high.
Jno. Johnson, Walton: a Georgian oak longcase clock with silvered roman dial, outer arabic numerals, with ornate engraving of exotic birds and floral scrolls to centre, subsidiary seconds dial and date aperture, name boss to the arch, foliate finials, two train movement with anchor escapement, the case with plain top above arched glazed door flanked by columns, rectangular waist door on panel base with plinth support, with weights and pendulum, 84in. high.
William Anthony, Truro: a mid 18th Century black lacquered longcase clock, the brass roman dial with arabic outer numerals, subsidiary seconds dial and date aperture to the matted centre, name boss to the arch, foliate spandrels, two train movement with anchor escapement, the case with caddy top, turned finials, glazed arched door flanked by columns, arched waist door, panel base on later raised skirting, the whole covered in chinoiserie designs, 92in. high, with weights and pendulum.
James Head, Bridnorth: an oak longcase clock, with square 10 3/4in. brass roman dial, single pointer and engraved James Head, mask and scroll spandrels, the brass pillared movement with anchor escapement and engraved wrought iron detail (originally dial and pillared movement, probably a hook and spike clock adapted to fit case), the associated case with plain frieze above single glazed door flanked by turned columns, mahogany banded rectangular waist door, panel base on bracket feet, 78in. high.
A French silver plated mantel clock, the silvered roman dial with engraved leaf and shell design two train Japy Freres movement, with retailer's stamp 'Bennett, Cheapside, London', the case with leaf pattern ogee cornice above an arched bevelled glazed door, ebonised wooden sides, embossed rear door with classical figures, decorative plinth with ebonised inserts on leaf pattern feet.
Geo. Broadbelt, Gateshead: a Victorian mahogany longcase clock, with painted arabic dial, subsidiary seconds and date dials, foliate spandrels and Wellington and Battle of Salamanca scene to the arch, two train movement with anchor escapement, striking on a bell, the case with fretwork cornice above an arched glazed door flanked by columns, arched waist door, and panel base on bracket feet, 89in. high.
John Worsfold, Hampton Wick: a stained pine thirty hour longcase clock, the posted movement with anchor escapement, the brass dial with silvered roman chapter ring, engraved floral centre, single pointer, the case with blind fretwork frieze above a glazed door (detached), rectangular waist door on panel base with plinth support, with single weight and pendulum, 73 1/4in. high.
George Barron, Bowlers-green: a mahogany longcase clock, the arched brass dial with roman chapter ring, outer arabic numerals, matted centre with subsidiary seconds dial and date aperture, the brass with engraved outer edge, mask and foliate spandrels, two train movement with anchor escapement, the matched case with swan neck pediment, fluted bud finials, arched glazed door, flanked by fluted columns, arched waist door flanked by fluted quadrants, panel base on ogee bracket feet, 85in. high.
D. Robb, Montrose: a George III mahogany longcase clock, the painted roman dial with arabic outer numerals, subsidiary seconds and date dials, moon phase to the arch, two train movement striking on a bell, 1/4 striking on three bells, the case with broken pediment, with central brass finial above an arched glazed door flanked by fluted columns, line inlaid rectangular waist door flanked by fluted quadrants, on panel base with bracket feet, with weights and pendulum, 89in. high.
Richard Smith, Newport: a mahogany longcase clock, the arched brass dial with silvered roman chapter ring with outer arabic numerals, subsidiary seconds dial and date aperture to the matted centre, name boss to arch, two train movement with anchor escapement, case with caddy top above an arched door flanked by fluted columns with brass slips, shaped and moulded waist door flanked by fluted quadrants, panelled base on bracket feet, with weights.
John Barton, Manchester: a handsome George III mahogany longcase clock, the brass dial with silvered roman chapter ring, with arabic outer numerals, matted centre, strike silent dial to centre, date aperture, moon phase to the arch, cherub and scrollwork spandrels, two train movement with anchor escapement striking on a bell, the case with swan neck pediment above an arched door flanked by fluted columns, line inlaid shaped rectangular waist door flanked by fluted quadrants, panel base, feet detached but present, 93in. high without feet.
A German walnut regulator wall timepiece, the enamel dial signed with retailer's name of A. Sattele, Lincoln, with subsidiary seconds and hours dial, the single train movement with deadbeat escapement, bi-metallic pendulum, the supporting frame stamped R. Maurer, Eisenbach, numbered 1583, the case with ornate upper door, moulded cornice with acanthus leaf land flower chain frieze, glazed circular centre with moulded border, the arched glazed waist door with carved leaf detail to corner, carved canted sides, ogee style apron, 66in. high. See illustration
An unusual late 19th Century Vienna walnut regulator timepiece, the alabaster dial with roman numerals, centre sweep seconds, deadbeat escapement, the case with architectural pediment above a glazed door, slender waist section with glazed front and sides, glazed panel lower section with shaped apron, 62in. high.
A Vienna Grande Sonnerie quarter striking rosewood wall clock, the enamelled roman dial indistinctly signed with maker's mark, subsidiary seconds dial, with triple weight dead beat escapement, the case with ornate arched pediment flanked by finials, glazed arched door and glazed sides with shaped apron and finials, 71in. high. See illustration
Wm. Snow, Padside: a large Georgian mahogany longcase clock, the painted roman dial with outer arabic numerals, subsidiary seconds and date dial, with moon phase to the arch, foliate spandrels, two train movement with anchor escapement striking on a bell, the case with broken pediment and dentil cornice, brass finials, blind fretwork frieze, moulded arched glazed door flanked by fluted columns with giltmetal capitals, arched and moulded waist door flanked by fluted quadrants, panel base, shaped bracket feet, 104in. high approximately.
A George IV mahogany secretaire cabinet, the top section with flared dentil cornice above a plain frieze inlaid with stringing, a pair of glazed astragal doors below opening to reveal shelves, the lower section with inverted breakfront and secretaire drawer, the fitted interior with central cupboard door decorated Prince of Wales feathers, flanked by further drawers and pigeon holes, a pair of panel doors under with reeded decoration and opening to reveal a shelves, reeded pilasters to each side, raised on turned tapering feet, 44 x 22 x 98in. high.
An 18th Century style oak dresser, the raised back with moulded cornice above central arched panel door surrounded by open shelves and four short drawers, the base with three short frieze drawers fitted brass handles and escutcheons, raised on turned tapering legs terminating in pad feet, 61 x 22 1/2 x 77in. high.
An early 20th Century stained wood bonheur du jour, the raised back with central panel door decorated with a female figure and floral motifs above a single drawer flanked by open shelves, the top stained with shield-shaped foliate motif centred by cherubs, single frieze drawer below, raised on cabriole legs joined by shaped undertier with bow motif to centre, 27 x 17 x 49in. high.
A Victorian walnut serpentine front credenza, the frieze inlaid with floral motifs and fitted four brass bust medallions above caryatides, central ebonised panel door under, centred by inlaid flowers, flanked by shaped glazed panel doors also with floral inlaid floral borders, further gilt metal motifs, banding and inlay overall, raised on plinth base, 74 x 17 1/2 x 43 1/2in. high.
A William and Mary style oyster veneered walnut chest-on-stand, the crossbanded top above a combination of nine drawers each fitted with lacquered brass handles, centred by a cupboard door opening to reveal further interior drawers, moulded edge to stand below on turned legs joined by serpentine stretchers and bun feet, 35 x 17 x 44in. high. See illustration
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235302 item(s)/page