AN EDWARDIAN FLORAL PAINTED AND INLAID SATINWOOD CARLTON HOUSE DESK, the raised superstructure fitted with three panel door cupboards flanking six short drawers and a further pair of end drawers, fitted leather covered writing slide above three frieze drawers, the entire variously decorated with portrait medallions, figural groups and urn and foliate swags and raised on square tapering legs. 130cm wide x 58cm deep x 99.3cm high
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A 19TH CENTURY EBON AND JEWELLED CREDENZA, of rectangular breakfront form, the top with reeded rim, above brass mounted band of continuous scroll motifs, the central cabinet door with ribbon tied oval cartouche containing a jewel inlaid image of a bird perching amongst a bunch of fruiting branches, the outer corners similarly framed with corresponding jewel inlay, flanked by twin glazed doors, divided by brass therms, raised on platform base. 182cm wide, 42cm deep, 118cm high
A REGENCY AND BRASS INLAID COLLECTOR'S SIDE CABINET, the rectangular top with ropetwist rim, the frieze inlaid with central brass panel and floral motifs at each end, above central grille panel door, flanked either side by eight graduated shallow drawers, raised on short spiral fluted supports. c. 200cm wide, 47cm deep, 97cm high
***PLEASE NOTE ILLUSTRATION IN PRINTED CATALOGUE IS LABELLED INCORRECTLY***A FINE GEORGE III FLAME MAHOGANY LONGCASE CLOCK, by Peter Chapeau of London, the large pagoda hood surmounted by three spherical brass finials, above panels of blind scrolling fretwork, over arched glazed panel door, flanked by columns and enclosing a brass dial inscribed 'Peter Chapeau London', with pierced spandrels around a chapter ring with Roman numerals and seconds subsidiary dial, the waisted trunk with cross banded single door having glazed circular aperture, raised on platform base. 270cm high
ϒAndrew Varah (1944-2012), Umbrella Men, a surrealist three door gentleman's wardrobe, designed in 1989, each hinged door modelled as a gentleman's knee-length overcoat and boots, the central figure with a peg leg, hanging on a clothes hanger, each with an umbrella, the handle forming the door-handle of the wardrobe, internally fitted with two low drawers, low foot bar, mixed exotic veneers, comprising: Brazilian rosewood, pressure dyed tabu, satinwood, oak and burr oak, metal door furniture, stamped to metal furniture AV and paper label to reverse of each cabinet, 207cm high, 201cm wide, 42.5cm deep Provenance: Woolley & Wallis, 20th April 2016, lot 1499; Lamberty Art & Design, selected items from the storages.Varah produced around five variations of the Umbrella Men wardrobe between 1987 and 2003, each example is unique. The surrealist-inspired design is inlaid with various veneers, and the gentlemen's umbrella handles act as door handles.See Betty Norbury, Furniture for the 21st Century, Stobart Davies Ltd., for an example illustrated in the chapter on Andrew Varah. See also David Linley Star Pieces, The Enduring Beauty of Spectacular Furniture, Thames & Hudson, page 212 for another example of an Umbrella Man wardrobe illustrated. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
GEORGE III BRASS DIAL OAK LONG-CASE CLOCK by Seddon, Frodsham, 12½ inch square dial set with roman numerals and engraved detail before a twin weight pendulum driven bell strike movement, pendulum weights and key included in a caddy top case with star and other inlaid detail to the long door and trunk base, 204cms overall H
WILLIAM BARRON OF LONDON ARCHED TOP BRASS DIAL LONG-CASE CLOCK, the dial having pierced fish and urn spandrels,engraved centre and roman numerals before a twin weight pendulum driven bell strike movement, pendulum weights and key included, line inlaid hood with broken swan neck pediment, glazed door and turned pillars above a shaped top trunk door and stepped base, 217cms H
SWAT VALLEY (PAKISTAN) DOWRY CHEST 19TH CENTURY each corner with tapered finials above the recessed surface, carved to the sides with square reserves of stylised leaves enclosing panelling with corresponding roundels, the front with a sliding door, all on splayed feet . (Dimensions: 71cm wide (82cm wide including side handles), 89cm high, 46.5cm deep)(71cm wide (82cm wide including side handles), 89cm high, 46.5cm deep)
Gordon Russell, a walnut bedside cupboard of square form with burr inset panel to each side, the front panel door with black octagonal knob handle, on square legs, 39cm wide, copper label CONDITION REPORT: Lot 602No woodwormJoints rigid.No label.Minor scratches throughout acceptable with age.
A 19th Century French ebonised and gilt metal mounted pier cabinet:, veneered in scarlet tortoiseshell and inlaid with a marquetry of cut brass in foliate scroll designs, the frieze with applied paterae and husk decorated mouldings, enclosed by a domed glazed panel door, within foliate surround flanked by stiles headed with shell, scroll and floral foliate ornament, on a shaped plinth base, 81cm (2ft 8in) wide, 103.5cm (3ft 4 3/4in) high.
Gontard & Bolviller a Paris, a striking carriage clock: the eight-day duration movement striking the hours and half-hours on a bell with push button repeat of the last hour at will, with a replaced platform lever escapement, the backplate stamped with the trademark for Bolviller, Paris and numbered W 513, the white enamel dial having black Roman hour numerals, fine blued steel moon hands and signed Gontard & Bolviller, Paris, the cast brass case with floral decoration, with a fully engraved shuttered rear door, height 19.5cms handle up, 17cms handle down.* Biography Moïse Bolviller, born August 1800 in Metz, was a maker of French carriage clocks first recorded in Paris in 1829. He often used blancs roulants (rough movements) supplied to him by the well-known makers Holingue frères as well as those from Japy frères, the latter usually having a sweep seconds hand. In circa 1847 Bolviller went into partnership with the well-known escapement maker Celestine Phillipe Gontard with whom he was awarded a patent in the following year for a detent escapement, the patent registered at the Gontard address 12 rue St, Hyacinthe, St. Honoré, whereas Bolviller is recorded working at rue Vendome 12 at this time. The partnership would seem to have ended in 1851 and Moïse Bolviller died in December 1874. * Note Reference Leigh Extence Early Carriage Clocks Pub. NAWCC May 2019
A 19th Century black lacquer and gilt chinoiserie hanging corner cabinet:, with shaped and shelved cresting, the interior with serpentine fixed shelves, enclosed by a door decorated with Chinese figures in a pagoda garden landscape flanked by stiles with scrolling foliage, 55cm (1ft 9 1/2in) across, 116cm (3ft 9 3/4in) high.
A pair of French amboyna veneered, inlaid and brass mounted square upright display cabinets:, each with a fossilised marble top, the interiors with mirrored backs and plate glass shelves, enclosed by a bevelled glazed panel door with rounded corners headed with husks and foliate swags, on beechwood cabriole legs and pad feet, 42cm (1ft 4 1/2in) wide, 145cm (4ft 9in) high.
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