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A Victorian mahogany triple door wardrobe, late 19th century, the moulded cornice above three arched and moulded cupboard doors, the right side enclosing pegs and hanging space, the other two enclosing four sliding trays with two short over two long drawers below, on a plinth base, 79cm by 60cm by 210cm
FIVE ASSORTED DIECAST MODEL VEHICLES including a Corgi Classics Premium Edition No.26102, Albion Reiver 6-Wheel Platform Lorry 'Tyson Burridge'; and a Corgi Classics Premium Edition No.CC10102, Foden FG Tipper 'Keirby & Perry Ltd, Blackpool', each mint or near mint (one van with a broken rear door handle), each boxed.
A CHINESE BLACK AND GILT LACQUERED CABINET ON STAND, 19th century, having two doors gilt with figures in an island and pavilion landscape, with engraved brass lock plate and filigree strapwork hinges, the interior fitted with an arrangement of fifteen drawers, the centre inset with four open compartments and eight small drawers, with conforming lacquer work, the inner door panels painted with an exotic bird and a figure within a mirror-shape reserve, the stand with pierced angle brackets, on square legs, 95cm wide x 53cm deep x 158cm high. See illustration
A THOMPSON OF KILBURN 'MOUSEMAN' ENGLISH OAK AND BURR OAK SIDEBOARD, c.1928/1930, adzed, having a raised back with half penny moulding above three indented panels and half octagonal uprights, three drawers to the centre, flanked by a door to either side of four indented burr oak panels, with iron disc hinges, latch with ring handle, arched apron and inwardly curved stile feet, the sides of four and one indented panelling, carved in relief with a mouse to the inner leg, 137cm wide x 48cm deep x 106cm. See illustration
AN EARLY 20TH CENTURY PAINTED SATINWOOD BOOKCASE-CABINET, having an arched pediment painted with a ribbon tied portrait cameo flanked by floral sprays above two glazed doors, the side panels painted with flower filled urns, the semi-bow front lower section having a semi-reeded drawer above a single door cupboard, conforming decoration, on short foliate carved legs with fluted feet, 208cm high x 107cm wide x 52cm deep
A LATE 19TH CENTURY QUARTER-VENEERED SATINWOOD AND PAINTED DEMI-LUNE CABINET, painted with a flower filled urn and foliate scrolls within painted outlines, having a drawer with gilt metal rosette handles, above a two door cupboard, the interior fitted with four pull slides, flanked by a single door cupboard to either side, on square tapered and ball feet, 112cm wide x 51cm deep x 92cm high. See illustration
A FRENCH MAHOGANY AND GILT METAL MOUNTED VITRINE, of triple bowed outline, having a gilt metal flower filled guilloche frieze above a bowed glazed door and conforming side panels, the mirror lined interior with glass shelves, on angular cabriole legs with sabots, 67cm wide x 34cm deep x 137cm high
A KINGWOOD AND GILT METAL MOUNTED VITRENE in the style of Vernis Martin, of arched profile with foliate cresting, three quarter glazed panel door painted with a romantic couple in a landscape, the interior lined in fabric with glass shelves, on angled splayed legs with sabots, 67cm wide x 38cm deep x 173cm high
AN EDWARD VII MAHOGANY STAINED MANTEL CLOCK with arched case, the cornice with central roundel above a leaf scroll panel, the projecting lip above an arched brass face with silvered chapter ring with Arabic numerals, embossed applied gilt metal spandrels and chime/silent frame, eight day German movement, No 69 934, chiming on rods, bevelled glazed door flanked by split, turned, fluted pillars, stepped base and compressed bun feet, 47cm high
AN EARLY 18TH CENTURY EBONISED BRACKET CLOCK, the case applied with pierced mask and foliate scroll metal mounts, the 15cm square brass face with silvered chapter ring inscribed Paul Beauvais, London, Roman and Arabic numerals, matted centre dial with subsidiary calendar aperture and alarm ring, pierced blued steel hands, the spandrels pierced and cast with masks and scrolls, single train fusée movement with anchor escapement and pull repeat, foliate engraved back plate inscribed Paul Beauvais, London, glazed sides and rear door, bun feet, 36cm high (alterations). See illustration
Y A George III rosewood and satinwood crossbanded side cabinet, circa 1790, in the manner of Thomas Sheraton, the shaped top above a pair of grille doors opening to a shelved interior, flanked by a concave false grille door to each side, on tapering square legs terminating in brass ball feet, 84cm high, 98cm high, 46.5cm deep Provenance: Previously sold Bonhams, London, 7th March 2012 (£8,750) Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old splits and chips. Silk panels are replaced and are in generally good condition with just a few 'pulls'. Key present and operates lock. Dark filler or wax used disguised some scratches to one front corner of the top (see images). Some small old veneer repairs in places, these are well matched/disguised (see images). Some small areas of filler used (see images). Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A George III mahogany desk or 'writing table', circa 1790, attributed to Gillows, the rectangular top lifting on a double ratchet mechanism and with hinged rear edge doubling as a candle stand, above a long drawer fitted with a leather inset slide above twelve lidded compartments each marked alphabetically, the recessed kneehole cupboard door flanked on each side by a bank of three drawers, the rear of the desk with three central drawers flanked by a cupboard door on each side, on a shallow plinth base and castors, 86cm high, 132cm wide, 73cm deep (when closed)For two closely comparable examples, to include one stamped GILLOWS LANCASTER which is virtually identical (with the exception of the handles and some other minor features) , see Susan E. Stuart, Gillows of Lancaster & London, 1730 - 1840, Antique Collectors Club, 2008, page 337 and 377. The example on page 377 (Plate GG28) also stamped GILLOWS LANCASTER, although of pedestal type (lacking central cupboards) demonstrates a virtually identical treatment of the alphabetical letters to the interior lidded divisions and also has the similar feature of the hinged candlestand section at the top of the writing surface. Gillows illustrated this and described it as ' a little rising flap on top' and is an unusual feature. For a remarkably similar example, made by Gillows in 1778, see Christie's London, The English Collector, 23rd May 2013, Lot 24 (£15,000). Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits.Some old repairs. Some additional scratches to top. Hinged rest to back edge of top does not sit flat, hinges have eased over time. This hinged rest with small old filled holes to top from where screws to the hinges beneath have come through. Two neatly plugged holes to the front edge of the top from where a rest once sat. Some fading in areas. Some later tacks securing moulding at sides. One false door front as back of desk with section of moulding detached but present. Handles at the front, back and sides vary in form from one another.Handles to the back appear original but have been re-fixed. A side of plate of one handle is a later replacement. The 'rope twist' handles to the front appear to be of the period by are replacement. Each handle plate is secured with several screws, the original holes to the drawer fronts are now vacant. No key present, all locks are open. Inset surface to the slide could possibly be a replacement. It has the expected wear, scuffs and small losses. Section of replacement veneer to the frieze immediately above the drawer where the lock would be engaged. The fitted drawer with a handle of one lid lacking its fixture. The stops preventing the fitted drawer from being pulled out of the desk are lacking. Areas of loss to the edge and underside of the slide from where the handles of the fitted drawer have slid by. Lock to fitted drawer replaced. A small fillet of replacement timber has been used in this area and two filler holes are present to the front of the drawer from where the screws have come through. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Y A French kingwood and marquetry occasional table, in Louis XV style, early 20th century, the shaped marble top with pierced brass three quarter gallery, above a frieze drawer and a pair of cupboard doors, on door with inset glazed panel, on tapering cabriole legs terminating in sabots, the drawer stamped twice 'J.DOOLEY&SONS', 83cm high, 63cm wide, 40cm deep
A pair George III figured mahogany side cabinets or serving tables, circa 1810, in the manner of Thomas Sheraton, each demi-lune top with strung edge, above a central frieze drawer flanked by a false drawer front on each side, above a shaped tambour door, flanked by a cupboard door on each side opening to a shelved interior, on outswept tapering bracket feet, each 98cm high, 129cm wide, 56cm deepProvenance: Property from the Collection of the late Max HarariFor a related design of table by Thomas Sheraton, see Elizabeth White, Pictorial Dictionary of British 18th Century Furniture Design, Antique Collectors Club, 1990, page 255, plate 25. Whilst less similar in terms of decorative elements, see also Peter Ward-Jackson, English Furniture Designs of the Eighteenth Century, (V & A 1984), fig. 239 for a related overall design by John Linnell. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Some old minor chips and splits. Some fading to tops. A few sections of stringing have lifted. Metalware appears original. Key present and operates locks. Later paper stuck to tops of interior shelves. Both tambour doors run smoothly.Some old repairs with filler used in places. Condition Report Disclaimer
A George III padouk Pembroke table, attributed to Thomas Chippendale, circa 1760, referred to also as a 'Breakfaste' or Supper table, the twin hinged rectangular top with moulded edge, above a frieze drawer mounted with 'axe head' handles, the recessed gilt wire-work panel inset compartment beneath, fronted by a hinged and folding door, on square section legs, terminating in casters, 71cm high, 106cm wide (when open), 61cm deep Provenance: Earl of Perth, Stobhall Castle. Supplied to him by Ronald A. Lee (Works of Art, TheManor House, Byfleet, Surrey) 29th June 1965 (£450). Ronald A. Lee sold an astonishingly wide range of objects, to important collectors and museums all over the world. A key driver for him appears to have been the historical significance and beauty of objects.This table relates directly to a design for a 'Breakfaste Table' in Thomas Chippendales 1st Edition of the Gentleman and Cabinet Makers Director, (1754), plate XXXIII, and included again in the 3rd Edition of 1762 (Plate LIII). A comparable table was supplied to William, 5th Earl of Dumfries for Dumfries House, Ayrshire, Scotland. (See C. Gilbert, The Life & Work of Thomas Chippendale, London, 1978, vol.I, p.131, vol. II, fig. 401). The distinctive 'axe- head' handles of the current table are characteristic of Chippendale's output during the 1750's and 60's and feature on both a shaving table the comparable 'Breakfaste' or supper table at Dumfries House. For closely related examples see Christie's, London, 'Living with Art, a Private Collection' 10th Feb 2012, Lot 757 (£46,850) and Christie's London, The Mermaid House Collection, Important English Furniture 12th November 1998, Lot 20 (£44,400). Both examples were executed in mahogany rather than the rare use of exotic padouk that the present example is constructed using. Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use. Old chips and splits. Three splits running across top (see images for extent). 'Butterfly' repairs made to the underside of the top to secure these splits. These splits with very neatly applied slender fillet of additional timber to help disguise. The timber is very well matched. A later stretcher has also been applied to centre of the underside of the top. One hinged leaf with similar hair line split and 'butterfly' repair to underside. The edges of the top with sections of very well matched patches of timber adjacent to the hinged leaves (see images). Two keys present. One operates the the drawer, the other the door beneath. Some wear to the gilding of the metal panels and wirework. No major faults or losses to wirework. A very small number of old matched repairs using similar wire. All metalware original including locks and handles. No breaks or slices to the legs. Drawer lining is solid padouk. Some minor evidence of old worm to supports beneath leaves. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A pair of mahogany and gilt metal mounted cylindrical nightstands, in Empire style, 20th century, each circular variegated marble top above a single drawer and cupboard door, opening to a shelved interior, the upper shelf with porcelain lining, on a plinth base and concealed castors, each 80cm high, the top tops 45cm diameterCondition Report: Both with marks, knocks, scratches and abrasions commensurate with age and use. The tops with some minor chips to edges. Some old splits and chips to timber. Later screw to top of one cupboard beneath marble. Both doors with vertical splits (see images for extent). Horizontal split across one drawer (see image). One castor lacking, replace with a block of timber. Castors of other cupboard have moved position. Some wear to gilt of mounts. Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A Regency partridgewood collectors cabinet, circa 1815, in the manner of George Bullock, the rectangular top with pierced brass gallery, above a pair of doors, each centred by a classical male and a female profile portrait mounts respectively, the doors opening to two banks of eight drawers, on channelled turned tapering legs terminating in moulded semi-elliptical feet, 111cm high, 91cm wide, 52cm deep Condition Report: Minor marks, scratches, abrasions consistent with age and use.Minor old chips and splits. Some old repairs.Good original surface, a pleasant rich colour and patina. A high quality example of its type.The legs, rear panels, drawer Linings are original. The key is lacking. The main door lock is a period replacement as there is a fillet of timber adjacent.Additional concentrated scratching and some dark staining to the top. The drawers are all lined with stuck down paperOne carved petal element to the top of me front leg is detached and lacking.Some elements of the brass gallery are mishapen and several of the leaf Terminals of the gallery are lacking.The central panel of the right hand door is warped to a degree, causing a 'crease' towards the centre but no obvious split. Condition Report Disclaimer
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