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An early nineteenth century mahogany veneered longcase clock, the eight-day movement striking on a bell, the arched painted twelve inch dial with rotating moon phases and globes, Roman and Arabic numerals, a subsidiary seconds dial and calendar, sprays of flowers to the corners, the case inlaid stringing the hood with brass filigree mounts to the horns of the swan neck pediment, brass eagle ball finial cast gilt brass Corinthian capitals to the reeded pillar, a serpentine edge back, the trunk with a well figured door, reeded angled corners, the base with a replaced plinth. 7ft 9in (236cm) high overall.
A continental silver toy windmill, with a couple standing before the door. Makers mark J. V.. 3.5in (9cm). A late nineteenth century continental toy silver boat, sailed by two cherubs. 3.2in (8cm). Chester import mark 1899.A continental silvered metal female figure wager cup. 3.2in (8cm), and a continental silver snail box. Unmarked. 1.5in (4cm). (4)
A Northern European walnut ebonised and ivory inlaid cabinet on stand, 19th century, the moulded domed cornice above arched door with central figural inlay flanked by inlaid putti panels over a fall front base with inlaid hunting scenes upon baluster turned supports united by scrolled stretchers, 195 x 80 x 55 cm.
An early 19th century mahogany longcase clock, the swan neck hood with fluted columns, the painted enamel dial inscribed Jno Johnson & Co Prescot, the eight day Birmingham movement with anchor escapement, the trunk with quarter columns and flame veneered door and plinth, pend ulum and two weights, 233 cm high.
A Victorian ash overmantel mirror, late 19th century, in the manner of Charles Bevan, the moulded cornice with arched inlaid frieze above rectangular plate flanked by fielded panels over two bracketed shelves with chip carved inlaid borders, 84 x 100 x 21 cm, together with a similar Victorian ash two door wall hanging cabinet, 67 x 61 x 22 cm, (2).
A mid 18th century oak longcase clock, the hood (with alterations) having an overlu cornice and turned three quarter pilasters flanking square brass dial (width 10Ó), having a brass chapter ring with Roman numerals, cast brass corner spandrels, matted centre and single blue steeled hand, the whole with thirty hour weight driven movement, striking on a bell, the trunk with plain panel door to a box base, height 182cm
An 18th century chinoiserie decorated black lacquered long cased clock, the arched pediment flanked by gilded turned spheres, above arched brass dial set with Roman numerals, subsidiary seconds hand above a date aperture (dial and movement associated, dial modern), the long door decorated with figures in a landscape above a plinth and bracket foot base, 238 cm high (ILLUSTRATED)
A 19th century mahogany cased long cased clock, the circular brass dial set with Roman and Arabic numerals inscribed "Geo Nethercott, Wantage", with 30-hour movement, flanked by rope-twist pilasters, the long door flanked by quarter cut fluted pilasters to plinth and bracket foot base (movement late 18th century, case early 19th century), 204 cm high (ILLUSTRATED)
A 19th century mahogany longcase clock By William Petrie, Kirkcaldy the twin train movement with anchor escapement striking the hours on a bell, the floral incised swan-neck pediment above an enamelled dial painted with cottage revellers to the arch and figures to the spandrels, the Roman dial with subsidiary seconds and calendar dials above a bowed trunk door between fluted columns and foliate incised apron, on short turned feet 207cm high
A George III period provincial oak longcase clock the twin train movement with anchor escapement striking the hours on a bell, the swan-neck pediment with turned finial above simulated 'verre eglomise' enamelled Roman dial with subsidiary seconds and calendar dials flanked by gilt fan spandrels and a swagged patera to the arch, the scalloped trunk door between reeded quadrant corners, on panelled base, on shaped apron and bracket feet 214cm high
A George III period mahogany longcase clock By George Smith the twin train movement with anchor escapement striking the hours on a bell, the swan-neck pediment with eagle finial above a floral painted Roman dial with subsidiary seconds dial and calendar aperture, the ogee arched trunk door between reeded quadrant corners, on apron base with short turned feet 220cm high
A George III period mahogany, satinwood banded and ebony strung longcase clock By William Breakenrig, Edinburgh the twin train movement striking the hours on a bell, the swan-neck pediment with eagle finial and brass rosettes above a rococo cast brass dial with silvered Roman and Arabic chapters, subsidiary seconds dial and calendar aperture above spirally reeded quadrant corners and an arched trunk door, on panelled base with splayed bracket feet 230cm high
A 19th century mahogany longcase clock By J. Wilson, Beith the twin train movement with anchor escapement striking the hours on a bell, the floral carved pediment above an arched dial painted with a romantic highland scene above a Roman dial with subsidiary seconds and calendar dials between emblems of the United Kingdom to the spandrels, the foliate carved case with bowed trunk door, on panelled plinth base 232cm high
A George III period ebonised bracket clock by Benjamin Wilson, London the silvered arched dial with subsidiary strike/silent dial to the arch, maker's name, date aperture and engraved arabesques, the domed top with a brass loop handle and later pine finials, the glazed door and sides on a plinth base with brass feet
A late George III period oak eight day longcase clock by Pinkerton, Haddington the twin train movement with circular escapement, the painted arched dial with subsidiary seconds and date dials, the hood with swan neck pediment above fluted columns, the door flanked by fluted quadrant pilasters, on shaped bracket feet 215cm high
A George IV period mahogany eight day longcase clock by JAS, Muirhead, Glasgow the twin train movement with anchor escapement, the circular gilt dial with maker's mark and subsidiary date and second dials, the hood with a moulded cornice and column corners, the trunk with conforming columns and a flame mahogany door and panelled base with short turned feet 206cm high
A large mid 17th century Flemish rosewood, ebony and ebonised two door cabinet with ripple mouldings throughout, the deep stepped cornice with lion masks to the corners, above a pair of deep raised moulded panels enclosing a late fitted interior, the outset corners with columns on pedestals headed by cherubs masks and scroll capitals, below is one drawer modelled as two drawers on an outset plinth base 239cm wide, 213cm high, 79cm deep
A Regency period mahogany secretaire linen press probably Scottish, the stepped moulded cornice above a pair of laburnum cross banded flame mahogany panel doors, the interior with hanging space and two drawers, the secretaire drawer with a central burr maple cupboard door flanked by small drawers and pigeon holes, below are three long drawers, on gadrooned lobed turned feet 132cm wide, 238cm high, 59cm deep
A large Victorian period mahogany inverted breakfront triple section wardrobe the canted cornice above three recessed upper cupboard doors and six graduated long drawers, flanked by arched panel cupboard door enclosing hanging space, on a shaped base with outlet square and bun feet 245cm wide, 210cm high, 71cm deep
A Regency period mahogany and ebony strung sideboard of small proportions and break-bowfront outline, the arched apron with frieze drawer and recessed cellarette drawer flanked by a deep drawer and cupboard door, on ring-turned and partly ebonised tapering legs with bulb feet 123cm wide, 89cm high, 50cm deep
A 19th century Dutch walnut and floral marquetry night stand of serpentine bombe outline, the scroll carved gallery above a drop hinged door, panelled as three drawers, enclosing a recess and a frieze drawer between shaped uprights and inset side handles, on shaped apron and cabriole legs, the whole decorated with flower filled urns, birds and trailing foliate stems 59cm wide, 66cm high, 40cm deep
A late Victorian period ebonised, cut brass and porcelain mounted credenza the frieze mounted with Sevres-style porcelain panels painted with garlands of flowers above a boulle marquetry cabinet door decorated with cut brass arabesques around a similar porcelain panel, flanked by a pair of arched and glazed doors enclosing velvet lined ebonised shelves divided by four turned uprights, on plinth base with shallow disc feet 200cm wide, 109cm high, 41cm deep
A fine Victorian period burr walnut and ebonised breakfront library bookcase Possibly by Lamb of Manchester the lappet carved projecting cornice above four glazed doors enclosing adjustable shelves, the undercabinet with moulded edge and four panelled doors enclosing shelves and fitted drawers, a lateral door revealing a void interior, on plinth base, the whole framed with ebonised mouldings 235cm wide, 226cm high, 60cm deep
A late 19th century mahogany and inlaid corner cabinet the dentil cornice with swagged frieze above an astragal glazed door enclosing shelves, the uprights with narrow glazed panels, the lozenge inlaid undercabinet on a cut plinth base, the whole decorated with boxwood lines 76cm wide, 207cm high, 51cm deep
An Edwardian period mahogany and satinwood crossbanded display cabinet of break bowfront form, the chequered cornice above a bowed central door flanked by astragal glazed doors applied with penwork marquetry plaquettes of cherubs, enclosing lined shelves, on square tapering legs united by an undershelf, a label inscribed verso: 'From Charles Jenner & Compy., Edinburgh' 126cm wide, 184cm high, 40cm deep
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234658 item(s)/page