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Lot 1595

An Art Deco walnut display cabinet with glazed door and sides.

Lot 1604

A Indian wooden table cabinet, with pair of panel doors enclosing a fitted interior of seven drawers and a single door, above two base drawers, with allover painted decoration, depicting tiger hinting scenes, width 50cm, height 52.5cm.

Lot 1672

A Georgian mahogany two door wall hanging bow fronted corner cupboard, with exposed H-shaped brass hinges, height 107cm.

Lot 1673

A Georgian mahogany wall hanging straight front corner cupboard, the dentil pediment above a diamond lozenge glazed door, height 84cm.

Lot 1678

A Georgian mahogany two door bow fronted corner cupboard, mounted on later cabriole legs, height 140cm.

Lot 1688

An Edwardian walnut ladies writing table, the superstructure with small panel door above four drawers to kneehole, on square tapering supports.

Lot 77

A small oak smokers cupboard with single glazed door.

Lot 273

SIR WILLIAM RUSSELL FLINT RA (1880-1909) The Prison Door, Concarneau 1929 etching, signed on mount 25.5cm x 19cm

Lot 75

Three tier fifteen egg painted egg holder with hinged door, tine with `Tea` painted on top and a brass and copper watering can with impressed `VR`.

Lot 473

Mahogany glazed display cabinet with feature elongated legs to front supporting shelves with carved fretwork to top and painted panel to base of door. 115cm wide x 142cm high.

Lot 476

Mahogany glazed bookcase over single long drawer and two cupboards, mouldings to door panel, brass furniture.

Lot 505

Mahogany mirrored door wardrobe over single drawer with carving to top panel. 122cm wide.

Lot 513

Stag dining room suite, 1961 designed by John and Sylvia Reed, oval extending teak veneer dining table with four chairs, rexin seat pads veneer back rest and satin steel legs. Table 150cm long 192.5cm fully extended and 99.9cm wide. Teak veneer sideboard with four graduated drawers and two door cupboard with four shelves, standing on satin steel legs. 137cm wide. Teak veneer two door storage unit with one drawer standing on satin steel legs, 91cm wide.

Lot 517

Mahogany mirror door wardrobe with decorative inlay to panels above single drawer. 102cm wide.

Lot 527

Pine larder cupbaord with three shelves and four drawers on bracket feet, door panel painted with flower and fruit design (worm damage)

Lot 528

Pine corner cupboard/shelf unit with two panels to door, two shelves, on bracket feet. 191cm high x 107cm wide/

Lot 554

Mahogany two door wall cupboard with plain panels to front and single shelf inside.

Lot 1211

A large pair of Art Nouveau bronze door plates, cast in low relief with flower stems unsigned 49cm. high

Lot 184

A bronze patinated dog figure match holder, and a brass door knocker modelled as an English Setter.

Lot 564

A small French walnut cabinet having a pierced brass gallery, single shaped glazed door on shaped cabriole legs with painted porcelain panels and ormolu mounts.

Lot 596

A 19th Century Continental fruitwood 2-section corner cabinet, the top having a glazed panelled door with fitted shelves, above a panelled cupboard raised on shaped feet.

Lot 652

An unusual Victorian mahogany Collector`s cabinet having an ogee frieze drawer above a lancet panelled cupboard door, revealing 20 glass-top trays with turned wood handles, resting on a plinth base, width 23".

Lot 1779

A set of four Art Nouveau cast brass sinuous S-scroll door handles, 72cm long; a pair of good 19th century Redmunds Patent of London door hinges, etc (10)

Lot 1755A

A Victorian walnut cigar cabinet, glazed arched hinged door, enclosing three drawers, plinth base, c.1870

Lot 2389A

A Victorian gilt metal mounted walnut side cabinet, rectangular top above a deep outswept frieze, shaped rectangular door enclosing shelves lined with crimson velvet, flanked by mounts cast as terminal figures, plinth base, 110cm high, 87cm wide, c.1870

Lot 2233

A 19th Century Vienna walnut regulator, by Gustav Becker, white enamelled dial, Roman numerals, subsidiary seconds dial, twin winding holes, eight day movement, two weights, the case with scroll pediment, turned finials, turned pilasters, glazed door, 117cm high, c.1894

Lot 2242

A George III mahogany tavern clock case, 35cm circular painted dial inscribed ** Walton, Roman numerals, seconds subsidiary dial reeded bezel, cockbeaded rectangular door to waist, flanked by fluted cluster columns, crossbanded and outlined with ebony stringing, 132cm high, early 20th century replacement electric movement The Rea family were clock making at Walton-on-Trent in Derbyshire for almost a century, starting with Thomas Rea in 1740, who had five sons, almost all of whom worked with, and succeeded their father as Rea & Co., and of whom the surviving youngest was Sampson who died in 1817. He worked alone from 1792 signing (as here) Rea/Walton.

Lot 2253

An Art Nouveau German walnut shelf clock, 15cm square brass dial with silvered chapter ring and floral spandrels, Arabic numerals, centred with twin winding holes, unusually the third concealed behind the door frame, eight-day movement striking on five gongs, the arched rectangular case with fluted pillars, block feet, 46cm high, c.1890

Lot 2267

A 19th century German mahogany longcase clock, 24cm arched wooden dial inscribed with Roman numerals, painted to the arch and spandrels with roses, twin winding holes, eight day movement striking on a bell, the hood with moulded cornice, carved and applied with leafy scrolls, shaped rectangular door to waist, plinth base, bracket feet, 211cm high

Lot 2268

A 19th century Dutch oak longcase clock, 23cm circular painted dial inscribed with Roman numerals, twin winding holes, eight day movement striking on a bell, the caddy top case with stepped cornice, rectangular door to waist, circular lenticle flanked by reeded pilasters, draught turned roundels to angles, inlaid in boxwood and ebony with six pointed stars and lozenges, turned feet, 247cm high, dated 1878

Lot 2269

A Biedermeier ash, maple and ebonised longcase clock, 28cm circular painted dial inscribed Per Mansson, Gryp, Roman numerals, calendar dial to centre, twin winding holes, eight day movement striking on a gong, the hood with stepped cornice, rectangular door to waist applied with a raised oval, plinth base, 231cm high, c.1840

Lot 2270

A George II walnut long case clock, 33cm arched brass dial inscribed Robert Denton, Knutsford, silvered chapter ring with Roman and Arabic subsidiary numerals, moon phase to arch, covered urns and leafy scrolls to spandrels, seconds subsidiary, date aperture, twin winding holes, eight-day movement striking on a bell, the arched hood with Doric columns, shaped arched rectangular door to waist, canted base, ogee bracket feet, 230cm high, c.1750

Lot 2271

A George III mahogany crossbanded oak longcase clock, 31cm arched painted dials inscribed Robt. Bradberry, Leyburn, Roman and Arabic subsidiary numerals, moon phase to arch, seconds subsidiary dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment, brass ball and spire finial and brass capped Doric columns, arched rectangular door to waist, flanked by canted angles, bracket feet, 214cm high, c.1810 The Bradberrys were a peripatetic family of clockmakers, begun with Robert senior, of Wensley, N. Yorks., born 1749, married 1782, later of West Reeth, and Mathew (sic) probably a younger brother, born 1761, working at Wensley 1804/1811 and Richmond 1824. Robert`s son, Robert, who probably made this clock, was working at Wensley 1804/1811 and succeeded his uncle at Richmond by 1830. This is apparently the first recorded example of a clock by this family signed from Leyburn.

Lot 2272

A George III mahogany crossbanded oak longcase clock, 31cm arched re-painted dial inscribed A Shepperley, Nottingham, Arabic numerals, the arch with a view of Nottingham castle, date aperture, thirty hour movement striking on a bell, the hood with swan neck pediment and brass capped reeded columns, shaped arched rectangular door to waist, plinth base, 218cm high, c.1820 Anthony and George Shepperley were clockmakers at Pelham Street and Long Row respectively in the first decade of the 19th century, Anthony having married at St. Mary`s Nottingham in 1804s, but c. 1828 Anthony was in partnership with William Pearce, as Shepperley and Pearce, which was dissolved in 1844. His son and grandson George and Philip continued the business into the 1860s. With this signature, the clock must date from c. 1815/1828.

Lot 2274

A George III mahogany longcase clock, 29cm square brass dial, inscribed James Bown, Matlock, Roman and Arabic subsidiary numerals, masks and leafy scrolls to spandrels, date aperture, thirty hour movement striking on a bell, shaped architectural pediment, brass capped Doric columns, arched rectangualr door to waist flanked by reeded angles, shaped apron, bracket feet, 206cm high James Bown was born at Matlock, son of Samnuel Bown, a carpenter in 1737, and was apprenticed c. 1751-1758, setting up at The Cliff, Matlock by 1764, two years after his marriage to Elizabeth Stevenson. He died in 1811, being succeeded by his son John and his nephew, James II. In his will he states that he was the owner of The Crown inn at Matlock, Pope Carr Farm and a corn mill on Matlock Green. The Bown family can be traced through a long line of blacksmiths to the 16th century at Matlock

Lot 2275

A George II mahogany longcase clock, 30cm arched brass dial inscribed John Clack, London, silvered chapter ring inscribed with Roman and Arabic subsidiary numerals, flowering leafy scroll spandrels, strike/silent to arch, seconds subsidiary, date aperture, twin winding holes, eight day movement striking on a bell, the arched hood with brass capped Doric columns, arched rectangular door to waist, plinth base, 198cm high, c.1750 John Clack was married at St. Martin-in-the-Fields, London, in December 1744, and was living when his son John Calvert Clack was born in 1759.

Lot 2276

A George III mahogany long case clock, 35cm arched painted dial inscribed Slack, Ipstones, Roman numerals, moon phase to arch, flowers to spandrels, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the hood with swan neck pediment and brass capped reeded Composite columns, Gothic triple arched rectangular door to waist, centred by an oval owl patera, crossbanded and outlined throughout with boxwood stringing, canted base, 223cm high, c.1820

Lot 2277

A George III oak and mahogany long case clock, 31cm arched painted dial inscribed W Lafseler, Iron Bridge, Roman and Arabic subsidiary numerals, painted to the arch with a basket of flowers, to the spandrels with ripe fruit and flowers, 30-hour movement striking on a bell, the hood with swan neck pediment and brass capped reeded columns, rectangular door to waist flanked by quarter columns conforming, outlined with lozenge banding and boxwood and ebony stringing, canted base, outswept bracket feet, 222cm high, c.1815

Lot 2278

A George III oak longcase clock, 24cm arched brass dial inscribed Joseph Boultwood Matchin Green, Roman and Arabic subsidiary numerals, leafy scroll spandrels, thirty hour movement striking on a bell, the arched hood flanked by a Doric column, arched rectangular door to waist, plinth base, 197cm high, c.1775 Joseph Boultwood had set up at Matching Green (sic; an Essex locality near Epping Forest) by 1755 when his son Joseph was baptised and he was still working in 1781 when the same son married at Great Waltham.

Lot 2280

A George III oak longcase clock, 26cm square brass dial inscribed Jam..Bunn, Dorchester, chapter ring inscribed with Roman numerals, leafy scroll spandrels, thirty hour movement striking on a bell, the case with swan neck pediment, brass capped Doric columns, rectangular door to waist, 203cm high, c.1780 According to research by the Dorset Historical Society, James Bunn lived in the late 18th/early 19th century and made extremely conservatively styled clocks

Lot 2281

A George III oak longcase clock, 29cm arched painted dial inscribed Willm. Chapman, Falkingham, Roman and Arabic subsidiary numerals, painted to the arch with a stockman, flowers to spandrels, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the arched hood with brass capped Composite capitals, ogee arched rectangular door to waist, plinth base, 209cm high, c.1795 William Chapman of Folkingham (sic), Lincs., also signed from Sleaford and Lincoln and was working in the 1790s; whether he was kin to the William Chapman of Lincoln and Sleaford working in 1849-176 is not clear.

Lot 2283

A George III oak longcase clock, 30cm square painted dial inscribed Jno. (sic) Hargreave, Sleaford, Roman and Arabic subsidiary numerals, painted to the spandrels with sprays of flowers, seconds subsidiary dial, date aperture, twin winding holes, eight-day movement striking on a bell, the hood with stepped cornice, Doric three-quarter columns, rectangular door to waist, plinth base, 191.5cm high, c.1800 John Hargreaves was married at New Sleaford (Lincs.) to Sarah Chapman 30th January 1766 and is known to have taken apprentices in 1777 and 1790. He was still working there in 1799.

Lot 2284

A George III oak longcase clock, 33cm circular painted dial inscribed Wm Timmis, Alfreton, Roman and Arabic subsidiary numerals, painted to the centre with a fanciful bird, date aperture, 30-hour movement striking on a bell, the case with `curly eyebrow` swan neck pediment, serpentine crested rectangular door to waist flanked by turned quarter columns, 205cm high, c.1800 William Timmis is first recorded working in 1791 and in an advertisement of 1794 described himself as "once apprentice to John Whitehurst in Derby` which was considered an accolade even then. He was still working in 1811 when he re-married at Duffield to Mary Bateman. His two sons, John and Thomas succeeded him, at Alfreton and Derby respectively. The distinctive `eye-brow` pedimented hoods are a phenomenon of the round dial clocks by a variety of makers, mainly in Eastern Derbyshire (but including one or two John Whitehurst clocks in Derby) from c. 1765/1770 Literature: Craven, M. & Hughes, R., Clockmakers & Watchmakers of Derbyshire (Mayfield, Staffs 1998) type A8 & A9, illustrated pp. 242-243.kers of Derbyshire (Mayfield, Staffs 1998) type A8 & A9, illustrated pp. 242-243.

Lot 2285

A George IV oak and mahogany crossbanded longcase clock, 33.5cm arched painted dial inscribed Sh**, Nottingham, Roman numerals, painted to the arch with a lady carrying an ale jug, to the spandrels with flowers, 30-hour movement striking on a bell, the hood with swan neck pediment, brass ball and spire finial and brass capped Doric columns, serpentine arched rectangular door to waist, shaped apron, bracket feet, 225cm high, c.1840 Anthony &George Shepperley entered into a partnership with William Pearce at Long Row Nottingham in 1828 and it was not dissolved until 1844. His son and grandson George and Philip continued the business into the 1860s.

Lot 2287

A monumental Gothic Revival mahogany long case clock, 29cm parcel gilt silvered dial inscribed Goldsmiths Company 112 Regent St London, applied with Arabic numerals, the centre blind pierced and engraved with dense scrolling foliage, seconds subsidiary dial, triple winding holes, three train movement chiming on eight tubular bells, brass cased weights, the case with shaped castellated pediment above ribbon tied fruiting oak bands, flanked by carved and applied spires, pointed shaped arch, glazed rectangular door to waist, within tracery blind fretwork, block feet, 249cm high, c.1900 The Goldsmith`s Company is the usual signature of the Goldsmniths and Silversmiths Company, founded at 122, Regent Street in 1880 by William Gibson and John Lawrence Longman, becoming a limited company in 1898. In 1893 they made the clock for the Waldorf-Astoria Hotel in New York, and the firm survived to be taken over by Garrards in 1952. The supplier of their movements is not known, but at this period it may have been the London firm of S. Smith & Son, whose clocks enjoyed many of the characteristics of this example. In their day these clocks sold for £75 with a surcharge of £10 for a nine tubular bell strike/chime and a further £1 for a repeater.

Lot 2289

A William IV oak and mahogany crossbanded longcase clock, 32cm arched painted dial inscribed Geo. Stacey, Worksop, Arabic numerals, painted to the arch and spandrels with colourful summer flowers, picked out in gilt, 30-hour movement striking on a bell, the hoof with swan neck pediment, brass ball and spire finial, turned columns, rectangular door to waist with incurved upper angles, rectangular base, 218cm high, c.1835 George Stacey is probably to be identified with the man of that name christened at North Wingfield (Derbys.) 31st March 1804, son of non-conformists William and Frances Stacey suggesting that he might well have been born around 1799. His apprenticeship indentures are missing, but he may have been trained by his near kinsman Thomas Stacey of Newark who died in 1820. He was certainly married by January 1822 when his son George was baptised at Tuxford, and he was working on his own account at Bridge Street Worksop by 1828 and a clockmaker and jeweller, being last recorded in 1855.

Lot 2291

An `18th century` mahogany long case clock, 31cm arched brass dial with silvered chapter ring inscribed with Roman and Arabic subsidiary numerals, the arch applied with a domed roundel engraved with a windmill in a rural landscape, flowering leafy scrolls to spandrels, subsidiary seconds dial, twin winding holes, eight day movement striking on a bell, the hood flanked by turned columns, rectangular door to waist, outlined with chequered stringing, plinth base, 211cm high

Lot 2292

A `George III` oak longcase clock, 31cm square brass dial with silvered chapter ring inscribed Ratcliff, Holywell, Roman and Arabic subsidiary numerals, the spandrels pierced and cast with urns and leafy scrolls, subsidiary seconds, date and moon phase dials, blued steel hands, the associated case with architectural pediment inlaid in ebony with scrolling leafy stems, centred by a brass knop, ball and spire finial, above a dentil cornice and a pair of turned pilasters, shaped rectangular door to waist centred by an oval yew wood patera, mahogany crossbanded throughout and outlined with chequered banding and boxwood stringing, 232cm high,

Lot 2325

A Victorian rosewood and marquetry music room cabinet, hinged moulded top enclosing compartments, above a rectangular geometrically moulded panelled door enclosing divisions and a fall front, inlaid throughout with leafy scrolls and strap work, bun feet, 58cm wide, 99cm high, c.1875

Lot 2362

A George II oak bureau, fall front enclosing a central rectangular door flanked by a stepped arrangement of pigeon holes, small drawers and a well above two short and two long graduated drawers, engraved brass bat shaped handles, skirted base, bracket feet, 101cm high, 91cm wide, c.1745

Lot 2411

A George III oak splay fronted wall hanging corner cupboard, dentil cornice above a rectangular panelled door centred by an oval shell patera, skirted base, 94.5cm high, 74cm wide, c.1800

Lot 2428

A large Victorian mahogany stepped break centre library secretaire bookcase, stepped cornice above six glazed rectangular doors enclosing adjustable shelves, projecting base with fall front drawer enclosing a baize lined writing surface, a rectangular door and an arrangement of pigeon holes and small drawers, above a pair of rectangular panelled doors, flanked by four short cockbeaded drawers and further doors conforming, turned wooden handles, turned and fluted feet, 227cm high, 282cm wide, c.1860

Lot 2471

A Victorian mahogany rectangular shop display cabinet, moulded cornice above a glazed rectangular door and three glazed sides, reeded angles, the panelled base with rectangular door and plinth, 200cm high, 84.5cm wide, c.1890

Lot 2515

An early George III mahogany bureau, fall front enclosing a rectangular door flanked by `secret` compartments, and an arrangement of pigeon holes and small drawers outlined with chevron stringing, above four long graduated moulded drawers, brass bat shaped handles, skirted base, bracket feet, 101cm high, 92cm wide, c.1760

Lot 2523

An unusual Edwardian mahogany bow fronted display cabinet, glazed domed top above a rectangular door enclosing a mirrored interior, the conforming base with fluted frieze applied with oval paterae, outlined throughout with boxwood stringing, bun feet, 272cm high, 107cm wide, c.1910

Lot 265

A pair of mahogany cabinet bookcases on chests, first half 19th century, each with moulded cornice, astragal glazed door, three long drawers on bracket feet, 203cm high, 63cm wide, 50cm deep

Lot 317

A George III mahogany kneehole desk, circa 1770, rectangular top above an arrangement of nine drawers, cupboard door in the kneehole recess, shaped bracket feet, 74cm high, 92cm wide, 53cm deep

Lot 338

A Regency mahogany sideboard, circa 1815, rectangular shaped top, frieze drawer, flanked by a cellaret drawer and a cupboard door, turned tapering legs, 97cm high, 184cm wide, 74cm deep

Lot 422

A George III mahogany hanging corner cabinet, circa 1800, crossbanded and marquetry decorated, the moulded cornice above an astragal glazed door and a single drawer, 123cm high, 84cm wide, 52cm deep

Lot 142

A collection of domestic brassware, late 18th and 19th century, comprising two cylindrical tobacco jars, the covers each with a finial, the largest 25cm high; two further examples of rectangular section; two door knockers, one with backplate cast as a lion’s face; and a finial cast as a hippocampus

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