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Lot 387
4 Matchbox Superfast. 56c BMC 1800 Pininfarina, metallic gold body, cream interior, unpainted base, narrow wheels. 65d SAAB Sonett III in metallic blue, yellow interior, unpainted base, blue rear door. 69c Rolls Royce Silver Shadow (Corniche). In metallic turquoise blue with brown interior, tan tonneau, amber glazing black base and thin wheels. Plus a Mercury Commuter 73c. Metallic lime green body , cream interior, clear glazing, unpainted base and thin wheels. Boxed, some light wear only. £60-80
Lot 473
4 Tri-ang clockwork vehicles. Post War Breakdown Lorry, standard cab example (48M). Cab in red with dark green body, red jib, red plastic wheels with thick rubber tyres, complete. Post War Fire Engine (62M). In red with black mudguards and wheel arches, complete with ladder and bell, die-cast wheels with black tyres. A Post War Taxi Cab (35M), example in black and dark blue with plated wheels and black tyres. Together with an Ambulance (75M) in cream LCC livery, red crosses to roof and sides, both rear doors with latch, one door repainted, die-cast wheels with black rubber tyres. QGC-GC some age wear and denting to Ambulance. £60-80
Lot 418
A George III mahogany linen press, the shaped edge panel doors enclosing sliding trays, 187 x 130 x 63cmMultiple losses to the cornice dental decoration,Generally sun bleached adn discoloured, heavily scratched and knocked, right door is slightly unhinged and will need repairingThe drawer fronts are heavily knocked with repairs around the locksThe left short drawer escutcheon has been moved below the lockholeDamage and repairs to the bracket feetSe photos
Lot 579
late 19th or early 20th century, with pierced raised sectional back above cupboard base with two doors enclosing drawers97 x 67 x 35cmSome damage to right hand door and missing one lower drawer. Cracking to some areas of the wood or areas of re-glueing. Some kncocks and markings to the extremities. Hinges have been broken and loose. Splits and some cracking to drawers.
Lot 1291
A vintage medium oak Old Charm court cupboard with Gothic style metal drop down handles & hinges. Triple cupboard base with interior shelf and 2 drawers above. Upper section has a 2 door cupboard with slanted sides, linen fold detail to cupboard doors and large turned acorn shaped columns. Some water staining to base. Approx. 133.5cm tall x 127cm long.
Lot 1292
A mid century CWS Ltd dark wood court cupboard. 2 door cupboard to base with interior shelf and 2 drawers above; 1 a baize lined cutlery drawer. Leaded glass panels to 2 cupboard doors in top. With linen fold and carved detail. Some areas where dark wood polish has lifted. Approx. 142cm tall x 126cm long.
Lot 2286a
An early 20th Century mahogany tabernacle cabinet on stand, concealed drawer to frieze above a single door enclosing fitted shelf, flanked by two pillars and four drawers to either side, above two long drawers with brass ring handles, turned supports, stretcher to base, approx 122cm high x 90cm wide x 46.5cm deep
Lot 37
GONZALO BILBAO MARTÍNEZ (Seville, 1860 - Madrid, 1938).Untitled.Oil on canvas.Attached certificate issued by Don Gerardo Pérez Calero.It has damages in the frame.Stamp on the back.Signed in the lower right corner.Measurements: 40 x 32,5 cm; 52 x 43,5 cm (frame).In this work the artist depicts a picturesque corner consisting of a vaulted midá or fountain of ablutions, covered on the outside with whitish-blue tiles and situated at the open door of an oratory or mosque. It should be noted that Bilbao spent several years in Morocco, visiting Tangiers and other cities, the result of which is the series he produced at that time in which he evokes the aesthetics of Orientalism.Gonzalo Bilbao took up drawing as a child and in 1880 he began his career as a painter. Around this time he travelled to Italy and France with Jiménez de Aranda. In Rome he worked with the painter José Villegas Cordero, and travelled around the various Italian capitals, painting urban and rural views until his return to Spain in 1884. In the following years he visited Rome again, travelled around Spain and also went to Morocco, Paris and Munich. In Spain he taught painting, initially as a private tutor and, from 1903, as Jiménez de Aranda's successor at the Royal Academy of Fine Arts of Santa Isabel de Hungría in Seville. In 1904 he married and took up residence in Madrid, where he continued his teaching work at the San Fernando Academy. During his career he took part in numerous fine arts exhibitions, both national and foreign, being awarded a third medal at the Universal Exhibition of Paris (1889) and the International Exhibition of Barcelona (1891), a single medal at the Universal Exhibition of Chicago (1893), and a gold medal at the International Exhibitions of Berlin (1899), Munich (1905), Buenos Aires (1910), Santiago de Chile (1910), San Francisco (1915) and Panama (1916). He also took part in the National Fine Arts Nationals, winning second medals in 1887 and 1892, first in 1899 and 1901 and an honourable medal in 1915. A traditional painter, representative of Spanish genre painting, his pictures were colourful depictions of Andalusian life and its most popular figures, and he also painted landscapes, figures and portraits, depicting prominent figures of the time such as King Alfonso XIII and the actress Carmen Díaz. The light and vitality of his compositions bring his language closer to the Impressionist aesthetic, focusing on the essential representation of atmospheres and landscapes. Gonzalo Bilbao is represented in the Museo de Bellas Artes in Seville, where he has a room devoted entirely to his work, the Museo del Prado, the Museo Jaume Morera in Lleida and the Museo de Bellas Artes in Cordoba, among others, as well as in private collections both in Spain and abroad.
Lot 24
An early 19th century English gilt bronze mounted crackle glazed Chinese porcelain vasethe mounts in the manner of Benjamin Vulliamy (1747-1811) and Benjamin Lewis Vulliamy (1780-1853)the grey crackle glazed baluster body with a relief moulded biscuit undulating key border and scalloped girdle, the foot with a similar narrow band, the whole with applied stylised lion drop ring handles, the rim with applied flared fluted and lobed rim mounts, the foot rim mount with trellis cast border, the vase raised on an a shallow square porphyry plinth base, the vase 36.6cm high, 39cm high overall including the plinth (2)Footnotes:Benjamin Vulliamy and his son Benjamin Lewis Vulliamy (1780-1854) who traded in London as Vulliamy & Son, belonged to a family of Swiss extraction whose original business of making clocks and watches expanded rapidly during the last quarter of the 18th century due much to the entrepreneurial spirit of the senior member of the family, Benjamin. Trading from 74 Pall Mall, their surviving Ornament and Clock Books contain extensive details regarding their business practices which clearly indicate that their craftsmen were not necessarily employees of the firm, but were 'individuals or firms largely resident in London who were working independently for their own account,' (See: Furniture History, 1967, Geoffrey de Bellaigue, 'The Vulliamys and France,' pp. 45-53). Besides mechanical movements for their watches and clocks, they also designed and had made elaborate cases which incorporated porcelain figures which were supplied by William Duesbury of Derby. In addition they supplied ornamental metalwork in many guises and, as de Bellaigue remarks, 'they were prepared to supply their customers with anything from a chimney-piece to a door handle, from a piano to a button.' The Vulliamys were fully aware of current taste on the Continent and France, not only utilizing published French designs, but also copying actual French objects or their components. They are also recorded as actually purchasing works of art in Paris, either on commission or for resale, and also utilized the workshops of the Delafontaines, 'who were among the most eminent bronze manufacturers active in Paris in the beginning of the nineteenth century,' (Bellaigue, op. cit.). The Delafontaines are shown in Vulliamys' books 'as suppliers of bronze mounts, chased but not gilt, which were incorporated into candelabras, inkstands, clocks and mounted porcelain jars,' as seen on the present vases. The Vulliamys had an illustrious list of clients, including many members of the aristocracy and eminent personages, together with the patronage of the Royal Family including the Prince Regent to whom they supplied elaborate mounts, all with comparable square bases, for several Chinese porcelain vases which in the Royal Collection. These included three Chinese famille rose jardinières (RCINs 48 and 101659.1-2) and a set of four jardinières with bowls of dark blue Spode ware in imitation of Chinese porcelain (RCINs 700.1–4).For further information on this lot please visit Bonhams.com
Lot 1996
A mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch painted break-arch dial having black Roman hour numerals, subsidiary seconds and date dials to the centre, various scenes depicting the continents painted to the four corners and arch, and with gilt-brass hands, the mahogany flat-top case having canted corners to the trunk, moulded edges to the door, cross-banding to the base and an overhanging moulding to the hood, all standing on bun feet, height 213cm.
Lot 1997
A Georgian mahogany long case clock: the eight-day duration movement striking the hours on a bell, the twelve-inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials, painted decoration to the four corners and arch, and with the makers name J. Welch, Houghton to the centre, with gilt-brass hands, the mahogany curved-top case with a Gothic moulding to the trunk door and inlaid stringing either side, turned pillars to the hood and crossbanding to the base, height 204cm.* Biography James Welch is recorded as working in Houghton-le-Spring, County Durham from circa 1827 with his address at Market Place in 1841, Quality Hill in 1847 and Nesham Place in 1855.* Notes Reference Keith Bates Clockmakers of Northumberland and Durham Pub. Pendulum Publications 1980.
Lot 2004
A George III mahogany longcase clock with Father Time automata: the eight-day duration movement striking the hours on a bell, the thirteen-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals, 'fleur-de-lys' half-hour markings and outer Arabic five-minute numerals, with the matted dial centre having ringed winding holes, cast-brass 'female-head' spandrels to the four corners, and brass hands, the arch having a rocking Father Time set within a round aperture, the mahogany case with fluted quartered-columns to the trunk and shaped door, the hood having a swan-neck pediment with carved wood patrae and fluted columns, the base with canted corners and standing on bracket feet, height 232cm.
Lot 2045
A late George III oak and crossbanded dresser, early 19th century and later,: the associated plate rack with moulded cornice and arcaded frieze above three shelves; the breakfront base section with a file of four drawers flanked to each side by turned spindle pilasters and a further drawer above a panel door; on shaped bracket feet; 210cm high, 168cm wide, 50cm deep
Lot 2060
A Victorian mahogany and marble topped pot cupboard, mid 19th century,: of truncated columnar form, the circular top with moulded edges, above fluted sides, a hinged door to the front, on an octagonal base, 72cm high, 38cm diameter; and a George III mahogany and sycamore strung commode, circa 1800, of rectangular form, the fitted interior with china pot, 48cm high, 58cm wide, 47cm deep
Lot 2066
A late George II or George III burr walnut and burr yew bureau bookcase, circa 1760,: of diminutive proportions; the upper section with cavetto moulded cornice above a glazed door, the pane with arched upper corners, within crossbanding, opening to shelves and three drawers within, above a candle slide; the fall front opening to a door flanked by pigeonholes and drawers, all with brass swing handles, on bracket feet; 202cm high, 78cm wide, 51cm deep
Lot 2074
A George II mahogany kneehole desk, circa 1740,: the rectangular top with moulded front and side edges; above an arrangement of eight drawers to the front around the kneehole, with door within; all with brass swing handles; above bracket feet; the ends also with brass swing handles; 79cm high, 107cm wide, 51cm deep
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