A Regency mahogany longcase clock, the broken scroll swan neck pediment centred by a ball and spire finial above an arched glazed door enclosing 14 inch white painted dial with Roman numerals and subsidiary seconds dial and inscribed ‘Thos Read’, Manchester, painted with soldiers and camp followers to the corners, rolling moon phase in the arch with phases of the moon, 8-day movement striking on the bell between fluted pilasters above a tripe ogee trunk door flanked by cluster columns over an ogive moulding and boxwood strung base with canted angles and on ogee bracket feet, 234cm high
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A late George III mahogany longcase clock, the arched pagoda top with three ball and spire gilt brass finials and blind fretwork cresting above an arched glazed door flanked by stop fluted Corinthian columns enclosing a 12 inch arched brass dial with matted centre and subsidiary seconds dial with Arabic numerals and tablet marked in italic script ‘Danl Cornwell, Billericay’, the silver chapter ring with Roman and Arabic numerals, strike silent dial in the arch, C scroll and foliate cast spandrels, each side with blind fretwork gilded foliate panel, the 8-day movement with four ringed pillars and striking on a bell above a flame mahogany arched top trunk door with grooved raised border and flanked by stop fluted quarter columns with Corinthian capitols above an ogive moulding and raised panel and stepped plinth with shaped apron and on bracket feet, 258cm overall height
Frodsham; an oak cased bracket clock, second quarter 19 th century, the shaped case with fleur de lys carved finial and foliate carved glazed door enclosing a 9 inch canted silvered dial with roman numerals and strike silent dial in the arch and inscribed ‘Frodsham, Gracechurch Street, London, foliate engraved corners, the double fusee 8-day movement striking on a gong and with pull repeat, the back plate with curved top corners and stamped ‘Frodsham, Gracechurch Str, London, raised on foliate bracket feet, 43cm high, 18cm deep, 31cm wide Footnote: John Frodsham (1781-1849) is recorded at 33 Gracechurch Street, as a watch, clock and chronometer maker. John moved to Gracechurch Street in 1825 after the death of his father William. He was a livery man of the Worshipful Company of Clockmakers in 1830, the firm becoming Frodsham & Sons between 1835 and his death in 1849.
An oak and walnut cross banded longcase clock 18th century, the stepped ogive cornice above an open fret work frieze with red material backing above a square glazed door applied with half mouldings between Doric columns enclosing a 10” square dial with matted centre and single hour hand the silver chapter ring with Roman numerals and inscribed, ‘Browne Facit’, mask and foliate spandrels, 30 hour movement striking on a bell with outside count wheel above a shaped arched top full length trunk door applied with grooved half mouldings to the edge over a concave border and plain base and on bracket feet, 217cm high.
A George III longcase clock the arched hood with shaped pediment and two ball and spire finials above and arched glazed door flanked by stop fluted gilt brass capped columns enclosing a 12” brass dial with matted centre and subsidiary seconds dial with Arabic numerals and date aperture and marked in italic script ‘Ralph Gout London, Member 128’ silvered chapter ring with Roman numerals and outer Arabic numerals foliate cast open work spandrels and strike silent dial in the arch, eight day movement striking on a bell above an arched topped full length trunk door between canted fluted stop fluted angles above an ogive moulding and raised base board and plinth, 220cm high.
An oak cottage longcase clock 18th century the cushion moulded cornice above a plain frieze and square glazed door flanked by three-quarter pilasters enclosing a 10” square brass dial with matted centre and single hour hand the silvered chapter ring with Roman numerals marked ‘INO Washbourne Glour’ cherub and crown cast spandrels 30 hour movement striking on a bell with outside count wheel the bevelled rectangular trunk door over a cushion moulding and plain base and plinth, 191cm high.
An oak longcase clock, mid-18th century, the dentil moulded ogive cornice above a blind fret work frieze and square glazed door flanked by fluted pilasters enclosing a 12” square brass dial with matted centre and subsidiary seconds dial and date aperture engraved with a basket of flowers and birds the silvered chapter ring with Roman and Arabic numerals and inscribed ‘John Pagett, Bridgnorth’ mask and folate spandrels and leaf engraved eight day movement striking on a bell over an ogive cornice and bevelled rectangular trunk door and further concave moulding and plain base and plinth, 207cm high.
A George III oak and mahogany cross banded longcase clock the broken scroll swan neck pediment with gilt brass stamped basket weave roundels above an arched glazed door flanked by turned gilt brass capped pilasters enclosing a 13” white painted dial with subsidiary seconds dial and date aperture and inscribed ‘Swingler Holbeach’ the chapter ring with Arabic numerals and painted with Adam style wheat ear and foliate patera gilt corners and a classical muse in the arch with fowled anchor eight day movement striking on a bell above a shaped top cross banded trunk door flanked by turned pilasters over a concave moulding and cross banded base and on shaped bracket feet, 220cm high
A George III mahogany longcase clock the broken scroll swan neck pediment centred by an eagle and urn finial above and arched glazed door flanked by fluted gilt brass Corinthian capped pilasters enclosing a 12” white painted arched dial with subsidiary seconds dial and date aperture and inscribed ‘Deacon Barton’ the chapter ring with Arabic numerals and painted with roses to the corners and the arch eight day movement striking on a bell above an ogee arched top cross banded trunk door flanked by fluted quarter pilasters over a concave moulding and plain base and on ogee bracket feet, 208cm high.
A George III oak longcase clock the square hood enclosing a 12” brass dial with Roman numerals subsidiary seconds dial and date aperture and inscribed Edward Owen Beestone eight-day movement and striking on a bell above a rectangular narrow trunk door with split half mouldings to the edge over an ogive moulding and on bracket feet, 200cm high
A French Louis XVI style marble top plum pudding mahogany ebony and ormolu mounted commode a ressaut trapezoidal, 19th century, after the model by Jean-Henri Riesener (1734-1806, Maitre 1768), and in the manner of Henry Dasson, (1825-1896), the shaped top with concave edge above an egg and dart casting and three frieze drawers set with water lilies and entwined foliate scrolls above a central cupboard door cast in a relief roundel with a nesting dove and clouds within a bezelled raised border and surmounted by a tied ribbon within a bead surround and four sun flower applications, the door opening to reveal a single shelf between canted flower headed corners, cast with acanthus scrolls and pendant husks, tapering to scroll block feet plied with leaf brackets, the commode with cast openwork lower bracket of foliate scroll work, 165cm wide, 62cm deep, 92cm high
A pair of George III ormolu mounted mahogany and tulip wood cross banded dining pedestals, c1770, each with a rectangular cross banded top above a fleur de lys and entwined circle inset frieze flanked by classical urns, each panel door mounted with wheat ears and scythe between pendant harebell cast borders, one pedestal lead lined and with plate racks, the other pedestal with a compartmented deep drawer and cupboard door, each raised on a plinth base, 47cm wide, 47cm deep, 99cm high Provenance: Property from the collection of Robert Wood Johnson IV, Christie's New York, The Connoisseurs 2nd June 2015, Lot 76
A 19th century Danish mahogany cylinder bureau, the break top with inset cornice above a panel cupboard door enclosing a rack and shelf and drawer flanked by bode panel cupboard doors, enclosing shelves above a cylinder bureau enclosing a pullout writing surface and central architectural inlaid drawer flanked by inlaid deep drawer above smaller drawers inlaid with classical figures and six shallow drawers above three long drawers and on canted block feet, 115cm wide, 56cm deep, 200cm high
A Victorian burr and figured walnut triple wardrobe, with moulded cornice, arch moulded mirror centre door, revealing a double width arrangement of press drawers and solid drawers with integral moulded handles to the left and full length hanging with box base to the right, on plinth, 204cm H, 195cm W, 52cm D.
A Victorian figured walnut triple wardrobe compactum, with moulded cornice, central mirror door, with panel door to the left (when opened) revealing press drawers and solid drawers with campaign handles, and full length hanging to the right hand door, on moulded plinth, 207cm H, 180cm W, 55cm D.
An early 19thC oak longcase clock, with swan neck and fluted pillared hood, full length crossbanded trunk door, with oval shell patera, reeded canted trunk, the base with an inlaid cannon patera and shell fan corners, the 30cm painted square arched dial having a maiden at the docks, seated with flowers and a letter as a three mast ship set sail, the spandrels painted with a female sculpturess, paintress, literary and seated with globe spandrels, Arabic hour and minute numerals, seconds ring and date crescent, marked J Simpson LINCOLN, eight day movement striking a bell, 214cm H.See Ellis (Roy) Lincolnshire Clock and Watchmakers, James Simpson died 1831 aged 73, was a well known figure in Lincoln becoming Sheriff in 1817, Clock and Watchmaker on the High Street.
An early 19thC oak longcase clock, with shaped and mahogany crossbanded pillared hood, shaped and crossbanded door, within a canted trunk, plain base, the 30cm square arched dial painted with birds and with a nest within a floral reserve to the arch, floral cornucopia painted spandrels, Roman hour and Arabic minute numerals, seconds ring and date crescent, marked ROBINSON BRIGG, eight day movement striking a bell, 206cm H.Probably William Robinson. See list (Roy) Lincolnshire Clock and Clock Makers, William Robinson works early 19thC & Barrow Lane, moved to Wrawby Street, dates approx. 1819-1850.
An 18thC oak longcase clock, with dentil moulded swan neck and fluted pillared hood, ball and spike and ball and eagle finials, with canted sides, a full length shaped trunk door with central key within a shell oval patera, reeded quarter inset pillars, plain base with bracket feet, the 30cm square arched dial having rococo scroll applied spandrels, the arch with a roundel marked Geo. Clapham BRIGG, the chapter ring having Roman hour and Arabic minute numerals, the central floral engraved field having seconds ring and date crescent, eight day movement striking a bell, 217cm H.George Clapham of Brigg was clockmaker from c.1767 to c1790 and is listed in Lincolnshire Clock, Watch and Barometer makers by Wilbourn & Ellis. He is known to have produced several brass and painted dial clocks, including lunar arch and a three train extant.Brigg Clockmakers 1767-approxmately 1790The dates are working dates, and have appeared in "Watch and Clockmakers of Hull Vol 1 by the late G H Baille and Vol 2 Brian Loomes. The first date is Baille's and the second, Loomes, who includes both dates in his volume.This particular clock which has a brass face has minute numbering in Arabic numerals, minute numbers tended to die out about 1800-1810. Matching 'blued' steel hands dated about 1790. Typical of the period before 1790, the "blued" steel hands did not match. The hands on this Clapham clock are unmatching.Matching brass hands had largely replaced steel ones about 1825-1830, by this time relatively few brass dial clocks were made. I (DR Harry Jackson) have at the time of writing seen two other George Clapham clocks; one of which had a brass dial and was seen in a house in Broughton and the other had a painted dial and was seen in the Brigg R.D.C. Offices - both some years ago.This clock was given to George Jackson who died on 28 May 1951, by Rev. A.W Lagenly, Vicar of Bottesford (included Ashley), 1896-1910. A condition of the gift was that George should keep the clock in the family; accordingly he gave it to me a few years before his death. The clock was overhauled by Mr Roger Tringham of Keadly in April 1978.It continues to keep good time after what is believed to be 200 years. 15 May 1978.
An early 19thC flamed mahogany longcase clock, with rosewood inlaid swan neck pillared hood, ball and eagle finial, over a quarter tulip carved column inset trunk, with moulded door over panel and moulded panel flamed base with bracket feet, the 32cm painted square arch dial having an amorous scene to the arch, marked Sir James the Rob and the Four Seasons depicted with figures to the spandrels, Roman hour numerals, seconds and date rings, marked JN. WATSON KIRRIEMUIR, eight day movement striking a bell, 216cm H.John Watson is recorded at Pier Head Kirriemuir approx. 1837, according to Pigot & Co's National Commercial Directory of Scotland.
A French mahogany armoire with one large single bevelled mirror door and drawer under, 3'3 wide Fitted linen shelves to interior, drawer in base, 236 cms high x 105 cms wide x 50 cms deep. Internal depth is 12 inches approxBottom edge of wardrobe veneers lifting, see photos online, small holes to one side, we think something was screwed on and since removed
A George III mahogany bureau bookcase, the upper adjustable shelves enclosed by a pair of glazed panelled door, the fall front opening to reveal a fitted interior of drawers and pigeon holes around an central cupboard, two short and three long graduated drawers below, raised on bracket feet, 108cm wide
R. Cole of Ipswich, a mahogany and inlaid long case clock, having painted dial with Cornhill vignette, 8 day movement, surmounted by a pierced scrolled fretwork pediment and central brass orb, flanked by brass strung columns with capitals, case with arched trunk door, decorated conch shells, raised on ogee bracket supports to the box base, 220cm high
A fine quality Edwardian mahogany and satinwood inlaid chiming long case clock, the hood surmounted by an arched pediment and fluted orb, the brass and silvered dial decorated with foliate engraved decoration with moon phase above, subsidiary dials for chime silent, Whittington and Westminster strikes, above an arched bevelled glass door with Mercury adjustable pendulum and pierced foliate back panel, raised on a box base and bracket supports, decorated with floral garlands and urn and flanked by reeded columns with brass capitals, 250cm high
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235302 item(s)/page