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A 19th Century Mahogany Long Case Clock, William Harrison Chepstow, the 12-inch broken arch topped above a hand painted moon phase aperture, above a Roman chapter, set with a date hand. The case having broken swan neck pediment with brass finial's over a pair of fluted columns and a plain trunk door, raised on plinth base, approx 220 x 50 x 25 d. Complete with pendulum and weights.
An Edwardian R & C Ltd., Mahogany Long Case Clock, brass mounted dial with raised second dial figures on an hour circle, broken arch above a bevelled glass door, pierced brass foliate spandrels, swan neck pediment with decorative carving to finial, eight bell chime, the pendulum and weights behind bevelled glass door, model nr. 24887, approx 235 x 35 cms.
Epstein Furniture Mahogany Dining Room Suite, Comprising Dining Table, 8 Chairs, 2 Side Tables, And Side Cabinet. All Cross Banded With Central Floral Inlay. The One Piece Table 31 Inches High, 90 x 36 Inches. 7 Dining Chairs And 1 Carver With Padded Tapestry Back Rests And Seats. The Two Side Tables With Fitted Cutlery Drawers, Height 34.5 Inches, 42 x 19 Inches. The Side Cabinet With Four Door Storage With Internal Shelf And Two Sliding Drawers. All Serpentine Fronted And Raised On Cabriole Legs.
English Late 19th Century Oak Cased Mantel Clock with Striking and Chiming 8 Day Movement, Strikes on 5 Gongs on The 1/4, 1/2, 3/4 & Full Hour, on a Large Coiled Gong, Features Silent / Chime, Arched Glazed Door. Corinthian Columns, Silvered Metal Chapter Ring, Subsidiary Dial for Chime / Silent, Ornate Carved Panels to Sides, Black Glass Panel. Size 13.25 Inches High, 10.25 Inches Wide & 7.5 Inches Depth. Excellent Condition In All Aspects.
: Large collection of Pedigree Sindy dolls and accessories, mainly early 1980s, boxed Ballerina, Funtime Sindy, Sweet Dreams Sindy, Hairstylist, Super Cool Sindy, boxed furniture includes early Sindy’s own wardrobe, later wall unit, wardrobe, Garden furniture, Tele Sindy Studio, dressing table and stool, window and door packs, wall cupboard, mixer blender and gig, generally very good condition, boxes generally good, together with a selection of loose Sindy dolls, clothing, accessories and more.
A Lines Brothers Grand Pillared Dolls house, English circa 1890, the red brick effect printed paper exterior, with painted white veranda with four columns to balcony and ten decoratively moulded glazed windows, front door with elaborately carved porch with fan light painted blue door with lions head knocker, grey slate papered pitched roof having two chimneys and decorative balustrade top. Front opens in two wings to four rooms, staircase, hall and landing and small bathroom on two levels, all rooms with original wall and floor papers, five internal doors with painted gold panels, two rooms with original fireplaces, kitchen with painted wooden dresser, table and shelf, 31” (79cm) tall x 31” (79cm) wide x 17” (43cm) deep.
A large and attractive G & J Lines Bros number 24 dolls house, English circa 1900, the painted wooden dolls house with white and red exterior, steps to central front door and large glazed bay windows to two floors, central balcony with French style windows and paper tile effect pitch rooves with four chimneys and balustrade, two attic windows and on a red base, front opens in two wings to four rooms, staircase, landing and four internal doors, built in fire places, lights and furniture including kitchen dresser, marble top table, plate rack, chairs, dining table, settee, cherry wood bedroom suits and more, exterior repainted, 33 ½” (85cm) tall, 30 ½” (76.5cm) wide, 20” (51cm) deep.
A painted wooden box back English Dolls house, circa 1890, painted red brick façade, small garden area to front with steps leading to green painted front door painted in green with brass knocker, four glazed windows with moulded surrounds, front opens to two rooms on two levels having later papered walls and a fireplace, brown paint to sides and window surrounds and green to door not original, 28” (71cm) tall x 15 ¼” (39cm) wide x 13” (33cm) deep.
A painted wooden English Dolls House, late 19th century, painted red brick effect façade, twin glazed bay windows to ground floor and steps leading to green painted front door, three glazed windows to upper floor, brown painted pitched roof and chimneys, front opens to four rooms, hallway, landing and staircase, original papers and containing a selection of dolls house furniture and ornaments including Cherrywood chairs with velvet padded seats, upright piano, sideboard, Waltershausen writing desk, carved fretwork bed, chairs, bench and dressing table, tinplate stove and a selection of ornaments, 33” (84cm) tall, 23 ¾” (60.5cm) wide, 15” (38cm) deep.
Late Victorian wooden Dolls House furniture, including a cabinet top section with double glazed open doors, shaped pediment, on a single door base, 5 ½” (14cm) tall, Arts and Craft style cabinet with glazed central door, four side drawers and pigeon holes and lower shelf, set of four chairs with paper leather effect seats and backs, a metal turned and scroll decorated dolls house bed, brass fireplace fender, later wooden Refectory table, display cabinet and a writing desk lacks pull down front and supports, (11 items).
A finely made miniature Georgian style mahogany slant front Secretaire Bookcase, English probably late Victorian, with classic 13 pane glass decorated hinged doors, opening to four shelves with dummy books, opening the front to reveal leather lined writing area, two drawers below four pigeon holes and a central prospect door with inlaid column fronted sides, the base with two smaller upper drawers and desk supports above three full length drawers, and narrow outswept feet, 13” (33cm) tall, 6 ¾” (17cm) wide.
A large painted wooden Noah’s Ark and animals, German circa 1880, the bow bottom ark with brown painted hull, painted stencilled windows and door, decorative borders painted in cream, greens and ochre, brown painted roof with dove, sliding side panel, with brightly painted figures, animals and birds including five figures of Noah and family, approx. forty-eight pairs of animals including Elephants, Giraffes, Camels, Cows, Donkeys, Deer, Zebra, Dogs, Moles and more, approx. twenty pairs of birds including Swans, Doves, Chickens, Storks, Water Fowl and more, overall good condition, ark 15” (38cm) tall x 24 ¾” (63cm) long.
An 18th century oak linen press, the moulded cornice above a pair of panelled doors and a central panel, above three panels and two drawers on stiles, 153cm wide x 53.5cm deep x 181cm high CONDITION REPORT: Colour is dark brown with reasonable patination, the moulded cornice shows evidence of damage and repair and some woodworm attack, old repair to the door, some cracks in the panels usual wear to the feet
A Victorian walnut credenza, with a breakfront top above a central door and glazed side cabinet with bowed glass doors on a plinth and feet, 163cm wide x 39.5cm deep x 106cm high CONDITION REPORT: Provenance: From a deceased estate, entered as part of a house clearance, overall in used condition with surface scratches, chips to the ebonised edge, colour is flat, some of the metal beading in missing,
A Cadbury's Chocolate advertising table top display cabinet, with sliding doors, 82cm wide x 42cm deep CONDITION REPORT: In overall used condition, one door is missing the glass, one side panel is missing the glass and has a mirror replacemet, scratches conversant with heavy usage, some signs of previous woodworm
A 19th century gilt brass and repeating carriage clock, the case with leaves and scrolls, set with three porcelain panels decorated with figures in a landscape, with Roman numerals, striking on a gong, 17cm high in a carrying case CONDITION REPORT: The gilding on the case is bright, rear door glazed panel is chipped, other panels are okay, the left hand panel (lady in yellow skirt and seated gentleman) there is a crack running through the panel, which looks like it was present when the panel was painted as there are no signs of overpainting, I am unable to see from the inside due to the movement obscuring view, the other panel has a small chip to the bottom left corner, the balance cock moves when shook, but it will not wind
Large and interesting English ebonised triple fusee musical table clock, the substantial six pillar movement with foliate engraved back plate, fitted with a 5.5" musical cylinder striking on a nest of fourteen bells, the 10" square brass dial signed Paul Beauvais on a recessed silvered plate to the matted centre with ringed winding holes and calendar aperture, enclosed by a silvered chapter ring and surmounted by subsidiary calendar and Bonnie Charlie/Duncan, Davison/Logie of Buchan/Devil's Dream tune selector dials, also with a silent strike lever above twelve o'clock, within an impressive ormolu mounted case fitted with a base drawer to house a spare cylinder (missing) and swivel stepped base, with ornate pierced cast side handles and glazed sides, surmounted by a caddy top with four turned finials and the naked standing figure of a man playing a small harp, 30" high overall, with pendulum and door key (alterations)
Good English small ebonised double fusee bracket clock striking on a gong and with pull repeat, the movement back plate and foliate engraved silvered dial signed Brockbank & Atkins, London, no. 2174, within a rounded arched foliate carved case fitted with bevelled glazed panels to the sides and top, 8" high (winding and two door keys)
Swiss two train ebonised bracket clock and bracket, the eight day movement with verge escapement, quarter striking and pull wind repeat, the 8.5" convex white dial within a balloon shaped case gilded with sprays of foliage; also with original wall bracket, 31" high overall (pendulum and door key)
Mahogany and stained wooden eight day longcase clock, the 13" painted arched dial signed Nicholson, Berwick, with subsidiary seconds and calendar dials, the case with long wavy arched door flanked by quarter fluted pilasters and the hood surmounted by a swan neck pediment, 85" high (two weights and pendulum)
Oak eight day longcase clock, the 12" brass arched dial signed Thomas Stringer, Namptwich on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, also with a silvered convex engraved boss to the arch, the case with long crossbanded door and the hood surmounted by a moulded rounded arched pediment, 86" high (pendulum, two weights and keys) This clock is sold with a copy insurance valuation dated 28th March 1991 and an estimate for restoration work from 1989
Scottish mahogany eight day longcase clock, the 13" painted arched dial (re-painted), signed Alexander Gray, Aberdeen to the centre of the dial with subsidiary seconds and calendar dials, the case with short bow fronted door flanked by turned pillars and the hood surmounted by a swan neck pediment, 83" high (wooden rod pendulum, two weights and winding key)
Good mahogany three train musical longcase clock, the 12" brass arched dial signed Goldsmiths & Silversmiths Company, 112 Regent Street, London on an arched plate to the matted centre with subsidiary seconds dial, also with chime/silent subsidiary dial to the arch, the substantial movement playing on four small gongs and striking on a larger gong, the case with long astragal glazed door flanked by fluted canted corners and the hood surmounted by a carved foliate cornice, 96" high (pendulum, three weights and winding key)
Good English red lacquer and chinoiserie decorated eight day longcase clock (in need of restoration), the 12" brass arched dial signed Willingham Billingshurst, Haymarket, London on a silvered convex boss to the arch over a silvered chapter ring enclosing a matted centre with subsidiary seconds dial, ringed winding holes and calendar aperture, the case with long rounded arched door, the hood surmounted by a caddy top with three gilded ball and spike finials (one missing), 92" high (pendulum and two brass cased weights)
Fine mahogany three train musical longcase clock, the 12" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a subsidiary seconds dial and three winding apertures, the substantial movement playing on a nest of eight bells and striking on a large gong, the case with long moulded rounded arched door with fine applied foliate mouldings, also carved with stylistic foliate designs to the sides and base, the hood surmounted by a carved caddy top with three classical gadrooned vase finials, 103" high (pendulum and three weights)
Good dark mahogany three train grandmother clock, with 8" silvered arched foliate engraved dial, the movement playing on four small gongs and striking on another larger gong, the case with long bevelled glazed door and the hood surmounted by a rounded moulded arched pediment, 70.5" high (pendulum and three brass weights)
Oak eight day longcase clock, the 13" brass arched dial signed Barber, Winster to the chapter ring enclosing a subsidiary seconds dial and calendar aperture to the engraved centre, no. 437 on the movement, the case with long crossbanded door flanked by reeded pilasters, the pillared hood surmounted by a stepped broken arch pediment, 83" high (pendulum, two weights) *This clock comes with a copy of B.W. Cave-Browne-Cave - Jonas Barber, Clockmaker of Winster, paperback book
Impressive James Elliott carved oak three train musical longcase clock, the 13 3/8" brass arched dial signed Russells LImited, 18 Church Street, Liverpool, the silvered chapter ring enclosing a subsidiary seconds dial, with strike/silent lever at nine o'clock and chime/silent and Whittingham/Westminster chime subsidiary dials to the arch, the whole dial plate overlaid with pierced scrolling foliage, the substantial movement with deadbeat escapement and pinned cylinder playing on eight tubes and striking on another, the case with long rounded arched bevelled glazed door flanked by carved angel torsos over bunches of fruit and upon paw feet, the sides with pierced carved scrolling foliage, the panelled base profusely carved with scrolling foliage and the front carved in high relief with a lion's head, the rounded moulded arched foliate carved stepped hood also over complimentary carved angel torsos, 100" high (with adjustable pendulum, three brass weights, nine metal tubes and winding key) *This particular clock features in an article that appeared in Watchmaker, Jeweller & Silversmith magazine dated July 1950. A copy of this article is included with the lot
Mahogany eight day grandmother clock, the 9" square brass dial signed Sinclaire Harding, Cheltenham, on an oval plaque to the matted centre with subsidiary seconds dial enclosed by a silvered chapter ring and surmounted by a rocking ship to the arch, the case with long flame mahogany door and the hood surmounted by a rounded arched pediment with brass ball and spike finial, 76" high (pendulum and two weights)
Mahogany eight day longcase clock, the 13" engraved brass arched dial signed George Thorne, Cornbury, with subsidiary seconds dial, arched calendar aperture to the centre and moon phase to the arch, the case with long moulded wavy arched door flanked by reeded pilasters, the hood surmounted by a stepped cornice with applied Greek key carving over a blind fret panel, 86.5" high (pendulum, two weights)
Mahogany eight day longcase clock, the 13" painted arched dial indistinctly signed, with subsidiary seconds dial and arched calendar aperture, the inlaid case with short moulded door flanked by wrythen fluted pilasters, the hood surmounted by a wavy arched cornice and three turned brass finials, 86.5" high (pendulum, two weights)
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235346 item(s)/page