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Click here to subscribeA Regency inlaid mahogany secretaire, with moulded edge top over dual oval inlaid panel fronted secretaire drawers enclosing pigeonholes and drawers around a central conch shell inlaid cupboard flanked by inlaid pilaster decorated secret drawers, with doors enclosing three sliding trays beneath, distressed, lacking one door, 105cm high, 127cm wide, 58cm deep.
A Victorian Reformed Gothic inlaid pitch pine matched three-piece bedroom suite, the wardrobe with shallow cornice over central mirror door flanked by panelled doors with chamfered lozenge inlaid uprights, enclosing linen trays and drawers beside hanging space, 203cm high, 188cm wide, 56cm deep; with a similar chest of two short and three long graduated drawers and a bedside locker, (3).
Charles Campbell, Bon..g, Early 19th Century mahogany longcase clock having a swan neck, moulded pediment arched glazed door flanked by turned inlaid columns, the enamelled face having floral decoration to the arch and thistles and roses to the spandrels, eight day movement with subsidiary date and second dial and columns on a similarly decorated base, 2.17m high.
Dutch silver miniature longcase clock, the hood cast with a figure and scrolls above a pierced trunk door and a bombay shaped base with lion paw feet, the circular white enamel dial with Roman hour numerals painted with a harbour scene, housing an 18th century London pocket watch movement, the case 833 standard with date letter for 1904, 24.5cm high
An 18th century one month longcase clock circa 1730, the 12 inch brass dial with cast woman's head spandrels, silvered Roman numeral chapter ring, subsidiary seconds dial and date aperture, the associated flame mahogany case circa 1900, the hood with brass capped fluted column supports, over an arched door, plinth base and bracket feet, 208cm high x 52cm wide x 27cm deep
Early 19th century oak longcase clock, the moulded cornice above a square glazed door flanked by 3 quarter fluted columns, above a rectangular trunk door and a panelled box base, the square 12 inch painted dial with date aperture, subsidiary seconds dial and Roman hour numerals, the 2 train brass movement with anchor escapement striking on a bell, 195cm high 47cm wide
Oak longcase clock with thirty hour movement, the 11 inch brass dial with silver chapter ring, signed Ashton Tydeswell, with calendar aperture, single hand and escutcheons emblematic of the 4 seasons, the hood with turned balusters over a banded arched trunk door on box base, with later plinth moulding, 200cm high
1920s walnut grandmother clock, with 8 day striking movement, the 7 inch arched brass dial with subsidiary seconds, date aperture and revolving date ball housed in moulded arched hood over feather banded and over moulded trunk door on boxed base with bracket feet, stands 56cm high including brass face pendulum and 2 brass cased weights, no keys to case or movement
Early 19th century oak longcase clock, the arched hood above a square glazed door, flanked by 3 quarter fluted columns, above a long trunk door and a box base with later plinth, the 12 inch painted dial, with subsidiary seconds dial and date aperture, signed C Suggate, Halesworth, with Arabic hour numerals, the thirty hour brass bird cage movement with false winding holes, with anchor escapement, striking on a bell, 211cm high
An early 18th century walnut floral marquetry one month longcase clock, circa 1710, the 11inch brass dial with cast woman's head spandrels, silvered Roman numeral chapter ring, subsidiary seconds dial and date aperture, the case with replacement hood, having barley twist supports over rectangular door with circular glass aperture and stepped plinth base (some later timbers) 206cm high x 49cm wide x 27cm deep
Late 19th century French carved walnut bookcase cabinet, the top section with raised centre fitted with an arched astragal glazed door, flanked by open panelled wings with twin fluted column supports and an arcaded frieze, the base section with rectangular moulded top above a pair of cushion moulded frieze drawers and a pair of panel cupboard doors, carved with grotesque masks and scrolling foliage, enclosing a single fitted shelf, flanked by fluted columns, on a stepped plinth and shaped front feet, 160cm wide 111.5cm high 60cm deep, formerly with raised supports between the 2 sections
Mid 19th century Tunbridge Ware rosewood table cabinet, the cushion shaped top with gauge work view of Eridge Castle, with tesserae mosaic rope twist pattern banding, enclosed by a pair of doors with 5 graduated drawers each with a different tesserae mosaic banded front, on bun feet, the top with damage to both sides, with some missing mosaics to side bandings with damage around door lock, 21cm high x 23cm wide
A LATE 19TH/EARLY 20TH-CENTURY WALNUT-CASED SPRING-DRIVEN VIENNA WALL CLOCK having a lobed and studded arched surmount centred by a female mask, flanked by turned finials, the trunk door having carved capitals and fluted pillars enclosing a white-enamelled chapter ring with Roman hours and red dividers in the style of Gustav Becker, the five-rod compensating pendulum with enamelled bob, 95cm, (37.4in) high
A LATE 19TH/EARLY 20TH-CENTURY WINTERHALDER & HOFMEIER OAK-CASED ALARM TIME-PIECE of rectangular form with inlaid basal door panel, the door enclosing a white-painted square face with Roman numerals, the movement stamped "W & H/ Sch.", striking a bell, on plinth base, 17.7cm x 12.7cm x 24.3cm high, (7in x 5in x 9.5in)
A LATE 19TH/EARLY 20TH-CENTURY WALNUT-VENEERED SPRING-DRIVEN VIENNA WALL-CLOCK having a split-turned finial on carved foliate supports, the arched spindle balustrade between fluted columns, on a trunk door with half-columns above turned pendants, the white-enamelled chapter ring, with red fleur-de-lis divisions in the manner of Gustav Becker, framing a brass centre modelled in relief with flowers, striking on a coiled gong, 106cm, (41.7in) high (sold with pendulum and key)
AN UNUSUAL ANONYMOUS GEORGIAN TRANSITIONAL BRASS-DIALLED EIGHT-DAY LONG-CASE CLOCK MOVEMENT, the matted centre with subsidiary seconds dial and calendar aperture, the chapter ring with inner quarter hour and outer one minute divisions, Roman hour numerals and Arabic minutes, within Baroque-style spandrels cast with confronting cherubs holding a crown aloft, 30.5cm, (12in) square, with original four-pillar movement, works, bell and seatboard, housed in A LATE GEORGIAN OAK AND MAHOGANY LONG-CASE CLOCK CASE having a flat-topped hood with moulded cornice above glazed square door between turned columns, the arched door between quarter columns on a plain base with
A GEORGE I OAK LONG-CASE CLOCK CASE, having a flat hood with square door, the plain trunk with arch-topped door,on a plain base with deep shaped apron and integral bracket feet, sold with AN EARLY 18TH-CENTURY BRASS-DIALLED SINGLE HAND MOVEMENT, signed "POWLEY, ASBY" [Westmorland], the 25cm, (10in) dial having a matted centre with circular date aperture in concentric surround, framed by a brass chapter ring with Roman numerals, the spandrels having well-cast female figures, emblematic of the Seasons, 214cm, (84.25in) high (sold with weight and pendulum) (probable 'marriage' of case and movement)
A GEORGE III MAHOGANY-CASED LONG-CASE CLOCK, the hood having a scroll-fretted swan-neck pediment with central turned urn finial and plain columns, the finely-figured arched trunk door crossbanded in fruitwood, between fluted quadrant columns, the base, with canted corners having a crossbanded panel, on shallow bracket feet, the 30-hour movement, with hourly striking on one bell, having an arched dial painted with an exotic bird to the arch and floral spandrels, the centre having Roman hour and Arabic minute numerals, secondary seconds dial and scroll-pierced hands, signed "Eml Burton/KENDAL", 218.5cm, (86in) high
A MASSIVE EARLY 20TH-CENTURY ARTS & CRAFTS STYLE FIRE SURROUND WITH FIREPLACE, in green-glazed tiles, green stained glass and wood, to rebuild, having a central section with dentil cornice, two pointed double door cabinets with six-pane clear-glazed doors, green tile fire surround with arched top and "round-the-corner" sides, above a copper fire hood, above a grate, the left section with open shelving and cupboards, the right section having a pair of mottled green-glazed cupboard doors each with circular tracery above nine panes, in turn above drawers and open shelves, approximately 288cm wide x 218cm high, (113.4in x 85.8in) (sold as seen; photograph shows item laid flat)
A WILLIAM IV FLAME MAHOGANY-VENEERED BOOKCASE the upper stage having a rectangular cornice above glazed door with pointed arched tracery, enclosing three adjustable shelves with original purple lining paper, and matching backing, the door having integral broadening pillars with carved capitals, the lower stage having a rectangular top above two blind-fronted frieze drawers, the twin cupboards, with integral pilasters enclosing a shelf, on a plinth base, 132cm x 51cm x 217.5cm high, (52in x 20in x 85.6in)
AN EARLY 20TH-CENTURY ARTS & CRAFTS-STYLE OAK WARDROBE having a serpentine cornice with shaped brackets above a bevelled rectangular-mirrored door between carved stylised flowering plants, above a long base drawer with twin punch-decorated shaped backplate bale handles, on bracket feet, 122cm x 53cm x 203cm high, (48in x 21in x 80in)
AN ARTS & CRAFTS OAK WARDROBE having a rectangular top on bracket supports above a rectangular door with bevelled mirror plate, enclosing hanging space, between two copper panels each decorated in relief with a sea creature, above a long drawer with backplate bale handles, on bracket feet, 103cm x 46cm x 192.5cmhigh, (40.5in x 18in x 75.8in) (later plyboard back)
A VICTORIAN MAHOGANY SIDEBOARD having a shaped arched backrail with scroll-moulded edging, the inverted breakfront top above three blind-fronted frieze drawers, twin central cupboards with foliate moulding on a shelf, between two similar cupboards, one enclosing a shelf above five-bottle cellaret,the other (door detached and needing attention, but present) enclosing two shallow tray shelves with cutlery racks above a shelf and deep tray shelf, all on an inverted breakfront plinth base, 193cm x 63cm x 166cm high, (76in x 24.8in x 65.3in)
A WILLIAM IV MAHOGANY SECRETAIRE BOOKCASE, in two near-matching stages, the upper stage having a moulded rectangular cornice with beading above two gothic-style arch-traceried glazed doors, enclosing three shelves, between beaded pilasters on a reeded base, the lower stage having a rectangular top with cushion-moulded edge above a beaded frieze, the fall-front secretaire drawer, with two beaded re-entrant oblong panels and wooden knob handles, enclosing a rosewood interior with central brass-strung retractable central door above a drawer, between two sets of three short over two long drawers and six pigeonholes, a secret valance drawer to each side, the writing surface
AN EDWARDIAN SHERATON REVIVAL-STYLE INLAID MAHOGANY DISPLAY CABINET having a rectangular cornice, the frieze centred by an oval satinwood and harewood shell patera, above a 13-pane glazed door with base panel matching the frieze, enclosing three shelves, on tapering square-section legs, 84cm x 38cm x 160cm high, (33in x 15in x 63in)
A tall French longcase clock in stained pine case with plain top over three hinged panels, the trunk with waisted door and glazed panel, raised upon a platform base; the movement with pierced and embossed brass decoration, white dial with Roman numerals, eight-day[?] weight driven movement striking on a single bell, 224 cms. high.
An early 20c walnut three-piece bedroom suite to comprise double wardrobe with stepped pediment, central glazed and panelled door, flanked by mirrored doors over one long drawer raised on bracket feet, 135 cms. wide; dressing table with triple hinged mirrors and small cupboards to the back supports over a stepped chest of two small and two long drawers, raised upon turned feet, 109 cms; the matching wash stand with marble back and top, mirrored small panel to the pediment over two cupboard doors, again on curved supports, 107 cms.
An 18c oak longcase clock with plain stepped pediment, turned pillars to the hood over a shaped and inlaid door with panel base on small bracket feet; the brass movement with silvered chapter ring, inscribed "John Agar, York", enclosing an eight-day movement with seconds and date dials, 197 cms. high.
A 17c style walnut and marquetry longcase clock, the hood, door and front of the trunk profusely inlaid with flowers, leaves, studies of birds, etc.; the hood with stepped top over barley-twist columns to the side of the hood, the base with rectangular door with glass oval panel, the whole supported on bun feet; the brass dial with silvered chapter ring and inscribed "Tho Bridge Londine Secit", enclosing an eight-day movement with seconds and date dials, 200 cms. high.
An early 20c inlaid mahogany grand-mother clock with inlaid shell and stringing decoration; the swan-neck pediment over a plain door with circular panel over a shaped larger door, panelled base on platform support; the silvered dial with Arabic numerals enclosing a sprung driven eight-day[?] movement striking the quarter hour on gongs, 188 cms.
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