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Click here to subscribeA 19th century mahogany and oak longcase clock, the hood with broken swan neck pediment and reeded Ionic columns, above a long pointed arch door and box base, the 33 cms dial painted with a cottage in the arch and floral spandrels, with Roman numerals, subsidiary seconds dial and calendar dial inscribed 'Stonehouse, Leeds', the eight day movement striking on a bell, 216 cms high.
A 19th century pine longcase clock, the hood with a broken swan neck pediment and Ionic columns above a long trunk door, box base and bracket feet, the 33 cms dial painted to the arch with a farmstead with windmill spandrels with Roman numerals and calendar aperture inscribed Thomas Davies Llandovery, the 30 hour movement striking on a bell, 210 cms high.
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment and fluted Ionic columns, above a long trunk door and box base, the 33 cms diameter circular dial with Roman numerals inscribed William Holliwell, Derby, the 30 hour movement striking on a bell, 208 cms high.
A 19th century mahogany longcase clock, the hood with broken swan neck pediment and turned columns above a short trunk door and box base, the 33 cms dial painted with cottage and windmill to the arch and cottage spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, inscribed W Spiridion, Cardiff, 222 cms high.
An oak and mahogany banded eight-day longcase clock, circa 1840, the dial painted with a hunting scene to the arch and figures representing the four seasons to the spandrels, with a two-train movement chiming a bell, the false plate stamped 'S. Baker' and probably 'Birmingham', the case with a swan neck pediment and arched door, with ring turned pilasters, 233 cm high.
A circa 1830 oak longcase clock by Thomas Fuller of Bury St Edmunds, having a domed hood with pierced fretwork, fluted pilasters flanking painted arch dial, width 12Ó, signed to the centre, having Arabic numerals, subsidiary seconds dial and rolling date dial, twin winding holes for an eight day four pillar weight driven movement, striking on a bell, the trunk with arched panel door to a box base on replacement plinth, height, 217cm (Illus.)Footnote: Thomas Fuller is recorded in Suffolk Clocks & Clockmakers by Haggar & Miller as follows; FULLER, THOMAS, Bury St Edmunds, 1823-1846, recorded as a watch and clock maker in Guildhall Street, Bury St Edmunds in 1823 directory, but later directories (1830, 1839, 1844 & 1846) give his address as 3 Churchgate Street. May have earlier been in partnership with Thomas Chaplin
A mid 18th century oak longcase clock, having a step cornice and plain frieze above a square brass dial, width 11Ó, the silver chapter ring having Roman numerals, signed to the centre George Washbourn of Gloster (sic), single blue steeled hand and cast brass mask corner spandrals, thirty hour weight driven movement striking on a bell, the trunk with plain panelled door on a box base, height 191cm (Illus.)
An early 19th century oak longcase clock with square brass dial, width 12Ó, having later arch, silver chapter ring signed John Mears, Gosport, having Roman and Arabic numerals within cast brass corner spandrels, matted centre with subsidiary seconds dial and date aperture, twin winding holes for an eight day weight driven five pillar movement, striking on a bell, the hood having turned yew wood pilasters, the trunk with plain panel door to a boxbase (with alterations), height 204cm (Illus.)
An early 19th century oak and mahogany banded longcase clock, the hood with swan neck pediment, mahogany, ebony and satinwood veneers, fluted pilasters flanking painted arch dial signed Nottingham, width 14Ó, having Arabic numerals, subsidiary seconds dial, rolling date dial and calendar moon phase, twin train brass four pillar eight day movement striking on a bell, the case with quarter fluted pilasters flanking shaped panel door, all with mahogany crossbanding, boxbase on bracket feet, height 227cm
A George III mahogany longcase clock, having an arched hood with three quarter turned pilasters, flanking an arch brass dial (width 12Ó), signed to the arch; James Robinson, Wellclose Square, London, silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the whole with cast brass corner spandrels, matted centre and twin winding holes for a five pillar twin train eight day weight driven movement striking on a bell, the case with brass stringing, arch panel door with glass lenticle to a box base on ogee bracket feet, height 228cm (Illus.)
A fine panelled oak door case with original panelled mahogany doors, the whole with egg and dart and acanthus leaf carving and mouldings, the door case having four panels, architectural pediment with egg and dart and dental mouldings, acanthus leaf carved frieze (later painted), the mahogany doors with double raised panels, brass hinges and some fittings, gross height approximately 375cm (12.3ft), width 290cm (114Ó) (appears complete and original although headlining reduced)
A panelled oak glazed external door with full shutter and fan light over, the fan light having panelled canopy, five lights, the door with twin large glazed panels with twin ogee moulded recessed panels, the door with single full shutter with brass fittings, the whole with panelled oak barrel vault lining, gross height approximately 350cm (11.5ft), door width only 116cm (3.8ft)
A half glazed and panelled oak door together with the half glazed and panelled oak framing adjoining from under staircase, the frame having three bevelled lights over, the door with an arrangement of six bevelled lights above twin egg and dart moulded panels, height 256cm (101Ó), width 128cm (50.5Ó)
A mid 19th century ebony and boulle credenza with gilt brass mounts, the whole of shaped serpentine form having an egg and dart gilt brass rim, above a brass and red tortoise shell frieze, the centre door with raised oval panel, gilt brass mounts, and flanked by twin serpentine glazed doors with pleated silk lining, the whole with mask, scroll and acanthus leaf gilt brass mounts, and raised upon a shaped plinth, width 212cm (Illus.)
A circa 1900 French kingwood and gilt metal mounted vitrine with Vernis Martin style painted panels, having a marble top, bowed glazed door and glazed sides enclosing a shelved interior with velvet back, the whole with all-over gilt metal mounts above three painted panels with classical figure landscape scenes, and raised on slender, slightly scrolling supports, height 159cm, width 83cm (Illus.)
A late 19th Century Aesthetic Movement mahogany secretaire bookcase, the astragal glazed double doors above the fitted secretaire drawer elaborately carved with fruiting vine detail opening to reveal a fitted interior, all above a further three drawers and a single door cupboard and raised to a bracket foot, 120cm wide by 224cm high.
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